Gat out of Hell brings an end to the crazy ride that has been Saints Row IV, but while some parts of that ride take you to interesting places and let you see exciting sights, most of the trip cuts through landscapes you’ll swear you’ve traveled many times before.

The decent core combat can’t hide the fact that this is Suda51’s most ridiculous, nonsensical plot yet, and an offensive “courtship” minigame is a further black mark on the proceedings. This one may even turn off Suda’s most hardcore fans.

London 2012 has a few standouts among its 45 or so minigames, but the vast majority are far too forgettable and repetitive to keep your attention for more than a few hours.

If you’re hungry for more Game of Thrones content and can’t wait until the next season or book, then Telltale’s Game of Thrones is the perfect game to pass the time. It weaves an interesting narrative that intersects with the franchise’s main plot while still poking into unexplored corners. Unfortunately, there’s a distinct lack of any real choice, and a hugely disappointing ending leaves the story hanging on a sour note.

Akiba’s Trip: Undead and Undressed is much like the real-world electronics district of Tokyo that it attempts to re-create: Sometimes it excites you, sometimes it underwhelms you, and sometimes you just so happen to wander into that particular back-alley shop and get very, very creeped out.

Nothing new in terms of game play when dealing with the basics of the LEGO series, LEGO Harry Potter: Years 5-7 for the PS Vita is one of the more dull adventures set in a world crafted from the classic building blocks. Combine this with no multiplayer, tacked on touch controls, and the fact that the game has been available on consoles for months already, and this port is barely worth anyone's time.

A promising but not-quite-there effort from indie newcomers Spearhead Games, Tiny Brains offers decent couch co-op fun, but suffers from technical issues and some uneven design.

Gotham City might never have looked better, but Gotham Knights’ gameplay repetition and lack of length to the main narrative might deter all but the most hardcore Batman fans. Co-op adds a fun layer to all the crime fighting, and every character feels truly different from one another, even if the combat system takes some getting used to. Overall, there is a solid core here that hopefully can be built on in the future.

Assassin’s Creed Chronicles: India learned from the missteps of its predecessor, as gameplay is more varied and its colorful, vibrant levels are both pleasing to the eye and fun to interact with in most cases. Open combat is to be avoided at all costs, however, limiting how you play the game—and some of the puzzle-platforming levels drag in term of pacing.

Lienzo’s Mulaka is an equally engaging and frustrating experience. The action-adventure game excels in its efforts to teach players unfamiliar with the Tarahumara people about the community’s culture through a beautiful narrative and exploration mechanics. However, the action aspect needs to be completely overhauled, as it offers enough issues to turn off prospective players.

Easily the most disappointing Assassin’s Creed title ever. Aveline had the potential to be one of the best Assassins yet, but poor character development, simple mission design, and a far-too-short adventure left me wanting more in all the worst ways.

Like an archeological dig. Somewhere under the dirt lies the broken pieces of a fantastic game. EA and Maxis are working furiously to put Humpty Dumpty together again, but in the meantime, we have a game that’s equal parts entertaining and frustrating. Sporting a fantastic user interface, great graphics, and an interesting concept, SimCity has an astounding level of potential. But in its current state, I can’t recommend it to any but the staunchest series fans.

That Danger Zone‘s core design works is unsurprising, given that it’s been borrowed wholesale from a different series, but Three Fields has done little to build out the concept into anything worthy of a full game. You’ll enjoy what’s here well enough, but don’t expect it to last very long—or to dazzle much beyond the explosions and sparks.

It's certainly not a waste of time, but Mad Riders just has too many flaws to really justify itself as a proper racing game. Stick with whatever version of MotorStorm you currently own.

A few interesting puzzles can’t save Nero from being an overwritten, mawkish plod that runs so poorly on the Xbox One it’s tough to play without feeling sick.

Aside from some moments of classic Ratchet & Clank humor, Full Frontal Assault fails both as a tower defense game and as a means to hold fans of the franchise over until Insomniac delivers a new mainline title.

Adr1ft is a game in love with space. It finds seduction in the void, and inside the debris of a botched reach for the unknown. I’ve never before seen space above Earth portrayed by such convincing beauty in a game. Alas, it is at the service of an unbefitting journey mired by clumsy movement and contrivances more heavy-handed than the story behind the disaster.

Lucky is unrealized potential. There is always space for a new kid-friendly platformer, and Lucky’s cute and colorful world could’ve served as a great entry point for a new franchise. Sadly, poor controls, a terrible camera, and just overall lackluster gameplay leave Super Lucky’s Tale being a subpar effort not worthy of your time.

It’s easy to list all of the ways in which RPG Maker Fes is limited in terms of scope, tools, available assets, and possibilities—but it’s also hard to deny how fun it can be when you’re crafting something within the parameters of those limitations. Those looking for a deep RPG creation program will be sorely disappointing, but for players looking for a first step in that idea, or those preferring to craft something a little less grandiose, this is still an exceptionally cool—and unexpected—release on our shores.

Atelier Lydie & Suelle: The Alchemists and the Mysterious Paintings is another solid chapter in the current era of Gust’s franchise about heroines drawn to alchemy—and that’s said in both a good and a bad way. If you’ve enjoyed previous Atelier games for what they’ve been, then twins Lydie and Suelle are ready to take you on another adventure of crafting items, fighting monsters, and uncovering the secrets that hang over their homeland. However, if you’ve been hoping for some real progress or change in the Atelier formula, that recipe, sadly, remains undiscovered.

Its Beyond Good & Evil pedigree elevates it above the standard movie tie-in, but Tintin's still a bit too simplistic for hardcore adventurers.

The result is a mixed bag that suffers from pacing issues as well as a difficulty jump halfway through that many will find infuriating. Disney fans will find the story fun, even when the action becomes a slog, but others will likely lose interest midway through.

A strong start and finish to the final King Washington episode help carry what’s probably the weakest action and narrative of the entire DLC miniseries. The new bear powers are also more fun to use than the wolf and eagle powers from previous episodes, though only hardcore Assassin’s Creed fans will be totally satisfied with the experience.

ReCore has an enjoyable first few hours, but quickly hits an impassible wall of unending item collection, laboriously slow loading screens, and puzzles that are more focused on wasting the player’s time than providing a challenge.

While there’s plenty to love about the original Secret of Mana, this remake manages to kill off most the game’s charm while failing to modernize the parts of the game that actually need updating. Awkward animations, impenetrable menus, slow combat, and repeated random crashes add up to a game that, with 25 years of technological improvements under its belt, may actually be worse than the original.

Lords of Shadow 2 runs into a classic sequel problem. By trying to do more and to fix the few issues of the first game, MercurySteam actually does less and creates more problems. Despite this, they’ve still crafted a competent tale with solid core gameplay that should entertain longtime Castlevania fans, even if it’s not quite everything they’d hoped for.

At its best, Sonic Lost World delivers some of the best platforming the series has seen in years, with an intriguing fusion of classic design and innovative 3D worlds. Unfortunately, the game simply can’t maintain those temporary highs, resulting in an uneven, frustrating overall experience.

The issues, large and small, just pile up, and The Order ends up feeling like a game where plenty of manpower went into making sure it looked good—but no one bothered to check if it might actually be any fun. Outside of its admittedly superlative visuals, The Order doesn’t do a single thing well. Not one gameplay element stands out as superb—merely mediocre or substandard.

Whispering Willows offers up some interesting gameplay ideas behind its tale of a young girl communicating with spirits as she desperately searches for her father. It’s unfortunate, then, that Night Light Interactive wasn’t able to flesh out most of them, leaving its side-scrolling adventure feeling unfinished for most of the way through.

ModNation Racers: Road Trip features impressive creation tools integrated with a moderately enjoyable game. But with no online multiplayer and a single-player mode that becomes quickly frustrating, you must decide if the creative aspects are enough to keep you satisfied.

The in-game currency decision was a head scratcher, as it adds an unwelcome grinding element to much of the gameplay. If you can look past that, then there’s a decent campaign and the same addictive multiplayer Bomberman is known for sitting at this launch title’s explosive core.

Compulsion Games transformed its randomly-generated, survival game into the dystopian narrative everyone asked for, but those randomized elements are still holding We Happy Few back from reaching its full potential. The twisted tale of a society addicted to its own Joy is lost underneath an endless hunt for bobby pins and scraps of cloth.

Shortcomings that haunt the entire series remain here, but more gameplay choices and a compelling narrative make Assassin’s Creed Chronicles: Russia the strongest of the three Chronicles titles.

Looting for better gear is a trend that’s taken over gaming, but it’s never seemed as unnecessary and as cynical as it does in Tom Clancy’s Ghost Recon Breakpoint. Turning the game into an amalgamation of Wildlands and The Division, Breakpoint’s gear system ruins any immersion you may have felt in pretending to be an elite spec ops soldier. If that was the game’s only issue, it might have still been salvageable, but its predictable story, graphical infidelity, and obnoxious open world make this a failed experiment at marrying two or three different properties from the same publisher.

As usual, the gimmicks quickly become evident and tiresome, especially for folks familiar with the comic arc this game's story is based off of. However, there is some surprising polish here and you might have more fun with it than you'd expect as it is one of the few Kinect games where the controls actually work.

It’s a technically solid game, but Fuse lacks a soul; the story and character development are bland beyond belief. The gameplay is a saving grace, though, and the experience can get quite addictive when working with a few friends—but it can also become a tiresome grind when playing solo.

You’ll be fighting the camera sometimes as much as enemies, and the balance between guns and melee needs a bit more work, but most of the time, I was laughing too hard to care. The script is a love letter to Deadpool fans, so if you love the Merc with the Mouth, this game will hit your chimichanga-flavored sweet spot.

Don’t let the concept scare you off if you’re a role-playing fan. Yes, Conception II: Children of the Seven Stars does revolve around making “battle babies” with a collection of female companions, but there’s a Persona-esque addictive quality to the package, and RPG players shouldn’t be ashamed to tote this one around on the bus or plane.

The potential for the WWE franchise on the new generation of consoles is clear, but WWE 2K15 badly botches its new career mode and lacks many of the features players have come to expect from the series. A couple of added in-ring wrinkles, such as the new grappling system and a revamped stamina bar, show some promise, and the chance to relive the now-departed CM Punk’s rivalry with John Cena in 2K Showcase is a nice touch, but players expected more from the creative fusion of Visual Concepts and Yuke’s.

Sixty Second Shooter Prime is a great throwback to the arcade machines of yesteryear, but it lacks the depth and difficulty needed for an old-school twin-stick shooter to appeal to most modern gamers.

Medieval Moves: Deadmund's Quest has a wonderful concept, but like so many motion-controlled games before it, this one's subject to a poorly implemented gimmick-it would've been much more enjoyable with both a regular controller and an open world instead.

The controls took a surprising step back and there were too many puzzles that required Tails' assistance for my liking. If you can get past these though, there is a solid Sonic adventure here at its core that's worth taking a look at for long-time fans.

Godfall’s sluggish, overly complicated combat, hilariously paper-thin story, and numerous technical issues make it a lowlight of the PlayStation 5’s launch lineup.

Younger gamers out there may not see the appeal, but this nostalgia-driven collection is a must have for gamers who remember placing quarters on cabinets to call next game.

Despite delivering an impressive playground that captures the spirit of America, The Crew struggles to build out a worthwhile game experience around it, resorting to frustrating missions, insipid storytelling, and off-putting microtransactions.

A waste of potential, Batman: Arkham Origins Blackgate is a broken, boring game and a stain on the Metroidvania genre. Its positives are few and far between, buried under a mountain of glitches, tedious gameplay, and poor level design.

Ragnarok Odyssey ACE tries its best to salvage last year’s disappointing Vita-only action-RPG with a few new gameplay mechanics and expanded content, but the minor fixes can’t come close to patching the fundamentally boring core.

Need for Speed Payback might be a new low point for the franchise. A horrendous progression system compounded by uninteresting characters and terrible AI only illustrates how far behind this series has fallen compared to the other arcade racers out there. The multiplayer is solid, but that’s like saying at least the car wreck didn’t cause a fire, too.

A great story that Fable fans will absolutely eat up, but some long stretches of lonely road keep this from being an absolute must-have for every Kinect owner.

WarioWare fans have been waiting more than three years for the next proper entry in the series—and they’ll still be waiting after Game & Wario. This collection of minigames designed specifically for the Wii U doesn’t have the same style and panache of a regular WarioWare entry, but several entries do manage to re-create at least some of that classic magic.

Instead of making a case as to why you need a Kinect, Kinect Sports Rivals shows that the peripheral—and most games revolving around it—still have a long way to come.

Rory McIlroy PGA Tour plays better in many ways than when Tiger Woods graced the cover, but the removal of so many modes and continuous shortcomings with the short game make this a disappointing debut on new-gen hardware.

A great idea that falls apart in the implementation. It’s a deeply promising game that dies by a thousand small cuts and a handful of big ones. Still, Trion has built a solid foundation, and they’ve made it clear that they’re in this for the long haul, dedicated to growing and improving the game over time. And, you know, I genuinely hope they pull it off.

For those who enjoy a simple hack-n-slash game, Ryse: Son of Rome fits the bill. This is no deep adventure, but rather a chance to burn your aggression by chopping your way through hundreds of barbarians, slowing only to enjoy the carnage during the brutal executions. Still, the stunning visuals and compelling setting will keep some gamers engaged throughout, making Ryse a flawed-but-interesting addition to the Xbox One launch lineup.

Crackdown 3 is just more Crackdown. For some players, that will be enough. But compared to what Crackdown 3 initially promised, what we ended up with seems lacking in depth and destruction. When it’s good, like with its boss fights, there’s nothing like it. Unfortunately, there’s just too much filler, and with its most exciting feature demoted to a fairly minor multiplayer mode, Crackdown 3 just isn’t the step forward that it could have been.

As a farewell to the characters and settings of the original Corpse Party, Corpse Party: Blood Drive is a flawed, frustrating adventure that strays too far from what made its predecessor so beloved. And yet, at times, it still shows signs of brilliance—enough that at least hardcore fans of the franchise can find joy amongst the relentless torture.

With a confusing and frustrating jumping-off point, it may be hard to break into Metal Gear Survive. Those that manage to stick around, however, should expect to find something worth surviving for.

Sing Party flounders between niches, with too little depth to make for a decent music game and too few songs to serve as a replacement for an actual karaoke machine.

The overall journey drags on in mind-numbing fashion, until you just wish someone would drop a giant Pokéball on your head and end it all.

Chibi-Robo! Zip Lash takes Nintendo’s adorable mini helper robot and throws him into a mediocre side-scrolling platformer that’s too easy, too frustrating, and too below the standards of either its hero or its publisher. There’s some good here, but it’s not enough to raise this one above being an average experience.

This is a great story and new character, but he should have just been included in the game in the first place, not a $10 Day 1 add-on.

NBA Live has had a tough time escaping the shadow of NBA 2K—and that trend continues with NBA Live 15, which doesn’t deliver believable player movement, shooting, or gameplay flow. The “Big Moments” mode shows the potential that the series might be able to execute in the coming years, but right now, it’s like a .500 team trying to compete with a playoff juggernaut.

Contrast offers one of the most interesting gameplay gimmicks in recent memory, but the lack of engaging puzzles and interesting levels prevent the concept from being put to good use.

NBA Live 16 takes a small baby step forward with the franchise, but there are still core gameplay elements that need to be smoothed out before it can be a championship caliber game.

If not for its uninspired design and lack of effort in the storytelling, One Punch Man: A Hero Nobody Knows might have actually been a good game. Oddly for a fighting game, it focuses almost entirely on its single-player, often to its detriment. But if you can look past the repetitive structure and the uneven pacing, there’s actually some fun combat to be found, and its multiplayer meta is surprisingly addictive.

The new physics system, presentation elements, and graphics are definitely a step forward for the franchise, but the wholesale removal or scaling back of so many modes leaves you wondering how such a great series could struggle so mightily with the console transition.

With solid single-player and outstanding co-op play, the game will provide about 25 hours of exploration during the first playthrough. Wield the power of paint and thinner and choose your path. But remember, choices have their consequences.

While a welcome break from the tired retreadings that define most games, Murdered: Soul Suspect finds itself in a precarious place where narrative value, above all else, is of chief importance. But while the deadlike denizens of Salem might sound right for this sort of game, the absence of compelling characters keeps what’s otherwise an interesting idea from landing any staying power.

Entwined spins a single passable mechanic into an overlong (but still quite short) experience with absolutely none of the emotional heft or art-game cred it feigns having.

If you’re looking for a fun way to spend a few hours on the cheap, then God Mode is a decent investment. The gameplay is solid, and there are plenty of little extras to keep things fun and interesting—though the meager selection of maps means there’s a good chance the game will become stale after a few hours.

Way of the Samurai 4 is a goofy, glorious romp through post-isolationist Japan, and it's about as fun and accessible as the series has ever been. While some bugs and graphical issues may sour the experience at times, that shouldn't prevent newcomers from giving the series a shot.

Holds some legitimate moments of brilliance, and the game shines when it comes to character development and storytelling. Unfortunately, Lost Planet 3 then ends up sabotaging itself with gameplay so dull or tedious at times that it can’t begin to support the weight of its ambitions.

In trying to break free of Tomonobu Itagaki's considerable shadow, Team Ninja crafts a tepid take on Ninja Gaiden that satisfies no one.

While Marvel Heroes does some nice things, the Marvel license isn’t enough to cover up glaring technical and design flaws. As much as I wanted to like this game, I can’t recommend something that is, at its core, broken. In the end, you get what you pay for (or less, if you actually invested in this).

In trying to break free of Tomonobu Itagaki's considerable shadow, Team Ninja crafts a tepid take on Ninja Gaiden that satisfies no one.

Sonic Forces mashes together everything from Sonic’s history, from 2D/3D mechanics to over-the-top action spectacle pieces. The new customizable hero feature breathes fresh life into the franchise, but the 3D gameplay it uses overpowers the game’s attempt to combine what has made the different eras of Sonic work.

Newcomers to the franchise will likely be more forgiving of many flaws, much like many of us were with the first Dead Island, considering the fun zombie-bashing core and unique dichotomy of an apocalypse in paradise has remained intact. Veterans of the first Dead Island, on the other hand, will feel cheated, as they’ll recognize the cheap carbon copy that Riptide actually is. Combine this with glitches galore and a plot with more holes in it than the sinking ship the game starts off on, and it’s hard to recommend Riptide to all but the most naïve of zombie enthusiasts.

Cyberpunk 2077’s bugs and technical issues certainly hold it back, and with any luck those will be fixed in the coming months. But it’s more difficult to imagine CD Projekt Red doing enough to resolve the deeper problems: awkwardly balanced systems, storytelling misfires, and an inability to merge its open-world action and RPG gameplay into something smooth and cohesive.

What should've been a fun collection of minigames showing off the Vita's capabilities ended up a completely unappealing tech demo. There isn't enough game here to justify the price.

Jump Force is the kind of game that would usually just come and go due to how unimpressive and flawed of an effort it is, and it’s more than likely that that’s exactly what it is going to do. And yet, buried beneath all of the bad is some honest amount of good. It’s almost a shame that Jump Force wasn’t more of a mess in everything other than its 3-vs-3 fights, because the game would be a whole lot more enjoyable if we were able to laugh at its terribleness more often.

At its basics, Date Night Bowling provides some decent bowling gameplay mixed in with the twist of trying to win over a date before the end of the 10th frame. As a concept, however, the game totally fails to capitalize on the thrill of trying to get strikes on the lane while not striking out romantically. There’s so much more that could and should have been done with the game at every level, leaving an experience that’ll keep you entertained in short bursts but wanting more in the long run.

Inversion won't win any awards for innovation, but once you push past the rubble and get into the meat of the experience, it's built on a surprisingly strong foundation that gets more right than wrong-more than I can say for several of this year's more polished action titles.

Old Time Hockey is more style than substance. Its heart was in the right place, but shoddy controls, glitches, and poor gameplay design make this an arcade-style game hockey fans just don’t need in their lives.

On a superficial level, Predator: Hunting Grounds succeeds at translating elements of the original 1987 movie into a four-on-one multiplayer game, and the matchups are occasionally tense and thrilling. But shoddy game balance, sloppy design, frequent bugs, and significant technical shortcomings squander most of the potential.

This is not the Kinect game you've been looking for. A cute array of mini-games and a decent length main campaign could make this a fun party game with a Star Wars theme, but if you were looking to finally feel like a Jedi, you might want to stick to the bathrobe and flashlight a little while longer.

Beyond the creative art style's unique take on Fable III's Albion and seeing everyone's favorite characters return in puppet form, the downright boring and uninspired game play keeps this from being worth anyone's time.

Mighty No. 9 has a strong gameplay core that isn’t better or worse than Mega Man—it’s just different. The further the game deviates from that core, however, the worse it becomes.

Another misstep with the TMNT franchise leaves me wondering if anyone will ever make a good Turtles game again. As is, Mutants in Manhattan works, but it’s just terribly boring.

Anthem is a beautiful car that is an absolute joy to drive, but so far, it only has enough gas to get you a couple miles. Also, the wheels will periodically fall off. Sold as a live-service game, fans of Anthem’s exhilarating gameplay have to hold out hope that things will improve, but there’s no denying the initial expedition was rough.

Knack, while conceptually interesting, never rises above being an OK platformer without any real positive memorable aspects, but plenty of frustrating ones. If you’ve ever wondered what a tech demo turned into a full-fledged game would be like, Knack is—or very much feels—like that.

Cleverly designed combat may make up for the general content deficiency and lackluster story, but those interested should definitely do their research before diving in.

The core gameplay mechanics in The Devil’s Cartel seldom fall short of base competency, but they never really rise above it, either. With almost no combat variety, wonky cover mechanics, and cringe-worthy writing, it’s the sort of mindless, throwaway shooter you’ll have forgotten a half-hour after the credits roll.

The vile, scheming, cursing Metallia might be too intense a main character for some, and the combat is more serviceable than outstanding, but Nippon Ichi fans who’ve felt a lack of innovation in some of the twisted Japanese developer’s more recent fare should find a refreshing change of pace here.

Where the original Hyperdimension Neptunia showed so much potential, its sequel falls flat on its face in most ways.

Battle of Z had a lot of potential, but like so many DBZ games before it, it fails to capture the opportunity. The unnecessary amount of grinding required to progress through a story we’ve seen a dozen times before overshadows the decent combat.

For every great thing Bound by Flame does, it messes up critical gameplay components like the combat. There’s this sense that the game can’t get out of its own way, and only die-hard high-fantasy fans that aren’t afraid of getting torched by a budget title should check this one out.

While its refreshing combat offers a different kind of strategy-RPG challenge, some ridiculously punitive design decisions sabotage a good deal of the potential fun in Natural Doctrine. Considering the experienced pedigree of the developers involved—they count Patapon among their previous works—that’s simply inexcusable.

A heavy dose of randomness coupled with a lack of permanent progression makes Has-Been Heroes a chore to keep playing. Though there’s a good strategy idea buried in its multi-lane gameplay, the high-risk, no-reward setup isn’t satisfying enough to make up for its otherwise mediocre aspects. Coupled with repetitive enemies, forgettable assets, and bizarre controls, Has-Been Heroes is a game that can go right back into retirement.