Pentiment is a true achievement of marrying story, style, and theme into a magical and cohesive whole. In lieu of 3D graphics that try too hard and still fail to represent an authentic-feeling world, Obsidian’s artists opted for a more illustrative aesthetic to tell their gripping story of a murder in an abbey, a choice that resonates throughout the entire game. While it might not satisfy every player, especially those expecting a more traditional RPG or adventure experience, those who can immerse themselves in Pentiment’s vision of 16th century Bavaria will find one of the best games of the year.

God of War Ragnarök is a worthy continuation of (and conclusion to) 2018’s God of War, building on that already strong foundation to deliver an experience deserving of a spot in gaming’s pantheon. New tools and greater enemy variety elevate combat, and the expanded environments and cast give this sequel the epic scope its story demands. But the beating heart of the game remains its characters, and Ragnarök delivers an immensely satisfying next chapter for just about everyone—Kratos and Atreus, returning friends, and new faces alike.

Even if you haven’t played the first game in the series, Mario + Rabbids Sparks of Hope is a great introduction to a certain type of strategy game, iterating on a now-familiar formula with a readable, predictable approach to combat and some fun innovations in character movement. It knows where to streamline without sacrificing depth, all while starring mascots that fans know and love. Its exploration elements might slow the pace a bit too much, but you won’t mind too much thanks to the gorgeous art direction.

Siblings Amicia and Hugo went to hell and back in A Plague Tale: Innocence in their quest to survive an inquisition, endless hordes of rats, and the humans that looked to take advantage of the young boy’s curse. And now, in A Plague Tale: Requiem, they must pay the devil his due. This is the tale of the duo wanting to control their own fate as the fragile peace they had found falls apart, and the harsh lesson that their choices have consequences. As a game, Requiem is a bigger, better, and more ambitious adventure over its predecessor, but as a story, and a look into the lives of the characters that inhabit it, it’s so much more.

Scorn is a daring aesthetic experiment in virtual, interactive science fiction. Taking inspiration from the art of H.R. Giger and Zdzislaw Beksiński, developer Ebb Software seems hellbent on giving its players a surreal, nightmarish experience, and it mostly succeeds. While combat can feel like a secondary concern, Scorn’s puzzles provide just enough challenge to keep the game from feeling like a “walking simulator.” Really, though, the main attraction is Scorn’s compelling world, a fully realized artistic vision that will haunt you for days after experiencing it.

Taiko no Tatsujin: Rhythm Festival is a solid new entry in Bandai Namco’s rhythm game franchise, offering a roster of fresh music to enjoy, some creative new game modes, and more unlockables to have fun collecting. The game doesn’t offer as many multiplayer options as its predecessor did, but does feature more to keep solo players occupied. Rhythm Festival also offers what is arguably the biggest addition the franchise has ever seen, the Taiko Music Pass—a new music subscription service that can greatly expand the life of the game while also bringing with it some additional concerns over our subscription-laiden future.

Shovel Knight Dig isn’t just a cash-in on the series’ popularity. It’s a game that stands on its own merits as a worthy prequel to the original. The titular hero’s moveset translates perfectly to a more vertical orientation, and Nitrome’s bite-sized level design makes full use of Yacht Club’s well-established gameplay style. The 16-bit-style visuals and music are an absolute treat, especially for fans of the series, and the roguelike elements present a nice sense of progression and replayability. Shovel Knight Dig might not be the exact sequel that fans have been clamoring for, but it’s the next best thing.

Steelrising is a new Souls-like twist on the French Revolution that unfortunately doesn’t see all of its lofty ambitions grow into accomplishments. While its gameplay is enjoyable once you get far enough to earn some unlocks and get main character Aegis more decked out, it tries to mimic elements of FromSoftware’s action RPG classics without always understanding what made said elements work. When Spiders leans less on taking inspiration from other games and more on presenting its own ideas, we get an intriguing—and surprisingly deep—alternate take on an important moment in France’s history.

Sure, this might be the third time that Naughty Dog has released The Last of Us, but it’s also the most fully realized version. The enhanced visuals and animation bring Joel and Ellie’s story to life in a way that was previously unimaginable, and the gameplay still holds up, despite not totally catching up to Part II. Whether or not you want to pay to play the same story for a third time is up to you, but that won’t change the fact that it’s better than it’s ever been.

Immortality finds creator Sam Barlow building on the found-footage FMV framework of Her Story and Telling Lies in ambitious and surprising new ways. That boldness pays off in the frame-shifting narrative, which encompasses three meticulously crafted feature films, their creation, and the sinister truth of what happened to the woman who starred in them. But the “match cut” system you use to navigate between clips and discover new ones means the actual process of piecing together the story is messier and less satisfying than in his previous work.

Cult of the Lamb is two games in one. Part roguelike, part management sim, neither of the halves feel totally fleshed out on their own, and provide little challenge. Still, the synergy between the two halves is undeniably compelling, and the art style is infectiously adorable, giving you enough reason to play through one more in-game day, and then one more, until you’ve been awake for an entire out-of-game day, feeling totally brainwashed.

Stray does a great job at letting you act like a cat, turning a wide range of true-to-life feline behaviors into clever gameplay mechanics. But it’s much less successful at making you truly feel like a cat, as the game’s more conventional approach to its gameplay and story routinely shatters your immersion in odd ways. If you can suspend your disbelief and look past the missed opportunity of a more cohesive experience, however, there’s a lot to like in its moody cyberpunk world and varied challenges.

As Dusk Falls is exciting, beautiful, and heavy-handed. Its more streamlined approach to narrative gameplay and its less traditional art style create an immersive experience that engages with the player’s imagination. That it can work both as a morally challenging single-player story and a party game for multiple players speaks to the confidence that its developers have. But its second half of the story undercuts some of the tension that its excellent first half builds, and a terrible cliffhanger might leave you feeling betrayed.

Escape Academy is an exceptionally well designed puzzle game, if not a flawlessly executed one. Developer Coin Crew Games has replicated the creativity and fine-tuned challenge of the best real-world escape rooms while amping up the fantasy and stakes in a way only video games can. But the studio’s inexperience rears its head when it comes to polish, with stiff console controls being the most obvious knock on an otherwise great experience.

With this third of Tengo Project’s revivals of classic 16-bit Natsume releases, the team has certainly saved the best for last. Pocky & Rocky Reshrined takes what was already a fantastic run ’n gun experience, and expands, enhances, and improves pretty much all of the original Pocky & Rocky’s components to masterful degrees. From its stunning graphics, to its rich gameplay, to its fleshed out cast of interesting characters, Reshrined makes its predecessor proud while also introducing an all new generation of players to a core game that’s still just as worth playing today as it was 30 years ago.

Teenage Mutant Ninja Turtles: Shredder’s Revenge looks to bring back the glory days of Konami’s side-scrolling arcade beat ’em ups and home hits based on everyone’s favorite young green ninjas. In its visuals and gameplay, Dotemu and Tribute Games have not only matched those retro classics that they’re paying homage to here, but perhaps even surpassed them. Sadly, this trip through time is somewhat marred by inconsistent audio and an Arcade mode that feels more like a slog than a thrill.

Sniper Elite 5 is the best game in the series so far. Its intricately designed levels, deep weapon customization system, and satisfying gameplay offer hours upon hours of entertaining ways to kill Nazis. After five games, the game’s story and character development still feel too underdeveloped, making every mission blend together in an unending series of contextless kill cams and gravelly voiced one-liners, but if you don’t care about any of that then you will still find a lot to enjoy.

Lego Star Wars: The Skywalker Saga is an ambitious game that brings all nine numbered Star Wars movies together for the first time. Filled with story and side missions, large open hubs, minigames, and literally hundreds of characters to unlock, Skywalker Saga hits nearly every beat while maintaining the brick-smashing, object-building, puzzle-solving action the Lego games are known for. Filled with irreverent humor and little Easter eggs around every corner, this game is the perfect way to revisit everyone’s favorite sci-fi family saga.

Kirby and the Forgotten Land does pretty much everything it needs to as the pink puffball’s first 3D adventure. Clever level design and the appropriately named Mouthful Mode show that Kirby’s floating, sucking ways can work in a 3D space. Forgotten Land might not reach the highest heights of Nintendo’s other first-party adventures, but it definitely shows that Kirby can hold his own in a three-dimensional arena.

Ghostwire: Tokyo offered Japanese developer Tango Gameworks a chance to mix things up after the first two The Evil Within games, and the result is an open-world action adventure that definitely has its moments. Unfortunately, those moments come together with some missed potential and a lack of truly fleshing out all of the ideas presented. In the end, Ghostwire: Tokyo is a good game—but one that could have been something more.

From its humble beginnings as a weird, brutally difficult new project that even its publisher had little faith in, the Souls series has grown into a vessel through which FromSoftware has helped change how we look at, and play, video games. And now, Elden Ring does the same for the Souls series itself. Years of gameplay refinements and revisions blend together with major franchise shifts such as the move to an open world and giving players far more freedom in how they set about saving said world. The result is a title that goes beyond anything Hidetaka Miyazaki and his team have given us before, both as a game and as an experience.

Horizon Forbidden West builds upon the formula of the first game in smart (if not always revolutionary) ways to craft an even stronger open-world experience. The stunning visuals make for a great showpiece of what Sony’s first-party studios can accomplish on PlayStation 5, with gameplay that holds up its end of the bargain. Unfortunately, storytelling missteps and a lack of polish keep Aloy’s latest adventure just shy of joining the all-time greats.

About An Elf is a game about an elf who wants to bring about the elftopia. It’s about Princess Dam, who may or may not be a psychopath, and it’s about a cat who wants to have half-cat, half-elf babies, and about another elf who pays Dam gummy bears to tell her stupid stories. It’s about going on an adventure to fantastical places and facing off against monstrous foes, and it’s about figuring out at times overly obscure video puzzles in order to beat those foes. It’s a story about love, and loss, and hope. And, in the end, About An Elf is about five to six hours long.

Halo Infinite handles the burden of the franchise’s long history gracefully. At times, as with the campaign’s story, it can feel like developer 343 Industries is weighed down by Master Chief’s Mjolnir armor. But Infinite’s bolder design choices, like its open-world environment and Grappleshot, make it feel exciting and new. The multiplayer might play it a little safe to appease longtime fans, but if the worst thing you can say about it is that it feels like old-school Halo, then it’s doing something right. It’s Halo made for Halo fans, but there’s enough novelty to keep it feeling fresh.

Danganronpa Decadence finally brings Spike Chunsoft’s amazing murder mystery series to the Nintendo Switch, accompanied by an all-new bonus game, Danganronpa S: Ultimate Summer Camp. While the latter is fun on a shallower level, the Danganronpa games remain engrossing and engaging experiences that are just as good today as they were back when they originally saw release on the Vita. Well, almost as good, as the ports we get here see reduced visuals or performance at times due to (seemingly) being based on the previous mobile releases.

Blue Reflection: Second Light is a perfect example of judging a game on what it tried to be, and not what it isn’t. While it pales in comparison to other blockbuster Japanese role-playing games, and remains constrained by the long-standing limitations of its developer, it is an enjoyable and engrossing adventure when taken for what it is: a mid-tier RPG that brings together a group of fleshed-out characters who are trying to improve both their lives and their world. Coming off the original Blue Reflection, Second Light genuinely advances the franchise both in terms of storytelling and gameplay, offering an even better experience to those looking for this sort of game.

Battlefield 2042 brings the sandbox back to the series in bold and controversial ways. The new Specialist system might seem like sacrilege at first, but it opens up gameplay opportunities that weren’t possible in previous titles. The massive, well-designed maps offer plenty of room for experimentation and emergent stories, and the modes are a blast. And that’s just All-Out Warfare. Between that, Hazard Zone, and the expansive Battlefield Portal, Battlefield 2042 has something for everyone, without feeling like it’s stretched too thin. It’s a true evolution of the series, one that pushes back against a stagnation that threatened the series’ future. It won’t be for everyone, but for players who crave imagination and fun from their Battlefields, it will give them everything that they crave and more.

Shin Megami Tensei V is the Japanese RPG equivalent of mid-century modern design, as the classic style and attitude of the series gets enhanced by—but never replaced with—simpler and sleeker refinements and modernizations. In a moment when Atlus could have given Persona’s sibling series a more market-friendly makeover, the company has instead given us a game that’s as weird, punishing, and mysterious as any previous SMT release that came before. As a longtime fan who wasn’t sure if the team at Atlus still had games like this in them, Shin Megami Tensei V is shockingly satisfying—well, as long as you don’t ask too much of its characters or story.

Forza Horizon 5 delivers everything that made the last game enjoyable on a map that’s more fun to drive with a lot more visual diversity. While the changes and additions are largely incremental—especially when it comes to the core game experience—what’s here is good enough to warrant a recommendation for fans of the series or racing enthusiasts who’ve been meaning to try it out.

Metroid Dread is a superb mix of action and exploration that brings Nintendo’s classic series into the modern era in a way that feels like a new beginning even as it positions itself as an end to a 35-year saga. Samus, her abilities, and the challenges she faces have changed and expanded over time, but the excitement and satisfaction her adventures provide continue to this day.

Marvel’s Guardians of the Galaxy may not be able to quite match the humor of James Gunn’s MCU films, but it’s packed with plenty of personality and decently fun (if not groundbreaking) combat. To its great credit, Eidos-Montréal’s story-driven approach always keeps the focus on its ragtag team of heroes, making for a worthwhile and memorable trip to the Cosmic Marvel universe.

Back 4 Blood certainly improves upon the gameplay formula of Turtle Rock’s earlier Left 4 Dead, with a deeper feature set that allows for greater strategy and customization while fending off Hordes of the undead. But the world of the game and its characters lack the charm of its spiritual forebear, and a few curious design choices keep it just shy of greatness.

Hell Let Loose is one of the most unique and fulfilling first-person shooter experiences that a console player can have. Its deep strategy metagame and intricate mechanics can be intimidating to new players, but if you stick with it and give it the time it needs, Hell Let Loose will reward you with emergent and unforgettable moments.

Alan Wake Remastered does what a good remaster should. It honors the original game’s artistic direction while enhancing it with modern technology, specifically in the form of volumetric lighting. Its lack of American Nightmare as part of the package is disappointing to say the least, but fans of Remedy’s current work would do well to take a trip to Bright Falls, whether they’re returning or visiting for the first time.

Bandai Namco promised that “now is the time for change,” and Tales of Arise legitimately feels like a game that’s trying to bring change to Japanese RPGs. It’s strong characters, epic story, engrossing battle system, and lush visuals are only marred by a disappointing final act, and those areas of the game where the team refused to let go of outdated ideas and conventions. If the Tales team can find it in themselves to push things just a little further, then this might truly be the spark that sets off a revolution in a genre that’s needed a regime change for so long now.

Deathloop layers a refined take on Arkane’s signature mix of ability-driven action and stealth onto a time-looping premise, and the result is one of most memorable games of recent years. While many of the pieces may be familiar, the combination is fresh and full of surprises.

Space Invaders Invincible Collection certainly isn’t the collection it could have been, and definitely isn’t a collection for everyone, but it is still a great look back at the Space Invaders franchise for those interested in such a thing.

No More Heroes III brings back gaming’s favorite passing assassin in a bombastic way, with the kind of inventive, fourth wall-breaking presentation one might expect. It’s flashier, bolder, and even funnier than its predecessors, and the gameplay feels just slightly modernized without sacrificing any of the series’ charm. The pacing might seem a bit halted in some places, and it could have worked best as a capstone to the series, but it’s clear that creator Suda51 and the rest of the designers are just as passionate about the Garden of Madness as ever.

Psychonauts 2 recaptures the humor, heart, and much of the creative magic of the original game, with modern refinements that make it more pleasant to play. While the combat still feels a bit clunky and outdated compared to the rest of the game, fans of the original will no doubt delight in revisiting old friends and making new ones in this charming adventure.

Twelve Minutes fully embraces its time loop conceit to amp up tension and provide players with a cleverly directed puzzle to solve. Discovering the whos and whys of the game’s central event in bite-sized increments is just as satisfying as interacting with its simple adventure-style interface. Its A-list casting and unanswered plot elements might distract from the overall package, but at its core, Twelve Minutes is a satisfying thriller that asks some dark and disturbing moral questions.

Players coming in fresh to Neo: The World Ends with You might have a 14-year history to contend with, but that won’t stop them from falling in love with Shibuya. Whether it’s the complex and likable characters, the wickedly twisting storyline, or the frenetic yet strategic combat system, the long-awaited sequel has a lot to offer fans of action RPGs and the cult-classic series alike. Whether it was worth the wait depends on how long you’ve been waiting, but newcomers shouldn’t shy away from this fantastic game.

The Legend of Zelda: Skyward Sword HD improves on the original in every conceivable way. The visual and performance upgrades make it feel like a new game, and the motion controls feel much more responsive, thanks to the Switch’s Joy-Cons. But the new button controls are the biggest improvement; instead of fighting against the motion controls, players can now savor the satisfying combat and genius level design. What was once the outcast of the 3D Zelda games now stands tall as one of the best in the series.

Ratchet & Clank: Rift Apart is the first game I’ve played since the ninth-generation consoles launched that feels like a true next-gen title. Insomniac Games has done everything that it needed to do in making both a sequel to its longest-running franchise and a true next-gen exclusive. While it might not technically be a PlayStation 5 launch title, it feels like one—a real preview of the console’s capabilities. But beyond that, Rift Apart is just an absolute blast to play.

Shin Megami Tensei III: Nocturne HD Remaster brings back one of the most celebrated and beloved entries from the Megami Tensei franchise nearly 20 years after its original debut. The original Nocturne was a heck of a JRPG in its time, and Atlus has now upgraded it with higher-resolution widescreen visuals, richer vocal tracks, and some much-appreciated quality of life upgrades. Unfortunately, it also misses some areas of the game that equally needed touching up (such as the controls and camera), and it’s hard not to feel like the game deserved a full remake rather than just a remaster.

Famicom Detective Club: The Missing Heir is a captivating window not only into Nintendo’s past, but also into the past of adventure games as a whole. While it retains some of the gameplay frustrations that plagued the genre back in its earlier days, The Missing Heir offers a gripping murder mystery at its core, wrapped in video and audio upgrades that freshen up the experience for a whole new generation of would-be detectives.

Resident Evil Village expands the pared-back, first-person gameplay of Resident Evil 7 into a more ambitious and over-the-top survival horror experience. Greater variety and more mechanical depth prove that there’s a lot of potential left to explore in this new approach to the series, but some elements are a bit uneven, and you may find yourself missing the simplicity of the Baker ranch.

Returnal excellently blends third-person shooter gameplay with bullet-hell style enemies and roguelike elements to craft a fun, challenging action game that you’ll have a blast learning to master. The only real shame is that the action is yoked to a story that mistakes being vague for being smart and interesting.

New Pokémon Snap might be one of the most thoroughly pleasant games that’s come out for the Switch, if not ever. While the core gameplay is the same as it was in 1999, everything about the 2021 game is better. The environments are visual delights, the Pokémon are lovingly recreated, and the progression and pacing are just right. If the hobby of gaming has started to feel like a second or third job, then New Pokémon Snap might just be the vacation you need.

Nier Replicant remakes an under-appreciated action RPG for a new era of consoles and players, giving us another look into the beautifully bizarre mind of creator Yoko Taro. Replicant isn’t the most impressive remake on a technical or visual level, but it’s received some very welcome upgrades, such as an improved combat system. More importantly, the thing that didn’t need fixing wasn’t broken: the original’s captivating storyline and cast of characters. Everything in that regard is still here as it should be, just told through the eyes of the initially intended protagonist, and with a few pieces of originally cut content restored.

Gnosia takes the classic social game of Werewolf and transforms it into a single-player graphical adventure experience. Arguing against the computer in an attempt to determine who is the human-killing alien in your group is far more dynamic and exciting than you’d ever expect this type of game to be. Unfortunately, its compelling gameplay gets tarnished somewhat by the requirement to go through those searches so many times that their charm can wear off. Still, Gnosia’s engrossing story and fantastic cast of characters make the game’s duller moments worth getting through in the end.

Ghosts ‘n Goblins Resurrection marks the return of Capcom’s brutally challenging action platformer series after a 14-year hiatus, and it’s a game that hasn’t forgotten the teachings or techniques of its ancestors. While it’s more of a “best of” for the series than a fresh new chapter, Resurrection is both a trip down memory lane, and a new experience that’ll test both longtime fans and players alike. It probably won’t resurrect the Ghosts ‘n Goblins franchise for a new era, but at least it reminds us that both Arthur and his enemies aren’t ready for the grave quite yet.

Super Mario 3D World + Bowser’s Fury is the Wii U port that Switch owners have been waiting for. Besides the inclusion of online multiplayer, 3D World is the same good game that players already experienced on the Wii U, and fans of the series who missed it the first time around will enjoy its hybridization of 2D and 3D Mario gameplay. But the highlight of the package is Bowser’s Fury, a scaled-down but surprisingly robust mini 3D Mario game that actually takes some chances.

The Medium builds upon a lot of gameplay gimmicks and ideas that aren’t always used to their full potential, but when they do work, they work incredibly well. Controlling main character Marianne as she jumps between worlds is both engrossing and exciting in practice, and the game’s main location serves its job as a setting for horror masterfully most of the time. This is a game that definitely could have been better—but which is also better than a lot of other horror games that don’t take such daring risks.

Hitman 3 is a fantastic capstone to a standout series. Yes, a lot of what you experience will seem familiar if you’ve played the last two games, but IO Interactive continues to take interesting risks that largely play off while still perfecting the elements that make Hitman so special. The best compliment I can pay Hitman 3 is that I want to finish writing this review so I can go back to playing it.

While the idea of a Western studio completely reworking what is arguably FromSoftware’s most important title ever was initially worrying for many fans, what Bluepoint Games has accomplished with Demon’s Souls is something special. This is a game that honors its origins without being afraid to also modernize them, and though it might not offer enough modernization for some, this is probably the best balance between keeping what works and upgrading what didn’t that we could have gotten.

Ultimately, I’m not sure if Sackboy: A Big Adventure will go down as the most memorable title in the PlayStation 5’s lineup. (Indeed, it’s also available on the PS4, though I can’t speak to that version at all.) I’m also skeptical the realignment away from LittleBigPlanet will help Sackboy join the likes of Mario and Sonic as true platforming icons. But there’s no question fans of the genre will find a lot to love here—and plenty of it.

Hyrule Warriors: Age of Calamity ingeniously translates The Legend of Zelda: Breath of the Wild’s world, style, and gameplay into the Warriors formula, and fans of both series will be extremely satisfied with how both are reimagined here. But if you were expecting a more straightforward prequel that truly mined the tragedy of the war against Calamity Ganon, instead of relying on tired tropes like time travel, you might be left a little shell-shocked.

Don’t be fooled into thinking Marvel’s Spider-Man: Miles Morales is some minor spin-off of Insomniac Games’ PS4 exclusive. Sure, it’s not as long, but the experience is packed with enough new gameplay ideas and design refinements that it feels every bit like a true, substantial successor. Throw in a story that does justice to Miles as a character and tech that wonderfully showcases the power of the PlayStation 5, and you just might have one of the best console launch titles of the modern era.

While many may initially see it as a throwaway free demo for the features of the next-generation console it comes installed on, Astro’s Playroom is a wonderful surprise whose price does not speak to its quality. Though it certainly does showcase what the PlayStation 5’s new DualSense can do, the game actually has far more value being just that: a game.

Watch Dogs: Legion pushes through Ubisoft’s generally noncommittal attitude towards storytelling and exploiting current events to create something that feels like a genuine shift, or at least the prototype of that shift. It might be a sloppy game in many regards, but Legion offers a novel way to experience an open world, with its interconnected NPCs and the introduction of permadeath to the genre.

Mafia: Definitive Edition is the best of both worlds. Its updated graphics bring Lost Heaven and its inhabitants to life without burdening them with modern game design elements. While the characters themselves haven’t aged as well, Mafia: Definitive Edition, though based on a game that’s nearly 20 years old, feels more refreshing than most open-world games.

13 Sentinels: Aegis Rim is easily the most ambitious and stylish project from a studio long known for ambition and style. The mix of dialogue-heavy adventure gaming and real-time strategic battles is never boring, but it can often get weighed down by complicated storylines and endless plot twists. Had it packed a simpler yet stronger punch, 13 Sentinels could have been a contender for greatness.

Spelunky 2 rests on the laurels of its predecessor, and that’s not necessarily a bad thing. It still retains all of the gameplay mechanics and level design that made the original such a satisfying experience. But as a sequel, Spelunky 2 feels a little too scared to expand its horizons. For a game that’s all about taking risks, Spelunky 2 is surprisingly risk-averse.

Tell Me Why might be smaller in scope and less mechanically complex than Dontnod’s Life is Strange series, but it’s just as emotionally impactful. It’s a compelling story with relatable, complex characters, and yet another example of Dontnod’s unbeaten ability to make players feel something, anything, in a medium that’s increasingly more mind-numbing.

Presently, what we have is a fantastic golf game, and that’s good enough for now.

Samurai Shodown NeoGeo Collection has most of what it takes to be a definitive collection of SNK’s legendary fight game series, but just misses the mark in the end. All of the games thankfully play and feel as they should, and there’s a tremendous wealth of quality bonus features included. Unfortunately, its basic approach to online versus means it’ll be harder to find matches among the smaller playerbase. Still, for both older franchise fans, and fighting game players looking to finally dig into the series, this is probably the best Samurai Shodown collection we’ve ever gotten.

Carrion doesn’t just flip the horror script—it’s the ultimate power fantasy, packed into a tight, uncompromising space. It might utilize some video game tropes, but it doesn’t seem too concerned with accepted video game values. It’s a 2D side-scroller without platforming, an action game where you dictate the action. The Doom Slayer might talk a big game about ripping and tearing, but Carrion’s meatball monster puts its money where its many mouths are.

Ghost of Tsushima falls short of the kind of gameplay we expect from developer Sucker Punch at this point, but then exceeds all other expectations in its storytelling and world building. Protagonist Jin Sakai and the rest of the cast are all fantastic characters, and the tale they tell is one worth experiencing—even in those moments where the gameplay may falter.

Project Warlock is a first-person shooter created by a tiny indie team that punches way above its weight. While its reason for existence may initially seem to be for paying homage to its genre’s forefathers, Project Warlock quickly grows into a game all its own, providing an enthralling shooter experience all the way to the end.

Whether or not you consider The Last of Us Part II to be a worthwhile continuation of Joel and Ellie’s story, there’s no doubt that Naughty Dog has crafted a sequel that’s every bit as ambitious and well-considered as the original, with quite possibly the best stealth-action gameplay realized to date.

No matter if you want something to help pass the time, are looking for new ways to connect with family and friends, or simply wish you could finally learn how to play those classic card and board games you’ve yet to try, Clubhouse Games: 51 Worldwide Classics is a stellar collection that provides an extensive selection of games without ever feeling overwhelming.

Maneater constantly blurs the line between sadistic mass murder simulator and clever satire, while also managing to be as fun as any human-based open-world game. Chris Parnell’s narration can get a little repetitive, as can the missions, and the camera could use a little work, but it’s all a matter of context. It’s a wild reversal of ego, an experience that is both completely freeing and oppressive at the same time. Stare into the dead eyes of the shark, and the shark stares into you.

Nitrome’s signature is designing increasingly complex levels out of the most basic gameplay mechanics, and Gunbrick: Reloaded shows how well that formula can work—even when that mechanic is as simple as counting. Add to that brilliant level designs and a quality retro art style, and you have another gem in the developer’s next stage of existence. While it’s a shame that the new content in this rerelease is locked behind challenges, that doesn’t take away from the quality of the new content.

It was always a long shot that a new take on Resident Evil 3 was going to be able to live up to the expectations set by 2019’s Resident Evil 2 remake, and that’s exactly the case here. Still, beyond a few examples of missed potential, this is another stellar attempt by Capcom to bring its survival horror series into the modern era and retains a sense of individuality and personality that make it stand out from its peers.

As long as Doom Eternal didn’t stray too far from its predecessor, it was going to be a good game. But id Software comes surprisingly close to muddying everything with new mechanics. The flamethrower and rechargeable chainsaw give you more options during battle, but they can also feel like unnecessary additions. Still, a deeper lore, a banging soundtrack, and plenty of demons to gib leave Doom Eternal in a happy place—relatively speaking.

Nioh 2 takes the ideas of its predecessor and greatly expands on them, bringing a greater sense of depth to everything from gameplay, to stage design, to your ability to have a main character customized to your particular play style (and visual preferences). Admittedly, some of the simpler elegance of the original Nioh has been lost in the progress, but the result is still a game that’ll terrorize and thrill those looking for a real challenge.

Ori and the Will of the Wisps does everything that a good sequel is supposed to do. It refines The Blind Forest’s mechanics, expands on the world, and throws in a whole bunch of new moves and concepts. But in an era that’s rich with “emotional platformers,” Will of the Wisps doesn’t do anything to make itself stand out. It’s a fine, if not forgettable, experience.

Journey to the Savage Planet’s greatest quality is that it respects its players. Perfectly paced, genuinely charming, and rewardingly explorable, developer Typhoon Studios’ debut is a love letter to thoughtful game design and the ancient art of fun over function. If you grew up loving 3D platformers and games with worlds that felt bigger than they actually were, Journey to the Savage Planet will make you feel like you’re coming home.

The first new-generation Pokémon game to release on a proper home console does not disappoint. New features like Dynamaxing and the Wild Area are fun additions that make the experience of becoming a Pokémon champion still feel fresh. It’s just a shame that Game Freak didn’t lean into the new features more than they did.

The first new-generation Pokémon game to release on a proper home console does not disappoint. New features like Dynamaxing and the Wild Area are fun additions that make the experience of becoming a Pokémon champion still feel fresh. It’s just a shame that Game Freak didn’t lean into the new features more than they did.

The first new-generation Pokémon game to release on a proper home console does not disappoint. New features like Dynamaxing and the Wild Area are fun additions that make the experience of becoming a Pokémon champion still feel fresh. It’s just a shame that Game Freak didn’t lean into the new features more than they did.

In the end, Death Stranding’s biggest mystery isn’t any of the elements we’ve had teased in three-plus years of trailers—it’s what people are going to think of it. Even from a man known for making love-them-or-hate-them projects, this may end up being one of the most divisive games ever created. For me, it was an experience that I can truly say was unlike any other I remember. And, if nothing else, Death Stranding makes me respect Hideo Kojima for convincing Sony to invest millions into a game that’s about a man delivering packages to holograms.

Luigi’s Mansion 3 is the biggest and best entry in a befuddling franchise, and a game that really makes a case for everyone’s favorite second fiddle to get more spin-off adventures. Developer Next Level Games has expanded on the Poltergust’s abilities in meaningful ways, adding more variety to the action and puzzles alike. Gooigi might seem a little shoehorned, but it’s a great excuse for cooperative multiplayer on a system built for it. A few minor annoyances aside, Luigi’s Mansion 3 is a strange, charming, and generous sequel.

The Outer Worlds is an impressive spiritual successor to Obsidian’s work on Fallout: New Vegas, mixing familiar design elements and the same zany attitude with an imaginative new universe and even deeper role-playing. While you can breeze through the main questline a bit quicker than in similar games, this is the sort of RPG experience you’ll want to play through multiple times, with multiple builds, to see all the systems and narrative paths on offer.

There was a lot of potential for Code Vein to end up little more than a mediocre Dark Souls clone dressed in anime clothing, and yet, it’s actually kinda, sorta, pretty good. The game mixes some long-established gameplay qualities with a totally engrossing class system and a story that’s more enjoyable than it has any right to be. Code Vein won’t be for everyone, even if you’re a Souls fan, but if the overall idea sounds appealing, the execution might surprise you.

The remake of The Legend of Zelda: Link’s Awakening is stuck between two places—the past and the present. Chances are that you’ve already made up your mind about whether or not to play it. It’s a classic Zelda game given a second chance with a striking visual language and evocative, haunting musical reinterpretations. Making the jump from the Game Boy to the Switch means that you’ll spend a lot less time changing items in the menu and much more time appreciating the meticulous clockwork of Koholint Island’s challenges.

Gears 5 makes major strides in the series’ approach to storytelling. This is the most heartfelt Delta Squad has ever been, and The Coalition backs up that emotion with genuine improvements to gameplay. While its new co-op mode, Escape, is generally underwhelming, Arcade mixes up the competitive meta enough to keep things interesting. All told, Gears 5 is more Gears, but it’s also a bold statement for why this series is still relevant.

Astral Chain is loud, brash, exciting, and, in the end, a warning about the dangers of unquestioned loyalty. Its hyperkinetic action sequences and colorful characters might make the game seem like it isn’t interested in offering more than intricately designed fights and a straightforward genre story, but stick around for its entirety and its cast of 2070s police officers show themselves to be more than just cartoon cut-outs of sci-fi cops.

Control is Remedy at the height of its abilities. Finally, the studio’s expert handling of tone and story is met with gameplay that’s just as engaging and refined. As an experiment in nonlinear world design, Control doesn’t just stick with tried-and-true waypoints and forests. Its Oldest House is a brutalist masterpiece, and the characters inhabiting it are just as unforgettable. All told, it’s going to be one of the most memorable games of the year.

Telling Lies may borrow its core mechanic from Her Story, but shifting from monologues to two-sided conversations brilliantly expands the investigative gameplay, and a pivot from murder mystery to political thriller gives director Sam Barlow a much richer set of ideas to explore. A few storytelling hiccups and awkward edges do little to detract from a thought-provoking look at the modern surveillance state—delivered not through soapbox lecture but by forcing you, unsettlingly, to participate.

Bucking the trend of “bigger, badder, louder, faster,” Samurai Shodown is a return to the glory days of SNK’s beloved sword-slashing fighting franchise. The slower, more thoughtful combat style the franchise is known for is on full display here, challenging players not just to be better at fighting games, but also smarter. Wrapped in a beautiful overall package and given some interesting new roster additions, Samurai Shodown is probably the best new chapter we could have ever hoped for.

Crash Team Racing Nitro-Fueled is at once a joyful and joyless recreation of a stone-cold classic. Packed to the gills with content, this drive down memory lane still contains a sense of the original’s magic, and artfully decorates your favorite tracks and drivers with an impeccable attention to detail. But it’s not immune to the modern era, and the looming threat of live-service DLC and nostalgia-grabbing looms heavy over the entire game.

Super Mario Maker 2 will please both dedicated level-builders and newcomers. Story Mode gives players a nice pu-pu platter of professionally made Mario levels, and the inclusion of 3D World’s suite of tools and moves offer even the most seasoned veterans more with which to experiment. But in terms of pure scope and ambition, Super Mario Maker 2 more closely resembles the “Deluxe” Wii U rereleases that have become staples of the Switch’s library. That’s not necessarily a bad thing, since the formula is so exhaustive already. Just don’t go in expecting a true evolution of the series—and get that Switch Online subscription ready.

My Friend Pedro is an enthusiastic, stylish take on the shoot ‘em up genre that’s elevated by its complex level designs and clever puzzles. It combines so many mechanics from so many games that you might lose track, but these elements all come together to create a unified, singular experience. If you ever wondered what you’d get by crossing Hard Boiled and Super Mario Bros., it would look a lot like My Friend Pedro.

Making a spin-off to a beloved niche series that then drops its most popular character seemed like a crazy idea at first, but Judgment is a success beyond what I could have expected. Though it never quite escapes the shadow of its older siblings, this tale of a fallen lawyer and his refusal to let go of the truth provides an experience that has a lot to offer both Yakuza fans and newcomers alike.

Between its compelling art direction, surprisingly complex strategic decisions, and inventive weaponry, there’s a lot much to love in Void Bastards. Unfortunately, its overall structure and narrative will leave you feeling empty by the end. That’s not to say you shouldn’t let yourself enjoy all that this charming, stressful game has to offer. Just don’t expect to feel totally satisfied once you escape to the right nebula.

A lot of people are probably going to sleep on, or not even know about, A Plague Tale: Innocence—and that’s a shame. It’s a gripping, touching, emotional, yet at times horrifying experience, one that feels quite unlike almost any other game out there.

Even after 8 years, the Rage series is still having an identity crisis. It has all the signifiers of an open-world game, but it lacks the overall narrative that makes the world compelling, and its best bits—that is, its gunfights—take places in either small, complexly designed arenas or in hallways, like a linear shooter. The greatest irony about Rage 2 is that it might have been an even better, more interesting game if it was more like the first game with a fresh coat of (pink) paint. What it is now is just a bunch of sound and fury, which can be fun for a while, but it’s ultimately an empty experience.