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For 3,522 reviews, this publication has graded:
  • 52% higher than the average critic
  • 11% same as the average critic
  • 37% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Game review score: 73
Lowest review score: 0 Hentai Uni
Score distribution:
  1. Positive: 1,788 out of 3522
  2. Mixed: 1,410 out of 3522
  3. Negative: 324 out of 3522
3524 game reviews
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    • 79 Metascore
    • 100 Critic Score
    Hatsune Miku: Project Diva MegaMix
    In the end, Mega 39 does one, very special thing: it takes the incredible Hatsune Miku Project Diva Future Tone, and makes it portable. You can bellyache all you like about a relatively thin tracklist, but “relatively thin” to the ridiculous bloat of Future Tone isn’t really a fault. Not when what is in the pack is still more than any other rhythm game on the Switch, and with the optional DLC to come. Most importantly of all, however, is that Mega39 is a celebration of the world’s greatest digital idol, and a digital celebrity I truly care a great deal about. As such, it fills a major gap in something that I've wanted on my Switch since the day it released. I am now fully on board with the Nintendo Switch being the greatest console ever.
    • 77 Metascore
    • 90 Critic Score
    Vanquish
    Whether you were a witness to its glory in its original context, or whether you’re just reading about it for the first time in 2020, Vanquish is an experience worth having. Its desire to subvert entrenched shooter tropes in both its mechanics and its story, leaves it feeling a breath of fresh air to those who have been jaded by how samey the genre can feel. If you like your games to demand mastery, and to reward those who unlock the potential within its mechanics with an undeniable feeling of coolness, then Vanquish is absolutely worth your time.
    • 77 Metascore
    • 70 Critic Score
    Darksiders Genesis
    Darksiders Genesis is a welcome change of pace. Fan of the series might question whether or not they will like the dramatic overhaul, but this is a really solid Diablo style of game that is a lot of fun to play. I enjoyed the new character a good deal and have always appreciated the world these games were set in. The wheel is not getting reinvented here, but the overall execution is generally well done.
    • 68 Metascore
    • 60 Critic Score
    Snack World: The Dungeon Crawl Gold
    Snack World really isn't my thing. As much as I am a fan of Level-5, the pitch of this one is out, and as such, too much of it falls flat. It's a satirical game that's trying too hard and if it was funny, then the jokes it makes would be directed at its own faults as a game. It's a workable dungeon crawler without being inspired, but unlike the rest of Level-5's library, this one is focused on being attractive to one demographic at the expense of just about everyone else. Where most other Level-5 games are a joy and delight, this one really felt too much like a slog.
    • 76 Metascore
    • 60 Critic Score
    Pillars of Eternity II: Deadfire - Ultimate Edition
    On the one hand, the sheer quality of the game is evident in bounds, and as a homage to the mighty Baldur's Gate, it continues on the excellent trajectory set down by its predecessor. On the other hand, those loading times really are so bad that I neither enjoy my time with the game, nor want to play it. Of course, a patch could resolve that and then the main criticism of the review would be rendered redundant. Sadly, I do need to review what's placed in front of me, and you're all better off playing Baldur's Gate again than slogging through this in its current state.
    • 83 Metascore
    • 100 Critic Score
    The Yakuza Remastered Collection
    On the one hand, the Yakuza Remastered Collection is "just" a re-release of three games, with relatively minimal effort having gone into the updates. On the other hand, it's three superb games within an astounding collection that allows you to play the entire series from beginning to end, whenever you find a cool 500 hours or so to sit down and work through it all. In that context, the 200 or so hours that the Collection represents is a major chunk of some of the best action you'll ever find in video games.
    • 56 Metascore
    • 80 Critic Score
    Azur Lane: Crosswave
    It's a clean, snappy, hugely entertaining game, and an excellent next step forward for the emerging property. You'll want to have a high tolerance for fan service, but it's a Compile Heart game and you should already know full well what to expect going in. What's important is that it's all executed so well that Azur Lane ends up being too charming to put down, and there's more waifu bait in this one than any other game you'll play in 2020.
    • 69 Metascore
    • 60 Critic Score
    Banner of the Maid
    If only that localisation didn't put a dampener on everything by making a full half of the game, and, critically, the context that gives the action purpose, so irritating to sit through. Please, developers. It's fine to have a broken English port for a game where the narrative isn't relevant, but when we're talking about RPGs, make the investment and hire a premium localisation outfit. It will lift your game, significantly. There are, apparently, console versions of Banner of the Maid set to come later. I hope on feedback the team does get a new localisation done, because fixing that issue will add a couple of stars to the score, effortlessly. Everything else about it is truly wonderful.
    • 59 Metascore
    • 50 Critic Score
    The Dark Crystal: Age of Resistance Tactics
    Dark Crystal: Age of Resistance Tactics is cynical. It has taken a safe, familiar genre, done absolutely nothing but the most straightforward, safe application of it, and thrown the Dark Crystal license over the top, but it has in no way tried to do anything interesting with Dark Crystal.
    • 75 Metascore
    • 90 Critic Score
    Patapon 2 Remastered
    Having too much of a good thing is the possibly the most forgivable flaw that hit too many games, and Patapon has the pick-up-and-play vibe going for it, meaning that you can always take a break from it if it starts to become draining. The only other issue with Patapon 2 is that the rhythms will get stuck deep into your brain, and it takes ages to push them out. And then you'll load up the game again and it'll be stuck all over again. It's just that charming, bright, and catchy.
    • tbd Metascore
    • 80 Critic Score
    Maitetsu: Pure Station
    Fan service aside, it's a beautiful little story, heartfelt and generally well told. It's supported by particularly good production values and a crash course in train terminology that will help you come away with all the more respect for how trains work and are managed. It's such a lovely game for the most part. But then there's a scene where the protagonist is groping at the "doll's" body. Or another scene where the "doll" is groping a clearly phallic symbol, and when those scenes kick in, Maitetsu undermines all the great work it otherwise does. If you are part of the niche that can handle that side of things though... there really so much merit to the rest of the story that this visual novel tells.
    • 46 Metascore
    • 80 Critic Score
    Arc of Alchemist
    Because Arc of Alchemist is such a short JRPG, the more draining elements of it don't end up being exhausting. Because the game moves at such a snappy pace it's easy to focus on and enjoy its strengths - the narrative and characters. Over the last couple of years Idea Factory has really broadened its horizons. Where once it focused almost exclusively on pervy humour, stuff like Arc of Alchemist show a different side of the studio. It's creative, different, and interesting, and respects your time so don't feel like you've made some epic commitment just to play through it. I love it.
    • 78 Metascore
    • 90 Critic Score
    Not Tonight: Take Back Control Edition
    Not Tonight is a deeply relevant, thoughtful experience. It comes from a place of genuine frustration with the way too much of the world is behaving at the moment, but manages to channel that frustration into something productive - a satirical (however darkly), deeply sympathetic game, that's both entertaining and has a strong point to make. Is it a little too infatuated with Papers, Please? Yes, but you could do far worse than create a breathless homage to a game that great.
    • 70 Metascore
    • 80 Critic Score
    Coffee Talk
    None of the characters or situations in Coffee Talk are simple or black-and-white. Rather, the world is a beautiful, complicated shade of grey. People aren't "good" or "bad," they're just trying to do their best. The message is hopeful. The pace is soothing. The music is well-suited to the environment. Coffee Talk really delivers on all fronts, and even offers more game time post-story. Now, it's time for me to return to my customers, I think the orc has arrived...
    • tbd Metascore
    • 50 Critic Score
    Worlds of Magic: Planar Conquest
    Worlds of Magic is not bad, but it's also by no means a genre leader. It's simply too limited and shallow to meet the expectations that people have of 4Xes in the modern era. The plains hopping feature is nice, and can lead to some truly epic, expansive campaigns, but it's not quite enough to offset the limitations elsewhere. Furthermore, the Switch port was clearly never optimised for the hardware, making this the lesser version of an already mid-tier experience.
    • 74 Metascore
    • 80 Critic Score
    Journey to the Savage Planet
    Journey to the Savage Planet ticks all the right boxes. It gets its core play loops right, and it respects the player's time - you'll clock it at 15 or so hours if you're not too concerned with collecting everything along the way. I had a good time in both single player and co-op, and for something that is so foreign to the kind of games I usually play, that this one hooked me in speaks to its X-factor. For all the good, however, the game's a complete misfire as a narrative experience.
    • 73 Metascore
    • 80 Critic Score
    Dragon Ball Z: Kakarot
    While Dragon Ball Z: Kakarot doesn’t really do anything new “overall”, it’s still an amazing time because of the way that everything has been put together. Those new to the series and long time fans alike have plenty to find and enjoy, as the pacing is just right to both let you relive some of the iconic fights of the series, and just live a little with your favourite characters.
    • tbd Metascore
    • 50 Critic Score
    Ember
    I will forget about having Ember on my Switch within a few months of having being done with it now, I suspect. If you do play it, you'll be looking at around 20 hours of highly derivative, classic RPG action. You won't be annoyed by Ember and, played in short bursts, you won't be bored of it either. It has that pick-up-and-play quality.
    • 61 Metascore
    • 50 Critic Score
    Red Bow
    It's a super-short indie project, so it almost feels unfair to throw a score onto Red Bow. It's just not a game to put on the same kind of scale as major blockbusters from Nintendo. But, then again, the game is a commercial project and sits on the same virtual store shelf as Nintendo's games. The reality is that Red Bow struggles to understand how horror game stories are told, and adventure games are designed. There are some ideas buried in there, and when the developer is more experienced it would be great to see him revisit this but Red Bow itself its a bit too hollow for its own good.
    • 81 Metascore
    • 100 Critic Score
    Tokyo Mirage Sessions #FE Encore
    It's a brilliant concept, well told, and backed by Atlus' skill with turn-based combat at its peak.
    • 61 Metascore
    • 90 Critic Score
    Wizardry: Labyrinth of Lost Souls
    If you're under any illusions about whether Wizardry: Labyrinth of Lost Souls is for a general video game audience, don't be. It's not. It's not even for general RPG fans. Hell. If you enjoy modern dungeon crawlers you're still going to need to be adventurous to get a kick out of this one. On the other hand, the developers of this Wizardry respected the game's heritage, understood the audience for this kind of game, and the uncompromising commitment to delivering for that audience is admirable. Especially for oldies like me that grew up playing these games. The trip down memory lane that Wizardry: Labyrinth of Lost Souls provided has been a delight.
    • 79 Metascore
    • 100 Critic Score
    Atelier Dusk Trilogy Deluxe Pack
    Where the Arland series introduced me to Atelier, it was the Dusk series that really solidified in my mind that it really had become my favourite JRPG property. By the end of Shallie I was six titles in and knew I would play anything else that came out of Gust the second it landed. If you're one of those that is new to Atelier (and thanks to Ryza I know that there are a lot of you out there), then here's your chance to catch up on three of the most distinctive and interesting JRPGs of the PlayStation 3 era.
    • 59 Metascore
    • 50 Critic Score
    Ultimate Racing 2D
    This is not an indie that has looked to a quick cash-in for minimal effort. It's just unfortunate that the racing genre is such a competitive one and, even on the Nintendo Switch, there is everything from Mario Kart, to rally racers, bike racers, and a half dozen existing top-down speedsters. It's just not enough to provide such a stock-standard racing game, however good the intentions.
    • tbd Metascore
    • 40 Critic Score
    Mirror
    The only people that might get something out of Mirror are those who are such big fans of the PC version of the game that they need to keep playing it on Nintendo Switch while... on the train, I guess. It's a character-driven, visual novel-heavy match-3 puzzler where terrible localisation has ruined the characters, the narrative is incomprehensible, and the match-3 action is so stock-standard it doesn't deserve to be celebrated, even if it does work. The real reason people played this on PC - the titillation, has been greatly reduced in order to be console friendly on the Nintendo Switch, and as such there is nothing of worth left in Mirror.
    • tbd Metascore
    • 90 Critic Score
    Nurse Love Addiction
    Nurse Love Addition is subversive, intelligent, and quite beautiful. The Nintendo Switch has become quite the home for the VN, as we expected would be the case as the PlayStation Vita moved into legacy. These games are always a more natural fit for the handheld, and the Nintendo Switch's gorgeously large screen really does this one justice.
    • tbd Metascore
    • 50 Critic Score
    Gunma's Ambition -You and me are Gunma-
    Unfortunately Gunma's Ambition's joke only sustains it through the one play-through. There's no real reason to aim for a better completion time, and the gameplay is far too shallow to sustain the concept beyond the joke. It's a great joke, don't get me wrong, but given how specific it is to the Japanese culture, and given how little the game has going for it beyond that, I can't think of a more esoteric experience that I've had on the Nintendo Switch to date.
    • tbd Metascore
    • 30 Critic Score
    Drawngeon: Dungeons of Ink and Paper
    Future iterations or sequels fro Drawngeon could well see it become a series worth paying attention to. The strong hit of nostalgia, as well as the unique visual style, give the game a foundation much stronger than many of its genre peers. The execution is deeply lacking, though. The lack of variety in gameplay systems, and the completely unsatisfying approach to character development, leave Drawngeon feeling hollow and a grind within minutes, and that's just not good enough.
    • 58 Metascore
    • 70 Critic Score
    Princess Maker: Faery Tales Come True
    Princess Maker 3 is both funny and charming, and the core gameplay loop, limited as it is, is compelling if only because there are so many different endings to aim for that the game both encourages and rewards people that experiment with it. I'm often in the mood for simple but rewarding gameplay loops over stuff that is overly complex and exhausting, and I can see myself coming back to Princess Maker for quite some time to come.
    • 70 Metascore
    • 70 Critic Score
    EarthNight
    I think that perhaps it’s the trappings of the autorunner genre which holds Earthnight back from greatness. This is a game with wildly original ideas that kept me enthralled throughout, but I did keep wishing that it would slow down and give the player some time to breathe. Endless runners are fun and all, but they’re not the kind of game which encourages careful appreciation. For that reason, occasionally the artwork and gameplay clashed against each other (the detailed art doesn’t make for immediately readable game mechanics, the game mechanics detract from the detail of the art) and I felt that Earthnight was lesser than the sum of its parts.
    • 71 Metascore
    • 80 Critic Score
    Football Manager 2020 Touch
    This latest one is the most accessible and easy to follow yet, but it is still a spreadsheet simulator, and it services a very niche audience.
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