Guardians of the Galaxy coasts by quite a bit on personality, and that's definitely going to make it divisive.

There aren’t many games that can offer a camaraderie aspect to the survival horror genre, and Friday the 13th delivers in that regard. It could certainly use a lot more fine tuning and adjustments, but for now, it delivers on a solidly campy experience.

It almost works better in a straight TV show format than it does as a deep puzzler with RPG elements.

The game is just as prone to causing misery as it is happiness, as I discovered early on when my axe-wielders had been killed off and I was left with only ranged attackers who fell, one by one, to close quarters enemies that they just couldn't hit.

Perhaps it's the fact that, between the first Rez and this new version, I'd immersed myself in games like "Synaesthete" -- games which successfully couple music and gameplay to the point where the player experiences the game exactly as he or she would a music video. Compared to these titles, Rez HD, even with its updated graphics and improved trance vibration, now feels rather antiquated.

Signs of the Sojourner is one of the most cohesive narrative games I have ever played. The interplay between mechanics and storytelling is absolutely brilliant, which makes it a shame that it misses the mark in terms of actually being enjoyable to play. The inclusion of a frustrating "fatigue" mechanic is at odds with the general laid-back design approach to deckbuilding. There is something truly beautiful here that is worth experiencing, it's just a shame that the game seems to fight itself at every turn.

It's quite good for a licensed product, and can be fun for a couple of kids to play together, or for a parent to play with their child. It just isn't anything special, and in a game all about being Incredible, that's kind of a letdown.

I appreciate Ace Team's attempt here, I really do. It's kind of amazing that this game exists in 2019 under Sega. It's not as original as the team's past projects, but SolSeraph has a lot to like if you're looking for a modern take on an absolute gem of the 16-bit era. Part of me wonders how outlandish these creators could've gotten with a bigger budget and scope, but as a tribute, this still hits the spot. Even if SolSeraph fails to raise the bar, I'm so happy someone took another crack at ActRaiser.

Mass Effect: Andromeda spends a lot of time not really feeling like a Mass Effect game. If anything, it feels like a spin-off -- the sort of thing created by another studio that's unsure about what direction to take it. Like in the game itself, there are problems with the atmosphere.

With its weaker writing, less compelling action, and many moments where the game just drags its heels, Dream Team manages to retain a basic level of enjoyment that just comes natural to this series, while sadly representing a noticeable step down in quality.

Valkyrie Drive: Bhikkhuni reminds me a lot of Senran Kagura Burst in that it feels like a rough draft of greater things to come. The combat is there, and the game looks amazing, but with an overabundance of uninteresting plot and a lack of original or compelling personalities, I found myself skipping over more of the game than I should have in order to keep myself entertained.

Castlevania Judgment is a lot better than it should be given its brief time in development and small budget, but still not half as good as it could have been. Thanks to the injection of some good ideas and heaping piles of love for the series, Judgment does justice to the Castlevania name, though just barely.

It feels like it would fit better as an additional mode to some sort of NES Remix compilation. And that’s ignoring the fact that NES Remix 2 already had a mode based on the Nintendo World Championships. Nintendo World Championship: NES Edition is a celebration of the classic console; it’s just one that lacks excitement and is too exclusive for its own good.

Ikachan is a marvelous introduction to a much larger, more ambitious game. But that's all it is: an introduction. If you are willing to accept that, you'll happily enjoy the short time you spend in its watery world.

With the power to pick up the Switch tablet and storm through History on the go, Fire Emblem Warriors is still going to get some play in my house despite its issues. It follows a set formula with very little in the way of risk-taking, but so long as you can stomach the idea of warring kingdoms with very little at stake other than your level-up bar, it'll probably delight you too. With some DLC meat on these bones it'll likely be a long, wild ride.

It's still a neat little puzzler for sure, but it needs a bit more tweaking for me to wholly recommend it. If you've always been on the edge in terms of buying this game, this release should tip you, as it's the definitive version.

As it went with Powerslave: Exhumed, while the game is maybe not the apogee of its time, its modernization of it is still extremely appreciated. Maybe it won’t blow your mind, but the care put into its rejuvenation is infectious. You can see the love that went into the final product, and that just makes you love it all the more. Maybe it’s not quite love that I feel when playing Chasm: The Rift, but after playing it, all I want to say is, “more of this, please.”

I have to deal with what I have in my hands, and what I have is a single-player mode with some noticeable highlights and a multiplayer mode with too many problems to remain enjoyable, despite all its promise.

Necrosphere is a solid platformer with an interesting control scheme and mechanics based around them, but I personally don't think the Metroidvania open-ended level design does this form of extremely difficult gameplay any favors. But, if you're another masochist looking for an addictive and challenging platformer for a low price, Necrosphere might be your calling.

If you're a huge fan of boxing games and have been itching for something to fill that void, Real Boxing may do it for you -- otherwise, just keep waiting.

Rastakhan's Rumble isn't the best expansion Hearthstone has ever released, and it's only a small step up from August's Boomsday Project. Unfortunately, like its predecessor, the reward for completing the single-player content is extremely disappointing. Rumble Run is a decent way to spend about an hour, but that's all it is and you'll never go back to it. I hope Blizzard puts more resources into the next expansion's single-player mode.

I couldn't help but wish it was more, well, exciting. It's a technical marvel, but at times the experience feels hollow and uneventful. In the end, even though I'm glad to return to this universe, The Inpatient comes across as a bit of a missed opportunity.

It's like Sega baked a delicious chocolate cake, but mixed a bag of nails into it.

For those of you who are curious about this series and want to jump in, you could do a whole lot worse on the Nintendo Switch. If you want to play Crysis in the most shiny way possible and own another platform, it's best to wait.

It’s a beautiful game, but that beauty can’t hide the fact Pocket Rumble still needs a bit of work. When playing with friends locally the game is an absolute blast. That's when it's at its best.

3D Classics: Xevious might have met most gamers' standards ten years ago, but in the age of such incredible classic remakes as Pac-Man Championship Edition DX, Galaga Legions DX, and Space Invaders Infinity Gene, it's hard to be confident that fans wont be disappointed with this minimally enhanced port.

If you haven’t experienced Pokemon Diamond or Pearl yet and don’t have access to Platinum, then the Gen 4 remakes on Switch might be worth exploring. Sinnoh has its own charm to it, and completionists will likely enjoy the endgame that is Grand Underground collecting. I just hope that when the time comes to remake Black and White, whatever team handles it is a lot less conservative.

They've got their heads in the right place, and the start of something that could be really good, but they've still got a long way to go in the ways of storytelling, pacing and visuals before this gets up into the pantheon of must-play horror games.

Demon Slayer: Kimetsu no Yaiba – The Hinokami Chronicles is another decent brawler adaptation that sort of asks you to already have a bit of background on the source material to truly enjoy it. In that sense, it joins a very crowded space of many other anime games before it, and many of you out there know where you stand on these.

If you haven’t experienced Pokemon Diamond or Pearl yet and don’t have access to Platinum, then the Gen 4 remakes on Switch might be worth exploring. Sinnoh has its own charm to it, and completionists will likely enjoy the endgame that is Grand Underground collecting. I just hope that when the time comes to remake Black and White, whatever team handles it is a lot less conservative.

Scanner Sombre is a gimmick game, and I honestly say that without any ill intent. Its gimmick is beautiful and engaging and kind of amazing. To its credit, Scanner Sombre is seemingly aware of the limitations of this because it's brief enough to not wear out its welcome. However, the kaleidoscopic interior decorating is a means to an end, and that end just isn't as thrilling as what's in the mind's eye.

While it presents an underwhelming amount of play options, Light Bound shines with four players at the helm.

If Style Savvy: Fashion Forward is the franchise's last hurrah, it certainly doesn't go out on a low note as it has the best fashion and is filled to the brim with stuff to do. But readjusting to a real time clock means changing the way I enjoy this series, and without the addictive draw of a short day and night cycle, I don't see this game taking dozens of hours of my time as past entries have done.

Stela clearly wants to be as unnerving and fascinating as its contemporaries but the end product is merely an empty imitation. There is no element of surprise or wonder here, nothing to make players consider the game at a deeper level. Instead, it acts as a good reminder of the far superior titles that came before it.

It’s when I go back into the story mode that I’m reminded these worlds are rather basic, the monetization is questionable, and there just isn’t enough content in it right now.

Currently, Bloody Alloy: Reborn feels more like an Early Access title or proof-of-concept than a finalized product, so it is hard to recommend unless you love beating your own high scores and are starving for a fast Strider-like experience.

If you go into Gato Roboto with the only expectation being “Metroid but with a cat protagonist,” you won’t likely be disappointed. But if you hope for anything beyond that, you’ll likely wind up entertained but unsatisfied.

Has WWE 2K22 convinced me to rebuild my custom roster? Hesitantly, I guess so. The actual in-ring gameplay is solid, and MyGM mode is a little addictive slice of management. I want to be hopeful and believe that 2K and Visual Concepts will take the foundation they created and finally build a wrestling game that doesn’t just feel like a bunch of compromises. However, that’s exactly what I’ve wanted for years, but they just keep hitting the same.

By all means, claim this game and enjoy it while you can if you have a PlayStation 5. But don't expect it to stay in your weekly rotation for very long. It's a nice enough intro to the console, but it's fleeting.

Like the hundreds of games on the market like it, it can be a joy to play, but you'll likely want to wash it out with something else later that afternoon.

I'm conflicted. Cooperative titles like this are hard to find nowadays, especially with drop-in, drop-out co-op. There's no denying it's fun exploring with a friend and the game contains some genuinely clever challenges, especially during the boss fights. There's the seed of a great game here, and I'd genuinely like to see more like it. I really hope BonusXP gets the chance to use this engine to make something else: It's pretty good for a licensed product, but ultimately, that's all it is.

Drag x Drive is a decent showcase for the unique capabilities of the Nintendo Switch 2's JoyCon mouse, but frustrating controls and shallow gameplay leave a lot to be desired outside of its cheap-ish price tag.

Fantastic idea after fantastic idea, let down by failed implementation after failed implementation. It's a confused and messy experience, though it's not because the game itself is sloppy. It's very well made, but it seems that the developers tried to make it do so much at once, that it manages to achieve nothing successfully. EyePet is like a quadriplegic genius. You know he's brilliant, but he's thoroughly useless to society.

DiRT Rally 2.0 might be the best-feeling racer Codemasters has ever produced, but it most definitely is not the best iteration of this long-running series.

Solid but unspectacular. Though the game never outstays its welcome, the puzzles never felt truly inspired at any point, especially later on. Most of them felt like a setup for a pleasant gag but nothing more. The latter half of the game sags a bit, particularly after the kidnapping and prison break storylines are resolved.

Mahokenshi is a decent-looking game, but it’s not that amazing. Thankfully, it’s not the most action-packed title, so a choppy framerate isn’t going to torpedo things, but it’s not something you like to see.

Infinite Minigolf shows a lot of promise, but in its current state it's bland. Apart from the course creator, there's just nothing here that stands out from other minigolf titles.

Is the game worth playing? Certainly. It's a decent little adventure that will provide enough solid gameplay to be worth the money. Just make sure one expects no more than that, and it'll be a most worthy purchase. Bastion is fun enough for what it is, but it does not transcend to the levels that it would like you to believe it does.

While a good game, the slow response time and ridiculously low FPS almost make Cities XL 2012 unplayable at times.

Amplitude is a competent rhythm game that should provide lots of fun at parties, but the hamstrung tracklist is a severe detriment to its longevity. Harmonix was able to preserve the classic experience, but may have gone overboard in its effort to do so.

Castlevania: Lords of Shadow 2 could have either used significantly more development time, or significantly less. Either way you slice it, ideas that just have no place in the game could have either been expanded upon or pared down to the point where it doesn't feel like Dracula was wasted.

Eador: Masters of the Broken World is laden with good ideas and myriad reasons for strategy nuts to go... well, nuts, but for every compliment I could pay it, there's a caveat. Strange design choices and a serious lack of polish mars the things it does so very well. For a while, I couldn't even play the damn thing it was so unstable. Crashes every few minutes, and a bug around every corner made it not worth my time.

If you go into Monster Loves You with the knowledge that this is really an interactive story for children, then you can get plenty out of it. It's quick to get through and packs the same kind of charm and sweetness as a good kids book but it really is a game designed for younger gamers.

It brought a unique spin to the community sim genre while still giving me what I love most in these kinds of games, and I’d definitely recommend it to anyone interested in playing. I’d just wait until some more bug fixes come through, first.

In the end, Sonic Generations is not the worst Sonic game I've played, but it's far from the best either. I'm glad that I was forced to play through the whole thing, as there are definitely some clever design choices and cool moments in later levels. It's just a shame that I had to wade through so many cheap speed-blocking hits and uneventful levels to get to them.

If you're in the mood for an interesting game based around electronic music though, you can do a whole lot worse than spending a few bucks on Double Fine's latest foray into the mobile market. Just don't expect a whole lot of depth, or a lasting impression.

Ultimately, while it's a little bit disappointing to see Kadokawa go with such a "safe" design for its return to the tactical RPG battlefield, there's enough in God Wars: Future Past's narrative and atmosphere to recommend it to someone on the lookout for a new Tactics-style title.

A long-sung series like Total War doesn't need to reinvent its formula each time it charges fifty dollars; but, setting even a well-made sequel in the crumbling legacy of the once-mighty may not have been a good choice.

While I've talked extensively about the things that didn't quite do it for me, I will say this: if you enjoyed the first game, or if you're a diehard fan of the web series or the movie, you will more than likely appreciate this sequel. For everyone else, including those like me with only a passing interest in the web series, it's a very hit-or-miss experience. If you enjoy potty humor and language filled with more “fucks” and “shits” than you can shake a stick at, then Angry Video Game Nerd II is definitely for you. If not, then I might suggest looking elsewhere to get your platforming fix, because while the actual gameplay is decent once all the humor has been removed from the equation, it's still not the greatest.

Layers of Fear 2 isn't a bad game at all. There's a lot going for it. Whether we're talking about the ship's lavish set design, the brilliant classic Hollywood theming, a smooth-as-hell recurring song that'd feel at home in a sinister coffee shop, or those dang mannequins, so many individual elements excel, and the production values are there. Unfortunately, they just don't coalesce in a captivating way.

If you’re a fan of the series, then this should be an easy get. If you’re not, then it might be best to consider if the frustration with backtracking and boss battles is worth your time.

If you've got a hankering for a game with a stamina meter, sword swinging, and pot smashing, there is at least one other better title on the Nintendo Switch that I can think of, but Oceanhorn is an alright little throwback to retro Zelda titles that could help you bide your time between Nintendo's slow trickle of AAA games this year.

As a standalone narrative, it's a flimsy thing with little to give to the player other than a few good giggles. But, at the same time, this is a competent adventure title with some intelligent puzzles and decently unique places to explore. If you're a fan, you'll dig this and walk away with that familiar MI afterglow. If you're not, perhaps a trial is in order.

Fuser does what it says on the side of the box, but there could have been a more compelling foundation to keep you going past the point where it feels like you've done it all.

Certainly worth a play, but only a true Pinball fan will want to slap down the cash.

There is a lot to love with All Zombies Must Die, from its more humorous writing to its charming visuals, but ultimately the game fails to deliver the in-depth multiplayer experience it set out to. There's a solid experience to be had from start to finish, but unless you've been in a coma, or underneath a rock for the last few years, you've probably already played this game.

Christmas Massacre is a seasonal treat. It might not have all the fine atmosphere and interesting design as something like Bloodwash, but it’s quick entertainment. It’s a bit of joy to inject into your holidays. And really, even when you’re battling with hit detection, it’s fun to be the slasher. Going around and killing ‘80s teen stereotypes while dressed as Santa is a great way to prepare you for spending time with the family. Just don’t expect anything more than a stocking stuffer. Painting the walls with the festive color of red can be a really good time when everything clicks, but this isn’t Puppet Combo at their finest. It’s quick and messy, like a crime scene. But if you’re already a fan, the tag has your name on it.

People who have followed the Fazbear saga up to this point will likely want to close out the story, and they'll find enough to enjoy about Five Nights 3 to make it worth their time. New players curious about all the hype and considering a visit to Fazbear's Fright would be ill-advised to choose this as their jumping-on point to the series.

Save me Mr Tako successfully apes a period of gaming history, but I just wish it had shed a few of the more tiresome tropes from that time. If you're part of the niche audience that this is catering to, you'll find a fun romp down what feels like memory lane. For everyone else, I'd proceed with caution.

On many other occasions they'll simply augment the existing experience, and your mileage may vary depending on how strong the core is.

In all honesty, Soul of Darkness is a decent game that adequately captures the gothic spirit of the Castlevania franchise. Unfortunately, its failure to expand upon promising game mechanics, its criminally short playtime, the absence of any real challenge, and the lack of compelling replay value make it hard to recommend.

In the end, the game's biggest sin may be not embodying U.A.'s "Plus Ultra" spirit, and simply settling for being a decent, good-looking fighting game take on a popular anime franchise.

Some players will relish the challenge, but I just couldn't. Not in this game. Below puts its best foot forward in its early hours and then never stops losing steam. If the experience were somehow compressed into a tighter six- to eight-hour adventure, I'd confidently recommend it to a wide audience. As it stands, the game has a masterful command of ambience, but it comes with too many caveats.

Despite my many complaints, Rebel Galaxy did put a smile on my face. It's an ambitious little game that regrettably tries too hard to grab something out of its reach, but what it does get its hands on is excellent.

Fobia – St. Dinfna Hotel is worth playing for patient survival horror fans who want something lighter on combat, and can handle budget-constrained rough edges. Monsters wander around in an effort to raise the stakes, but the focus is on meticulous exploration, just-cryptic-enough puzzle-solving, and mentally mapping out the many, many hotel halls.

It's a squad-based game that just happens to take place in an open world, and that's basically it. I don't see Division lasting as long as other, similar games either months down the line, as it simply doesn't allow for anything on a raid-like level to truly hook in the dedicated crowd.

X8 gets unfairly lumped in with X7, but as a result of this collection (and the previous X collection on PS2 and GameCube) it can make its mark on history again.

I found the overall experience to be a little underwhelming. It's fun for a short rhythm game, but with only 12 levels, it felt like Laserlife never really got a chance to fully explore the broad topics it brought to the table.

Occasionally, it doesn't feel quite weird enough to carry the whole concept of a human schoolgirl at an all-bird high school, but there's still plenty of laughs to be had for a brief experience that you're going to have to play through multiple times to fully enjoy.

As a cute little taster of the RAGE experience, Mutant Bash TV is certainly a good idea. The price point is perfect, and even tough the controls are annoying, it's worth picking up just to experience a terrific looking shooter set in a promisingly gruesome world.

Call of Duty: Infinite Warfare: Continuum is an uneven but above average pack. It pales in comparison to Sabotage, but hasn't dragged down the season pass as a whole in any meaningful way.

It didn’t succeed in completely killing my enthusiasm for a new game in a forgotten series. No. It just made me want a deeper, more polished experience, and that’s not the worst thing for a game to do.

Realistic and immersive war situations, however, don't make for great gameplay.

The Legend of Zelda: Echoes of Wisdom puts a new spin on the series’ formula but never quite finds itself. I like coming up with creative ways to use as bed as much as the next person, but I’d prefer if the challenges were more consistently creative in return. Instead, things just bled together until I could have just played on autopilot. It takes more than a dress and a bed to keep things interesting.

The Surge is a mix of interesting ideas and hiccups in execution. While there's no doubt that it will resonate with a specific, hardcore audience, it's missing just enough to alienate a generalized audience. Its combat is challenging, but not perfect; its story starts with a compelling hook but falls flat shortly after. There are echoes of something special running throughout The Surge, but it never escapes its own shadow.

If you are craving some LotR action or want to play a bold new MOBA, there is a lot to like about Guardians of Middle-earth. It's a shame that its lackluster community and frustrating technical issues get in the way of that.

Time on Frog Island probably isn’t going to set the indie scene on fire, but it is a pretty worthwhile jaunt with charming characters, a beautifully rendered world, and a level of freedom designed to reward the curious among us. Just keep in mind that, despite its approachable appearance, its minimalist design may result in a lot of wasted time spent scouring this island trying to figure out what the heck you’re supposed to do next.

Death's Gambit resonates as a flawed gem, one I'm happy to have played. It's an uneven experience bogged down by technical woes and stilted combat, but if you can enjoy less-than-pristine games in spite of rough spots, it's worth taking a chance on. Just hold out for a few patches first.

Dwelling somewhere between mediocrity and greatness, Hyperdimension Neptunia Victory isn't a bad game by any stretch of the imagination. It's just not a very good one either. A nuanced, rhythmic, and generally entertaining combat system awaits alongside a nascent story for those that can endure more than their fair share of suffering.

Despite lasting only a couple of hours, Bloodforge still feels like it outstays its welcome thanks to its duotone environments and the feeling that everything on offer has been offered countless times in better packages. Still, if you love old school brawlers enough, you will have a solid, if fairly unremarkable, little button masher that will at least justify the asking price.

If you're into the idea of playing an open world game where its arcadey elements are entwined with therapeutic but sometimes dry exploration, give it a shot.

There's an air of freshness about it that works in some ways and falls flat in others. Dead Kings isn't likely to reignite anyone's love for Assassin's Creed, but it certainly won't extinguish any existing flames, either.

While some of Conan Exiles has rubbed off a bit for me thanks to friction with its more cumbersome aspects, it remains a genuinely engrossing experience to play... if you can find a spot in the queue.

Despite its narrative shortcomings, Draugen still has plenty to offer. Graavik has no shortage of beautiful views and stunningly detailed locations. In under three hours, Draugen pulls off a series of well-composed shots that are worth the entry price alone. Teddy and Lissie's story never reaches its full potential, but there are worse ways to spend a few hours than exploring a wind-swept fjord.

It is not an amazing experience which will change your life but a very competent open-world shooter with some good ideas and a few shortcomings in the execution. It's very easy to recommend as a rental since the game can be completed on a spare weekend and absolutely worth playing once.

While A Matter of Family may be worth it for hardcore Batgirl fans, WB will have to do a lot better than this to justify the cost of the pass.

Offers a much bigger challenge than most recent adventure games, even with its streamlined features. Despite the much appreciated highlight-all-objects function, the puzzles are still challenging and this is a game that will take even point-and-click enthusiasts a while to complete. Newcomers, however, may find the steep difficulty too much and if you don't click with the characters and their story, then you may find Chains of Satinav just too overwhelming and frustrating.

Duck Side of the Moon is a cozy, bite-sized space adventure that leans on charm and variety more than depth. As Doug the duck, you’ll bounce between floating asteroids, help quirky rock-dwelling locals, and dip into a steady rotation of mini-games that give the small world plenty of personality. A flexible movement system keeps traversal smooth and exploration rewarding, but its shallow progression, occasional navigation frustrations, and a handful of bugs hold it back from reaching its full potential. It’s an easygoing throwback to classic family-friendly adventure games—pleasant and full of ideas, but ultimately light on impact.