Credit where credit is due to Team17 for trying something different. While not necessarily a roaring success nor an abject failure, Worms Rumble guarantees enjoyment in the short-term, but its long-term prospects don't seem as promising. After a few hours, Worms Rumble does prove a bit wearisome and may not worm its way into your affections.

If you want to pass an afternoon with a friend and a couple of laughs, LEGO Voyagers will do fine.

RoboCop: Rogue City had its fair share of technical issues, but somehow, Unfinished Business has even more. Its characters look hideous, the frame rate frequently hangs, and there are other niggly little bugs that will drive you mad. And, yet, once you start blowing away goons with RoboCop's Auto-9, none of that matters and all is right with the world.

Throwaway macabre fun, Murdered: Soul Suspect will likely keep you hooked until its only partially predictable conclusion. The game does a decent job of throwing up red herrings, before delivering its ending, but the journey to get there is a largely uninspired and inconsistent slog.

A messy remaster of three genre-defining open worlds, Grand Theft Auto: The Trilogy – The Definitive Edition fails in giving GTA III, Vice City, and San Andreas the treatment they deserve, but beneath the slightly shabby veneer, those same great games remain.

While you have to give credit where credit’s due to developer Big Bad Wolf for not compromising in the complexity of its puzzles, it also means that Cthulhu: The Cosmic Abyss won’t be for everyone. It’s a challenging, flawed investigative puzzler that will drive all but the most patient to the brink of madness.

It looks wholly authentic and is the best-looking game in the franchise to date, but with less content and few meaningful changes, WWE 2K15 needs to get back in the gym.

Final Vendetta is so very nearly another scrolling beat 'em up revival that could have rubbed shoulders with Streets of Rage 4. Instead, it's scuppered by an egregious level of difficulty that slowly sucks the fun away. If you crave retro beat 'em up nirvana, then do yourself favour, and play Teenage Mutant Ninja Turtles: Shredder's Revenge.

Toxic Commando is a perfectly serviceable co-op shooter with flashes of real spectacle.

Great fun in the short term, Micro Machines World Series just doesn't have the legs to be something you'll return to again and again. The nostalgic pull might be strong, but unless you have friends prepared to regularly play it with you, it's unlikely you'll get swept up in Micro Machines World Series for more than a few hours.

Kao the Kangaroo is a well-crafted game that pulls inspiration from several other platforming greats, but a lack of polish and an abundance of bugs end up dragging it down.

As a new start for the eponymous gang, Saints Row ticks most of the boxes, but falls short in offering up anything fresh. A litany of technical and visual bugs also conspire to spoil the party, making for a solid enough, enjoyable, but ultimately uninspired, return for the series.

Not much to look at, Butcher is an enjoyable slice of old-fashioned, gratuitously bloody and OTT side-scrolling bullet hell that's worth a pop, if that sounds like your cup of tea. Sorry. Your cup of blood.

Not as good as Ghost Recon Wildlands, Ubisoft Paris' follow-up has a few new ideas up its sleeve, but is ultimately lacking. Sadly, Ghost Recon Breakpoint feels like it's been hastily gaffer taped together, then kicked out of the door, bugs and all.

A sequel that on paper had huge potential, Just Cause 4 is unfortunately a bit shabby and light on genuinely new ideas, beyond the novelty of lightning storms and tornadoes. The core gameplay remains good, explosive fun, but Rico is evidently running out of steam.

Despite contriving its fair share of unsettling moments, Little Nightmares II is a disappointing follow-up to one of 2017's most pleasant surprises. It might be a bigger game than its forebear, but it certainly isn't better.

On paper, Wolfenstein: Youngblood should be completely brilliant. A stellar shooter imbued with RPG depth and open-ended level design? How could it possibly fail? By making the RPG elements meaningless; that's how.

I enjoyed playing Dynasty Warriors 9 a lot. Yes, it's enormously repetitive and the open-world elements don't really add all that much to the well-worn formula, but there's something appealing about the whole grand historical affair and the simplistic gameplay. You'll hack, slash and stomp your way across feudal China, grinning like a loon. Then again, there's that whole repetitive, lack of depth thing I mentioned before.

With a campaign chapter lasting about an hour, and only two of the eight Mercenaries Reunion characters available with it, Lost in Nightmares feels like a paper thin package. Truth be told, Mercenaries fans may find enough to love this DLC, but gamers looking solely for a good story mission will feel short-changed.

Essentially picking up where the last game left off, The Amazing Spider-Man 2 does little to push the series forward, instead choosing to play it safe and reheat the same gameplay structure. That said, there's still a fair bit to enjoy here, especially if you missed out on the first Amazing Spider-Man.

Battle March has great unit diversity and possesses a fun, strategic battle system where the life and death of each unit really matters in a way few RTS games can match. Unfortunately, this fun is buried under long load times, tiny text, dated graphics, and such a poor control scheme that this game is hard to recommend.

The game has major issues. The graphics aren't that great and the realism is non-existent, the voice acting is plain awful and boring and the freezing/frame-rate issues are inexcusable.

On paper (or celluloid) Yoostar 2 is a great idea, but it's hampered by a sloppy user interface, blocky outlines, Kinect tics and a weird mix of movie clips. It's guaranteed to provide a few hours of entertainment and some hearty belly laughs, but ultimately, Yoostar 2 is a bit of a box-office flop.

Nothing at all in this game stands out from any other First-Person Shooter currently available, from the menus, to the gameplay, and of course the graphics. Everything feels a bit half hearted, and possibly the games famous franchise was relied on to push high sale figures instead of actual quality gameplay itself.

A limp and generic single-player is aided by a multiplayer offering with a few good ideas, but on the whole Resident Evil: Operation Raccoon City doesn't feel like a game that will provide enough entertainment to justify you shelling out.

Cutter Slade's long-awaited return has flashes of jetpack-fuelled brilliance, but tiresome missions and a story that fails to engage ensure that playing Outcast: A New Beginning quickly develops into something of a chore.

Raven Squad is not terrible but it ticks just about every box on the way to being decidedly average.

Compared to previous efforts, NHL 15 falls incredibly short on new-gen platforms.

The only benefit of owning Monopoly Streets is the ability to play with friends online, as otherwise you could just stick to the regular board version. This is essentially just Monopoly with a few rule variations and a swanky 3D board, and is hardly worth shelling out for if you already own the original version. Plus, what's better than bankrupting friends and family in the comfort of your own home, replete with wonderful paper money? This game is simply not meant for consoles.

Soldier of Fortune III: Payback has a wonderful plot. The downside is the bugged single player, the terrible framerate, and the sometimes glitchy audio. The only great part about the game, is the timeless multiplayer which has so much to offer.

This game is exceptionally derivative and remarkably sub-par. The real problem though is that it is just not that much fun – and that is a problem that no game can recover from.

Hardcore fans may enjoy The Adventures of Tintin while it lasts but unfortunately that will not be very long, and the time never feels overly well spent either. The main game is shockingly short but at least that will free you up to go and play something with a little more depth and entertainment.

While it has a few nice ideas, Rainbow Six Extraction is nonetheless a generic first-person shooter that feels more like an expansion, rather than a full-blooded game. I’m not entirely sure Tom Clancy would approve.

A game for the Dragon Ball purists, Xenoverse is unlikely to appeal to anyone else.

The short nature of the game, and the flimsy co-op and multiplayer offerings, mean that even as a budget title, Painkiller H&D never feels like value for money.

The Dark Pictures Anthology: House of Ashes is a fun enough way to pass a few hours, and is a lot more enjoyable when you get a few friends involved. But as a cinematic story, it's far too forgettable, with writing that's never better than 'fine' with performances to match.

Lulled into thinking Tron: Evolution might actually be half-decent on first impressions, we feel a genuine sense of disappointment that it gradually turns out to be yet another poor movie tie-in that's fairly unmemorable, repetitive and a bit dull overall. Here's hoping that the movie is infinitely better than this.

Ben 10 Ultimate Alien: Cosmic Destruction is a fun kids game, but one that wears out its welcome rather quickly and doesn't offer anything in the way of long term entertainment or innovation. Rent it for your kids, but don't expect too much from it.

As endless runners go, Infinity Runner is a fine example, but greatly lacks polish and finesse.

Fighting game nerds will no doubt be all over this in a heartbeat, but everyone else might wonder what all the fuss is about. Nonetheless, it's nice to have The Rumble Fish 2 out of the arcades and ported to modern consoles, even if it might be one to file away as 'strange forgotten curio' that should have perhaps stayed in the arcade.

Yooka-Laylee is not a bad game, but by God does it have its problems. If you’re hankering for a 3D platformer in the vein of Banjo-Kazooie, Spyro, Mario or Crash, I’d still say this is worth a bit of your time if you’re willing to chew on the game in short sections. But if you want to marathon the game, or don’t mind waiting until later in the year to have your genre itch scratched, you’re probably better off passing on this.

I can’t deny that it captures the look of the show but it certainly doesn’t inspire me to go out and watch it.

Heading Out does the visual novel stuff perfectly well, but it fails to nail the breezy sense of freedom that should come with cruising the open roads of America. Flighty vehicle handling makes the driving part of the game an annoyance rather than something to revel in and enjoy.

A solid golf game that suffers from a lack of courses and little in the way of imaginative modes. A step backwards from the most recent Tiger Woods games, Rory McIlroy PGA Tour is not the series refresh we’d hoped for.

A strange horror experience that isn't all that scary, The Chant is nonetheless an interesting ride while it lasts, despite being marred by a scrappy story and even scrappier combat. It's weird, but not all that wonderful.

If you're expecting a Martian mission like Total Recall, then recalibrate those expectations. Deliver Us Mars is a rather slow affair with little variation in its puzzles and a languidly delivered narrative. In spite of its issues, however, this is a journey just about worth sticking with.

There are brief flashes of something special in Greak: Memories of Azur, but, sadly, they're mired by sloppy execution and a litany of irritations that seem to have been implemented by design, rather than by accident.

Starting to feel like a case of diminishing returns, Far Cry 6 retreads the same formula that's stood the series in good stead for a while, but it's a formula that's starting to wear a bit thin. Still, there's some fun to be had here, despite there being little that's new or innovative.

Bodycount could have been so much more than the generic FPS that it's turned out to be. It has its moments, but they're too few and far between in a game that's plagued with imperfections and glaring flaws. Bodycount is not a completely terrible game by any means, it just feels dated and doesn't measure up to the high standards set by most of today's shooters. It's Shoddycount.

A disappointing campaign and a Zombies mode lacking in focus makes this a hackneyed Call of Duty entry that those thirsting for more multiplayer action will still enjoy. For anyone who plays for the campaign or loves to blast hordes of undead, however, Modern Warfare 3 is hard to recommend.

A mediocre game at best and one that will not even appeal that much to the target audience. Kids want a game that offers fun and excitement and this drawn out sandbox affair has very little of either.

The first couple of Army of Two games were fun diversions that never took themselves too seriously while delivering solid co-op action. The Devil's Cartel delivers a drab, uninspired shooter where co-op feels like the secondary objective to rushing an average game out the door. Visceral can and has done much better, so the shoddy nature of Army of Two: The Devil's Cartel leaves you wondering why it was made at all.

Chinatown Detective Agency is a disappointing miss, that, with just a little more time in the oven, could so easily have been a compelling hit.

Killer is Dead is a hodge-podge of ideas that never forms a cohesive whole. Take away the controversial elements (as they merely feel tacked on for the sake of it anyway) and you are left with a disappointing experience that doesn’t live up to the talents of the people involved. Give this one a wide berth.

Unless you've missed a few iterations of NBA 2K, there are few – if any – reasons to delve into this year's offering. NBA 2K21 features the same old insidious microtransactions that have marred MyCareer for years, but provides very little that's genuinely new or fresh. Capping off the generation with a whimper, we remain hopeful that NBA 2K21 is a lot better on next-gen platforms, because this current-gen version is a lukewarm rehash.

It is average in almost every department, and if you choose to play without the day one patch and graphics install it devolves into a buggy broken mess, though even with the optimum requirements it fails to start up to its rivals. Man down.

As a Burnout fan, I had high hopes for Dangerous Driving. Unfortunately, Three Fields' effort fails to capture the spirit and feel of its inspiration, and consequently, emerges as a pale imitation.

Dr. Kawasima's Body and Brain Training is an entertaining novelty at first, but it quickly becomes tiresome after a few days. An achievement awarded for playing a total of 50 days seems hugely ambitious then, as the appealing Avatar-based challenges will grow increasingly dull, prompting you to find new methods of self-improvement. Perhaps Kawashima should practice what he preaches, and go back into training and come back with a better score.

A slightly insipid follow-up, Layers of Fear 2 attempts something more ambitious than the first game, but disappointingly fails to stick the landing.

A messy and rather poor campaign, Multiplayer and Zombies modes that fail to offer anything new, and a general dearth of innovation means this year's COD instalment is a bit of a damp squib. Call of Duty: Black Ops 7 still has plenty to offer, but, quite honestly, we've seen it all countless times before.

Despite a robust handling model, some fairly impressive visuals, and a few nice ideas, Test Drive Unlimited Solar Crown fails to deliver on its open-world racing remit, with a dearth of things to do, broken online servers, and a tacked-on story that does little to draw you in. This one's stalled at the starting line.

Not really a sterling representation of the Disney-Pixar alliance, but Kinect Rush will keep kids happy for a while – as long as they have the patience to put up with frustrating movement and handling. With a few tweaks this could have been a much smoother experience, but as it is there is just too little fun and too much effort involved.

Werewolf: The Apocalypse - Earthblood fails to satisfy as a stealth game or a brawler, and is let down by poor AI and shoddy presentation. At its best, it’s playable, but commits the cardinal sin of just being boring.

An okay strategy game that doesn’t take advantage of the fantastic world of The Dark Crystal. Dull missions and strange gameplay quirks make this game difficult to recommend.

Turning its back on the options that made WRC 5 accessible to casual players and hardened rally fans alike means WRC 6 simply won't appeal to many people. It's a title resolutely aimed at the hardcore racer, with a stupid penalty system, twitchy handling and as steep a difficulty curve as you can get in a racing game. It's especially galling, as you can see some clear improvements here. I've played plenty of sim racers in the past and enjoyed myself, but playing WRC 6 feels like a thankless chore. Die-hard rallysport fans/masochists need only apply.

Fans of the show will no doubt get something out of this, but on a fundamental level, South Park: Snow Day! emerges as a somewhat shallow and unsatisfying experience, despite its best efforts to provide depth through cards and other light RPG elements. After Stick of Truth and The Fractured But Whole, this feels like a backwards step.

If you've got a hankering for old-school platformers (albeit ones bastardised by a few modern conventions) Mighty No. 9 is a game for you. If you were going to pick it up on a whim because you fancied a taste of Capcom's golden age, you're better off looking elsewhere. Hardcore gamers eat your heart out, but don't expect to sleepwalk through this one.

Boasting solid combat marred by a woolly lock-on system and repetitive objectives, Dungeons & Dragons: Dark Alliance is, nonetheless, a mostly enjoyable hack 'n' slash adventure that's best played in co-op.

Sticks close to the source material though whether that is of any benefit is up for question, the story is nothing you haven’t seen before and the fetch and carry game-play is the lowest common denominator for movie games it would seem.

The entire game is almost identical to the last offering, only with the focus shifted to Quidditch, dueling and potions. If that floats your boat then prepare to spend a few hours just repeating those tasks until the game ends. This may be enough fun for rabid Potter fans but provides little in the way of entertainment for the rest of us.

While the game has a bit of charm, that is mostly my affection for the title character coming through and not the actual game itself. The gameplay is dull and repetitive, the graphics and audio mediocre at best and the achievements are a complete drag.

Heavy Armor is certainly an interesting experiment but one that never quite manages to convince. Most missions feel like trial and error rather than a test of your own skill, plus the Kinect wobbles that are thrown your way can have mission ending consequences that are far from satisfactory. When things do work then there are some small rewards, especially in the off the cuff moments with your crew, but Steel Battalion: Heavy Armor feels too much like punishment rather than entertainment.

An interesting cross between a shooter and fighter that is let down by a strange storyline that contradicts itself as often as not and is woefully short of options to hold your interest.

Legacy of Kain: Ascendance is an adequate chunk of side-scrolling action, with some perfectly standard platforming thrown in, but it’s bogged down in dull lore.

The House of the Dead: Remake is a lovingly crafted remake of an arcade classic that unfortunately fails on a fundamental level with its subpar control scheme. Without true lightgun support, it’s a difficult recommendation.

On paper, Wanted: Dead has everything you could possibly want from an action game, but it’s mired in poor execution, ropey presentation, and more than a few unusual design choices. Wanted? We’re not so sure.

This game offers a few fun moments but is just too short to justify much more than a rental.

Dead Island: Riptide takes all of the worst elements of that title, removes some of the better ones and adds a few features that are average at best to create something that is wholly underwhelming. Here’s hoping this series is allowed to rest in peace.

Star Wars: Bounty Hunter is not, nor was it, a good video game, but this loving remaster makes you think of what may still come.

Limited core gameplay, broken systems, poor controls, a terribly told story and underwhelming visuals make Crimson Dragon Xbox One’s worst launch game by far.

This is truly for hardcore Dragon Age fans only and even they may well feel that the whole game has been dumbed down way too much to be recognizable any more.

A bright and vibrant world filled with dull combat and a plodding story.

The last two-and-a-half decades have not been kind to Star Wars Episode I: Jedi Power Battles, and Aspyr hasn’t done quite enough to tackle the bugs and other issues that plagued the game upon its 2000 release. This remains a fairly torrid experience, then, and one of the Star Wars series' lesser video game outings. Maybe leave this one in the Sarlacc pit where it belongs.

Its inevitable sections where you're beating a frantic escape are frustrating tests of trial and error, and, while developer The Chinese Room conjures some memorable sights and dreamlike weirdness, anyone expecting something on a par with the main story in Still Wakes the Deep will come away bitterly disappointed. Sadly, Still Wakes the Deep: Siren's Rest ends up feeling like an inconsequential two hours or so, failing to really add anything to Caz McLeary and co.'s surreal and superb journey. And those answers you’re looking for? Frustratingly, they never come. But, then, maybe that’s the point.

Skull and Bones is a dull exercise in checklist progression, spiced here and there with some impressive sailing.

There’s some good ideas and nice execution beneath Homefront: The Revolution’s terrible performance and dodgy design. Very occasionally, everything lines up to make for a unique experience. However, the fact that the game was even released in this poor state is terrible.

Fans of Monkey D. Luffy and the rest of the Straw Hat Crew will undoubtedly find something to like in World Seeker, but that doesn't hide the game's poor mission structure, the lack of variety and overall dullness. This ship's sunk.

Enemy Front is a disappointing shooter that has a few good ideas but can’t implement them well enough to make it stand out from a very large crowd.

There is fun to be had here, especially in some of the more ridiculous endings, but even those are examples of tonal whiplash in a title that plays it straight for the most part. More film than game, The Complex doesn’t gain enough from the premise of being interactive - instead, it ends up as a strangely paced movie with a lack of focus and not enough tension to draw players in.

About as middle of the road as it's possible to get without being some kind of pedestrian crossing. X-Men Destiny does everything in as average a fashion as possible and then some. Even hardcore X-Men fans will feel let down by the story and action that is served up, and even the few good ideas are rapidly swamped in mediocrity.

Kingdom Come: Deliverance is not completely awful. It’s just not very good. Sure, it does have some good ideas and some interesting mechanics, but for every good idea, there are ten that are just bloody bewildering. Warhorse seems to have valued realism over fun and enjoyment with Deliverance, but to be honest, it’s not even that realistic. It’s just a bloody boring buggy mess of a game, but one that isn’t completely terrible. Every cloud and all that.

Despite creating a macabre atmosphere and delivering some decent puzzles early on, Black Mirror is a somewhat insipid and uninspired adventure game exacerbated by frequent loading screens and shoddy presentation throughout. It belongs at the bottom of a deep loch.

Carmageddon: Max Damage has a certain appeal, but if you don't get the game's uniquely sick sense of humour, you're going to hate it.

While Jurassic Park Classic Games Collection is a lovely bit of games preservation, the lack of behind the scenes material or any other extras make for a fairly perfunctory package. Not quite one big pile of, y'know, but evidently, some expense has been spared here.

It seems as if Kinect Adventures is included with Kinect to showcase the capabilities of the device rather than provide any substantial gaming experience. It's a game that's fun in short bursts, but requires a ton of space for two-player multiplayer. Admittedly, Kinect Adventures starts off quite well as the Kinect bundle software, but after an hour it demonstrates its lack of depth once you realise that you've pretty much seen and done everything.

Never Alone isn’t without its merits. Telling an interesting story of a dying culture, it’s a hugely flawed game that manages to conjure warmth in the icy cold.

As remakes go, Alone in the Dark has a hard time measuring up to horror stablemates like Resident Evil. All of the requisite ingredients might be here, but they're poorly realised and implemented, resulting in a game that has its moments, but is hamstrung by shoddy combat, half-baked visuals, and more than its fair share of bugs.

Unfortunately, other than a decent enough story and tying up a few loose ends from Underworld & Beneath the Ashes, Lara’s Shadow isn’t the greatest way to end the experience. Playing with a Lara-esque character who handles like Barry Bonds after a big night at the plate is not as fun as you would have thought.