Assassin’s Creed Mirage is a condensed version of the modern Assassin’s formula. That may disappoint some who hoped for something that felt new while also significantly harkening back to the series’ past. Stealth does get a boost, alongside occasional engaging narrative and characters, but there’s plenty of padding that dampens the fun.

As a successor to the hugely popular Final Fantasy 15, Final Fantasy 16 leaves a bitter taste in the mouth. Sure, the crucial elements of a Final Fantasy game are all present and accounted for – engaging boss battles full of impressive visual effects, fluid combat and an interesting storyline – but for every win, there’s a massive fail, be it the bland semi-open world devoid of much to do or the frankly uninspired never-ending list of fetch-style side quests. Charming voice acting, a plethora of twists and turns and Hollywood-esque cut scenes helped keep me entertained through the majority of the 40-hour campaign, but once it was over, I was done. There was no urge to explore the semi-open world or even dive into the new Game+ mode. It’s very much a one-and-done affair, which hasn’t been the case for previous Final Fantasy titles I’ve played.

Dead Island 2 has been long in the making, but it might’ve been a little too long. Various aspects of the game, from the semi-open world to the tongue-in-cheek characters are reminiscent of zombie titles from 8-10 years ago and do little to reinvent the overly-used zombie trope. The only real saving grace is the combat, which when paired with the gory flesh system provides visceral, satisfying melee combat that’ll keep you entertained throughout the otherwise dull campaign.

Advance Wars 1+2: Re-Boot Camp is a faithful adaptation of the Game Boy Advance classic, with charming 3D visuals giving it a welcome facelift. With the gameplay mechanics largely untouched 22 years after the release of the original however, Advance Wars feels rusty and basic compared to more modern strategy games on the Nintendo Switch.

Mario and Rabbids Sparks of Hope provides the same enjoyable turn-based combat as its predecessor, with some minor tweaks to make it more accessible to a wider audience. A greater focus on the Rabbids opposed to the Mushroom Kingdom feels like a backwards step though, with the slapstick crossover comedy failing to sparkle this time around.

I can understand Volition wanting to reboot the Saints Row series given the original launched all the way back in 2006. But the latest entry feels like a backwards step for the developer, with this release misses out on the over-the-top satirical humour that made the series so beloved. As a result, Saints Row now feels like a mediocre open-world action game, becoming just like all of the games at which the series used to poke fun. Mission objectives are bland and repetitive, while the story is boring and lacks cohesion. Worst of all, the slapstick jokes rarely land and are arguably more cringeworthy than they are funny. You can still have fun if you simply want mindless chaotic action, but I’d argue you’d have a better time with the likes of CyberPunk 2077 or even Saints Row The Third Remastered.

Mario Strikers: Battle League Football offers a fantastic and typical Nintendo spin on football, with thrilling gameplay and a high skill ceiling likely appealing to a large crowd. However, the lack of fleshed-out single player modes is a big disappointment, and so is only really worth the outlay if you’re willing to engage with the online multiplayer.

All in all, Battlefield 2042 has been a real labour of love for me. The initial launch was remarkably underbaked, but I can’t deny the enjoyment that comes from firing a rocket launcher into a tornado. This may not be the best FPS multiplayer game available, and there are still plenty of issues that need ironing out, but there are occasionally some thrilling moments that you won’t be able to experience in the likes of Call of Duty or Fortinte. It remains frustrating having to pay full price for a multiplayer game, but if you’re already a fan of the franchise and don’t mind missing out on the campaign, you’ll likely enjoy yourself here. The nostalgic aspect of Portal mode will also draw fans in, and of course, the 4K graphics make it very pretty game, even if it has its cracks.

Rainbow Six Extraction is a great co-op shooter, seeing you take on hordes of aliens in squads of three. There’s a wide selection of character abilities and upgrades here, with rewarding level progression to boot, but the limited content on offer at launch fails to justify the steep cost, leaving Extraction feeling more like an expansion pack than an independent entry in the Rainbow Six series.

For those fans who are after a stab of off-road simulation, there’s plenty about WRC 10 that grips your attention, with plenty of love and care put into delivering an authentic driving experience that measures up to the 50 years of World Rally Championship racing. But it’s also a game with a few ‘off the road’ decisions that puncture parts of the experience.

Call of Duty: Vanguard does have its moments, even if they are quite few and far between. The campaign goes back and forth between innovative and entertaining, to repetitive and bland, while the Multiplayer and Zombie modes don’t bring anything new to the table other than how impressive they look.

Mario Party Superstars is an enjoyable package of some of the very best mini games in the series’ history. Like with most Mario Party games, it’s best played with a group of friends as the CPU simply isn’t that fun to play with, and relies too much on randomness in order for it to be hugely enjoyable when playing against strangers online. You could make the case that Superstars feels like a backwards step for the Mario Party series with the limited number of boards, lack of character-specific features and omission of motion-control mini games, but it’s still a hugely enjoyable experience when playing in a large group with friends and family.

There are a number of welcome changes in FIFA 22. The gameplay is more rewarding and the animations are finally interesting. There’s more intricacy to build-up play and often a much more satisfying finish. But there’s also no getting around the large number of bugs, the fairly modest improvements in various game modes and the continued focus on paying to win in FUT. FIFA 22 is certainly more Europa Conference League than Champions League.

Sonic Colors Ultimate is a faithful remake of the 2010 game that you’ll probably enjoy if you’re either a dedicated Sonic fan or a child that doesn’t mind the easy difficulty and childish dialogue. Otherwise, there’s not much to love here, with floaty gameplay and an unengaging story.

I had a lot of fun with Humankind, with its deep city building mechanics keeping me glued to the screen for hours on end. But with its unique multi-culture mechanic failing to improve upon solid foundations set by other turn-based titles, I’m unsure why anyone would choose to play Humankind over the likes of Civilization VI. That said, with a fantastic combat system and its unique core concept, Humankind has lots of potential to develop into a more competitive title in the strategy genre, so keep an eye out for future updates and DLC.

There were times during my playthrough of Mario Golf: Super Rush where I really got into the fun of golf, analysing the details of a course and fist-bumping the air when a shot went exactly like I planned it. But these moments were bogged down by a lack of content and a truly disappointing single-player campaign. Super Rush might appeal to some, but for the majority of Switch owners, I’d recommend skipping Mario’s latest trip to the links.

Biomutant is a charming open-world RPG that is blatantly aimed at children, with a low difficulty level and overly cutesy tone that will likely put off older gamers. Combat is fun with a large range of craftable weapons and mutant powers at your disposal, but boring puzzles and a barebones story means there isn’t much else here to keep you captivated.

The Medium is an enjoyable survival horror that's held back by a lacklustre narrative and a signature mechanic that never reaches its full potential…Even with Silent Hill composer Akira Yamaoka's score ringing across its twisted soviet world, Bloober Team's latest project pales in comparison to the legends that came before it.

At the heart of Control Ultimate Edition – Cloud Version is a great game; it should be enjoyed by fans of the action genre or, indeed, fans of Remedy Entertainment's previous titles. The problem is that by pivoting Control to the cloud gaming model, there are numerous issues to consider, including wait times, downgraded graphics and occasional audio-sync issues. If this is your only means of playing Control then there's a chance you could look past these problems and enjoy the core product, but I'd recommend the other versions of the game any day.

This is a great exercise experience for Nintendo Switch that makes excellent use of its motion controls, although the game doesn't introduce quite enough changes to stand out from its predecessor.

As DONTNOD’s first self-published game, the effort that’s gone into Twin Mirror’s world building should be commended. Between the added gameplay elements introduced by The Double and Sam’s Mind Palace, not to mention the colourful cast of characters living in Basswood, Twin Mirror had my attention from the get-go, but its short length prevents it from delivering an emotional journey comparable with anything the studio has done before.

Godfall currently feels very familiar: it unashamedly borrows the loot system that made Destiny and Borderlands great, attempting to mix it with hardcore Souls-like melee combat. In the first few hours, this makes the game feel a little dull. But the core mechanics feel well built and could act as a stable base for the game’s more interesting character building and co-op dynamics, of which I’ve currently only scratched the surface. [Review in Progress]

As a short, enjoyable romp that can be shared with friends either locally or online, Little Hope is worth the price of admission. The title's move to more accessible gameplay ensures that it can be enjoyed by a wider audience without issue, and the visual prowess of its characters is second to none. In both scares and narrative however, Little Hope doesn't come close to matching the same heights reached by Until Dawn, meaning that true horror lovers should probably look elsewhere.

Watch Dogs Legion is an enjoyable open-world adventure that provides you with a beautiful vision of dystopian London to explore, but its ambitious mechanics simply don’t reach the heights I was hoping for.

If you’ve already got PES 2020 and have found other means to update the squads and kits, there’s very little of note here. The changes are minimal and this edition is likely just for those who decided against picking up the previous entry. But if a cheaper version of PES has you interested this is a great starting point. Yes, there are plenty of issues with the modes, commentary and AI but most of that just fades into insignificance when you’re actually playing a game. Until the next-gen version arrives next year, this is the best representation of football you’ll find.

Hanger 13 has crafted a gorgeous remake of an action classic, but the picturesque city of Lost Heaven and the characters that call it home are sadly lacking in substance, resulting in an adventure that could have been so much more.

Serious Sam 4 repackages, rather than reimagines the iconic shooter’s core mechanics in a way that will amuse fans of the original games. Sadly, a lack of innovation and outdated sense of hmour will undoubtedly put off newcomers.

Journey to Batuu is an enjoyable game pack for The Sims 4 and a worthwhile glimpse into the Star Wars universe, but it sadly lacks ambition when it comes to doing something new with the property. At times, it feels like a glorified tourist attraction, and the lukewarm narrative doesn’t pull you in enough to feel worthwhile. But for hardcore fans, this is possibly a journey worth taking for the price.

Marvel’s Avengers has proven to be a pleasant surprise, even if its live service identity arguably hinders the true potential of its world, story and characters. Engaging combat and rewarding progression have established a solid foundation for Crystal Dynamics to build upon with new heroes and scenarios in the months and years to come.

Project Cars 3, at least on the base console versions, isn’t quite the polished sequel we were hoping for, but despite its foibles – and there are many – it’s entertaining. The racing can be fun, finding that niche of being accessible and competitive.

Black Forest Games' remake of Destroy All Humans is a worthwhile adventure for fans of the series and those who grew up with Crypto's antics on the PS2 and Xbox. However, you'll need to make peace with its outdated gameplay mechanics alongside tired dialogue and story beats, many of which feature a number of offensive stereotypes.

Deadly Premonition 2: A Blessing in Disguise is a transcendent pile of garbage. It's both strikingly ambitious and laughably incompetent in every regard, which is somewhat fitting given the iconic status of its predecessor. But all the campy brilliance aside, it's difficult to overlook its monolithic performance problems and decrepit approach to game design.

Isle of Armor is an enjoyable expansion to Pokemon Sword and Shield and brings the franchise one step closer to embracing a cohesive open-world, but it isn’t enough to detract from an experience that is far too brief for its own good.

XCOM 2 is a challenging and engrossing turn-based tactical shooter, and seeing it running on the the Nintendo Switch is very impressive. However, there are a number of performance issues here, including immersion-shattering frame rate drops and frustratingly long loading times. There's no doubt that XCOM 2 is best played on a PC with a keyboard and mouse, but if the Switch is your only gaming platform then this is still a worthwhile buy, albeit an expensive one.

Even after all this time, Burnout Paradise remains an absolute blast to play. The upgrade to 60fps in Remastered only heightens the adrenaline rush, and the game’s emphasis on exploration and quick-fire racing make it a brilliant fit for being taken on the go.

The Outer Worlds on Nintendo Switch is a passable iteration of Obsidian Entertainment's excellent RPG, but arguably makes too many sacrifices to allow for a comfortable transition to the portable platform.

Saints Row The Third Remastered is a decent upgrade of an open-world classic, although doesn't soften all of its rough edges to properly take advantage of modern platforms.

Minecraft Dungeons is a solid dungeon crawler that will work wonders with younger audiences taking their first step into the genre, although will leave experienced players wanting something more significant. A brief campaign and underdeveloped hub world prevent it from achieving greatness, yet I can’t help but be impressed by the foundation Mojang Studios has built here.

At its best, Predator: Hunting Grounds is a tense asymmetrical shooter that forces you to pay attention to your surroundings in a dense, jungle environment. At its worst, it’s a mess of waiting, loading and gunning down shoddy AI-villains in forgettable missions.

XCOM: Chimera Squad does enough to keep fans of franchise entertained while they wait for XCOM 3, but niggling bugs and unforgiving time management elements will put off newbies to the genre.

Fallout 76 has improved with the introduction of Wastelanders. The region of West Virginia now feels more alive with an increased populace, deeper quests and a greater focus on your place in its living, breathing world. But many of its problems remain, and haven’t been improved with such a major expansion. Far few players occupy each session, making multiplayer feel like a lazy afterthought instead of something that defines the experience.

Sakura Wars is an enjoyable revival of the iconic series, presenting a fascinating blend of genres. Unfortunately, it far too often falls victim to tired tropes and writing which treats its excellent female cast as little more than objects. Still, if you're a sucker for engaging stories, wacky combat and a strange, unusual world I recommend giving Sakura Wars a try.

For the first few hours Bleeding Edge is an absolute blast to play and well worth a look if you have Xbox Game Pass. But there's not enough depth to make it last long-term, at the moment.

Resident Evil 3 is a bit of a disappointment. It’s still a gorgeously spooky time, but one that is marred by an overly brief campaign and a so-so multiplayer component that doesn’t reach the standard we’ve come to expect from Capcom in recent years.

Warzone is a fine example of how you can iterate on a formula and improve it, but remove the heart of something by playing it a little too safe. Blackout covered up the surgical cleanliness at its core with zombies and over-the-top items. Warzone has no such crutch, leaving it fighting the good fight, but for no real reason. Overall, it’s fun but it lacks the style of its contenders. Given a choice, I’d go for the wise-cracking idiot over the well-dressed business person every single time, and Warzone is definitely the latter. Classic Leonard.

Pokemon Mystery Dungeon: Rescue Team DX is an excellent remake which improves upon the original duo of games in myriad ways, yet still remains woefully underbaked when it comes to meaningful mechanics with enough depth to keep you going. As a roguelite dungeon crawler for young players it's really impressive, but genre purists might be let down. Beyond that, this is yet another delightful game which works a treat on Nintendo Switch.

Dr Kawashima's Brain Training for Switch doesn't feel suited to Nintendo's latest portable, with the awkward use of the stylus and flimsy handwriting recognition sapping the joy from sharpening your smarts. There's still plenty of fun to be hand with the brain-teasing puzzles, but limited content ensures this is a far cry from the Nintendo DS original.

Journey to the Savage Planet offers an atypical open-world feedback loop with some small bits of clever detail but there’s not much else going for it. The writing is tired while the combat is uninspired, with pea shooter guns and a variety of frustrating enemies. Despite this, there’s still no sense of difficulty or tantalising mystery to distance it from its peers or keep you exploring beyond the short narrative – and the addition of co-op feels pointless.

For diehard fans of the series, Dragonball Z: Kakarot is a fanservice-littered romp, full of your favourite characters. It has the most well-realised Dragonball world there has ever been. Be warned however, as side content in this game is a pure afterthought, and there is often little payoff for doing so outside of nostalgia-related reasons.

With a charming campaign, dynamic score and pleasing graphics, this 2020 instalment is a worthwhile purchase for fans of the series looking for more Olympic fun. Yet, given the fluidity of the focused sports games already available on the Switch, and the brilliance of those on previous Nintendo systems, it pales in comparison and becomes a hard sell unless you particularly enjoy the mini-game structure – or want a game that will keep a sports-mad family busy this holiday season.

Little Town Hero is a solid RPG with several unique, ambitious new systems that light up different parts of the brain than you may be used to. However, it also feels like it’s still in the prototype phase. The battle system is fun to figure out, but ultimately combat is so drawn out and confusing that it becomes exhausting. Unfortunately, it’s not as snappy and enjoyable in quick bursts as Pokemon, which may be the thing that doom’s Little Town Hero’s clear potential as a brain-teasing game to play on your commute.

In the end I’m not sure GRID does enough to escape the middle of the pack. It’s a great arcade racer, but I don’t think that’s enough anymore. You didn’t change, GRID, we did... and I think we left you behind.

The Dark Pictures: Man of Medan is a solid beginning to what I hope becomes a memorable selection of virtual horror outings. The setting here didn't do much for me if I'm perfectly honest, but the memorable characters, razor sharp pacing and well-placed scares make it excellent fun with a few friends by your side.

Marvel Ultimate Alliance 3 is a budget reimagining of a fan-favourite series that fails to live up to the heights of that franchise. It plays and looks like a last-gen game, and it was a struggle to plow through the game, even for review purposes.

The Sinking City is a near-miss, and a unique foray into surivival horror. It doesn’t coddle you, and it certainly doesn’t do any hand-holding, which makes it a unique detective outing let down in its execution by a number of tiny flaws. A sequel that focuses on making cases less humdrum, and cuts back on the combat, could be a hell of an offering for devout fans of the detective genre. The game isn’t bad, but it’s hard to care about what you’re doing when many cases in The Sinking City are so banal.

Layers of Fear 2 is an enjoyable horror adventure, but rarely does anything new with the genre. I’ve seen it all before, and given the excellence of Bloober Team’s last project, this feels like a step backward in terms of both ambition and quality.

Team Sonic Racing is fun yet ultimately underwhelming kart racer. It’s innovative team-based mechanics can make the solo campaign a joy, but aren’t fleshed out enough to prevent things becoming repetitive. Combine that with finicky handling alongside performance issues and you’ve a package that fails to live up to what came before it. Although, given its budget launch price, hardcore Sonic fans could find something to love here.

For Total War fans, there’s lots here to enjoy. It’s the best historical Total War game since Shogun 2, and one of the finest this series has seen thus far. However, for those drawn in by the bombast and spectacle of Total War: Warhammer, this game can feel flat by comparison. Beautifully presented, this is a treat for history fans, but it might leave other players slightly cold. A step back for a franchise that felt on the edge of mainstream success, but series veterans will feel right at home.

This is a third-person experience worth embarking on, if only for the distinctive way it subverts mechanics we’ve grown so familiar with. You can also feed evil soldiers to hordes of rats with the press of a button, which is morbidly delightful in its own messed up way.

I wouldn’t recommend Iron Rain over Earth Defense Force 5, since it fails to deliver the distilled, charming experience I adore from the Sandlot series. That said, it makes some welcome advancements to the formula, with deep customisation features and plenty of loadouts to mess around with. It’s just a shame technical problems are so pronounced, even on the enhanced console. But, for fans of the series, this is worth a gander.

Days Gone has a couple of fantastic ideas, including the blockbuster horde battles that offer some of the most heart-pounding zombie spectacles I’ve seen yet. Unfortunately, these fantastic moments are fleeting, with generic missions, a messy story, and a plague of technical bugs holding back Days Gone from becoming a zombie-slaying classic.

A robust combat system, plentiful characters and a meaningful progression system combine to create a worthwhile fighter that I’d recommend checking out. It certainly isn’t the finest the genre has to offer, but it does more than enough to stand out.

Anthem is a strange flawed adventure with glimpses of greatness buried behind an abundance of obtuse design decisions. What so many players love about Bioware is here, but fragmented in such a way that it becomes unrecognisable...The core of Anthem – being its fearsome gunplay and angelic flight mechanics – are stellar, yet they’re held back by the mission structure that dictates them. Things could certainly improve with the introduction of deeper dungeons and endgame content, but right now Anthem is sadly underwhelming; a victim to the template it’s trying so hard to emulate.

I can’t help but feel that a bigger, better and arguably more ambitious vision of Crackdown 3 existed before this incarnation – one that would have made use of the cloud technology Microsoft so proudly boasted about only a few years ago. Now it feels like a pipedream, as we’re left with a serviceable yet forgettable world to explore.

Wargroove is a faithful update of a classic strategy series and, despite some smart additions, never really achieves more than that. The competence is commendable, and this is a solid game that will keep strategy fans amused for a while. Unfortunately, the final third of the campaign suffers from huge difficulty issues, which are exacerbated by UI and UX problems. Broadly, I like Wargroove, but without the rosy tinge of nostalgia it’s hard to see why you would those desperate for cut-back strategy wouldn’t just opt for Into The Breach, instead.

Ace Combat 7 is, sadly, a decent game that never quite hits the same highs as the planes contained within. It rapidly becomes too samey, and the games mechanics aren’t really signposted enough, with you being catapulted into action with barely a mention of flight school.

A flawed experience, yet boasts such as a commendable level of creativity amidst its restrictions that I was unusually smitten with it. The combat is repetitive, the visuals are sub-par and, sadly, there isn’t a lot of depth to many of its mechanics. However, the razor-sharp writing and sheer dedication to its universe allow Suda51 and Grasshopper Manufacture to craft one of Nintendo Switch’s most unique titles yet. I’m not sure I could wholeheartedly recommend it to the average player, but hardcore fans should certainly sign up.

Ridiculous performance problems that I experienced only help compound a package that is enjoyable yet ultimately underwhelming.

Playing with buddies looting collapsed shopping centres and derelict towns is a blast and the robust crafting and character development mechanics are excellent. However, quests’ repetitive nature and a lack of human players filling the vast world can make Fallout 76 feel a little sterile and hamper its long-term appeal, especially if you don’t have friends to accompany you on your journey through the wasteland. This makes Fallout 76 a good, not great, entry into the iconic franchise.

Miyazaki also describes his latest work as “a quiet game for VR”, and again it’s an appropriate view. There are none of the scares or action you’d find in a Souls game. Instead it’s a game about sedate exploration and creeping chills. Not all of the experiments or ideas pay off, but the ones that do make for an absorbing ghost story with just the right amount of weirdness for fans of the creator. Despite being marred by clunky controls this is one of the best games available for PSVR owners.

My Hero One’s Justice is a competent brawler that makes effective use of its source material to craft something fans will most likely adore.

Friday the 13th: Killer Puzzle might not have the sheen of Slayaway Camp or be an homage to its namesake series like Friday the 13th: The Game, but it’s still a heck of a lot of fun and great value for money when you consider the amount of content that’s available here.

Is this the season’s must-have horror game? Nope, but there’s a lot here that fans of Lovecraft and Call of Cthulhu will appreciate. Sure, there’s still a sense that the truly great Lovecraft adaptation has yet to push back the door of dread R’lyeh and rise to the surface, but until it does – or a sequel brings improvements – this will more than do.

Warriors Orochi 4 is not a particularly bad game, but it does feel like it’s trying its best to innovate on a tired formula, but those new additions might not be enough. Compounded with finicky menus and performance issues, it leaves the game leaving a little bit more to be desired than what it offers currently. And no, that doesn’t mean they should add more characters.

With its gleefully mischievous cast and a few new mechanical tricks, Lego DC Super-Villains is a refreshing twist on the trusted Lego game formula. It’s a shame that long-running glitches that have plagued the series for years still rear their ugly head, but subtle improvements across the board make them tolerable, in large part because there’s so much else to like. A love letter to fans of the comics and the earlier Lego DC games alike, this makes it clear it’s good to be bad.

Purists will likely still prefer the Nintendo DS original due to its superior controls and increased difficulty, but this provides newcomers a perfect chance to experience a JRPG that, for many, fell well under their radar all those years ago.

Its platforming is clunky, its animations stiff, and you eventually tire of its repeating puzzles—but I’ll remember J.J.’s story, and her inner struggles, for a very long time.

Dakar 18 is a curious creature. It absolutely delivers something truly distinct in the wider racing genre, and though the core gameplay isn’t immediately accessible, it can be greatly rewarding to those that take a chance on tackling it properly.

Achtung! Cthulhu Tactics is, honestly, a bit of a disappointment. It’s a perfectly competent tactics game, and there is a solid 10 hours of narrative here for you to explore. However, it’s mostly upsetting because of the flecks of brilliance that don’t quite fit together, and the good ideas that aren’t explored enough.

Lost Paradise provides an absorbing trek around a captivating post-apocalyptic universe. Appropriately enough, Sega doesn’t pull any punches in adapting Buronson and Hara’s gratuitous and violent world – definitely don’t play this around kids, though.

If you’re new to the series or would just like to have a really good basketball game to dip in and out of over the year NBA 2K19 is a solid choice, but if 2K18 frustrated you with its microtransactions and you don’t want to grind or pay to be competitive with your own player then not much has changed from that base model.

With it’s high-octane pace, RGX Showdown is an incredibly promising blueprint for a low-priced arcade racer, but with the untimely demise of its publisher, Telltale, it’s hard to tell if the developers, Shortround Games will be able to make a sequel or expand on the premise of the game.

This is the Police 2 is a great strategy game where things are always trying to get out of hand. Dealing with the minutia of an officer calling in sick, while also chasing down bad guys feels as chaotic and hard to balance as it should do, but never unimportant. The story feels too separate to the game’s mechanics, which is a shame because it is compelling and well presented.

The sense of satisfaction Cities: Skylines delivers, from gradually layering a city until it becomes a behemoth of urban design, finds a good home on Nintendo’s portable. The speed of activating the Switch works well for brief forays into neighbourhood management and policy adjustments. It’s only a pity that performance issues betray the difficulty of squeezing a complex PC game into a handheld console, and that the game itself can sometimes feel a tad humourless.

Fishing Sim World welcomes those who want to take its subject matter seriously, and throws its arms open to players who don’t mind life slowing down. But if you’re here for unbridled fun and explosive action? This probably isn’t even the right genre for you.

Although the seven games on offer are good examples of the fun, but shallow genre, it’s hard to shake the feeling that with a bit more attention – the kind Mega Man and Street Fighter received – this could have been another must have retro collection.

Lamplight City is a satisfying, point-and-click adventure, which tells a compelling detective story. While there are some issues that clearly take away from the overall experience, I was genuinely surprised by how much it gets right.

Train Sim World can be as unexpectedly compelling as it is powerfully soothing. It’s just a shame it lacks some of the polish to make the eccentric gem it is something truly brilliant. Nevertheless, it let us throw about the word ‘pantograph’ with haughty delight.

Obviously, Surgeon Simulator isn’t meant to be taken seriously, and as long as you can keep that in the forefront of your mind, there’s some fun to be had here. I should imagine it would make for some great streaming material and a few comical sessions with friends. Beyond that, however, the game is light on content and the added Switch features don’t add anything worth the price of entry.

Frozen Synapse can be clunky, frustrating and terrifying in equal measure. The tactical level is tightly balanced and, when played competitively provides a real spectacle, even when it’s your soldiers that are getting wrecked. The city-level strategy is a flawed gem.

It’s by no means a classic, but it’s a decent foundation for what could be a compelling sci-fi tale.

Whether you take the “Bro” elements for what they are, which is to say a daft gimmick to add an extra layer to a fun, challenging, carefully crafted love letter to the 80s, is up to you, but nothing about Broforce is serious bar the difficulty and dedication to the bit. If you’re the type to roll their eyes at a bad pun while others around you snigger, you might still enjoy the shooting, but this is a full on mickey-take on the Team America generation that will be like nails on a chalkboard to some.

It’s never that V-Rally 4 is actively bad, but the 16-year wait since V-Rally 3 is no way near worth it.

An enjoyable action-adventure for the most part, yet frequently falls victim to a haphazard narrative and structural pacing that stops the trilogy’s finale from truly standing out.

The addition of PSVR is gimmicky, but fun, with VR shining in cabin-based games like this one, was re-jigged to be. The rest of the game despite showing its age heavily in places manages to feel a fresh experience, as surprisingly nothing has really come out in all this time that comes close to how slickly agile aerial mech combat feels here.

It’s fun for a bit but quickly runs out of steam. The more casual fan, looking for something to have a laugh with their mates with and little else is almost certainly going to be better served by hanging on for Nintendo’s new Smash Bros game because there’s simply not enough interesting content outside of unlocking clothing accessories.

Slime Rancher is an enjoyable foray into virtual ranching, yet fails to provide enough meaningful depth beyond its adorable visual identity.

Bizarre and interesting; perhaps the quintessential Adult Swim-published game in that respect, but ultimately this one is merely just a decent game that may be guilty of thinking being strange is the same as being funny. Pool Panic shows promise but is more surface than feeling. It’s great it exists, however, if only to prove that, yes, sometimes games are just plain weird, and it’s okay to embrace that.