While the single-player content feels phoned in, Infinite's multiplayer is enough to make it feel worthwhile. The Infinity Stone mechanic also helps it stand out, with enough variety to keep it from feeling like a tacked-on gimmick. It certainly has its shortcomings, but if Capcom can keep the roster growing, Infinite stands to have a good, long shelf life ahead of it.

One of the best Madden games I have ever played. It’s accessible to new players and offers brand new experiences for seasoned video game football vets. There are some years when Madden just doesn’t have the right feel, and I usually will be the first to tell folks to hold off on buying the game. But this is not one of those years. 2018 is coming, and Madden is ready to give you hours of awesome gameplay experiences.

There’s a lot of potential scattered around Agents of Mayhem but not enough of it is realized. The shooting and abilities are fun, the characters are interesting and could develop followings individually, but everything is hindered by a half-baked open world. No matter how fun the shooting is, the in-between moments are consistently a chore. If this was intended to spring a new series of games to life, the initial effort spits and sputters on the launch pad.

>OBSERVER_ is a superior, more frightening take on the experience we glimpsed from Westwood Studios’ Blade Runner adaptation back in 1997. Outstanding level design and a perfectly paced nightmare make for one of the best adventure titles I’ve ever played. You will feel a sense of cybernetic dread that has been missing since your last run in with Shodan. This is a must play for fans of the genre or anyone looking for a solid scare.

Nidhogg II is a case where bigger isn't always better. It's like trying to improve on a peanut butter and jelly sandwich. Sure, it's possible to add things to it, but the PB&J isn't something that really needs improving. That's how I felt coming away from Nidhogg II. It's a good attempt at improving on the original, but the end result didn't leave me feeling the same magic that I did when playing the first game. But with that aside, for those looking for chaotic dueling action, it's hard to argue with either Nidhogg game.

I loved the previous titles in the series, and although this new one can miss the mark at times, it's a beautiful treasure hunting romp that brings back that same Uncharted feeling.

LawBreakers has a lot of room for growth, particularly given that the objective-based modes start to feel old and limited over time. In fact, the game design that rewards individual skill above all else makes the lack of any kind of Deathmatch mode feel like a head-scratcher. However, while Boss Key doesn't quite have an instant classic on its hands, there are enough cool ideas like anti-gravity combat in place that there's a sense of a foundation for something truly great.

Sonic Mania is at once a blast from the past and a wormhole to Sonic's future, bypassing everything between it and the early '90s. Come for the callbacks, stay to get a firsthand look at what Sonic's custodians have in store for his future.

Tacoma lays the foundation for a truly great story, but a short length and some unexplored ideas leave it feeling lacking. I loved the characters I met over the course of the story and there are some standouts. ODIN, voiced by Justice League Unlimited alum Carl Lumbly, is particularly a treat. But by the end, I was hoping for just a little more from them, as well as more from the whole concept as a whole.

Hellblade overcomes very minor hiccups with incredible presence, immersive design, and an overall package that truly leaves an impression, not to mention the fact that it’s only $29.99. If this is Ninja Theory stepping away from mainstream gaming, may they permanently inhabit this “Triple-A Indie” space they’ve carved for themselves and usher in a new era that strikes the balance between creative risk and high-quality production values.

I love Mega Man games. They're some of the best platforms ever made. However, as much as I enjoy the four titles bundled within its bits and bytes, Mega Man Collection 2 would be difficult to recommend if it cost a penny more than its $20 asking price. It's hard enough to recommend as it is.

Arms sessions are quick, fun, and satisfying. With easy-to-pick-up mechanics, solid stage design, and quirky characters, Arms genuinely feels like a fun and different addition to the fighting game genre. More than that, it feels like just the kind of game that makes the Nintendo Switch itself feel fun and different.

While Tekken 7 doesn't offer a lot of varied game modes, it excels with the ones that it does feature. The fighting features enough new additions and familiarity to appease experts, while remaining as accessible as ever for newcomers. On top of that, the numerous customization options ensure that there's always something worth fighting for, in-between trying to prove dominance online. The Mishima Saga carries on the series legacy in the sense that it's a mess of a story, but even that spotlights how well Tekken's visuals have adapted to the new generation of hardware. With an iron fist, Tekken 7 proves that it deserves to stand with the best in the genre.

Ultra Street Fighter II tries to add a robust package around its tried-and-true Arcade mode, but much of that package doesn't pan out. All that leaves is the Arcade and Versus modes and for as great as Street Fighter II is, it's a game that also shows its age after a while. Fighting games have come so much farther since SF2 pioneered the genre, so it's hard to imagine going back and especially for a hefty $40 price tag. Thanks for memories, Street Fighter II, but I'm hoping that this is indeed the Final Challenge.

Injustice 2 feels like a step up from Gods Among Us in every way imaginable. It's a far deeper experience, follows up wonderfully on the last game's story, and also gives reasons to keep coming back for repeat visits. The rich cast of fighters all have their own distinct styles, but they're all wrapped up in an easy-to-learn fighting system that's just plain fun to play. NetherRealm has a true grasp of what makes the DC Universe special and this game is as much of a love letter to that world as it gets.

"Like Dark Souls" has become a frequent and often eyerolling-inducing comparison, albeit with good reason. Love it or hate it, Dark Souls has informed countless games since it burst onto the scene in a spray of blood and smashed controllers. The Surge excels by knowing when to take cues from the king of the genre, and when to turn left where its predecessors turned right. I'm over a dozen hours in, and I'll happily play dozens more.

Prey is messing with my head - in a good way. All the elements of a great game are there, while driving me mad with its complexity.

What stands out to me is how all of the new elements and tweaked versions of older elements combine together to create something that, in many ways, feels less like a Warriors game and more like a proper Action-RPG. It's almost as if the team had ambitions of moving in that direction, but felt unsure about pulling too far from its roots. Who knows if we'll ever see a third game that will go all-in on that approach, but what we've been given here is a decidedly fun, if flawed, Dragon Quest adventure.

This is a fantastic addition to the Switch library, not just as a great game but as one that benefits from the system's core features. It adds the requisite new content and fixes the one large oversight of the original. Mario Kart 8 was already one of the best in the series. Mario Kart 8 Deluxe is even better.

The Disney Afternoon Collection may not have the consistency of Capcom's previous work with the Eclipse Engine, thanks to its library varying in quality. But it is just as reverent and breezy, and the addition of the Rewind feature helps ease the journey into the past. If you were a fan of even a few of these games, you owe it to yourself to see them presented so respectfully for a modern audience.

Minor quibbles aside, Full Throttle hits all the right notes as deftly in 2017 as it did in 1995. Not only do its story, voice acting, puzzles, and audiovisual accoutrements hold up, younger fans weaned on Telltale's interactive movies might take to it due to its balance of puzzles and plot.

An excellent re-release of a PlayStation classic, even if it feels as though it squandered some of the potential it has as a new PlayStation 4 release. It still has the same excellent music, memorable characters, and zany charm it had when it originally released, and if you never got a chance to check it out, you’re in for a real treat. I hope Um Jammer Lammy gets the same treatment going forward.

It’s always easy to recommend The Show, and even easier on its best years. While there are still a few rough spots, it’s hard to look at this year’s edition and not come away impressed by the sheer amount of content and modes, as well as the polished gameplay and player experience improvements. This is a gigantic care package of baseball, with countless ways to play the game for both hardcore and fair weather fans alike. I’ll be spending lots of time with this game all year, even when my Tigers inevitably hit a brick wall in August (prove me wrong, boys – prove me wrong). MLB: The Show ’17 is a love letter to baseball and its fans, and one of the secret best reasons to own a PS4.

A frustrating mess of bad design decisions, bugs, glitches, and narrative missteps. It could have been so much more, but it ends up falling flat on its face. While there are things to enjoy about it, they're few and far between -- your time is much better served replaying the original trilogy or exploring the widely available mods out there. You'll end up being much more fulfilled and feeling as though you've used your time in a productive manner.

In any other year, Ghost Recon: Wildlands would be a fine if somewhat unremarkable open-world game. By a twist of fate, it happened to release in a very crowded season for open-world games, which may make it seem pale in comparison. Where it stands out from Zelda: Breath of the Wild and Horizon: Zero Dawn, though, is its multiplayer focus. Though I found the repetition too much, those cathartic moments of perfect planning in multiplayer are enough to warrant giving it a try, as long as you have a squad of friends to back you up.

An excellent racer that’s every bit worth picking up to add to your arsenal of Nintendo Switch games. There are plenty of tracks, vehicles, and reasons to keep coming back for more. But the one you can’t ignore is the greatest of all: The speed. It may not be the racing game you asked for on the Switch, but it’s the racing game you didn’t know you needed.

For those who yearn for the days of platforming yore, Shovel Knight: Specter of Torment is a dream come true. Some will be turned off by its lack of scope, especially when it seems like every major title that comes out is filled with lore and unbound exploration. However, sometimes it's just great to spend some time with a game that just has tight, precise gameplay that doesn't require you to deal with endless mechanics and crafting to get enjoyment. Specter of Torment is that game, a modernized version of the platforming games that we loved and loved to hate from childhood.

As I closed in on the final endings for Nier: Automata, I found myself looking back on my time with it and wondering how I'd encapsulate all that into a review. Like its predecessor, this is something that must be experienced to be properly understood. At the time, I was sure I could see where it was going, and that fact left me wondering if this entry lacked that extra something that made the first Nier so memorable. As I worked my way through the final dungeon, Automata had something to prove in my mind. Would it simply stay the course, or would it save something special for the end? If you know Yoko Taro's work, you've probably guessed the answer to that question. Never before have the very credits held such sway over my opinion of a game. I leave Nier: Automata behind, not just pleased with it, but enraptured by it. Hopefully you will too.