ArmaGallant: Decks of Destiny is an interesting concept that falls a bit short in execution and presentation. While it does do a few things well, such as its control scheme and card mechanics, it is incredibly lacking in content and misses several key things that would’ve made it great and worth getting through the relatively steep barrier to entry. The game definitely has the potential to become one of the better RTS experiences on the PS4 but it will definitely need a few large content and feature updates if it wants to get there.

A fun trip down memory lane. A bloody, violent, slick memory lane. While the game is showing its age even (or perhaps especially) when upscaled to 4K resolution, the fun of the original shines through. The addition of more challenges will bring back vets of the original, and multiplayer might even be worth another trip. Fans of the original should consider picking this up, while those who skipped the original should give it a go as well.

Persona 5 is proof that few titles can compare to a truly great role-playing game. Over its 60 hour playtime I got to forge meaningful friendships with an eccentric cast of characters, discover the secrets of Tokyo, and even managed to find some nice restaurants to dine at. The time investment might seem like a lot, but rarely is time wasted when spent with friends. It doesn’t reinvent the genre, as it largely builds upon Persona 4‘s stellar base, but it adds a level of polish that is simply lacking from its contemporaries.

A Rose in the Twilight has some interesting ideas, but poor execution turns it into a massive disappointment. Players won’t find brilliant puzzles to solve like in Inside or Hue, and instead are stuck playing a game that only has a strong atmosphere to offer up. That might be enough for some players, and the game is certainly gorgeous, but when the genre is filled with brilliant games, there’s little value in such a flawed one.

Yooka-Laylee is a breath of fresh air. Playtonic Games knows platforming, and knows it well. The incredibly precise reactions needed by players, coupled with the lack of some of the genre’s more modern conveniences may turn some newer/younger gamers off. But for those looking for a deceptively deep collect-a-thon that has an entertaining story and wonderfully-crafted world, look no further. With an asking price of $39.99, this is an easy recommendation for platforming fans.

A great throwback aurally and visually, but the frustratingly tight timing required and delay of PaRappa’s audio samples make it a chore to play. It’s a shame that the menu wasn’t reworked to highlight the additional arrangements or to take advantage of how control schemes were updated over time, and I’d rather just listen to the songs than hear PaRappa freestyle his own messy groove over the tracks for the sake of a high score.

After years of consistent quality, it almost goes without saying that MLB The Show 17 is a great game. The simulation makes several significant evolutionary steps forward, while still not losing sight of the genre’s storied past. Both newcomers and veterans will find something to appreciate in this year’s outing, along with a little bit of nostalgic appeal sprinkled throughout for good measure.

A pleasant and often challenging run through a fascinating world that ends much too soon. While the game doesn’t present anything innovative or bring anything new to the Metroidvania genre, it’s still quite an enjoyable albeit disappointingly short experience.

Zero Escape: The Nonary Games fixes some major issues with 999: Nine Hours, Nine Persons, Nine Doors, but doesn’t go all the way in updating it for current consoles.

This Is the Police will most assuredly find an audience. There is a tinge of Tharsis in the way that difficulty is handled – the world is out to get you, and things only get worse as you lose more and more resources. Most people won’t like this approach. But for those of you who enjoy having the odds stacked against them, for that one triumphant run in which luck is finally on your side and you come out of it all bruised, battered, but ultimately victorious, then This Is the Police may be right for you.

Toukiden 2 is a huge step up from its predecessor, and is a smart evolution of the gameplay that Monster Hunter fans have come to know. By opting for a more story-focused experience, it manages to forego feeling like a grind, and the open-world aspect allows players to really take in their surroundings.

No matter if I was playing or watching, every hour I spent with Everything was an interesting one. Much like life itself, there were moments of beauty and laughter, but also sadness. It’s undoubtedly a strange creation, but no other game can allow players to listen to Alan Watts discuss the interplay of difference while watching 10 outhouses perform a dance that results in a baby outhouse somehow being born. There’s something special about these moments, and it’s why Everything will be on my television screen for a long time to come.

Despite fighting games feeling somewhat stagnant for quite some time, somehow a game from 2011 has managed to feel like something new and fresh. While it is never going to have the balance or fan popularity of other frontrunners in the genre, Chaos Code: New Sign of Catastrophe, is a perfectly functional brawler that is approachable for the casual audience and has enough meat to appeal to the hardcore. It isn’t going to set the world on fire or re-define a genre, but it certainly knows how to leave an impression. Animatronic ta-tas tend to do that.

With the vast love of the Mass Effect series, Andromeda was never going to make people 100% happy, the same way the ME3 ending didn’t make people happy. The BioWare team put so many great things in place, but the main story, the characters, and most of the writing keep the game from being great. Sadly, the technical mess keeps it from being good.

There are some really great ideas found within Touhou Double Focus, but they aren’t fully executed here. The gameplay needs to be tighter if it’s going to focus on difficulty, and it pales in comparison to other difficult platformers like Shantae. If you get this as part of the physical copy of Touhou Genso Wanderer then by all means check it out, but Double Focus leaves a lot to be desired by itself.

Ultimately, Touhou Genso Wanderer is a solid, if unspectacular, dungeon crawler. It’s in a strange area in-between accessible titles like Pokémon Mystery Dungeon and ones built specifically for hardcore players. While it’s not as good as the top of its class, there’s still some solid fun (and challenge) to be had if you’re looking for something new.

Styx: Shards of Darkness improves on its predecessor significantly without having to steer away from its core attributes. Everything from its visuals and dialogue to its gameplay and story have been upgraded and polished to an impressive sheen. It’s still far from being perfect and its style of stealth and combat might not be for everyone, but it’s definitely a challenging and enjoyable experience that sometimes forces you to think hard first before acting.

WRC 6 offers up a decent alternative to Dirt Rally, specifically for fans that want a more forgiving take on the sport of rally racing, but there’s still a lot of room to improve. If the series really wants to be the rally game that most players flock to, it’ll need to offer up better tutorials, and teach players how to understand their co-driver. On top of that, there’s a general lack of polish (from technical issues to visual fidelity) that keeps the game a solid notch below the competition in its own racing niche. There’s still some fun to be had, but there’s far better racers on PlayStation 4.

It’s really exciting that non-Vita players are finally getting a chance to play this series with Danganronpa 1&2 Reload. Even having played them through multiple times before, I found that I couldn’t put the controller down as I experienced them again on PS4, and not just because of my review. Though they start off a little slow, the pace at which they begin to move is exceptionally thrilling, and you’ll find yourself drawn in until the very end, especially if it’s your first time through.

Darknet isn’t the flashy PlayStation VR game that you’ll show to friends, but it’s absolutely one of the best games available for the headset. The puzzles are consistently challenging, and battling against the clock makes for an intense affair. The experience is really brought together by the inclusion of an interesting game world, that kept me interested enough to continue playing well after the freshness had worn off.

The Incredible Adventures of Van Helsing will sate the ARPG fan’s appetite, but only just. Those looking for an entertaining story will find plenty to like here, but you’ll have to slog through some uninspired combat in order to get to the good parts. A mid-game tower defense mashup freshens things up a bit, but a poor control scheme will lead you to wonder how much better the game could have been. Still, at only $19.99/€19.99, if you think you can deal with some annoying controls and otherwise average RPG action, the surprise metagame in The Incredible Adventures of Van Helsing might be worth the price of admission.

While fans of the franchise and the new Mysterious series will undoubtedly appreciate this new entry, newcomers may find many of its elements too tedious. Atelier Firis is an undoubtedly good attempt at an Atelier game but may prove to be too niche for others.

Nier: Automata is a delectable buffet of remarkable experiences that seamlessly and beautifully mesh together. In spite its plethora of elements, the game doesn’t suffer from the sometimes inevitable pitfalls of trying to do too much.

Though far from perfect, Ghost Recon Wildlands is one of the most effective franchise reboots in recent memory. It manages to build upon the key squad-based mechanics that set the series apart, while not feeling the need to pander to the established fan base. The result is a fantastically realized open world that legitimately feels like it could be a real geographic location. Now that I’ve had a taste of the new Ghost Recon, I couldn’t imagine going back.

With a lot more polish and focus on making VR a primary component of the game, DYING: Reborn VR could have been a great room escape experience for the platform. Instead it feels like its a hasty cash grab intended to capitalize on VR hype by being sold as a separate, pared down experience and not adapting the full extent of DYING: Reborn.

It’s really surprising that a game could be configured so well from PC to console and yet fail in so many other areas under the hood. InXile has the controls, menus, and navigation down pat for console, but it needs more tweaking in its engine before this game can be recommended to anyone. I hate giving this score for Torment, especially knowing that it’s a patch or two away from being a shining cRPG example on the PS4.

Ys Origin isn’t a great game, even with the various modes, difficulty settings, and characters that unlock for replayability, simply because it’s straight dungeon crawl with little variety. However, these issues prevent Ys Origin from being as good as it could be, and they certainly make it difficult to recommend the title to newcomers of Ys.

Psychonauts in the Rhombus of Ruin is a game made specifically to appease the fans as Double Fine dips their toes in VR development and prepares the world for the second coming of Razputin Aquato, but this level of immersion is like psychically diving into the mind of Tim Schafer himself, and that alone is worth the trip.

Berserk and the Band of the Hawk is, as Musou games go, undeniably enjoyable and satisfying.

Horizon Zero Dawn is an early contender for game of the year. Guerrilla Games has outdone themselves, in astounding fashion. This is a glorious game, the result of a team of masterful artisans who not only had a story that they wished to tell, but a world that was living inside of them which they wanted to share with us all. Now, we get to play inside their creation, and it is a breathtaking experience to behold. A massive, open world filled with equally massive, terrifying robots, juxtaposed against the beauty of the Earth, nature fighting back the darkness as it tends to do. Horizon Zero Dawn is the kind of game you play to get lost in, and can be enjoyed by players of all types. This could be the beginning of a stellar franchise, and there is something for everyone here. If you own a PS4, you owe it to yourself to give Horizon Zero Dawn a go.

Judging by how Ubisoft has handled support for past multiplayer games (like Rainbow Six Siege), I’m confident that some of For Honor‘s issues will get rectified down the line. Gameplay can be tweaked, matchmaking enhanced, and better modes can all be added over time. However, as the game stands right now it’s more of a proof of concept than a fully realized idea. There’s a great base to build upon mechanically, but it’s too rough around the edges to shine as bright as it should.

If you prefer your shooters to be more methodical or enjoy taking out enemies with pinpoint accuracy rather than just blindly rushing into skirmishes, Sniper Elite 4 will delight your trigger finger. Whether you’re a long-time series fan or someone just who wants to test their sniping skills, Sniper Elite 4 hits its target.

Next Order, much like other games in the Digimon World series, is unabashedly complex. In spite of its dated looks and seemingly un-involved combat system, the game’s multitude of mechanics and systems definitely give the game a depth that isn’t instantly obvious on the surface.

If you are looking for a personality soaked nostalgia piece, that is as charming as it is challenging, then 8Days should fit the bill quite nicely. Though far from perfect, its charm helps cut through the frustrating quirks and lackluster checkpoint system. For some reason, even war crimes are more fun in 8-bit.

Nioh is a game of highs and lows. It’s a tremendous blast when the combat gets to shine, but it often gets the spotlight after hours of tedium. Instead of crafting a tight 20-hour experience like Ninja Gaiden, Team Ninja has opted to create a title that had me constantly grinding. It’s a flawed experience that really has no respect for the player’s time, but one that I’m ultimately glad to have experienced.

Perhaps if they baked their ideas a bit longer, fine tuned the controls, and fixed some of the latency issues (especially with loading), Divide could have been the big sci-fi adventure they clearly aimed for. But as it is, I was only relieved it didn’t take too long to complete.

Dexed is worth getting some time with for the unique ideas it provides, but don’t expect to spend a ton of time in Ninja Theory’s VR world.

Creating new weapons can mix things up, and choosing item and skills loadouts on characters provides for some variety on the battlefield. However, after a dozen or so battles, the game’s lack of real strategic depth can be seen. Coupled with some less-than-stellar presentation, and disappointing ally AI, and Dynasty Warriors: Godseekers feels like a good idea that wasn’t executed to its fullest potential.

It can even be said that some of the older games created for the franchise are much better and would be more recommended than this.

Altogether it’s a sharp crossroads between horror films like Texas Chainsaw Massacre and The Hills Have Eyes, and the classic slow paced survival horror of Resident Evil.

One of the great things about the Tales of series is that you can jump in any of the games at any time and not be lost with either the story or combat. Tales of Berseria is a great launch point for newcomers, and of course a fabulous return point for veterans. JRPG fans who have never tried a Tales of game but always wanted to, this is a perfect place to start. Be sure to have the tissues close by.

I’d heartily recommend this for KH fans, although I caution that perhaps they should wait for the price to drop. Newcomers to the franchise entirely should avoid this title until the first two anthologies are under the belt. This is definitely not an installment that is easy to jump into.

An incredibly charming survival game. Even those that don’t tend to love the harsh genre will enjoy the visual flair and fantastic soundtrack on offer.

Yakuza 0 feels a bit like an anime that also happens to be an action/fighting game. The only problem is that the fighting feels dated, though the environmental options and multiple fighting styles to master help to spice things up a little. A genuinely entertaining and captivating story lurks in the seedy underworld of Tokyo, where a miniscule empty lot somehow sparks a massive conflict.

An extremely competent brawler, with a shockingly expansive, albeit slightly disjointed, core campaign. Despite its narrative shortcomings, the moment-to-moment combat is fast paced, visually arresting and extremely entertaining. If you are looking for a fun mindless jaunt to kick off the New Year, look no further.

Gravity Rush 2 lacks quite a bit in the story department, even with the side missions, but the improved combat and series-unique exploration make it difficult to put the game down.

Xenoraid is a unique spin on the space shooter genre that offers its own brand of challenge for seasoned players. The short missions are perfect for handheld gameplay, as well, making it easy to pick up and play whenever you have a spare few minutes. Space shooter fans looking for something new that isn’t a dual stick shooter should be fairly pleased with what Xenoraid has to offer.

Considering the amount of content that Hatsune Miku: Project DIVA Future Tone offers, it really had the potential to be a standout game. Instead, it’s only a paradise for hardcore fans as anyone else will likely grow tired of going through the extremely long tracklist.

Considering the amount of content that Hatsune Miku: Project DIVA Future Tone offers, it really had the potential to be a standout game. Instead, it’s only a paradise for hardcore fans as anyone else will likely grow tired of going through the extremely long tracklist.

Unfortunately, if you are stone cold sober and trying to channel your inner Doogie Howser, this lack of any tangible precision will prove to be an instant turn-off.

The new characters are difficult to use and are probably best left for die-hard players, leaving newcomers to feel left out. No additions have been made from a design standpoint to make the game more accessible, and it’s too difficult for its own good.

There is nothing more satisfying than when a developer learns from their past mistakes, and WayForward has finally refined the Shantae experience. Shantae: Half-Genie Hero is the belly dancing heroine’s best adventure yet, and doesn’t suffer from any huge leaps in difficulties like previous titles.

Lethal VR fails to dial up the phasers from stun to kill, a decidedly less lethal experience on PlayStation VR than its original Vive counterpart. It has a really fun arcadey core that could make for some great quick VR shooting gallery moments, but is hamstrung on PSVR by a tightened field of action and piss-poor accuracy using the Move controllers.

This is as bare-bones a port as possible, and nothing has been changed from a gameplay or feature perspective. That’s disappointing when you consider the lack of a decent tutorial and how bad the final boss fight is, but at the end of the day, it still presents a solid fighting game.

Stardew Valley is a game so completely full of content, that it is hard to fathom that it was created by a single person.

City of Light isn’t a disappointing ending by itself, but it’s a ham-fisted conclusion to an unfulfilling take on an overplayed hero.

An essential VR game that gets across why virtual reality is so fundamentally different from traditional games. It immerses you in Schell’s take on spy culture, and provides some frantic heart pounding moments as you try not to die. The adventure is over all too quickly, but the format of the missions being launched from a central office is the perfect platform to bring in additional missions as updates or DLC, which I would wholly support if they matched up to the impeccable quality of the existing puzzles.

Drive!Drive!Drive! provides a fresh idea in a very established genre that doesn’t often see them anymore. While it’s easy to dismiss the track-switching action as a gimmick, it actually adds a whole different dimension to racing. There’s a lot to like here.

In a year that has been jam-packed with quality releases, this is an experience that can hold its own. You genuinely owe it to yourself to give this game a try, regardless of whether or not you are a Tomb Raider fan. It is just that good. And when you consider that the game costs less than a ten spot, this purchase should be a no-brainer.

A fun, albeit bite-sized, adventure with some beautiful animation work that seeks to re-explore how point-and-click adventures are handled on consoles, but its short length doesn’t leave any room to explore some of the more interesting plot points. As an initial foray for Pewter Games, it makes me excited to see what they’ll follow it up with. I don’t fault The Little Acre as a bad game, but rather as something that comes up short and fails to explore its full potential.

Bugs aside, Werewolves Within is an incredible social experience and the first online game to really make it feel like you are sitting around the campfire with seven other people.

Feels more like a proof of concept than a fleshed-out game, and that’s pretty disappointing. Visual Concepts show that they have some good ideas, and could make a more full-fledged offering, but this only touches the edges of what’s possible. It’s more of a tease than anything, which is good for a demo, not a paid product.

The humor is why I stayed up late playing, and it’s that humor that prods me to recommend this title to Vita owners. Even if you don’t like toilet humor, which did get rather old about halfway through, there is an option to cut it down or remove it entirely. It’s still just as funny without it. The important thing to remember about this Big Cynical Adventure is to not expect a deep story throughout. It’s about as deep as a toilet.

When the journey comes to an end, you’ll find yourself in shock, emotionally-drained, and appreciative The Last Guardian stayed in development this long and still made it to release. The entire game’s pace is perfect. The difficulty and challenge is high, and completely reliant on how observant and explorative the player is. Every section of the game is stunningly gorgeous – a real work of art. The gameplay is pure perfection (aside for some clunky controls).

The sheer idea of a gigantic extreme winter sports sandbox is extremely compelling. While the game manages to live up to some of its potential by offering up an expansive, beautifully detailed map and an extensive collection of modes, it falls short on several fundamental elements, critical to the success of a new franchise. Odd storytelling, inconsistent controls, practically non-existent tutorials and imprecise collision detection all combine to derail what should have been a new premier franchise for Ubisoft.

Almost everything from The Dwarves‘ gameplay to the presentation seems unpolished. It’s a real shame, since there are some good ideas, and the book it’s based upon is ripe for a video game adaptation.

Square Enix has taken quite a few risks with Final Fantasy XV to make it different from past installments or even JRPGs overall. Despite some graphical issues, they have pulled off an amazing experience, and it’s one that veterans and newcomers alike can immensely enjoy. This road trip has been well worth the wait.

Pinball FX2 VR has completely morphed my perception of what VR is capable of as a platform. It helps that the folks over at Zen Studios went above and beyond to make the experience trans formative. As both a gamer and a pinball fanatic, I cannot recommend this release highly enough. The scary part is that it can only get better from here. I will see you on the leaderboards.

For everything that Guardian of Gotham does right, it makes all the wrong moves to get there. The story reaches a precipice of intensity after a very slow burn over the last three episodes, and the dire situations at hand seem impossible to resolve within a single finale, with far too many threads left open after the conclusion of this penultimate episode.

Unless you are a passionate fan of pre-historic underwater exploration, Time Machine VR is not worth your time. Despite the premise being interesting, the gameplay and overall design fails to deliver on any of its promise. The resulting experience feels like a soggy slog through a minimalistic proof-of-concept, that somehow managed to make its way onto the PlayStation VR.

This might have been fantastic as an anime series, but the lack of real choices in how the story goes kind of kills the interactive vibe a visual novel is supposed to have. Even though the text messages and phone calls alter the story, the length of the full story, complete with monotonous gameplay, doesn’t make replaying it for all the endings very enticing.

Despite some of its flaws and showing of age, Amnesia Collection is a great compilation of titles from a horror series that many newer horror games owe their own scares to. Though many of those games may be considered subjectively scarier than Amnesia, there’s a certain special spark that each Amnesia game ignites, unique as every one may be.

Despite how much Ezio Auditore da Firenze is showing his age, you can’t help but enjoy yourself as you stab your way through countless Templars. That said, it’s only fun if you already played and enjoyed the games the first time. I can’t imagine taking such a large backwards step in gameplay evolution for those who have only played Black Flag or Syndicate.

Killing Floor 2 just doesn’t have the variety needed to keep the attention of players. No matter what map is being played, things start to feel eerily similar after the first few hours.

This is an adventure that is absolutely worthy of your time. All it will take is a single dungeon before it has wormed its way into your heart.

Deponia is recommended to fans of point-and-click adventure games, since it serves as an adequate point-and-click, and there is little else out there on consoles in this genre. It has a quirky world all its own, but the protagonist may rub some people the wrong way, and he may fail to garner enough sympathy to see the story through to the end. The control scheme can be a little odd using only the analog sticks, but it is capable.

Quite frankly, this feels like a Flash or Unity game, that someone decided to greenlight as a full console release.

Every level is meticulously crafted, with more emphasis on verticality to enhance some of the new powers introduced. Additional hidden level goals are discovered organically, and while enemies can be hilariously clumsy, they are also adept pathfinders. With a nuanced story, two protagonists to play as, and multiple endings, Dishonored 2 begs, or rather, deserves to be played again and again.

While I still think that the best from Watch Dogs is still to come, Watch Dogs 2 is a solid step up from its predecessor. Getting to be a hacker is phenomenal fun, but the game tends to stumble when it becomes a sub-par third-person shooter. If you’re willing to put up with a story that doesn’t always jive with the light-hearted feel of its characters, then you’ll experience one of the most interesting open-world games in years.

Root Letter has many interesting ideas, but they never fully gel together at the end.

While its final moments aren’t nearly as strong as it begins, Eagle Flight is still one of PlayStation VR’s best titles. Flying around a stylized Paris is breathtaking throughout, and the sense of speed is always thrilling. Be it in either single-player or multiplayer, this is one VR game worth experiencing.

Sword Art Online: Hollow Realization is anything but hollow. There is an almost unbelievable amount of story content, with side stories piled high on top of that.

The rock-n-roll bro concept is very amusing, and the variety of weapons available to craft adds plenty of motivation to replay it. However, until the developer adds in the ability to save your dungeon progress, not many will stick around long enough to craft any of them.

It’s not only the best looking game on VR, but one of the longest virtual reality experiences we have so far. Robinson: The Journey pushes the envelope on the possibilities that PlayStation VR can provide for immersive narrative adventures.

I spent every minute in Small Radios Big Televisions waiting for it to become enjoyable, and then before I knew it the credits had hit. There was no magic moment where everything clicked, nor did the worlds I was viewing ever become something more than just a cool visual. This may be an audiovisual treat, but there’s absolutely no substance backing it up.

The campaign and Zombies are definitely worth playing, but the multiplayer is as likely to leave people feeling frustrated as it is to see a fair and fun match, especially with so many other shooter options that have upped the ante out there.

BlazBlue: Central Fiction is a strong note for the series to go out on, if it really does end here.

With all of the side missions, skills to unlock, items to craft, hilarious side quests such as the milk delivery quests, Parallel Quests with co-op capability, offline and online matches, and not to mention the main missions, there is more than enough for players to sink their teeth into. It will feel padded to some, especially those who played the first game.

Even with exploring every nook and cranny of the house, plus unlocking every trophy it has to offer (no platinum, by the way), Weeping Doll still clocks in at well south of an hour long. Honestly though, maybe brevity is the game’s greatest feature.

Tracking isn’t perfect in all games, and the social multiplayer aspects could be built out a little more, but the core accomplishments of Carnival Games VR demonstrate at a psychological level why VR is a fundamentally different kind of experience from flatscreen 2D gaming.

While Battlezone is a very simple game conceptually, Rebellion has done a great job of making the most of what’s there.

Some of the puzzle mechanics may not be quite as intuitive or engaging as previous episodes, but the finale puts some heavy subjects on the table to analyze, most notably mortality and the culmination of our own life’s work and moments, and what we’ll leave behind at the end.

Avoid this poorly structured game as if it was a tree in your riding line.

Unless you are down for hours of aimless fieldwork, it may be best to avoid this rustic chore.

There is plenty to like about the combat in Earth’s Dawn, but the game doesn’t manage to reach its full potential. A boring story gives players very little reason to care about what they are doing or reason to progress, and the game ultimately becomes monotonous due to this. Those who enjoyed Odin Sphere will find an intriguing game here, just one that isn’t nearly as special or polished.

It should have been an easy slam dunk: port the game over to the Unreal Engine 4, apply some polish, maybe through in some behind-the-scenes features, and profit! Instead, what we end up with is a poorly-optimized port which sees even the older Arkham Asylum stuttering from the game’s first moments, and some odd lighting that cuts into the otherwise excellent ambiance of both games.

It is hard to shake the feeling that Stardust VR could have been an update to the current PlayStation 4 iteration of the game. The new VR mode and enhanced presentation could have very well been either free or paid DLC for the existing game, instead of a standalone release that repackages all of the content from the PS4 iteration.

The dialogue may be funny, but the game is far from being a joke. It’s in the running for RPG of the year, if not game of the year and is, by far, the best Final Fantasy title the company has put out in several years.