Those who are able to look past the myriad issues will find themselves feeling like they are injecting dumb fun directly into their veins. It just won’t leave any track marks.

Taking a year off truly helped the core experience of Monster Energy Supercross 25, but at the sacrifice of cut content. The change to the Unreal Engine 5 provides a different experience than in the past. The updated riding physics makes the game both more accessible and more difficult. Tight cornering and fighting for grip is the biggest hurdle. The Neural AI in the fantastic Career Mode is great, something that other racing series could use. The removal of the Compound hurts, but the Rhythm Section mode helps to make up for that loss. Mainly, fans of the series looking for a current Supercross experience finally get it in 2025, as the game is finally set in the year it releases.

Small Radios Big Televisions isn’t the type of two-hour indie experience that’s going to blow your mind, but there’s something oddly relaxing and engrossing about navigating through its creepy factories. Despite its story falling short as a whole, there’s enough context given here to create the foundation for a special experience, but it doesn’t quite cross the finish line. It’s a pretty, atmospheric title that doesn’t shy away from how truly weird it is.

Unepic is an enjoyable retro style action RPG. It has not gotten the attention or acclaim of some more recent retro style 2D platformers such as Axiom Verge or Shovel Knight, but fans of that style of gameplay should give this one a look.

There are pros to picking up Deemo: The Last Recital on Vita. This single purchase opens you up to tons of what the mobile game has to offer without any need of DLC purchases. The width of the Vita itself, however, might inhibit comfortable gameplay for some out there when compared to thinner smartphone screens. No matter which version you play, though, there’s still some gameplay design decisions which don’t make total sense to music game fans. Fortunately, the highly varied soundtrack makes grinding mostly bearable as players pursue growing a magical tree to its fullest. In a rhythm gaming dearth, Deemo: The Last Recital stands as an imperfect, but mostly enjoyable, title to spend time with.

There are grand moments that will leave you enthralled, from the Knives Out-esque murder mystery to skydiving to one of the tallest buildings in Dubai. The environments are also a highlight as they’re not only a visual treat, but contain an incredible amount of detail that encourage creativity from the player. Unfortunately, there are hang ups that drag the experience down. The focus on the rushed story has taken a toll on at least two missions, while the CG cutscenes are awkwardly done. The decrease of Mission Stories down to between zero and three is a huge blow as they used to offer some of most entertaining ways in getting close to your target. The whole point of the Hitman games is replaying missions over and over again, but after completing one a couple of times, I felt like I experienced everything it had to offer, which isn’t something I had a problem with in the past. There are standout moments, but Hitman 3 just doesn’t have the same charm it did in the last two games, and the limitations only contribute to this. It’s more Hitman, but at the same time less of Hitman.

Anyone who grew up loving action-platformers will find a lot to enjoy here. Genre newcomers may be in over their heads, but the game does teach you its core mechanics reasonably well, so it shouldn’t feel too overwhelming.

Bokeh Game Studio’s Slitterhead shows a lot of promise in terms of its unique possession action gameplay, direction, music and overall plot. It’s fun, electric and unlike any other game. New IPs are the lifeblood of the industry and the game is a key example of keeping that saying alive.

What Did I Do to Deserve This, My Lord!? 2 is a good buy for those who loved the first game, but newcomers to the series should probably pick up the newly-discounted original game, as the complex and unpredictable gameplay certainly won't be for everyone

Circles is a relaxing puzzle game that can still be surprisingly tricky, sometimes exasperatingly so. Making precise movements while taking the level’s rotation into account and also keeping the speed up because the circles in the level grow larger the faster you move can take more than a few tries to get past, but those sections are the exception to the move laid-back nature of the rest of the game. Try, fail, try again, experiment a bit, win, move on to the next puzzle, and repeat. It’s an easy and comfortable rhythm to fall into, as you’re gently carried along by the mellow soundtrack past one level to the next. Circles switches from relaxing and thoughtful to twitchy and precise over its visually-arresting stages, and its hard to stop playing until you’ve seen everything it has to offer.

While I found my playtime kneecapped by the physical hardware, Loud has nice tunes playing in sync to plenty of fun note tracks. Astrid’s tale isn’t particularly deep (what happened to her band?), but she’s a likeable character who grows into her music over the three years of the story. The twelve tracks have plenty of replayability thanks to the multiple difficulty levels, and there’s even an extra-hard bonus tune awarded in the free-play mode after game completion. Loud is a capable little music game with a lot of heart, but be aware you need either small hands or maybe a Pro Controller to get the most from it.

The story itself is a highlight thanks to the insane villains, although it takes a few chapters before things pick up. It’s disappointing that the remaining activities are so repetitive and lack the imagination of what Volition is known for, and with a myriad of technical issues, it feels like Agents of Mayhem was shoved out the door earlier than it should have.

While the physical limitations of its content are clear, it takes little away from the intrigue and challenge Earth Atlantis generates through its fusion of explorative design with the shoot-em-up mechanics that it unquestionably pays homage to. The variety of boss designs (and the way the hand-drawn, sharp-lined visuals give them that added bold presence) and encounters are offered in just the right doses, and while they may feel at times like a chore just to arrive at, they come across as satisfying to partake in. Everything else surrounding it, if not startling or visually depth-inducing, does complement to a sufficient manner, ultimately shaping the journey through Earth Atlantis into one that can be savored but is easy enough to resume on later playthroughs.

If publishers are willing to take the risk of keeping the spirit of classic games alive, it's a shame the same courtesy isn't extended to budgets and development windows. With tried and true elements combined with attractive new features, Spy Hunter is a blast throughout its meaty campaign. The fact that such a poor presentation doesn't completely hinder the enjoyment of the title speaks volumes to the strength of the gameplay. As it stands, fans of arcade-style mayhem will adore Spy Hunter, but its low rent appearance will prove a nagging reminder of missed opportunities.

Ode is a unique mix of platforming, exploration and music. It’s accessible to everyone and can be enjoyed by casual and hardcore gamers alike. As much as it succeeds at providing a unique experience, it also fails to scratch a lot of the common gaming itches. Ode is short enough to not overstay its welcome and simple enough for something to pick up and play when you’re in the mood for something different. It’s not a title most people will want to play all the time, but every now and then it can be the perfect title to break up the repetition of more traditional titles.

SaGa Frontier Remastered is the definitive version of the cult classic, but like all cult classics, there are aspects that prevent it from achieving greater success to a wider audience. Those who enjoyed the original SaGa Frontier and were looking forward to this remaster should go out and buy it because the new content makes it worthwhile. For everyone else, however, some of the ambitious ideas in the title sounded intriguing in the abstract, but didn’t quite come to fruition during the execution. The Free Scenario concept is interesting, but ultimately SaGa Frontier suffers from lack of cohesion. The relatively short scenario campaigns by RPG standards do make playing through each character’s scenario more accessible, but with the exception of diehard SaGa fans, most players will want to move on after completing a few characters.

Forma.8 is an interesting (if flawed) take on the concept of lone exploration in its most pure and absolute sense. It’s not pretentious to talk kindly on the use of color and geometric abstraction to give meaning to one’s World, because the way MixedBag manage to conjure intrigue with such basic structures alongside their chosen tones and particularly hollowed-out level design deserves a warm reception. Though skating a little too precariously in its more long-winded moments, Forma.8 ends up being an enjoyable alternative to the Metroidvania thesis.

The new features, particularly the Resolve system, are cool, but the title still manages to feel incomplete. For those elite, it’s best to wait until the next version.

No element of Harvestella’s gameplay is exceptional, but somehow all this imperfect and mismatched elements come together to in a way where the overall package ends up being greater than the sum of its parts. The farming system is simplistic and the combat is mediocre, but in spite of itself it’s easy to get caught up in the lives of the villagers and fall into the trap of wanting to play for just “one more day” which turns into half a season.

Operation Abyss: New Tokyo Legacy is a fine DRPG. It has all the facets one would expect from a game of its genre and manages to implement those features effectively. What it does not do a lot of, however, is think outside the box in big ways.

Nike+ Kinect Training is not a fun game, but then again, it was never meant to be about entertainment. It's a game that will push you to your limit and make you break down if you don't know what you're getting yourself into. It feels more realistic in routines and schedules than something like Your Shape, but lacks in presentation with an unresponsive user interface and poor objective and calorie counters.

Pizza Possum delivers a clever twist on classic arcade gameplay with its simple and fun stealth-based gameplay, and it has a ton of charm in its colorful visuals and appealing take on an Italian landscape. But a lack of content and awkward handling of power-ups provide a sour taste, though there’s still enough here that you should at least consider sampling a bite of it. If it’s good enough for our possum buddy, after all…

It’s cute, approachable by all, and most of all its addicting and creative gameplay can get its hooks in you pretty deep if you let it.

While Pixel Star has its issues, it also has a fantastic feeling of playability. The ship is a zippy little thing, capable of fast and nimble maneuvers but also flailing into trouble if you aren’t careful of controlling its speed.

Transformers: Dark of the Moon may not be a truly complete experience, but it's just that: a good time. At their core, I think that's what games should be all about.

The Evil Within 2 is a more coherent and purposeful journey, strengthened by its voyage into non-linear level design, while at the same time reinforcing the foundation with which the original’s gameplay often shined through on. That’s not to say the sequel doesn’t throw up a few too many unfair fail states — be it in and out of stealth mode — not to mention the occasional performance mishaps that show up. It’s during combat where the biggest flaw unfortunately shows itself, ultimately preventing the sequel from achieving a higher level of success.

While a property as strong as The Avengers warrants more than a Kinect game, Marvel Avengers: Battle for Earth rises above the movie-tie in it would have likely received instead. A great opportunity for fans to step into the shoes of their favorite heroes, it's a fun fighting title that makes great use of the Kinect with multiple characters, modes and an impressive amount of polish. Unfortunately, it's not a deep game and the limited combat options will disappoint hardcore fighting fans and hurt replay value with casual ones.

Transformers: Dark of the Moon may not be a truly complete experience, but it's just that: a good time. At their core, I think that's what games should be all about.

While Megaton Rainfall may have bitten off more than it can chew in regards to the stage it takes place on, the alien-fighting action is a fantastic spectacle. Buildings crumble dynamically, shockwaves ripple the earth, zippy little enemies fly out of massive motherships and I even failed a mission once when a laser cut the entire planet in half. The enemies are constantly changing, with new ones showing up all the way to the final mission, and while there are only nine missions total each one is memorable. The only truly weak part is the story, which left me hoping there’s an alternate ending somewhere I haven’t seen yet. With the size of the universe away from Earth it’s hard to imagine that all the action is focused on one little globe circling a yellow star on the outside of an arm of a pretty galaxy. More likely, though, it’s the mark of a good game that, when the fighting is done and all that’s left is score attack and Hard mode, it still leaves you wanting another epic battle against the destructive alien threat.

Assault Android Cactus is a big, bright, blast of twin-stick shooting action, filled with personality and clever design.

While it may not fully capitalize on the draw of its main premise, satisfying puzzle design, boss encounters and that simplest pleasure of seeing your character hop into and out of worlds on a whim lends Cocoon well-warranted and ultimately long-lasting charm.

It’s by no means a top tier open world game and can be completed in a very short amount of time, but great gameplay makes The Amazing Spider-Man 2 a solid package that’s worth playing.

Steep: Road to the Olympics brings enough new content to the table to make it a worthwhile acquisition for any Steep fan. The Become a Legend mode in particular adds a goal-focused narrative that so many gamers have been conditioned to crave while Japan allows the free form exploration of some nice looking snow-covered countryside. Steep was not on the smoothest course when it was first released, but the numerous tweaks and additional content have made it a more enjoyable experience overall. People who were completely unimpressed by Steep when it was first released will likely not see enough of a change to have this content change their mind, but those who were will find a lot to love in the expansion.

Though not the first of its kind and by no means the most original tale spun from out this current trend of liberty-vouching discussion, Mainlining is a smart and cleverly put-together point-and-click piece that is layered enough with its puzzles but prominently more effective in its use of real World culture in providing that added sense of personally historic immersion.

Sword Art Online: Fatal Bullet is flawed, but succeeds at providing a thrilling MMO-esque experience offline. Newcomers to the SAO franchise can jump in with this and enjoy themselves — especially if they just want a great third-person shooting experience. Be sure that you have time to devote to it, however, because it will consume a lot of it.

LEGO The Hobbit is a fun little game that serves its purpose well.

Varlet is filled with love of the genre while simultaneously getting a few notable things wrong. The portions of the game that take place between the main plot points and dungeons are dull, making it hard to want to go through the effort of completing all the side objectives. The combat is where the game shines, however, allowing for interesting combinations of your characters and what you can do with them. The issue is that the combat ends up becoming too easy when taking on the majority of the smaller enemies you end up fighting on the way to the bosses. There are no real threats if you keep on top of your characters' levels and switch them out of your party regularly to make sure each one is ready for encounters. This is a solid JRPG that's still great fun, regardless of the issues with the lack of a threat from enemies; you're still rewarded for being creative in boss fights and exploring all avenues that the game has to offer with the skill tree.

Temirana: The Lucky Princess and the Tragic Knights is a solid otome game with flaws that keep it from shining as bright as it should. The visual novel features a compelling plot, a curious fantasy setting and solid audiovisual aspects. It may not be among the best Otomate titles, but fans of the genre are likely to enjoy Cecilia’s story.

Through its creative cast and interesting interactions, 2064 brings its pixel art world to life. Despite a few technical hitches, 2064: Read Only Memories is a step forward in the way games interact and intersect with politics and how storytelling in games can make a statement in today’s climate.

OFF is an interesting RPG that exemplifies the unique, creative side of many experiences conceived over the years on RPG Maker. Its style isn’t something that will please everyone, and it feels like the gameplay is relatively uninspired even with the facelift. Nonetheless, it’s still the kind of experience worth checking out, especially for those looking for a thought-provoking, weird new RPG.

Super Monkey Ball: Banana Blitz HD isn’t a perfect recreation of the original game due to some things being improved and others being taken away. The overall presentation is more enjoyable when it comes to the main game, but the massive drop-off in mini-game selection hurts the replay value.

Blind Fate: Edo no Yami is a good game that’s held back by a lack of polish. It has a diverse array of kinds of platforming action with a blend of swordplay, platforming and sense-based puzzle-solving, but it needs work when it comes to the visuals as they’re inconsistent. Some parts look fantastic, like the animation and overall movement, while parts of the environment suffer from still images being used instead of objects being in motion. The soundtrack is excellent though and the voice acting hits the notes it needs to, making Blind Fate worth a look.

Kids will eat this up, no question. Older gamers who like either Sonic or good action games owe it to themselves to at least rent this, if only to see whether or not it’ll leave the correct taste in their mouth before committing to a purchase.

The remake of Wizardry: Proving Grounds of the Mad Overlord respects its roots by offering a nostalgic and punishing gameplay experience. While it could benefit from enhanced character customization and a more forgiving approach to new players, it remains a solid choice for those who appreciate old-school RPGs and are looking for a game that challenges their strategic thinking and patience. For RPG veterans, Wizardry delivers a satisfying blend of complexity and nostalgia, demanding meticulous planning and resilience. For newcomers, however, the steep learning curve and high difficulty level might be daunting, suggesting that starting with the pre-made characters and taking time to gradually understand the mechanics might provide a more enjoyable introduction.

While an excellent step in the right direction and a guaranteed hit among fans, the layperson may find too many faults to enjoy the experience extensively.

Dystoria will expand and challenge your mind with its six-axis gameplay element as players will be forced to approach aspects of the game differently than they would logically. Technical issues and adjustments to the controls can hamper the experience, but once comfortable, players will settle into an experience straight out of a sci-fi movie from 1982. This game seems simple at first glance, but offers a good bit of depth and replay value if one looks to master the game. The addicting gameplay will make the player want to master each level. Dystoria offers more as a puzzle game with elements of an arcade shooter.

At the very least, Goliath is a valiant effort in adapting a series of unique mech battles into a more fantasy-themed action RPG. If it weren’t for a few poor issues with the story and some kinks in some of the gameplay elements, this could have had a chance at bring one of the classics in the genre.

Hardcore fans of the series will enjoy this the most, but the learning curve is steep for those new to the series or to Supercross in general. The confidence level for riding will take some time to reach to pull off jumps and corners, but there’s a good payoff when you get to that point. The Compound offers a big change and in a positive way while other modes get some boosts as well. The online experience is much improved thanks to its dedicated servers and some mini games. Colors pop on the screen and the atmosphere of a Supercross race is still replicated well. Milestone needs to implement the tools to make the game more accessible.

The combat is mediocre and in some ways this still feels like it needs more time in the oven, but those who forgive these shortcomings can have a lot of fun in Conan Exiles.

Tandem: A Tale of Shadows may be guilty of taking from any and every corner of the genre in constructing its challenges. But while it may zip from one set-up to the next — less-than-concerned with the through-line that ties it all together — the perspective-shifting, requiring of balancing overhead and side-scrolling puzzle-solving alike, just about delivers on the promise its set-up initially paints. Not just on the basis of a satisfying series of environments to conquer, but an admittedly-brief fascination on how everything ends up unravelling, let alone solved. It’s not everyday you stop to marvel for a second at the way two perspectives can play out at once, but that very trait is what Tandem: A Tale of Shadows shines on and in the end utilizes sufficiently well.

Arc of Alchemist is a flawed, but fun experience. The action RPG mechanics are rewarding and make tough battles even more thrilling to win, while the overall gameplay loop needs a bit more variety. Luckily, the story is interesting enough to make the repetition worth it as you find more about the world and how it has shaped everyone you encounter. It isn’t the best-looking game in the world and suffers from muddy textures, but does sound great with a top-notch soundtrack and impressive voiceover work.

Automatron isn’t without its hiccups and it’s a huge downer that some users will have to grind quite a bit in order to build the robot that they desire, but it’s still nowhere close to a stain on one of the best games of 2015. What’s more, if this is a hint at the level of quality that users can expect from Season Pass content going forward, then the initial investment will be worth it.

Middle-earth: Shadow of War aims for the spectacle of the films, but falls short with a directionless, lore-breaking campaign.

Puyo Puyo Tetris 2 isn’t the game-changer that the first Puyo Puyo Tetris was. In fact, it’s just more of the same with extra toppings. The new characters, better presented Adventure mode and improved Lesson mode are all great additions, but it would have been better of more had been done to make everything else feel fresh and improved. The Skill Battle mode helps, but that mode is undercut by a poorly-implemented stats system and the existing disparity between Tetris and Puyo Puyo. With that in mind, Puyo Puyo Tetris 2 is better as an entry point for new fans than it is for older fans who already have the first game. It’s all the fun of the original, but there’s not enough new here to justify buying basically the same game all over again.

Utawarerumono: Mask of Deception is a good visual novel that blends that genre in fairly seamlessly with strategy RPGs. It’s far more of a visual novel than an SRPG, but when the SRPG elements come in, they’re well-done. It plays well, but its slower pace isn’t going to be for everyone and being unable to skip things dos make this tougher to get through if you’ve already watched the anime and just want to experience the SRPG portions. It looks fine on both the PS4 and PS Vita, but the core graphics are from Vita, so anyone looking for a PS4-level game will be a bit disappointed due to iffy textures. The soundtrack is excellent and the all-Japanese voice work is full of life and passion.

For all its occasional grievances — that don’t add up to too much — it’s the intriguing mystery as much the appeal of its investigative leads across many a conversation where the strengths of The Forgotten City end up standing out most of all.

Final Fantasy XIV: Dawntrail excels in its promise to bring exciting new jobs and combat scenarios to the New World. Unfortunately, it falls short of expectations when it comes to the narrative, which ends up being a mess of issues.

A very good game on a technical level, but falls short of satisfying because it feels far too similar to other games in the series.

Da Capo 3 R is a massive visual novel that is set to provide hours upon hours of entertainment for the sort of visual novel fan who loves their slice of life tales with a dose of fantasy. Anyone not enthused with generally sappy tales of high schoolers may unfortunately find large parts of the story dull — in which case the huge length is a detriment. At least MangaGamer has provided an option for fans to get an all-ages edition or 18+ release via Da Capo 3 R X~Rated. No matter which you choose, you’ll be in for an enormous visual novel with a likable cast, mysteries to uncover and an anime-styled look at magic.

Towa and the Guardians of the Sacred Tree is a game with a fantastic concept that's sadly held back by factors like an unsatisfying progression system. Those who are fans of roguelikes and enjoy the character designs will still have plenty to enjoy in this title and its charming atmosphere, though, and seeing a company as large as Bandai Namco still take risks with smaller titles like this is always enjoyable in the current industry.

This magical recreation of Japan’s Akihabara District bolsters a magnitude of content and things to do, while the accessible yet rewarding combat makes traipsing through the cityscape pleasurable, feeling like a blend of a traditional beat’em up and something more like what the Yakuza series has to offer. Unfortunately, an unfathomable amount of fan-service and technical hiccups dampen the experience.

Just about every Vita feature is fully utilized and combined they offer a unique and engaging adventure. Unfortunately, the adventure is quite short and the replayablity isn’t there. Once you finish the game and find all the collectibles, the only choices are to start over or move onto the next game.

Kingdoms of Amalur: Re-Reckoning is the best way to experience the journey of the Fateless One. Paradoxically, this version also feels like a relic of the past and does suffer from it. For the most part this remaster feels like playing a previous gen game on a backwards compatible console using texture smoothing, which probably isn’t too far removed from what it is. It’s still a great time and a highly-recommended game, but it does suffer from the caveat of “this is a great game for 2012.” Still, anyone willing to look past the dated menus and RPG tropes can have a blast with this action RPG.

During the later stages of Knack II, the titular hero says, “We all make mistakes. What matters is what you do next.” Knack II addresses some of the previous title’s mistakes, pushing forward the combat depth and enhancing the satisfying loop of gradually overpowering the world around the player through size management. Unfortunately too many of the past mistakes remain, including an unapologetically bland story and presentation, to have Knack’s return be justified to anyone but young players or dedicated 3D platformer fans.

Dead Island 2 is a gory adventure that offers up plenty of mindless mayhem for zombie slayers. The remnants of California make for a great playground to dismember and destroy the walking dead in every conceivable way the game presents. The beautiful, sunny environments provide a stark contrast to the reanimated rotting carcasses. But as fun as the combat can be towards the end of the story, the missions began to feel as fresh as the enemies’ flesh as the repetitive nature of the quests turn them into chores in the final hours. Unremarkable story and repetitive gameplay aside, what Dead Island 2 does well it does very well, and despite these shortcomings, killing thousands of zombies with everything the game puts at the player’s disposal can still be a great time.

There is nothing wrong about the game, though, and if you like tower defense games then Defense Technica might provide a suitable distraction for a couple of days. The experience isn’t bad, but it is one you will forget almost as soon as you finish playing it.

Mario Golf: Super Rush strengthens the core gameplay with its faster pace and strong fundamentals, but the barebones package will likely leave players wanting more. Even with the additions of Speed and Battle Golf that offer fun alternatives to the traditional mode, the lack of a reliable online multiplayer experience and a mediocre story campaign leaves little for a solo player to get invested in without some local friends to play with. Super Rush has clearly put a focus on quality over quantity, with its stellar presentation and refined mechanics making it another excellent entry in the series that diehards are sure to enjoy. But until the technical issues get ironed out and more DLC characters and courses get added on down the line, Super Rush will have a hard time standing alongside some of the Switch’s other multiplayer juggernauts.

If someone is going to borrow, there is no shame in borrowing from the best. While it’s a bit slower to start, the characters do become fleshed out and interesting.

It’s a big universe out there, filled with beautiful sights, and while it can get a bit repetitive after a while, it’s worth setting out just to see what you can find.

The Nintendo Switch deserves more ports from esteemed franchise such as this, and while there are a couple hiccups in the execution, Capcom has done a solid job bringing the two games to the console-handheld hybrid.

It is still an icy tomb, but even the wrecks are rather glorious once you get up close to them (and loot them for rare books and whatnot).

If you can get past the instability and lack of aesthetic cohesion, you’ll find a foundation of smart mechanics and clever challenges. With that said, you’ll probably better enjoy those elements on your phone or tablet.

The Inner World is a solid enough adventure game that should satisfy any fan of the genre looking for a fun little title to pass the time.

The Dark Pictures Anthology: Little Hope is a notable improvement over Man of Medan, thanks to its vastly superior plot that manages to keep you hooked and interested in the characters as you try to keep them alive. Still, the over-reliance on quick-time events shows us that Supermassive still has more fine-tuning to do when it comes to The Dark Pictures Anthology if they want it to be a true masterpiece of horror. With any luck, next year’s House of Ashes will be even better and give us an even truer successor to Until Dawn’s crown.

The base-building is nicely flexible, whether you want to make it a bare-bones production facility or something more organized with walls and doorways plus a cozy living area, and while the automation tools are fairly basic, they get the job done with minimal fuss. The platforming tools for world exploration are strong enough that, with a combination of launching from a full-speed hoverboard into a glide combined with air-dashing, Kent can frequently get to areas that should have been out of reach, especially when combined with a low-gravity environmental event. That map itself is nicely designed, albeit maybe a bit generous in advertising where the secrets are, and each biome has its own set of resources to chase after. All those raw materials then get fed back into climbing up the tech tree, which frequently involves expanding the base a bit more to fit in new machinery to process the resources in different ways and then combining it all into food, potions, tools, upgrades, and eventually the restoration of humanity. That last bit is a long way off from Kent's arrival planetside, but he's been napping for ten thousand years, so what's a few more spent in pursuit of not being the last person on Earth?

From highly customizable characters to deep and meaningful combat that has been improved over its predecessor, there’s a lot here to like, at least on paper. Unfortunately, this is only when it all comes together properly.

Overture has a lot of cool things going for it, from its pick-up and play gameplay to its catchy chiptune music. At the end of the day, however, Overture feels too by the books to leave a lasting impression.

Edge of Eternity is a love letter to classic Final Fantasy and Xenoblade games. It doesn’t live up to the level of its influences, but given the small team and limited resources, it’s an impressive attempt. The story does rely on tropes and the characters aren’t all that likeable, and while the game comes close to reaching its ambitious goals, it never reaches its full potential. It does scratch the JRPG itch and fans of the games that influenced it will likely get a lot of enjoyment from Edge of Eternity, but ultimately it’s a good but not great JRPG.

All in all, the Sega 3D Classics Collection offers a great mix of titles to suit the tastes of many.

An extra layer of polish and a difficulty level above extra-easy would have been nice, but Flyhunter Origins just barely manages to rise above its problems and become a charming, creative treat of platforming action.

It's a back and forth battle, as it's an enjoyable experience, but one that falls short of the adventure game and technological standards many have come to expect. If there was only a little bit more polish, A New Beginning – Final Cut could have been a unforgettable adventure.

Job Simulator is not best played on PSVR, but Owlchemy Labs still did an incredible job translating the game to PS4. They managed to retain the core of the experience which means folks are still set to have fun playing. It’s just a shame that the technology currently paired with PSVR (Move controller and single camera) do not allow for the complete fidelity of play required to truly make Job Simulator an amazing virtual reality experience.

Weird West offers up a world of intrigue with a terrific blend of classic Western fiction and supernatural elements, with a lot of enjoyable story bits and and a world that can change on a whim, but it’s one whose awkward combat and bugs make for a bit of an uphill battle when it comes to truly enjoying this world. WolfEye should definitely be commended for their ambition and unique ideas, and the end result is still an enjoyable game, just one that could have used some extra spit and polish.

It’s finicky, but worth your time if the concept intrigues you.

The game may stumble on occasion from a lack of earlier detailing, with narrative and backdrop never feeling best-served to those looking for a bit more story. But the free-flowing confidence and care-free nature baked into Kunai above all still marks this down as a good (not great) starting point for Metroidvania fans going forth into the new decade.

Despite the short length and minor replayability factor, Phobia Game’s debut is still a cleverly-concentrated experience. One that wastes little time on padding, even if it means its more repetitive segments are more visible to spot. It may not be firing on all cylinders, but Carrion‘s frantic, do-or-die action mixed with pleasant strides in its aesthetic make for an odd yet entertaining few hours.

Trials Fusion is basically what we’ve come to expect from the series, just with a shinier new coat of paint.

A platforming-puzzler with a keen eye for intricacy and trickery alike, UFO: Unidentified Falling Objects‘ addictive nature is somewhat dragged down by its occasional lack of appreciation for a players’ own time. Which is unfortunate given how well developer Andrew Morrish latches onto the well-trodden, block-matching concept. Providing it with a fresh twist that requires both precision and deduction in equal measure. But it’s that noted drawback on a game not quite getting the balance right in rewarding its players for the work put in that limits just how far and wide the enjoyment leads. Even so, for a game as tempting to replay as it is, UFO: Unidentified Falling Objects does just enough in its premise and its delivery to spur you on in that never-ending pursuit for a new high score.

Super Sami Roll is a great game that holds itself back by being too beholden on paying homage to other franchises instead of blazing its own trail. As a ball-rolling game, it’s good and as a platformer, it’s pretty good — but not as good as the titans of the industry. It needs fine-tuning to make the platforming side more cohesive, but winds up being greater than the sum of its parts due to how fun everything is. There’s a layer of jankiness to some things — like the tongue-moving mechanic, but it still enables the game to be a lot of fun despite that. It’s a good-looking and better-sounding game, and a solid pickup for anyone who loves ball-rollers and wants something that integrates more platforming into that genre.

The concept behind Guild of Dungeoneering is fantastic and more people should delve into tweaking genres like this. As the game stands, however, there are features that seem missing from a typical “full” release.

Destroy All Humans! shows its age under the coat of HD makeup, but still holds up well. Some of the missions suffer from lack of direction or being too repetitive, but I would be lying if I said blowing up tanks and burning down buildings wasn’t enjoyable.

Despite some stumbles, Splash Damage has successfully taken the essence of the Gears franchise and transferred it into a turn-based strategy game. Gears Tactics is a true Gears title with a campaign that builds and expands the franchise’s lore, all while introducing new characters and adding new wrinkles to old ones.

The Bug Butcher is a good-humored throwback to an almost-forgotten series, updating the gameplay while preserving the heart of what made it great in the first place.

Persona 5 Tactica isn’t something that’s going to blow anyone away, neither Persona fans nor fans of tactical RPGs. Its story is decent and interesting enough to see the players through to the end, but it likely won’t leave much of any lasting impact. The same goes for its overall presentation and music. Much of it is fun to look at and listen to, and there’s genuine enjoyment to be had, but none of it is anything one will remember for long after putting it down. Atlus did manage to craft a fun and interesting combat system here, though, one that’s simple and easy enough for genre newcomers to enjoy and which also offers enough depth to give those familiar with these sorts of games a few fun hours. Persona 5 Tactica is nothing genre defining, but it’s fun enough, especially for those who’d like another chance to spend some more time with the Phantom Thieves.

The average story is well represented through a plethora of cutscenes and even has alternate scenario outcomes based on your exploration efforts, even though it brings with it numerous anime tropes and long drawn out scenes. There’s a broad number of locations to visit with their own creative designs, but their size and complexity are inconsistent. There’s so much holding Code Vein back, yet I felt entranced and excited to continue playing all the way through. While it will continue to live in the shadow of Souls games, it doesn’t mean that it’s some cheap knockoff, as the number of distinctions allows for it to differentiate itself from the herd.

As far as the game itself is concerned, God of War Ragnarok could best be described as a safe sequel. Ragnarok focuses primarily on storytelling and big cinematic moments while refusing to take any chances when it comes to combat, exploration or other parts of the gameplay. This refusal to innovate sometimes backfires as there are plenty of moments when the narrative isn't strong enough to carry the rest of the game. God of War Ragnarok is mostly an enjoyable experience, especially when you include Valhalla as part of the package, but the sequel ultimately falls short in several key areas and isn’t nearly as memorable as its predecessor.

Great moments simply getting to know the world were cut short whenever a new puzzle or platforming bit would rear its cumbersome head. With that said, there is still worth in playing through NaissanceE to see the moments it gets everything absolutely perfect.

It’s not perfect, but this is a great example of how reboots should be done.