The remake of Resident Evil 3 isn’t a very good survival horror - it actually works much better as a story-driven zombie shooter. The strong female protagonist is maybe too strong, at least as far as the bland bad guy is concerned.

The debut from Iceland doesn’t try to reinvent the wheel of the action-adventure genre. Instead, it looks back, stripping away modern hybridizations and leaning on the classic pillars of platforming, puzzles, and combat. None of these elements stand out as exceptional, but none fall flat either. Its true strength lies in a heartfelt story, a likable duo of protagonists who grow over the course of their journey, and the stunning Icelandic landscapes that bring flavor to an otherwise grounded fantasy. With a runtime of around ten hours, it never outstays its welcome, even if it’s a game you’ll likely forget soon after finishing.

Company of Heroes 2 has its number two in the title somewhat wrongfully. This is not a sequel in its true meaning because it does not guide the series to a new way. This is only an enhancement enriching it with a few trifles and one new playable nation. Once again, it is the strongest in its multiplayer game. If Relic continues to deliver its usual expansion packs, the CoH 2 game is going to be better and better.

Ixion is an unassuming space odyssey in which you build and manage your own space station. It’s a bit like Frostpunk but also adds its own layers, even if the execution sometimes leaves a lot to be desired. There is a pretty nice story accompanying all the strategy, though!

You simply have to try out Iron Danger’s unique combat system to fully appreciate how great the fighting is. The bland narrative, confused set-pieces and frequent bugs are significantly less awesome.

Decent space RTS offers a funny single-player campaign, but needs a number of adjustments in multiplayer – especially with balancing.

StarCraft: Remastered admittedly targets to esport. While for professional players it is almost perfect, for ordinary people it is a half-baked remaster of once great game, which is not so good to play today.

A successful sci-fi take on the classic Heroes of Might and Magic formula, firmly rooted in familiar foundations while introducing enough new ideas to feel fresh and relevant. It excels in unit variety and interesting mechanics, but is held back by weaker balance, lengthy AI turns, limited faction diversity, and an unremarkable campaign. Still, it is an easy recommendation for fans of a genre with few modern entries.

This sequel brings just the expected innovations. This game itself is a good strategy RPG, which keeps the original game difficulty and adds a catchy storyline to the great turn-based battles.

Straight-up Nordic fighting game, which offers core hack’n‘slash and a pleasant atmosphere of the Nordic mythology.

Roguelike genre, which is renowned for its difficulty, moves up an entire level with the Crypt of the NecroDancer. It offers a challenge that has the potential to plunge you into despair, even if you are familiar with such games. NecroDancer is cute, unforgiving and exotic in its own essence. You won't experience anything similar elsewhere. The question is, whether you're good enough to bear all the gifts this game offers you.

Not showing cruelty and yet be terrifying, achieve only the best horror movies. Albino Lullaby is quite close to them, except of unbalanced combat.

A light, playful spin-off on The Witcher universe that works best in short sessions. Its catchy concept is undermined by repetition and a strange decision-making system. An ideal bite-sized mobile experience. Nothing more, nothing less.

This entertaining old school shooter with several simple puzzles is pleasantly executed title to fill several autumn evenings. From time to time you'll encounter some technical issues, and you won't find the originality here. On the other hand, the game is fun, and it doesn't fool around trying to be anything else.

Mediocre fights and design errors couldn't beat the fact, Dex is a pleasant cyberpunk RPG for the fans of the genre.

A beautiful action game that mostly entertains royally but sometimes spoils the experience with unpolished design or overly simplistic mechanics.

A very good port of a very good game. The only relevant mode is the local competitive one, but it’s so brilliant it doesn’t really matter. The strong points of the game are further accentuated by Nintendo Switch and its Joy-Cons.

This is a solid next-gen upgrade for a solid fighting game. It runs better but its biggest problems remain unsolved. I don’t really see it breaking through to become truly mainstream.

The Old Blood is more boring and actually worse than the original in every aspect. But thanks to the fact, the original was excellent, even this expansion is still a very good shooter.

Styx returns in his biggest adventure yet. At its core, it remains the same game, but it is more enjoyable thanks to three large, brilliantly designed maps that encourage exploration and reward revisits with metroidvania-inspired elements. The series’ trademark B-movie charm is still present, but should not deter stealth fans from what works well.

World of Warplanes delivers fast-paced and comprehensive gameplay, aeroplanes overflow, and short intensive combats to fill your free time. However, to get ahead of War Thunder, the game's creators have to try really hard, and they have to deliver plenty of content in coming updates.

The Turing Test puzzle platformer is quite entertaining mix of genre ideas. It can also offer a philosophical subtext. Due to not-so-original puzzle mechanics or innovative environment the game stays behind the genre competitors.

Alba wants you to find happiness in something larger than yourself. But instead of actually teaching you anything about protecting the environment, it “only” succeeds in being an enjoyable adventure.

A game carried by a good story, great atmosphere and solid gunplay, but let down by routine missions and bland non-combat features. Even so, the result is fun to play.

An interesting game that allows players to put themselves into the role of devilish super-villain. The feeling of destruction and devastation is extremely satisfying with this game. Technical imperfections however, are the main problem of the game.

Loop Hero is a fresh indie success that’s more interested in your time than skills. Maybe you’ll be able to kill hours upon hours in its repetitive loops. And perhaps you’ll lose your patience halfway through.

A jewel made of words - beautiful, bewitching words. When you’re reading its stories, everything seems great, but then the game lets itself down with low difficulty and monotonous activities.

Puzzle platformer builds on its successful predecessor and develops its concepts. The game will entertain you greatly but has also the ability to get you insanely upset.

You can feel all the effort, care and originality they put into the ReCore game. We don’t see many platformers like this and most things in the game work just fine. But a couple of bad design decisions and technical issues ruin that good feeling unfortunately.

You can mix disparate features and still get a great game, but this is not what happened with Tribes of Midgard. Even though it’s muddled, it could still be a great survival game if it didn’t waste so much of your time.

A pleasant return to the roots of open-world adventures, which is as captivating as it is frustrating. Outcast: A New Beginning can be beautiful, but with clumsy animations. It adeptly weaves tasks together while filling its map with repetitive hostile camps. However, the important thing is that through its good action and brisk movement across the picturesque planet, you'll completely forget about its simplistic storyline and other flaws.

An evocative portrayal of the horrors of the First World War, Ad Infinitum manages to intriguingly delve into novel themes of post-traumatic stress disorder, psychosis, and family trauma, despite its monotonous gameplay, which often feels like a repetition of narrative horror films that have come before it.

Rez Infinite is an artistic pearl in which the audiovisual effects outshine the core gaming entertainment. But players who know what to expect will not be disappointed.

A rapid action game in heavy metal rhythm which will make you remember all those legendary platformers from the 90s. It’s frantic, easy to understand - but its difficulty can be, at times, terrifying.

This is a truly emotional adventure game, narrated in a playful, original fashion. Its actual gameplay, however, isn’t as interesting as it could have been. Still, it’s beautiful, it’s well acted and the soundtrack is phenomenal.

It doesn't matter if you see Metal Gear Solid 5: Ground Zeroes as a tech demo or a regular game, it’s still a demonstration of Phantom Pain possibilities. Ground Zeroes is in many ways a great game, but as a whole it is incoherent one. And if it's not your habit to return to a game over and over again, this one may be quite short for you.

Orcs Must Die! 2 is as addicting and fun as the original, and furthermore it adds a great co-op gameplay. However, the absence of new levels, no in-game editor, and too close a resemblance with the original title make Orcs Must Die! 2 look more like an expansion pack than a fulfilling sequel.

A hardcore RPG not forgiving mistakes is quite a good thing. But it's not suited for everyone even though you are a fan of the genre. Still, among the indie RPG projects it's a well-executed piece of work.

A fun and highly accessible tennis arcade game that works best as a chaotic party experience. Its well-balanced mix of classic tennis and over-the-top abilities creates exciting matches full of tense moments. However, a weaker single-player mode and lack of long-term motivation mean the fun quickly fades without other players.

The only thing that’s changed in those 18 years is the resolution. Nevertheless, Onimusha: Warlords still offers very solid gameplay in fantasy medieval Japan. The obsolete game design and camera controls are a bother, but what would you expect from the year 2001?

One of the few modern attempts at motocross in video games has been successful. Even though MXGP is like CatDog of a racing simulation game, and its technical level is laughable, right in the action it's the most entertaining game by Milestone. And that is surely worth your attention.

Do not trust anyone nor yourself! With such philosophy, you will fight in the survival action from the Arctic, where snow and frost are not surprisingly the biggest problem. Distrust plays nicely with human psyche, offers the movie mood in a generated environment. Surprisingly however, you yawn sometimes.

Yooka-Laylee is back, waxing nostalgic again. This spin-off celebrates 2D platformers of a bygone age and brings tasteful fun, even though it’s not very original at all.

If you admire adventure tourism, you are in the right place. This, by design imperfect game, keeps you charmed with its own atmosphere.

A bow to classic platformers, especially from Eric Chahi excels with excellent atmosphere, great visual style and ruthless difficulty. While the last one you can expect in similar games, in this game it’s too much – because of the problems with controls and unnecessary backtracking. However, if you are patient enough, The Way, despite for its issues, can entertain you pretty well.

Cute, colorful and imaginative game offers plenty of widgets and hardly any gaming challenge. If you just want to "run through" another game and not lose your nerves, you have the opportunity.

A deeply complex space strategy game in which you must build your own colony on an inhospitable planet and manage even the tiniest details. All the endings and scenarios will take you a while to discover. The weaker points are its combat system and stupid colonists.

An improvement over its predecessor in nearly every way. Still a colorful, vulgar, and talkative sci-fi hallucination, but now built around a genuinely strong shooter with good pacing, ideas, and fun movement enhanced by a skateboard. Despite overly long dialogue sequences and humor that may not appeal to everyone, it remains an entertaining experience throughout its roughly fourteen-hour runtime.

After eight years, the legendary Codemasters has taken charge of the WRC brand. Unfortunately, their debut isn't as assured as one would expect from the creators of Dirt Rally. EA Sports WRC boasts a superb driving model and an enjoyable career, but there's much to criticize on the visual and technical fronts. The new systems seem more like a teaser and lack the necessary depth. Despite this, the driving experience is enjoyable, and it's certainly not something Codemasters should be ashamed of, although they are capable of much more.

Pop and RPG mixture. Certainly we cannot say that this game has no style ... and an incredible amount of fights.

Although set fifteen years after Liberation, it feels almost identical in gameplay. Fans of the first entry in the rebooted series will enjoy this one as well. Combat can become somewhat repetitive over time, though it remains engaging. The story is decent but not exceptional. While it does nothing particularly wrong, it also does little to stand out, but for those seeking a dark fantasy RPG with tactical combat, it might be worth the time investment.

Pinstripe is a wise and catchy platformer. To be perfect, however, it lacks richer content, which is trying to compensate with an interesting idea and magical visuals. Lovers of arcades with storyline will be certainly pleased.

Dune: Awakening feels like traversing sand dunes: sometimes you’re gliding down with a smile, other times you're grinding your way up a punishing slope. Excellent content pacing meets an increasingly demanding grind. Many of the game’s systems – from sandworms and personal shields to stillsuits, vehicles, and the harsh environment – will delight hardcore Dune fans, but concessions made for the online format chip away at the carefully built immersion. The world can be breathtaking, though its finer details often fall short. The opening hours are bafflingly weak, while what follows becomes dangerously addictive. The latest Dune game is, at its core, a story of contradictions.

Starbound is not as polished and debugged as other games, and sometimes it may seem repetitive. But compared to more "modern" sci-fi games its explorative, almost melancholic spirit and emphasis on building catches your heart. Spare a few hundred hours of your time, the ultimate boundary once again calls for the survey.

The wonders of building your own railway are back. Railway Empire 2 is beautiful and addictive, and while a full sequel should perhaps offer more, it’s great fun anyway.

Peak is a fun climbing arcade game that you can enjoy solo or with friends. Its gameplay loop isn’t meant to frustrate, just entertain – and it succeeds. The climbing itself, with its animations and sound design, is genuinely satisfying. However, the climbing gear could use a bit more attention, and overall, this is more of a casual, one-evening treat than a multiplayer staple you'll keep coming back to for months.

Moves the retro style to a whole new level. If the graphics or complete absence of any explanation doesn't discourage you, you'll get quite a portion of entertainment from Staglands.

The game, if nothing else, forces you to take another look at Star Wars. But in Star Wars Battlefront the form dominates over the content. Visually fantastic, technically flawless, with perfect atmosphere, yes, but continually receding euphoria reveals a simple and relatively poor shooter game.

A solid tribute to a classic, Stronghold Crusader: Definitive Edition mainly shines through improved visuals and audio. The new campaigns and scenarios are a welcome bonus, adding a massive amount of content. It’s a shame, though, that some quality-of-life improvements expected in modern strategy games are missing. Still, if you loved the original Stronghold, this nostalgic return is a well-executed one.

Unlike its previous instalment this shooter and tower defense game mix is focusing on a player and their character building. Therefore your hands are tied from the tower building perspective, and the title is counting on its cooperative multiplayer game. On the other hand, if you've never played the original instalment or you are not afraid of the changes, feel free to venture into Sanctum 2.

On the technical side perfectly mastered 4X strategy, which is simply not enough original or interesting. It certainly attracts newcomers more than the experienced veterans.

The environments are beautiful and varied, the combat is very well done and the PvE content is satisfying. But why would you lock it all behind daily limits and randomness?

Yesterday compensates its flaws for its great story - an element that's been the most important thing in adventure genre. If you get over its lower difficulty level and its brief duration, you might get some thrilling experience of great pace and with great atmosphere, and you will cherish that impression even after the game is over.

Football Manager’s new content deals with the future, which is great - but it should also focus on the present which, through its mistakes, dangerously resembles the past.

El Hijo will satisfy a craving for stealth games and it looks stunning, but it’s not very original and its weird controls are an endless source of frustration.

Very good building strategy offers a rich environment and the need to constantly balance the economy. Initial city construction is fun for everybody thanks to that. However, Anno 2205 loses pace after a few hours and only true fans would stay. It would need much more diverse content.

An eye-catching pointillism with a unique discovery mechanism with which you won't discover so much in the end. Even so, you will get a special experience and some printscreens from this cave.

Seasons After Fall is a nice fairytale game from the forest, which responds to the season changes. All this is complemented by a catchy soundtrack. Neither puzzles nor gameplay offer a serious challenge, but the game works miraculously even without them.

A playful driving model, plentiful tuning options, a career without microtransactions and an open city changing its whole identity with each dawn and each sunset. The sins of the past are gone, but the game is still way too similar to what you already know.

Eagle Flight is not a game for everyone because it will appeal rather to more casual players. Nicely done virtual reality and the bird's flight itself are, unfortunately, spoiled by not very imaginative tasks for which the game gives the impression as if it was pushed too hard to speed up the development.

2D strategy has a surprisingly excellent core, which unfortunately lacks larger amount of content. Kingdom is the really funny game, but not for a longer period of time.

An interesting explorative adventure from the creators of Myst offers both smart logical puzzles and dark mysterious atmosphere. But you can find better pieces among the similar games.

The third episode entertains again, but the series slightly loses its pace at the halfway mark - last time it was more fun. It is a wonder what great influence have your decisions from the previous part. Telltale is often not good in this stuff but this time the made a real fork in the story.

The mixing of cultures is very well done, the royal court itself not so much – it actually ends up being a disappointment. This DLC should have been better, but once you try it out, you’d miss it anyway.

A colourful urban action game that will torment you at first but eventually reward you with its loopy freestyle riding. The game has a bit dull and drab content, and our fellow country gamers will probably get annoyed experiencing humour of the American teenagers. However, as a smaller crazy alternative to GTA it works great.

This is a definition of an uncompromising retro mindset. Cute visuals and burtonesque atmosphere set this game apart, but the gameplay is basically unchanged from its roots in the 90s - including a confused camera and a pretty bland combat system.

Hidden Through Time 2: Myths & Magic is a presentable representative of the almost forgotten hidden object genre. It captivates with its graphics and musical accompaniment, hidden mini-stories, but its greatest strength lies in the editor and the promise of an endless array of levels from the community. Overall, it is a pleasant and relaxing pastime.

Episode Two is obviously shorter but still enjoyable and entertaining. It offers great voice acting and an outstanding plot again. Something doesn’t work as intended yet we can recommend the Rubble Without a Cause to all adventure players.

Biomutant is too ambitious for its own good. The combat is fun, especially when combined with a good crafting system and a beautiful world. Other systems are irrelevant, though, and the quests are boring, as is the damp squib of a story.

Planetiles is a good, intriguing puzzle game with a pleasantly balanced challenge that will entertain you, but in terms of content, it runs out of steam a bit too quickly. If you don't mind bite-sized gaming experiences, you won't be disappointed.

Milestone returns to the racing circuits in a solid shape. New MotoGP pleases with physics, maneuverability and admiration to a motorcycle history. The rest of the game, however, is -as usual- not dazzling.

Thrilling combat, captivating sound, and a breathtaking art style—these alone make Ghost of Yōtei well worth experiencing. The rest of the game, however, is harder to praise without reservations, and next time the developers would do well to embrace more experiments, rework the climbing segments, and bring in new writers.

A very touching remaster of one classic title that is like a reward for all the fans. At the same time it is a perfect time for the new gamers that missed the start of the series. This title brings along a new graphics engine and more or less of big and small improvements and also several enjoyable bonuses. Yes – Halo is still a bit old, but not old enough to hold you from your enjoyment.

This atmospheric adventure game is nothing special gameplay-wise but outweighs its weaknesses by good narrative choices and clever puzzles. Get lost in the woods. You’ll enjoy it.

A beautiful, nicely crafted puzzle game draped in a dream-like atmosphere and filled with appropriately difficult mysteries. It’s a shame that it will probably annoy you by its failed attempts to tell a deep story and wax philosophical.

Sakura Wars is more an interactive anime than a proper computer game and could benefit from more gameplay choices, but in the end, it is, kind of miraculously, really fun to play.

In spite of its technical problems, Borderlands 3 is still a very solid looter shooter, generous with both shooting and loot. The magic of the second installment - and its excellent writing - is, however, gone.

Unravel Two feels more like a cooperative spinoff embedded in the same world than a perfectly polished continuation of the amazing first game. Its fun basics are still working smoothly, only the the game doesn’t work with them in an interesting way and doesn’t move them any further.

It would be perfect turn based stratdgy and the best version of Space Hulk. But horrible AI and a swarm of bugs drag this space marine down.

Starfield is an unrivaled large and comprehensive space opera. Although it plays too much like Bethesda's previous games and the exploration of the planets is boring, it entertains with interesting stories and looks truly otherworldly.

Call of Duty: Ghosts is a dinosaur of the game industry. Because of its great multiplayer game along with the faithful fans with their immense interest in it, the game is nowhere near its end, yet. However, it's about goddamned time to reach some evolution. Unfortunately, the newest installment wasted its potential.

With no campaign, Battle Royale mode really shines. Zombie co-op mode is surprisingly addictive, but there is another surprise – big technical errors you wouldn’t expect in an Activision game.

Bloody arcade game in which the player uses a divine artifact Lichtspeer to mowe down waves of absurd creatures in a well-stylized environment. It's a straightforward action – and it’s a pure fun.

If it was a straightforward story-driven adventure game, Shadows over Silesia would’ve been much better. As things stand, the wonky combat system and annoying stealth knock it down a few pegs. Still, the story is great, as is the unconventional setting and professional voice acting.

The campaign is certainly better than in Gears 4 and the core gameplay is fun, but Gears 5 is way behind the original trilogy in almost all other aspects - especially due to the incessant, and boring, lulls in the action.

An atmospheric 2D platformer. Even though the game is extremely short, it still manages to touch your very heart.

Honest and robust platformer with an interesting story, which is gracefully bowing to its old-times ancestors. It has the potential to entertain you, but the repulsive appearance does not help it at all.

A sci-fi version of Darkest Dungeon. It has a weak story and its procedurally generated missions are tedious, but battles and development of your heroes are strangely addictive.