Love Eternal delivers on the promise of a psychological-horror platformer in most ways. Its setting and presentation create a world where you're never quite sure what reality you're in, and a big mechanical switch-up halfway through is a wonderful, creative surprise that I'll be thinking about for a long time. The game gets more meta in ways than I could've predicted, and left my own brain scrambled entirely by the end of the short four-hour experience. As a platformer, it's easy to understand, though the unpredictable momentum of movement unfortunately keeps it from feeling as precise as genre enthusiasts will surely prefer. Still, it's one of those "play in one sitting" type of games that you won't want to miss if anything about the premise speaks to you.

Mario Tennis Fever is one of the best Mario sports games in years. Does it solve all the issues we've seen in the genre over the past decade? No, and sadly, it suffers a lot of the same problems when it comes to depth. Thankfully, the one thing it gets right is its incredible gameplay, which keeps you coming back for more. It's not perfect, but Mario Tennis Fever is a much-needed step in the right direction.

The first 30 minutes of Calamity Angels hooked me. The tension system seemed like a great novelty for turn-based combat, and the contrasting character archetypes brought fun personalities. Unfortunately, the game spent the next 10 hours spinning its wheels, forgoing any gameplay development and turning its entire runtime into a mind-numbing loop. If Compile Heart had fully fleshed out its own innovations, Calamity Angels: Special Delivery could have been a compelling game, but as it stands, it is just a shallow and forgettable experience.

High on Life 2 accomplishes an incredibly rare feat, as it's a sequel that improves every single aspect of the original while forging its own unique path. The addition of the skateboard is a game changer, and the majestic insanity that you can concoct is just oodles of fun. Squanch Games had a lot of work to do in order to both distance itself from its creator and ensure the foundation was solid, which they did in spades. High on Life 2's absurd story, impeccable combat and beautiful world are just a few reasons to explore this sinfully funny shooter.

In Paranormasight: The Mermaid’s Curse, everything feels familiar if you played The Seven Mysteries of Honjo. It cultivates the same structure, tone, and even soundtrack, but with some fine-tuning to the gameplay and a narrative that doubles down on psychological suspense. It has no direct ties to the first game, so you can jump right into the sequel and enjoy it to the fullest without the previous experience. Square Enix continues this visual novel series with immense personality. It delivers a complex, layered story filled with twists, supported by a simple yet efficient game design. The meta-narrative touches remain the star of the show, binding story and gameplay into a creative and immersive package that is simply hard to put down.

Styx: Blades of Greed is a must-play for stealth enthusiasts. It's not some incredible game that's going to blow you away on every level, but it is a title that knows what it wants to do and does it well. The story is serviceable, and the problems aren't so bad that they detract from the fun parts of the game. If you've played the originals in the series, then you'll have an excellent time. If you're new to the genre as a whole, you'll still find yourself having a lot of fun with the gameplay. With the mix of classic game design and some new age evolution, Styx is back and better than ever before.

Revolgear Zero is an enjoyable and satisfying retro shmup experience that will undoubtedly satisfy the genre's biggest fans. It's nowhere near as challenging as some of the genre's juggernauts, nor is it as impressive, but there's still plenty to enjoy here, especially at a discounted price tag. I just wish there were more to see and do in Revolgear Zero to attract those who aren't hardcore shump fans.

REANIMAL stands as both a confident continuation of Tarsier Studios’ haunting design philosophy and a cautious step into new territory. While its ambitious scope occasionally exposes cracks through rushed narrative beats and safe puzzle design, its oppressive atmosphere, striking visuals, and linked-up co-op gameplay carry the experience from beginning to end. For some, it may not reach the same tightly crafted heights as Little Nightmares, but it successfully captures that same uneasy magic that made those games special. It isn’t perfect, much like all things in this vast expanse of the medium or the horror genre, but it’s a bold and unsettling co-op journey that shows Tarsier’s signature style is still very much alive.

Super Bomberman Collection is a must-own for anyone who has ever enjoyed this franchise. With a grand total of seven games, including many that are reaching US shores for the first time, snappy presentation, and tons of behind-the-scenes goodies, you really can't go wrong. There are a few unfortunate technical issues, including some problems with audio that can cause the game to go out of sync, but the overall package here is stupendous. For only twenty bucks, you are getting a spectacular amount of content.

Not only is Romeo is a Dead Man the most delightfully Suda-flavored experience I’ve had in a long time, but it’s presented in its optimal form. No meddling from other companies or directors, no hardware limitations, just unfettered, bloody action and unrelenting, delightful weirdness. It’s consistently fun to play and fascinating to experience, from the sudden, wild shifts in tone, level, and story setpieces to the surprisingly tense boss fights and emotional monologues. No matter how dense it all gets, there’s always a method to the madness, a consistent, player-friendly path forward that ensures you can keep making progress at a steady clip, even when the game gets notably difficult. Any complaints I could make are nitpicks at best; if you also love Suda’s works, you owe it to yourself to play this one, and if you’ve never played any of his games before, this is an excellent one to start with.

Dead Pets is a messy, loud, yet deeply sincere indie experience that wears its heart on its ripped denim jacket. What initially feels like a quirky mashup of life-sim choice-driven chaos and rhythm-driven rebellion slowly reveals itself as an empathetic, often uncomfortable reflection on adulthood, identity, and the pressures uniquely placed on women. Through Gordy’s self-destruction, absurdist mini-games, and riot grrrl-fueled soundtrack, Dead Pets tackles feminism, mental health, and societal expectations with surprising nuance and bite. It doesn’t always stick to every gameplay note in my eyes, but emotionally, Dead Pets lands hard—proving that even on the worst days, there’s still music to play and jam to, friends to lean on, and another morning to stumble into headstrong after being a drunken mess.

Yakuza Kiwami 3 & Dark Ties is a remake that dares to change just enough to feel fascinating—and frustrating in equal measure. There’s genuine heart here, especially in the expanded Morning Glory content, both games' sub-stories, and Mine’s surprisingly compelling Dark Ties storyline. Yet, those highs are constantly at odds with combat changes and narrative deviations that feel less like refinement and more like overcorrection. As someone who deeply adores the original Yakuza 3, this remake constantly left me torn between appreciation and disappointment, because it’s occasionally brilliant yet so undeniably polarizing at some levels, serving as fine evidence for me that not every black sheep in a series needs to be remade.

Nioh 3 is an incredible game that expands on the core gameplay of its predecessors and drops players into a vast world where they can unleash their combat potential to their heart's content. It's a huge step-up for the series as a whole, and I'm excited to see where it goes next.

The early access release of Task Force Admiral makes a loud entrance, with an all-encompassing depiction of naval warfare and carrier operations. This obsession with realism is followed to a fault, and the game suffers from the clunky interface endemic to most deep-dive strategy titles. None of that was on my mind as the sirens blared and torpedoes homed in on my carrier. War may be hell, but this is strategy heaven. [Early Access Provisional Score = 90]

Dragon Quest VII Reimagined introduces new systems and quality-of-life improvements that streamline the original experience and make it more palatable for modern audiences. The game still takes its sweet time to show its cards, though. JRPGs are a genre that demands patience and Dragon Quest VII Reimagined asks for a tad more. Still, if you can embrace the episodic storytelling format and make the most of the Party Chat and Vocation system, you'll find that your journey through time was well worth it.

Cairn isn't just a good game, it's a great game. With an incredibly nuanced story and a difficulty level that will challenge almost anyone, there's not a lot to hate here. The anger, sadness, joy, and surprise all culminate into a journey that isn't just a game; it's something far more meaningful. This is a game everyone should play if only to experience that nuanced story of Aava's journey. While I wasn't expecting to connect so emotionally with this game, I'm glad I did. Cairn is a story that needs to be heard. Although it isn't perfect, what makes it special is the combination of all the different elements to make something that can be meaningful to almost anyone. In the end, the game asks the most important question of all: what is your summit?

I Hate This Place had a lot going for it, with a unique setting, an interesting isometric layout, and crafting at its core. However, it doesn't reach its full potential, and all of its systems are lackluster, resulting in an experience that is underwhelming overall. The resource economy is broken, the day and night cycle feels pointless, and the controls on consoles are so frustrating that the end result is headache-inducing, rather than an enjoyable experience. There are some moments of greatness, especially in its stealth gameplay and paranormal environments, where the exciting nature of the survival horror genre shines through, but those moments are quickly fleeting. I do recommend I Hate This Place to survival horror fans if there is nothing else to play and they're on a budget, but I wouldn't go into this game expecting the next big thing.

Don’t Stop, Girlypop! fits a very specific niche that has been ignored for far too long: a game like DOOM or Unreal Tournament to be played while wearing a pink bow and long nails. This game is for people who want to play classic shooters but are tired of the drab visuals, and there is no better way to replace that than with a Y2K-inspired hyper pop pink space glitter fantasy.

Earth Must Die is an unapologetically hilarious and campy sci-fi romp adventure with perhaps one of the best playable villains in recent memory. This game vigorously scratches a nostalgia itch that will undoubtedly be felt more strongly by some (like me) more than others, and a generational gap may leave younger players culturally ostracized from this experience for one reason or another. However, for the demographic that it's definitely meant to serve, Size Five Games has knocked it out of the park yet again. The gameplay itself and point-and-click puzzle mechanics can feel a bit finicky and frustrating at times in light of how much everything else shines so vividly, but that's still not enough to diminish the whimsical, nostalgic spark this game provides.

Animal Crossing: New Horizons - Nintendo Switch 2 Edition isn't going to break any new ground or change the world, but if you're looking to get a spiffy upgrade for your new machine, it's potentially worth diving into. If you're tired of the desert island theme, though, there's absolutely nothing here that will remedy that.

Blightstone has a solid, strong foundation in terms of its combat and battle mechanics. The use of environmental hazards and interactive battle arenas is what helps the game stand out. The rest of the game feels like something of a slog, however, with some harsh RNG and an inconsistent pace that makes Blightstone feel like it can't get out of the blocks. There's something fun hidden here, but it is sadly overshadowed by a game that feels more interested in punishing you for simple things than allowing you to learn. [Early Access Score = 60]

Time passes equally for everyone on this planet, but it feels like ages have passed since we got a good, encyclopaedic antiquity simulator for PC. Strategos looks and feels like a finished product that can deliver engaging, realistic battles for you to flex that armchair general muscle on. The minuscule budget is on display at times, but Hannibal was primarily concerned with winning his battles instead of smelling the flowers. Strategos delivers where it matters most and has all the hallmarks of a real-time strategy classic.

MIO: Memories in Orbit is a dark, challenging Metroidvania Soulslike that perfectly understands what makes this genre so much fun. Combat feels precise and weighty, with fantastic enemy design and one of the most enjoyable Metroidvania maps seen in years. Traversal is incredible, and you'll be in awe of its wonderful music. Sadly, MIO also continues to use outdated Soulslike mechanics, including long, arduous boss runbacks, and the upgrade system is interesting from a thematic standpoint, but ultimately pretty dull.

With a forgettable story and not one memorable character, Philna Fantasy sticks to the basics of an action RPG, offering a gameplay loop that feels all too familiar for anyone who has ever played a dungeon crawler. While playing with the different characters is amusing at first, the game soon runs out of steam because it doesn't bring anything new to the table. The puzzles are creative, and the boss fights are a blast, but they're one-and-done deals. After the credits rolled on my 16-hour playthrough, I didn't want to spend another second with the game.

Kejora is an absolutely charming and ambitious indie platformer adventure that has all the necessary narrative bones for a visually compelling experience. In terms of story, it largely hits the mark. However, the shortfalls in its awkward gameplay, lackluster sound design, and noticeable UI blips stagger that experience to a degree, and it probably could have used more time in the oven on those fronts. Nevertheless, if you're a fan of hand-drawn animation in games, especially of the Ghibli variety, I would say to give it the chance it deserves.

While Trails Beyond the Horizon excels especially in its combat and RPG systems, it also succeeds with its main story and side content, such as the Grim Garten, character relationship system, and side quests that all tell unique stories worth listening to. Trails Beyond the Horizon is a game that deserves recognition and is up there with some of the best the genre has to offer.

At the end of the day, a bad Metroid Prime game is still a good game and one that I'll happily play any day of the week. As frustrating as Metroid Prime 4: Beyond can be, it's still worth playing and a solid way for Nintendo to end 2025. Is it a must-own Nintendo Switch 2 game? That's something I'm honestly not sure about. On the one hand, I can see it being a great way to introduce people to the Metroid genre in a way that's more accessible than, say, Metroid Dread. On the other hand, Metroid Prime Remastered is right there. Ultimately, Metroid Prime 4 is a game that's worth playing, but it could be so much better.

Octopath Traveler 0 introduces a new town building system to its endless turn-based battles, but doesn't innovate much outside of that. Combat feels fun and powerful, but with this being the fourth game in the series, it could use a touch up. In the end, Octopath Traveler 0 is an incredibly enjoyable JRPG, but one that feels like it's just spinning its wheels at this point. Town building is fun, but ultimately shallow.