The Escapists 2 is a solid improvement over its predecessor, and a fun prison escapade in its own right. While all of its parts don’t come together in the most ideal manner, busting out of prison remains a blast when you finally manage to conquer the obstacles set against you. Combine that with a staggering amount of variety and replay value, and you have a package that’s well worth going under for.

If you’ve already got PES 2020 and have found other means to update the squads and kits, there’s very little of note here. The changes are minimal and this edition is likely just for those who decided against picking up the previous entry. But if a cheaper version of PES has you interested this is a great starting point. Yes, there are plenty of issues with the modes, commentary and AI but most of that just fades into insignificance when you’re actually playing a game. Until the next-gen version arrives next year, this is the best representation of football you’ll find.

Underground is most valuable to those who are already the most devoted Division fans, although if you’re willing to put in some hours, there’s nothing to stop you joining their number.

Marvel’s Avengers has proven to be a pleasant surprise, even if its live service identity arguably hinders the true potential of its world, story and characters. Engaging combat and rewarding progression have established a solid foundation for Crystal Dynamics to build upon with new heroes and scenarios in the months and years to come.

Playing with buddies looting collapsed shopping centres and derelict towns is a blast and the robust crafting and character development mechanics are excellent. However, quests’ repetitive nature and a lack of human players filling the vast world can make Fallout 76 feel a little sterile and hamper its long-term appeal, especially if you don’t have friends to accompany you on your journey through the wasteland. This makes Fallout 76 a good, not great, entry into the iconic franchise.

Lost Paradise provides an absorbing trek around a captivating post-apocalyptic universe. Appropriately enough, Sega doesn’t pull any punches in adapting Buronson and Hara’s gratuitous and violent world – definitely don’t play this around kids, though.

Dragon Ball Z Xenoverse 2 is the ultimate fan experience. The game magically manages to retain the epic, and faithfully recreates the fast-paced combat using a surprisingly intricate fighting and character development systems. If you’re a Dragon Ball fan, Xenoverse 2 will definitely entertain...However, I'm concerned that newbies to the series – or less hardcore fans that only remember Dragon Ball in passing – will struggle to get their bearings. The combat system is great, but the game offers little up-front tutelage. Add to this a difficulty level that spikes fairly quickly, and the game could end up frustrating as much as it entertains

For the first few hours Bleeding Edge is an absolute blast to play and well worth a look if you have Xbox Game Pass. But there's not enough depth to make it last long-term, at the moment.

Ace Combat 7 is, sadly, a decent game that never quite hits the same highs as the planes contained within. It rapidly becomes too samey, and the games mechanics aren’t really signposted enough, with you being catapulted into action with barely a mention of flight school.

Monster Hunter Stories is a delightful little JRPG that makes a big splash with its adorable visuals and addictive battle system. Performance problems aside, this is a great introduction to Capcom’s beloved franchise.

One Piece: Pirate Warriors 3 is a game you’ve played before, but it’s a blast nonetheless. The anime’s outlandish storyline ties together neatly with the hectic fun of a Musou game, ensuring this is an appealing and meaty package. It’s just a shame it doesn’t take more risks with the tried-and-tested formula.

XCOM 2 is a challenging and engrossing turn-based tactical shooter, and seeing it running on the the Nintendo Switch is very impressive. However, there are a number of performance issues here, including immersion-shattering frame rate drops and frustratingly long loading times. There's no doubt that XCOM 2 is best played on a PC with a keyboard and mouse, but if the Switch is your only gaming platform then this is still a worthwhile buy, albeit an expensive one.

It’s a bit buggy and prone to repetition, but Path of Exile is a free-to-play Diablo clone that’s seriously worth playing. It’s dark and stylish-looking, with a rich and interesting progression system – and the cycle of slaying, looting and upgrading is as compelling as it is in Diablo 3. Given the price, it’s hard not to recommend. Grab some friends if you can, then join the trail.

With the advent of its final release, H1Z1 demonstrates a level of thoughtfulness in its design that reflects how closely its developers have listened to players. Whether it’s enough to draw those crowds back to Daybreak and the progenitor of battle royale games is a different story, but H1Z1 deserves a lot of credit for the strides it’s taken towards polishing an inherently rough and ready genre.

Train Sim World can be as unexpectedly compelling as it is powerfully soothing. It’s just a shame it lacks some of the polish to make the eccentric gem it is something truly brilliant. Nevertheless, it let us throw about the word ‘pantograph’ with haughty delight.

Godfall currently feels very familiar: it unashamedly borrows the loot system that made Destiny and Borderlands great, attempting to mix it with hardcore Souls-like melee combat. In the first few hours, this makes the game feel a little dull. But the core mechanics feel well built and could act as a stable base for the game’s more interesting character building and co-op dynamics, of which I’ve currently only scratched the surface. [Review in Progress]

Resident Evil 3 is a bit of a disappointment. It’s still a gorgeously spooky time, but one that is marred by an overly brief campaign and a so-so multiplayer component that doesn’t reach the standard we’ve come to expect from Capcom in recent years.

For diehard fans of the series, Dragonball Z: Kakarot is a fanservice-littered romp, full of your favourite characters. It has the most well-realised Dragonball world there has ever been. Be warned however, as side content in this game is a pure afterthought, and there is often little payoff for doing so outside of nostalgia-related reasons.

Assassin’s Creed Mirage is a condensed version of the modern Assassin’s formula. That may disappoint some who hoped for something that felt new while also significantly harkening back to the series’ past. Stealth does get a boost, alongside occasional engaging narrative and characters, but there’s plenty of padding that dampens the fun.

Just be aware that it isn’t the easiest game to get into, and its obtuseness can hamper your enjoyment, especially early on.

There’s enough charm here to paper over some of the game’s fairly substantial cracks, and it’s easily one of the more unique and better cooperative shooters that owe Valve a fruit basket for Left 4 Dead.

Hanger 13 has crafted a gorgeous remake of an action classic, but the picturesque city of Lost Heaven and the characters that call it home are sadly lacking in substance, resulting in an adventure that could have been so much more.

So far, The Final Season is pretty much as we’d expected, although there’s a couple of good twists to keep the story fresh and engaging. Woven throughout the tale is a palpable sense of rebirth, of change and starting over; a new beginning not just for the series, but for Clementine herself.

In the end I’m not sure GRID does enough to escape the middle of the pack. It’s a great arcade racer, but I don’t think that’s enough anymore. You didn’t change, GRID, we did... and I think we left you behind.

Although Last Recode feels slightly dated, it still holds up in 2017. A touch more attention to detail on elements of the remastering would have helped on the visual front, and the overall pacing may frustrate anyone not accustomed to JRPGs of the era. But the sheer volume of content makes it worth fresh eyes – especially given it was never released in Europe to begin with. Adding in a whole new game and a tonne of bonus content makes it a worthwhile purchase for fans of the genre.

Mechanically, this is a very rewarding experience that deserves plenty of praise. There are some minor quibbles about some of its mechanics, but these stand in the shade of its achievements. Sadly, the same can’t be said for its narrative, which is poor and accompanied by sterile voice-acting of one-dimensional characters. It’s the most fun B-movie you’ll play this year.

Firewall can be an incredible experience – and easily the most exciting and immersive VR shooter that I’ve played. It’s just a shame that there’s not more co-op and single-player action, more competitive modes or shorter waits between the game’s bite-sized matches.

Guacamelee 2 is an excellent sequel, bringing new mechanics but retaining enough of what made the first game so charming. There are times when repetition kicks in or the concepts become too numerous, but the dialogue, design and core movement will keep things fun.

An improvement on the original, and with far more variety on offer, but State of Decay 2 suffers from repetitive combat and poor player communication throughout. Fans of survival sims will likely appreciate the greater attention to detail and increased demands when it comes to sustaining your communities, but for more casual players the constant need to find dozens of items or resources just to keep everything ticking over will just annoy, the longer you go on.

No amount of additional content could sweeten the deal here, though, as it’s simply the purposefully crude WarioWare format that’s to blame for it feeling out of its price depth. WarioWare Gold is the gold standard of WarioWare games, but it commands too high a price for what’s on offer.

This second helping of Styx won’t set any benchmarks or redefine the genre, but it’s a good, solid stealth game played with humour and a smidgeon of style. It feels a bit old-school and slightly hardcore in the age of MGS5: The Phantom Pain, but there’s something enjoyably tight and focused about its gameplay and a real sense of fun in Styx’s sneaking, sabotage and slaughter. It won’t kick Styx into the big leagues, but Shards of Darkness makes you glad to see him back.

Put simply, the Mega Man X Legacy Collection 2 is one for the hardcore fan or completionist, while the first collection is a damn fine set of games regardless of how much of a Mega Fan you are.

As a short, enjoyable romp that can be shared with friends either locally or online, Little Hope is worth the price of admission. The title's move to more accessible gameplay ensures that it can be enjoyed by a wider audience without issue, and the visual prowess of its characters is second to none. In both scares and narrative however, Little Hope doesn't come close to matching the same heights reached by Until Dawn, meaning that true horror lovers should probably look elsewhere.

Lamplight City is a satisfying, point-and-click adventure, which tells a compelling detective story. While there are some issues that clearly take away from the overall experience, I was genuinely surprised by how much it gets right.

The Disney Afternoon Collection takes six classic Capcom retro games and offers them to you in a delightful package that will remind you of better days. Lovely.

Friday the 13th: Killer Puzzle might not have the sheen of Slayaway Camp or be an homage to its namesake series like Friday the 13th: The Game, but it’s still a heck of a lot of fun and great value for money when you consider the amount of content that’s available here.

Fallout 76 has improved with the introduction of Wastelanders. The region of West Virginia now feels more alive with an increased populace, deeper quests and a greater focus on your place in its living, breathing world. But many of its problems remain, and haven’t been improved with such a major expansion. Far few players occupy each session, making multiplayer feel like a lazy afterthought instead of something that defines the experience.

A good on-rails virtual reality shooter. At times the scares can feel cheap, and the fact that it uses the same scare over and over again means you’ll either get bored or annoyed by it.

Princess Peach: Showtime! is a great option for young children who want a casual collectathon to sink their baby teeth into without fear of any difficulty spikes halting their progress. The variety of stages and abilities also helps to keep the experience fresh, while simultaneously never becoming so complicated to prove intimidating or confusing. That said, a lot of the inventive mechanics do feel undeveloped, lacking the required time to be fully explored. The low difficulty ceiling, even with collecting every single collectible, will likely put off older gamers – especially with the likes of Kirby and the Forgotten Land and Yoshi’s Crafted World doing a greater job of pleasing multiple audiences.

It’s a shame that it feels unfinished and that mechanics like being unable to decide where your character initially drops at the beginning of matches does detract from the experience here, but there’s still a lot of fun to be had for fans of the genre.

All in all, Battlefield 2042 has been a real labour of love for me. The initial launch was remarkably underbaked, but I can’t deny the enjoyment that comes from firing a rocket launcher into a tornado. This may not be the best FPS multiplayer game available, and there are still plenty of issues that need ironing out, but there are occasionally some thrilling moments that you won’t be able to experience in the likes of Call of Duty or Fortinte. It remains frustrating having to pay full price for a multiplayer game, but if you’re already a fan of the franchise and don’t mind missing out on the campaign, you’ll likely enjoy yourself here. The nostalgic aspect of Portal mode will also draw fans in, and of course, the 4K graphics make it very pretty game, even if it has its cracks.

Super Mario Maker 3DS takes everything that worked on the Wii U and replicates it for a handheld experience. It's a shame that sharing levels via the Internet isn’t yet possible – but this game’s a joy all the same.

Biomutant is a charming open-world RPG that is blatantly aimed at children, with a low difficulty level and overly cutesy tone that will likely put off older gamers. Combat is fun with a large range of craftable weapons and mutant powers at your disposal, but boring puzzles and a barebones story means there isn’t much else here to keep you captivated.

Children Of Arkham does build on the foundations laid by Realm Of Shadows, going for more of a slow burn than firing off surprise after surprise. If there’s a satisfying outcome in a few months then it’ll be a worthwhile wait, especially as Telltale does have a great understanding of not only Batman himself, but of the version of Batman it wants to represent.

When you’re racing, drifting, off-roading or being chased, Payback feels like a fine arcade racer in the classic Need for Speed mould. It doesn’t have the glamour or the handling of Forza: Horizon, but it’s scores big on variety, speed and thrills. Unfortunately, those simple pleasures keep getting spoilt by the amount of grinding and driving around that goes on in-between. Need for Speed was never the most-respected racing series, but it used to be one of the most fun. Payback has too much getting in the way.

Space Hulk: Deathwing – Enhanced Edition is an improvement on the original version, but still nothing more than a semi-decent co-op shooter chained to a ditchwater dull campaign.

Anthem is a strange flawed adventure with glimpses of greatness buried behind an abundance of obtuse design decisions. What so many players love about Bioware is here, but fragmented in such a way that it becomes unrecognisable...The core of Anthem – being its fearsome gunplay and angelic flight mechanics – are stellar, yet they’re held back by the mission structure that dictates them. Things could certainly improve with the introduction of deeper dungeons and endgame content, but right now Anthem is sadly underwhelming; a victim to the template it’s trying so hard to emulate.

Phantom Doctrine is a disappointment. However, it has bundles of ambition, a lot of smart ideas and a clear and real love for the spy genre it hamfistedly mimics. I’ve no doubt it will find a cult following, but for people expecting a turn-based tactics game along the lines of titans like XCOM 2 and Jagged Alliance 2, this isn’t it...But that doesn’t mean I’m going to stop playing it. It’s deeply flawed – but like a proud and misguided parent, I keep wanting the best for the game and can’t leave it alone.

Marvel Ultimate Alliance 3 is a budget reimagining of a fan-favourite series that fails to live up to the heights of that franchise. It plays and looks like a last-gen game, and it was a struggle to plow through the game, even for review purposes.

Dakar 18 is a curious creature. It absolutely delivers something truly distinct in the wider racing genre, and though the core gameplay isn’t immediately accessible, it can be greatly rewarding to those that take a chance on tackling it properly.

Warriors Orochi 4 is not a particularly bad game, but it does feel like it’s trying its best to innovate on a tired formula, but those new additions might not be enough. Compounded with finicky menus and performance issues, it leaves the game leaving a little bit more to be desired than what it offers currently. And no, that doesn’t mean they should add more characters.

Grow Up takes everything that made Grow Home so entertaining and adds to it accordingly, but the predictability of any sequel means it falls a little flatter than before.

Call of Duty: Vanguard does have its moments, even if they are quite few and far between. The campaign goes back and forth between innovative and entertaining, to repetitive and bland, while the Multiplayer and Zombie modes don’t bring anything new to the table other than how impressive they look.

Gravel is fun enough as an arcade off-road racer, but it feels like it was designed to compete with the hits of five or six years ago, not the racers of today. While there’s something likeable about its no-nonsense, rough-and-tumble action, it lacks the poise, power and polish of a mud-flinging, tyre-spinning champ.

The Medium is an enjoyable survival horror that's held back by a lacklustre narrative and a signature mechanic that never reaches its full potential…Even with Silent Hill composer Akira Yamaoka's score ringing across its twisted soviet world, Bloober Team's latest project pales in comparison to the legends that came before it.

Raging Justice is ridiculous fun which is, at its heart, just an updated version of Streets Of Rage. It’s dumb, entertaining and well made, even if it can be horrifically hard.

There’s certainly a few hours of cheesy fun on offer here, and the inclusion of online co-op and a horde mode certainly help. But despite the decent amount of content for £30, it’s hard not to feel like your hard-earned cash would just be better spent on a traditional PS4 game.

This is the Police 2 is a great strategy game where things are always trying to get out of hand. Dealing with the minutia of an officer calling in sick, while also chasing down bad guys feels as chaotic and hard to balance as it should do, but never unimportant. The story feels too separate to the game’s mechanics, which is a shame because it is compelling and well presented.

Although the seven games on offer are good examples of the fun, but shallow genre, it’s hard to shake the feeling that with a bit more attention – the kind Mega Man and Street Fighter received – this could have been another must have retro collection.

1-2-Switch packs in an impressive amount of content, and is legitimately one of the best party games you'll come across. If it'd been included with the console, it would doubtlessly win over a lot of people. I'm just not sure anything here is compelling enough to entice people to pay an extra £40 for it – especially when Zelda is going to be sat right next to it on shelves.

Got a household of bored kids on a rainy weekend? World of Warriors has just enough charm and interest to keep them busy for a day or two. Yet while it has depth and a few good ideas, it’s not compelling enough or varied enough to hold their interest for any longer. It has a whole bunch of warriors, but not the heart or soul of a great fighting game.

Pretty average all things considered but given what we received over two decades ago, that has to be considered somewhat of a success...Shaq-Fu: A Legend Reborn takes the beat ‘em up format and runs with it in the same way any game has over the last 30 or so years. It has moments where it’s relatively fun, but you’ll need to be a hardened fan to get the most out of it.

Layers of Fear 2 is an enjoyable horror adventure, but rarely does anything new with the genre. I’ve seen it all before, and given the excellence of Bloober Team’s last project, this feels like a step backward in terms of both ambition and quality.

If the sports were improved and more fleshed out then I’d have been recommending this title for sure, because of its setting in Kawawii Island. In its current state, however, I’d wait for a price cut.

With a charming campaign, dynamic score and pleasing graphics, this 2020 instalment is a worthwhile purchase for fans of the series looking for more Olympic fun. Yet, given the fluidity of the focused sports games already available on the Switch, and the brilliance of those on previous Nintendo systems, it pales in comparison and becomes a hard sell unless you particularly enjoy the mini-game structure – or want a game that will keep a sports-mad family busy this holiday season.

Slime Rancher is an enjoyable foray into virtual ranching, yet fails to provide enough meaningful depth beyond its adorable visual identity.

With it’s high-octane pace, RGX Showdown is an incredibly promising blueprint for a low-priced arcade racer, but with the untimely demise of its publisher, Telltale, it’s hard to tell if the developers, Shortround Games will be able to make a sequel or expand on the premise of the game.

Isle of Armor is an enjoyable expansion to Pokemon Sword and Shield and brings the franchise one step closer to embracing a cohesive open-world, but it isn’t enough to detract from an experience that is far too brief for its own good.

It's no big surprise to say that the N. Sane trilogy is another pleasant form of fan service from Sony, which does seem keen on this kind of thing when you remember it’s doing the same with Final Fantasy 7 and Shenmue 3. And the intended audience will love it...If you don't fall into this group, though, I don't think you should take the plunge now. Probably best to find something that was developed a bit more recently.

Rogue Trooper Redux is an impressive remaster of a shooter that doesn’t quite hold up when compared to its modern competition. That being said, it’s still a fun, atmospheric and wonderfully charming outing with a few neat tricks up its sleeve.

Mordheim is unapologetically hardcore, and if you’re not the type to play the X-COM games in Iron Man mode then you might want to give it a miss. It’s complex, detailed, finicky and somewhat unforgiving, and while the strategy can be tense and interesting, the actual combat feels slow and a prone to random elements.

As a game for chilling out on the sofa with a handful of friends or the family, Hidden Agenda is pretty cool. Yet there’s a lot about the mechanics, the story, the situations and the characters that seems wilfully, crazily dumb. For £20 for a few hours of fun it’s well worth a try, but this feels like an interesting concept that needs some work before it all comes good.

It’s often beautiful, graceful and intriguing, with more in the way of gameplay than ABZU or Bound, but it struggles to deliver moments that resonate with wonder, while the demands sometimes go beyond what the controls and camera can handle. It’s hard enough to make a game with the artistry of Rime or Journey, but Oure hasn’t got the polish, heart or soul.

Bizarre and interesting; perhaps the quintessential Adult Swim-published game in that respect, but ultimately this one is merely just a decent game that may be guilty of thinking being strange is the same as being funny. Pool Panic shows promise but is more surface than feeling. It’s great it exists, however, if only to prove that, yes, sometimes games are just plain weird, and it’s okay to embrace that.

There’s no question about it: if you want to play The Sims 4, the PC is still the best way to play it – and given that its PC system requirements are fairly low that’s what we’d recommend. Get used to the console controls and it’s still a fascinating town-building game/life sim/virtual soap, but one with a few too many bugs for comfort. If EA cleans those up we’ll raise the score another notch, but right now The Sims 4 console versions could still use a little work.

Star Wars Battlefront 2 is a great game spoiled by a terrible business model. DICE and EA are going to be under a huge amount of pressure not just to tweak, but completely overhaul the metagame or face an even bigger fan backlash than they have already. Underneath the terrible progression system, cheap payouts and more-than-gentle hand in the back towards paying for loot crates is the same excellent core, now across so much more content with the promise of more free maps and heroes to come.

The Outer Worlds on Nintendo Switch is a passable iteration of Obsidian Entertainment's excellent RPG, but arguably makes too many sacrifices to allow for a comfortable transition to the portable platform.

Gundam Versus is, without doubt, a unique fighting experience, one that actually proves to be a lot of fun. Naturally, fans of the series will get the most out of it, but anyone with a soft spot for the genre could find themselves pleasantly surprised.

While it feels like Adventure Time, the adventure isn’t one that many will want to go on.

At its best, Predator: Hunting Grounds is a tense asymmetrical shooter that forces you to pay attention to your surroundings in a dense, jungle environment. At its worst, it’s a mess of waiting, loading and gunning down shoddy AI-villains in forgettable missions.

Danger Zone 2 is a great love letter to the Burnout we all know and love, even if it does fall short in many areas that stops it from truly getting to the same level.

If it’s possible to preserve a sense of tension and genuine horror in an open-world setting, The Evil Within 2 hasn’t discovered how. In an attempt to introduce a more contemporary gameplay style than that of Shinji Mikami’s classics, this game ends up diluting its best qualities by filling your time with tedious milling about and resource-gathering. With that said, its peculiar imagery and narrative, which is so far past ridiculous that it comes full-circle back to engaging, still shine brightly enough that The Evil Within 2 still gets under your skin.

Episode 3 of Telltale’s Batman series is another solid entry, and continues to lay plenty of groundwork for later down the line. A bit more of anything when it comes to actually being The Dark Knight would be nice, mind.

The Lego Ninjago Movie Videogame is a fun platformer that expands on the established formula with an enjoyable combat system. Unfortunately, performance issues and lacklustre level design hold it back from greatness.

Deadly Premonition 2: A Blessing in Disguise is a transcendent pile of garbage. It's both strikingly ambitious and laughably incompetent in every regard, which is somewhat fitting given the iconic status of its predecessor. But all the campy brilliance aside, it's difficult to overlook its monolithic performance problems and decrepit approach to game design.

Hey! Pikmin takes the series’ foundations, strips them right back and offers up an experience in which a younger audience will delight. Enjoyable stuff.

Varied character unlock methods will serve up some 16-bit nostalgia to parents, while teaching kids to think outside the pillow fort. Sleep Tight is an inoffensive strategy shooter who’s shortcomings might just elude a more inexperienced audience.

Whether you take the “Bro” elements for what they are, which is to say a daft gimmick to add an extra layer to a fun, challenging, carefully crafted love letter to the 80s, is up to you, but nothing about Broforce is serious bar the difficulty and dedication to the bit. If you’re the type to roll their eyes at a bad pun while others around you snigger, you might still enjoy the shooting, but this is a full on mickey-take on the Team America generation that will be like nails on a chalkboard to some.

It’s by no means a classic, but it’s a decent foundation for what could be a compelling sci-fi tale.

There are some great ideas in here, some funny characters and plenty of scope for Lego lunacy and mayhem, but the quest stuff doesn’t drive you forwards as it does in Dragon Quest: Builders, while the real, in-depth construction is hard going.

At £10-£20, Super Bomberman R would be the kind of fun, flexible party game that the Switch could do with so close to launch, but at the current price, it simply doesn't offer enough to justify the outlay.

Hitman’s fourth episode retains the foundations that have made IO’s assassination simulator an utter success, but it does come out the other side as the poorest offering so far.

I can’t help but feel that a bigger, better and arguably more ambitious vision of Crackdown 3 existed before this incarnation – one that would have made use of the cloud technology Microsoft so proudly boasted about only a few years ago. Now it feels like a pipedream, as we’re left with a serviceable yet forgettable world to explore.

Shining Resonance Refrain plays it safe to an extreme. Little about it pushes the genre forward and nearly every part of the game is a bit too familiar, or done far better elsewhere. This is one for when you’re desperate for a new JRPG fix and that’s it.

The Tomorrow Children is weird, wonderful and oddly hollow, lacking neither the addictive hooks to keep you playing, nor the sense of community to bond you to your town. It’s worth a look for its unique visuals and strange, slightly sinister atmosphere, but don’t be surprised if your interest wanes after the first few hours.

World of Final Fantasy isn’t a bad game, just a frustrating one. There are some interesting ideas here and it’s undeniably charming but with just a few tweaks to the gameplay, a more imaginative story and greater variety to the dungeons, this could have been something truly great.

Dr Kawashima's Brain Training for Switch doesn't feel suited to Nintendo's latest portable, with the awkward use of the stylus and flimsy handwriting recognition sapping the joy from sharpening your smarts. There's still plenty of fun to be hand with the brain-teasing puzzles, but limited content ensures this is a far cry from the Nintendo DS original.

Ridiculous performance problems that I experienced only help compound a package that is enjoyable yet ultimately underwhelming.