There’s so much wrong with Raging Justice that it’s easy to forget that it’s not completely unbearable. It’s an average romp through arcade-like levels and while the key gimmick doesn’t hit a home run, it at least is fitting with the theme. That said, this does sadly come off as a cheap imitator that misses the mark more often than not, and as I eluded to earlier, that hurts for me to say.

Hellbound has potential, and will surely find an audience for both its nostalgia and its challenge. While the story is almost completely unnecessary, it's a real shock that the whole narrative focus appears to not be concluded in the game, though. Just as the story gets going, and the first big boss is defeated, the endgame credits roll, leaving Hellbound feeling unfinished. That feeling is compounded by the fact that the main reason for returning comes from the score-based survival mode which is still available as a free download on Steam. Hellbound is not big, nor is it clever, and in all the wrong ways.

There is fun and satisfaction to be had in stealthily taking out whole levels without being spotted, but that is perhaps due to the nature of stealth gameplay rather than the strengths of the game itself. If you are looking for something along these lines and don’t mind the issues too much, you may enjoy Filthy Lucre, but there are other games that do the same thing with more success for a similar price, making this particular game difficult to recommend.

Good games make headlines and bad games will also generate column inches, the one thing you don’t want you game to be is average, but sadly that is what Demon’s Crystals is. It plays perfectly well and is free from problems and bugs, but it’s totally forgettable without a speck of originality. At just £3.99, it’s a good price for a few hours entertainment if you have some friends on the couch to play with.

There's something about Obey Me that I actually quite like. Perhaps it's in the charming way this indie duff 'em up apes many of the qualities of the Devil May Cry? Obey Me is a trier, and there's something about cheering on an underdog, even if it means overlooking some game design missteps. If not for borderline unplayable frame rate then, this would get my recommendation, but as it is I suggest you await a comprehensive patch for PS4 before splashing your cash.

The Last Case of John Morley is a detective game without any detecting. This walk-through of what could be a fantastic mystery story is let down by wooden voiceover performances, dated character visuals and mind-numbing mechanics.

The core game of Ashwalkers is a great, atmospheric experience that takes classics like The Oregon Trail and transports them to a vividly realised post-apocalyptic setting. Characters are nicely defined, resource management is clearly presented, and I genuinely wanted to find out more about the world and its inhabitants. However, the actual process of playing the game is just too slow and becomes boring after the first couple of runs. There is a good survival and choice-filled game here, but you have to walk a long long way to get to it.

Atomic Ninjas is a blast when you get a full room going and the variety of skills/weapons on offer will give you a lot of choice when deciding your playstyle. It’s just a shame that, so soon after release, it is difficult to find a four player game.

It takes a while for Godfall’s combat to truly open up and when it does, you’ll revel in its beefy ballet of well-timed blows and counters. That said, it’s hard to ignore the flimsy scaffolding that keeps this PS5 launch title standing, the lack of matchmaking, and a loot system you’ll quickly lose interest in. Although still great fun in short bursts, this isn’t the rousing next-gen RPG experience you’ve been searching for.

For those who take the risk, there is a satisfying game to be enjoyed, mainly thanks to the simplistic yet diverse combat mechanics as well as drop in co-operative play. It's an ideal purchase for younger gamers anticipating the release of the film, but for anyone else, caution is advised.

SBSH is a tough game to score fairly. If you love this genre then there's no doubt this game is for you, and you can be happy with the fact that Capcom has provided a game that will keep you busy for weeks on end. For everyone else though things aren't that clear.

Given the quality of other zombie games such as Saints and Sinners and Arizona Sunshine it’s really difficult to recommend Onslaught to anyone other than hardcore The Walking Dead fans. The best parts of The Walking Dead almost always revolve around the human interactions, but the game is a grind, the story is utterly disposable and it no longer feels relevant to a TV show that is now a couple seasons ahead.

A fun and very well-balanced game with great potential but it is let down by a repetitive stunt mechanic and a scarcity of content.

Annihilation Line is a good DLC expansion, but will do nothing to change your mind about Terminator: Resistance. If you enjoyed the setting and the gunplay then there is more here to get stuck into, but there is no deviation from the core gameplay to be found. Not quite ‘I’ll be back’, but neither is it ‘Hasta la Vista’.

You Will Die Here Tonight begins as a great indie homage to Resident Evil and then develops to be a fantastic take on survival horror in its own right. While there are a few unpolished aspects here and there the overall experience is a stand out in a genre that is so often defined by slavish adherence to tropes and traditions. Any self-respecting fan of survival horror owes it to themselves to face the evil residence and find out the true horrors awaiting within.

Wanted: Weapons of Fate is like buying a car from a shifty looking guy down an alley. It has some nice features, it works well, it may even be really, really fun, but then you realise that you’re missing a massive chunk of what you paid for and you can’t help but feel somewhat cheated.

If you like the manga or anime though, this is a fun time.

Metal Max Xeno is just so thoroughly average when it comes to JRPGs. The basic world, familiar storyline, and characters serve an okay experience which embraces the grind a bit too much for a world that is generally void of much interest. The game feels like a throwback to older JRPGs which is great if that is what you’re into, but there has been so much advancement in the genre that overall Metal Max Xeno feels a bit out of place.

The in game world is absolutely huge and it’s filled with a great deal of content – it looks brilliant at times too. Although the handling takes some time getting used to it does feel natural as the game begins to open up. Despite that, the driver AI can be infuriating at times, as with the traffic placement which I refuse to believe is a coincidence. The online doesn’t feel well integrated either and the story is uninspiring.

PaRappa can be as punishing as it is unconventional but, with an open mind, it may also be one of the best games you’ve experience on PlayStation 4.

After the Fall is a fun co-op zombie shooter in VR, but with a lack of content at launch, awkwardly randomised attachment unlocks, and constantly separating parties between levels, it's not without issues. I really want to love After the Fall and, honestly, I would be at peace with all of its flaws if it had more content.

Dynasty Warriors Empires has always been for the die-hard fans. Those who enjoy the hack n’ slash combat and love adding their own tactical twist. Those wanting to direct custom campaigns and create their own musou legend. Even if DW9 left a sour taste, there’s some solace to be found here within its repurposed carcass, though redemption may still be lost.

Daymare 1994: Sandcastle is a decent second title in the series which makes some improvements but still struggles to come together as an complete experience. The basic combat and movement controls lack the refinement of the titles from which it takes inspiration. Taken alongside a story that goes from interesting to incoherent in the 6 or 7 hours it takes to complete and you have an interesting title that is worth a look by survival horror fans but not at full price.

There’s a lot of love that went into the creation of The Dwarves but the glimmers of brilliance are dulled by the numerous problems with the combat, as well as the conflicting nature of the narrative with the few moments where you are able to make your own choices. Chances are those who will enjoy this game the most are fans of the books, but it’s a largely forgettable game for everyone else.

Deiland: Pocket Planet is a game and concept with a lot of heart and potential, but a few issues bring the experience down. A patch or two this could easily turn into a brilliant short story for any indie gamer, but for now it's an interesting tale that needs a little more time on it.

What Happens is an interesting and mostly successful addition to the growing field of games that focus on mental health issues. Most of what it sets out to do works well despite the glaring issues with polish and acting ability. There were moments which were more successful than others and it would benefit from making it clearer where alternative approaches were available. It is clear that Genius Slackers’ ambition is greater than their abilities but I applaud the attempt to use gaming for such a vital and powerful message.

Worms Crazy Golf truly doesn't boast a lot of content and ends up feeling a little lacklustre. It's fun to play but soon becomes repetitive; even the multiplayer mode is shallow and won't keep you entertained for long.

Manga die-hards are bound to get a real kick out of J-Stars Victory VS+. The level of fan service here is on point and there’s a solid fighting game to back it up. That said, after just a few hours it begins to lose steam, becoming less and less appealing as something you’d want to play for long sessions.