Deadly Premonition 2 is not Swery's gaming maturity, but it is perhaps his consecration as a screenwriter, storyteller of the bizarre, creator of unforgettable characters. His ambition, however, clashes with the limited budget and, probably, with Toybox's modest ability to create gameplay. But these are works that must be left to rest, metabolized and then perhaps rediscovered, like a nice b-movie, ready to become one of our favorites when the time is right.

Contra Rogue Corps is the disappointing final chapter of a saga that has seen better days due to monotonous and trivial gameplay, along with a mediocre artistic direction.

The one thing we can honestly say about Sniper Ghost Warrior 3 is that is a missed opportunity. And it's a shame, because the huge amount of bugs and the insane checkpoint system ruin an otherwise good tactical shooter. Hopefully, CI Games will fix most of its problems in the near future.

Sker Ritual is a classic horror cooperative shooter (also playable in single player) in which you'll find elements already seen in similar games, from Call of Duty's Zombie mode to Left 4 Dead and Killing Floor. Technical issued highlighted the need for updates to make the gaming experience smoother and more satisfying. We also hope that the developers will get busy releasing new content in the near future because the four maps now available quickly tend towards repetitiveness.

Dolmen, in its current state, is a game that seldomly works. Not very consistent and with poorly conceived mechanics. Frankly, what was published looks more like an early build that still needs months of optimization and polish.

Albedo is basically a one-man game, a clever and funny arcade adventure, filled with good puzzles and a delightful atmosphere of a sci-fi movie of the '60s. An overall enjoyable experience, partially ruined by a stiff control system.

The main idea behind Trials of the Blood Dragon is absolutely fantastic, but the execution is not equally well developed. The game is a confused jumble of levels and situations, where only the levels with the bike are worthy of your time. For hardcore fans of the Trials series only.

Color us not impressed: despite being delayed numerous times, Mighty no. 9 is a derivative, short and technically mediocre game. Recommended only if you truly miss Mega Man, and if you already played other (and better) tributes like Shovel Knight.

Short, dull, and technically weak, The Seven Deadly Sins: Knights of Britannia is a mediocre game, that will probably be appreciated only by the younger and more hardcore fans of the saga created by Nakaba Suzuki.

Re-Legion is based on some interesting ideas and has a nice cyberpunk setting. Sadly there’s only one game mode (the single player campaign), and overall the game feels very easy due to a lackluster AI.

Let's be brutally honest: this new edition of Titan Quest is simply terrible. Technically it's a disaster, with a constant flow of bugs and glitches that seriously undermine the game experience (there are still references to the keyboards commands). It's too bad, because the original game was a great hack 'n slash.

The tormented development of Homefront: The Revolution shows in gameplay that is far from perfect, and ruined by a myriad of bugs. The urban scenery is quite varied, there are some good ideas in the weaponry and the gadgets departments, but this is a game we can recommend only to fans of the peculiar, dystopic setting.

As a typical "video game" The Tomorrow Children fails in its purpose to entertain the players for more than a couple of evenings, but if you look at it as a sociological experiment, than you could find more than a source of interest. It's a free to play game, so you can give it a chance without spending a single penny.

This reboot is a very big fail. The good subject is wasted because of a careless and a technically poor execution. Just buy the original trilogy and live happy.

Follia: Dear Father is a simple but intriguing survival horror made by small Italian software house. As many other indie titles, it is full of nice ideas but crippled by lots of imperfections. Its VR nature makes it hard to be enjoyed from a normal screen.

When it comes to porting triple A titles to the Switch, Panic Button is an experienced and capable developer, and Apex Legends on Nintendo Switch is an impressive technical feat. This time, however, the challenge might have been too great, and the compromises required of the player too excessive.

Blind Fate: Edo no Yami in my opinion lives on lights and shadows: on the one hand it boasts fabulous ideas, honestly well recreated and described, especially in the advanced stages where the narrative also acquires a good level of maturity in the themes exposed, but to make the whole thing decay we think the stages of combat. Too bad, because Troglobytes Games has all the right cards to shine.

Boring, verbose and too easy to complete: Valkyria Revolution, despite its name, is a real "involution" of the series. Easily forgotten.

A third chapter that sticks to its predecessor in every possible way. While Revenants does not lack interesting aspects, it also painfully shows its low budget nature. In particular, confusing combat and poorly delivered story are its most significant flaws.

Without considering its aim, RIOT may seem just a poor RTS. However, its ability to integrate gameplay’s limits in a dialogue between them and the game’s thesis made RIOT a really experimental and interesting game, unique in its own approach to the genre.

The transposition of the Games Workshop miniature games fails to deliver a fun experience on all fronts.

Crackdown 3 comes directly from the past, from an era in which the open-world action games focused mainly on the number of things to do, to the detriment of the overall quality and variety of situations. This does not mean that the formula proposed by Sumo Digital doesn’t work: far from it. But it’s linked to a now anachronistic concept of a genre that has evolved over the last couple of years into something that goes beyond the simple repetition of the same tasks throughout the duration of the campaign.

More than twenty years after Defiance, Legacy of Kain: Ascendance proves to be a bitter disappointment. Instead of honoring the saga’s complex narrative background, Bit Bot Media’s title offers a clumsy retcon that resembles terrible fan fiction. In terms of gameplay, we are presented with a banal 2D platformer—devoid of any real challenge—that can be completed in under three hours, all while cycling through inconsistent art styles and an annoying soundtrack. This is decidedly not the title we deserved, especially after such a long wait.

The Funko Pop phenomenon finally arrives in the world of videogames and, taking its cue from LEGO titles, tries to reach a similar audience with simple and immediate gameplay. Unfortunately the result is not what was hoped for due to some questionable design choices and several small bugs that spoil rhythm and enjoyment. Also almost totally missing is the ‘collectibles factor’ that we hoped would be a staple of this production.

A fun and engaging party game that offers the beauty of seventeen mini-games to be discovered. Absolutely to have, especially for its price, net of the lack of online mode, which would have helped.

A good idea, ruined by a very low longevity and a few camera problems. What a pity.

Hunting Simulator 2 is not a game for everyone. Its slow pace makes it potentially interesting only for those who are looking for a game experience that reproduces hunting in all its phases, including extra long boring intervals.

Cloudpunk is an original and fascinating game, on PC. This Nintendo Switch port, on the other hand, is a bit of a technical mess.

Foreclosed manages to condense in a single game a decent shooter, a basic role-playing game and, why not, even a bit of science fiction thriller, which doesn't hurt. The problem, however, is who exactly this game is meant for: it is too light as an FPS, too basic as an RPG, and the puzzles aren’t deep enough for an adventure. It needs someone who wants to simply live a cyberpunk experience, as long as your expectations aren’t set too high.

Little Friends: Dogs & Cats is a bit of a wasted opportunity. Too few content, too little gameplay, for a game that could have become the new Nintendogs.

Asterix & Obelix XXL: Romastered shows the weight of 17 years in its ancient gameplay structure, plagued by glitches and significant frame rate drops.

Redfall is an indecipherable mess. Many technical problems destroy its playability, making it still fun when played with friends, but otherwise it is clearly an incomplete game.

Necromunda: Underhive Wars is a disappointment on all fronts, a disaster on both the technical and the gameplay side.

Dragon Ball: The Breakers is a crude and poor video game, but it is not lacking in inventiveness. What I’m wondering is if, unlike other similar multiplayer titles, it will have time to evolve and improve over time, or if Bandai Namco will put an end to its service before the game formula is refined and enriched as it needs to be.

Die by the Blade works in its video game mission that pays homage to Bushido Blade. for the rest, it is a huge wasted opportunity given that the title lacks all the contents.

Dungeons and Dragons: Dark Alliance is a double-edged sword. The setting and the characters are sure to appeal to an R. A. Salvatore fan, and there are hints of a fun, entertaining game here and there. But they are often overshadowed by the many issues, such as extremely poor enemy AI and questionable design choices.

In a different year, Airplane Mode would be a nothing more than a nice joke, a strange experiment forgotten in a couple of days. In this strange 2020, AMC’s first game is instead a sort of relief from the lockdown we are living in. If you miss being stuck in an uncomfortable chair, bored to death for hours, this is the game for you.

Eternal Crusade is a funny multiplayer TPS, with a lot of factions, classes and weapons. Unfortunately, the game has been released too soon and has too many issues currently. Unless you're avid fans of Warhammer, you should wait for a price cut and more than a couple of updates.

Maybe 16 years ago Kamiwaza was a good and engaging action-stealth game but time has not been kind with it and now this remastered version doesn't have a meaning to live in 2022.

A broken game, without anything good and imbued with a tragicomic approach to international economy and politic.

Putting aside its many technical issues, Fallout 76 offers an empty world in which, paradoxically, there are many things to do, but everything appears to be an end in itself. There is something good in this game, but it’s crippled by a bland world design and a non-existent plot. This is a game that may be able to entertain, but boredom is always dangerously around the corner.

Overkill’s The Walking Dead is deeply flawed and bland. Its gameplay feels generic, sometimes bringing out anomalous and umpleasant situations.

Technically Syberia 3 is pretty bad, but that's something we can easily put aside. The real problem of Syberia 3 is that - after a promising start - it gets stuck between nostalgia and the inability to truly renovate itself.

Bannermen is the ideal choice for those in search for a pretty straightforward RTS, even if the game might seem a bit vintage in its gameplay and technical aspects.

Silver Chains is an intriguing game set in a good old mansion haunted by ghosts and evil spirits. Its eerie atmosphere will keep you on the edge of your seat as you unravel the mysteries of this ancestral home and the madness that devoured it. Unfortunately, the experience is also marred by a framerate that frequently dips below 30 fps and bugs that will force you to load an earlier save state.

Generation Zero is based on an interesting concept, but its empty open world leads to an overall boring experience.

Carmageddon: Max Damage tries really hard to bring back the memories of the weird, yet successful Stainless Games series. Unfortunately, it reaches the goal: the gameplay is almost identical to the original (with very few fresh ideas), the AI is as bad as before, and the technical quality is definitely subpar. A mediocre game that will probably please the fans of Max Damage, and just them.

Frozenbyte tries to deliver a stealth game with some unique gameplay dynamics, but it falls tremendously short: the AI is awful, the controls are inaccurate and awkward. The main gameplay feature, i.e. the idea of the time moving only when the player moves, simply doesn't work. A real missed opportunity.

We wish we'd loved Double Dragon IV a little bit more. It can be chaotic and frustrating, with some obvious problems (no online play! How is that even possible?) and a pretty limited arsenal. But it has the true, genuine Double Dragon's DNA, and that's all that matters to a real fan. It won't cost you but a few bucks, and that's also nice.

If you're willing to forgive a certain amount of roughness and a basic combat system, 1348 Ex Voto will take you on a pleasant journey through medieval Tuscany lasting five or six hours, depending on your patience with exploration. I'm not a keen observer, so I missed a lot of upgrades, but I still enjoyed the game.

Wolfenstein: Cyberpilot has a lot of potential and a lot of very good ideas, but it’s a very short experience and doesn’t have any replay value.

Pixel Piracy is a pirate-themed roguelike, pretty basic in its gameplay dynamics and with a good leveling system. The control system is a little bit messy, and so is the interface. Not as deep or replayable as Faster Than Light, though.

While it isn’t without merits, Grand Theft Auto: The Trilogy Definitive Edition is also plagued by many technical problems. You might relive some nostalgia if you’re a fan of the classics, but new players should wait for Rockstar to release some patches before diving in.

Beautiful visuals and suggestive atmospheres are not enough to save Vane, whose obscure and not always working mechanics make the player feel abandoned in a poorly conceived world.

Ambitions exceed the real resources of the young development studio, creating a title that never finds its balance.

A multi-discipline sports title starring the Looney Tunes is a good idea... in theory. Unfortunately with only nine characters, four disciplines and two modes Wacky World of Sports translates it into a game poor in both content and depth

Extinction is a rather unpretentious blend of Shadow of the Colossus, Assassin’s Creed and God of War. There's some parkour action, some humans to rescue and many giant monsters to decapitate. The main quest is pretty thin, gameplay and story wise, and you'll end up enjoying the various and challenging secondary objectives of every mission much more.

Despite a quite brilliant look, the 27 minigames designed by Shiver Entertainment are meaningful and fun only for a couple of nights with friends. Unfortunately, they soon become a clumsy attempt to recycle well know mechanics in very superficial way.

Eisenhorn: XENOS tells the beautiful and engaging story of the Inquisitor, as told in the Dan Abnett's novels, and that's about it. Everything else is mediocre and boring, including the level design and the combat system, flawed by the fact that it's been designed for mobile platforms.

A wrong, broken, useless action RPG, without anything good in its DNA. Search for something else.

By focusing on surprising customization but not on a deep combat system or gameplay, LEGO Brawls is a decent digital hobby for LEGO collectors rather than a stimulating brawler game for competitive gamers.

It's pretty clear that we won't see a game truly worthy of the Tarantino's masterpiece. Unfortunately, the biggest crime committed by Reservoir Dogs: Bloody Days are not the heists, but being dull and lackadaisical.

Narcos: Rise of the Cartels is a strategic turn-based combat game that simply doesn’t work. Despite a high-sounding name, the managerial part and the strategic depth are lacking; moreover, the variants to the classic X-Com gameplay are strange and poorly designed.

Aesthetically faithful to the original, the new TMNT game is a beat'em up that unfortunately falls shorts in every other aspect. We honestly expected more from Platinum Games, but we cannot ignore the chaotic combat system, a ludicrous longevity, and a soporific level design.

A game based on such tacky and cheap premises that it could have been awesome. Unfortunately, behind the fairly good visuals lie a repetitive gameplay, dull characters, dumb AIs and bad design choices.

New Gundam Breaker had the elements to be a good game, but the technical and game design flaws drastically ruin all of its potential.

Touhou Kobuto V: Burst Battle is wrong on so many levels: the gameplay is boring and repetitive, the content is basically MIA, the graphics are old and inadequate. The concept could've worked but, well, it doesn't. If you're a fan of the saga, better stick to the classics (or at least Touhou Genso Wanderer).

Kursk isn’t a bad video game, but its many flaws keep us from recommending it.

"Terrifying" is the right word to tell something about Rugby 18. The game is very far from what actually happens on the pitch, and it's not fun at all.

Babylon’s Fall is the first console GaaS developed by Platinum Games and it shows. Technically anchored to the past and artistically uninspired, the action game developed by the creators of Bayonetta hides its best features behind an abysmal story mode that lets the gameplay breath only after more than 10 hours of mandatory tutorials. Post-game content is interesting and the gameplay loop might be engaging after a good amount of updates to fix the rough edges, but will players keep faith in the developers after being welcomed in that way?

Testament: The Order of High Human is definitely an ambitious game. However, being ambitious didn’t serve it well – it’s obvious that the scope of this game was beyond what a small studio like Fairyship Games was capable of, and the result is a mediocre action RPG that fails to impress.

MindsEye intrigues with its cyber-noir atmospheres but stumbles on many, too many of its promises. Everywhere you look while walking through Redrock City, you see an ambitious action game that shoots for the stars but ends up crashing to the ground.

The Lord of the Rings Gollum is a game that came out of time. the title almost never convinces in any of its aspects, resulting in many parts frustrating. the game optimization itself never manages to be stable making it difficult to play.

There’s a game behind the many issues and flaws of Underworld Ascendant; we just don’t know when (or if) we might see it one day.

A modern sequel to Flashback could have been a title perhaps not as memorable as the original, but certainly a worthy sci-fi experience. Unfortunately, everything seems to have gone wrong as Flashback 2 is a disaster in almost every respect.

Dino Dini's Kick Off Revival is an affront to the memory of the original product: a bad game from every point of view.

Like a lazy student, King's Quest reaches the end making it homework without any extra effort.

Goat Simulator The Bundle gives you the full goat experience. Still, the game tech side is rough to say the least, and the fun lasts just a few hours.

Tom Clancy's The Division: Survival does exactly what it promises, throwing players into a struggle to stay alive. The rules are well designed, and the (small) compromises only serve to connect the DLC to the rest of the game. Well done.

A Tale of Caos: Overture is hit and miss, with very good dialogues, puzzles and some truly genuine funny moments; unfortunately, the game is really short (three hours, tops), and the pixel-art graphics is a lot pixels and lot less art. Anyway, we can't wait to play the next title of this talented team.

The first DLC for Resident Evil 7 offers a new vision of the twisted world created by Capcom; some of its challenges will be perfect for whomever loved the Madhouse difficulty level, but the content itself is not much. We advise to buy it only with the Season Pass.

Idle Evolution is a nice, successful experiment: an incremental game with a lot of challenges and minigames, and an unusual way to give you a grounding in chemistry.

World to the West is a shining example of the "good intentions, bad execution" genre. Too much backtracking, the overall lack of polish and the bad, mandatory use of all the characters almost destroy everything good the game has to offer.

Unit 4 is a bit of a roller coaster: some levels can be too punishing for the player, while some boss battles are truly exhilarating. The first title from Gamera Interactive feels like a missed opportunity, and the general art direction doesn't help. A decent platform, like so many others.

Phantom Trigger has been a real (and very pleasant) surprise: a deep title, both in the gameplay dynamics and its story. The game from Bread Team startled us for the riveting story of Sam and the creatures inhabiting his mind, without compromises on the faceted and polished gameplay. It's a short experience, but one you won't forget easily.

Bear With Me is a nice, old-style point and click adventure, with logical and well designed puzzles, although not too challenging, and a story that blends humour and drama. Not a milestone in the genre, but adventure fans should give it a chance.

One of the worst "real something" ever. There's nothing good in Real Farm, a game you wouldn't neither present to your worst enemy.

Black Jewel is a game designed for gamers that spent their childhood watching the loading screen of the Commodore 64, with its simple gameplay and a soundtrack that sounds exactly like a SID tune. In order to appreciate it, though, you need to get back to the 8-bit era, and forget everything that came after it. The fact that it costs only 2 euros is the cherry on top.

Uncontroversial and unspectacular, Bridge Constructor Stunts is pretty shallow and uninspired, for a puzzle game that has a very limited lifespan. The idea of mixing bridge building and driving could have been much more interesting and exploited, but unfortunately that is not the case.

The little Ball That Could shows a good style in its attempt of a Marble Madness revival. The creature of NaissusWorks is fascinating and playable title, peculiar in the presentation and clear in the controls response. On the other hand, visual aspects could have been far better, even in their geometric simplicity.

Razerwire: Nanowars is definitely one of the best time-wasters you could decide to buy on Steam, a game that offers in its honest simplicity a genuine challenges between friends and a satisfying sense of destruction. The price is really insignificant, for what it offers.

Antab Studio offer an excellent porting of its frenetic tribute to the '80s. We can still find problems with the aiming system, but the features of Nintendo Switch are used in an excellent way.

Odium is a small but well crafted game, full of pressing music and high difficulty. The very hard challenge and the heavy rhythm of techno music could be frustrating for some players.

Without telling anything really new or offering fully convincing gameplay mechanics, Deiland proves to be a fun and carefree "game curtain", devoid of a challenge worthy of the name.

Castle of Venia smells of good old games of the past, but too many technical limitations and the lack of content irredeemably limit all the good things it can give.

Despite the popularity of the manga, Black Clover: Quartet Knights fails to draw attentions due to the lack of compelling game modes and the presence of dull game mechanics, a repetitive story mode and the almost total absence of customization. There are some good ideas here in the form of an original story and a nice graphic design, but the final product is not able to fully bring out all its potential.

The Last Broadcast is a very interesting DLC, with new characters, new locations and all the main features of This War of Mine.

GODS Remastered shows just how nostalgia can be deceitful, by re-proposing a badly aged game acclaimed in its time thanks to a truly unparalleled artistic direction.