Mato Anomalies is a video game with an interesting premise, but with an execution that is barely capable of keeping up with other turn-based RPGs. Its noir atmospheres mixed with a cyberpunk setting are extremely seductive, but under the bonnet of an interesting vintage car there is an engine whose roar really fails to impress.

Technical problems and imperfect controls prevent Shinobi Striker from really convincing, despite the mix of single player and multiplayer online could offer an interesting touch to the anime series.

World of Warriors is a melee action game with tons of special powers and modifiers, and a frantic yet deep gameplay. The single player campaign offers a good variety of events and locations, and unlocks that do not need in-App purchases (although grinding remains mandatory if you want to succeed in the boss fights). A great and addictive time-consuming experience, even on PlayStation 4.

Much like Verdun, its predecessor, Tannenberg offers an authentic and engaging First World War experience. Those who enjoy tactical, more realistic shooters will love it; everyone else should consider giving it a chance, but be warned that the game was made on a limited budget and it shows.

Astor: Blade of the Monolith is an action game with a nice combat system, but unfortunately it tends to repeat game situations a little too often during the approximately 15 hours needed to reach the end credits.

Lust from Beyond is a more-than-average first person adventure dealing with difficult topics, such as psychiatric diseases, sexuality and the very idea of a cult based exclusively on physical pleasure. It does so by building an almost convincing narrative structure, without skimping on the crude representation of sex and violence, managing to maintain a difficult balance with all the other components of the game. The technical quality, however, is fluctuating, with 3D models that seem to come out of some game 20 years ago, animations at the limit of decency and sudden "coughs" of the script.

Godfall is not a title without its charms. The combat system is solid and satisfying, and technically, the game is great proof of PlayStation 5’s potential. But cramming levels full of particles effects and shining lights does not necessarily make for good aesthetic design, and Godfall also suffers from a weak story and repetitive endgame.

Bandai Namco and CyberConnect2 tried really hard to create something new. Despite the good fan service, JoJo’s Bizarre Adventure: Eyes of Heaven doesn't manage to emerge from the many anime tie-ins released in these past few years. Good for a fun evening with friends, bound to be forgotten as soon as the last guest leaves the house.

This remastered edition of PaRappa the Rapper is a nice and lovely trip down memory lane, especially if you lived the golden age of the first PlayStation. Unfortunately, that's all there is.

Broken Roads looks from Australian shores toward some even recent classics of the CRPG genre and reworks a rather known formula through the lens of philosophy. The juxtaposition is a not so obvious success: in fact, philosophy is not used as a mere label to offer a re-brand of something already seen, but a g that moves both the game mechanics and the narrative progression.

Detective Gallo is a graphic adventure that clearly show off its sources of inspiration, such as the LucasArts titles. The studio is small, the production limits quite obvious, but it's still and enjoyable game.

Skully has everything it needs to impose himself as a mix between a frantic platformer like Marble Blast Ultra and an original take on Metroidvania genre, but it wastes too much time before showing its true potential. The lack of enemies and situations to deal with does not help to keep you engaged until the game unleashes all its features, and it is a shame because it’s a pretty game, and also very responsive to player input. Anyone willing to bear with the first few hours will be rewarded with fascinating gameplay.

Dynasty Warriors 9 Empires is the depressing follow up to the most disappointing entry in the whole Koei Tecmo hack’n’slash series. The strategic aspect that allegeldy distinguishes it from the predecessor is barely there while the action mechanics are basically the same, with castle sieges being the only real new offer of the whole package. Some clever ideas are noticeable, but most of them are reused from previous iterations. What Omega Force packed in the game at launch is not enough to build an entire experience on repetition.

Double Dragon Revive isn't a complete disappointment, but it doesn't completely captivate either. It's a prime example of a project that works just enough to entertain, especially when the action heats up and the combat system shows its potential, but never really pushes the envelope. Arc System Works has crafted a respectful and reasonably solid beat 'em up, but it lacks a clear vision: a comeback that doesn't know where to look, torn between reverence for the past and a fear of fully modernizing itself. The result is an honest title, even enjoyable for fans of the genre, but inevitably destined to fade away without a trace, especially when compared to far more successful experiments like Neon or Gaiden. Perhaps wait for a price drop before giving it a chance.

Tour de France 2020 adds some new features, like a first-person view and the resistance management, but it is graphically old and too many problems cut off its wings.

The game offers simple hack 'n' slash action and a story mode that follows the manga's plot. However, the gameplay experience often becomes dull due to poorly designed boss battles and design limitations. The Temple of Recollection mode adds an interesting variation but doesn't significantly impact character strength. Despite attractive graphics and the inclusion of the entire story, the game lacks refinement and feels like a disappointing tie-in for a brand like Dragon Quest.

Scathe is definitely not flawless. The bosses aren’t great, optimization could use some work, and the music, while good, lacks variety. But traversing the infernal labyrinth and slaughtering dozens of demons is good fun, the guns feel satisfying to use, and the game definitely knows how to keep you on your toes.

Vertigo's main problem, probably, is its ambition. When you choose such a cumbersome source of inspiration, the risk of ending up crushed by it is real. The Pendulo game wisely chooses not to retrace the path traced by Hitchcock, but to borrow the main theme. Unfortunately, however, it manages to keep the interest high only in the initial stages, then a under-the-bar acting and questionable narrative choices prevail over originality. You could appreciate the attempt, not so much the outcome.

The beauty of an art style in which retro and modern give life to a visually credible dystopian world cannot hide the gameplay lacks under its pixelated guise: despite the short duration, the lack of depth between investigative phases, exploration and combat has time to leave a bitter taste in the mouth.

Outcast Second Contact is a good remake, but not for everyone. Despite some old-school mechanics could prevent someone from enjoying the game (gunplay and matted animations are the two main defendants), Outcast is still imbued with good exploration and an entertaining plot. Give it a chance.

For the time being, No Man's Sky on PC runs slightly better than the console versions, the control system doesn't work very well with the mouse + keyboard combo, and that's about the only differences worthy of being mentioned. All the potential of the game and the disappointment are still there.

The new Need for Speed has some serious problems that need to be addressed: mainly, the over-use of loot boxes (and microtransactions) and a broken progression system that relies too much on randomness and grinding. The story is cringe-worthy, full of bi-dimensional characters and annoying catch-phrases. All that being said, the arcade driving model is accessible and extremely fun as always, and the open world is pretty big and full of activities that can keep the player engaged for a long while. Oh, and you're going to spend plenty of time in the garage pimping your ride.

At first it is exciting to unleash the destructive fury of the Red Demon on the unfortunate enemies in the realms of the Wyrd, the first clashes are brutal and pyrotechnic to the point of predicting great things. The truth is that one punch at a time the enthusiasm wanes until it shows, under the skin of a stylish aesthetic that adheres to the original, a roguelite structure that is not very courageous and a gameplay that fails to convince.

Phoning Home tries very hard to blend the survival genre with a narrative experience. In doing so, it manages to give the player a real reason to keep going on in his adventure but, at the same time, some gameplay dynamics are a little bit flawed. Anyway, there's some real magic in the connection between the two main characters, Ion and Ani, and that's something.

The Descendant is dubbed in English, but the interface and subtitles translation (in Italian) is excellent, and that's a very good start. The gameplay is rather original, different from what you can expect from an adventure game. It won't last too long (10 hours, give or take), but the experience is claustrophobic, cynical, disturbing and often surprising.

Super Cane Magic ZERO is the perfect example of how to best nurture the creativity, style and humor of a cartoonist without making a product destined exclusively to the fans. This new game by Studio Evil manages to be modern and fresh gameplay-wise without sparing tributes and citations to the gaming and pop universe.

A forgettable remastered, with nothing to say in 2017, that should be played to discover the origins of TPS only.

WWE Battlegrounds is an excellent idea lost inside way too much repetitiveness. 2K wrestling games needed a fresh new style and approach, but Saber’s game got lost due to an oversimplified fighting system and an excessive use of microtransactions. You need hours to unlock everything, but your wrestling enthusiasm is doomed to expire after the first 2-3 hours of playing WWE Battlegrounds, just when you’re gonna realize its best moments are already gone. Too bad, because I feel the need of a good old arcade wrestling game, but I also would have liked it to focus on entertaining me and not try to strip me of all my money for a useless Undertaker skin.

Another bad porting of a mediocre collection, that definitely doesn't stand the test of time. It's pretty pricey as well, and the only title worth of your money is probably Dante's Awakening. It could – and should – have been better.

A futuristic wheelchair basketball game that nods to Rocket League. The idea isn't bad and the foundation is there, but currently Drag x Drive is more of an experimental title that needs some tuning and, above all, desperately needs new content in the months immediately following its launch.

Shattered Heaven takes inspiration from Darkest Dungeon and Slay the Spire, and does so without adding any particular innovations to the game formula. There is nothing wrong with this, especially if the end result is good. Besides, it manages to bring a mature narrative, including multifaceted characters and a well-written story. There are some flaws here and there, but all in all Leonardo Production's video game is well made.

Despite the introduction of a well-written new character like Lodi and the presence of the Nine, the gameplay in The Edge of Fate proves to be extremely repetitive, with dull puzzles and fetch quests that slow down the action. The Desert Perpetual raid offers a few interesting ideas, but the campaign feels shallow and lacking in narrative momentum, leaving the impression of filler content.

Sheltered 2 follows the dynamics of video games on the managerial survival genre, improving on its predecessor but still not being without flaws. The new look is maybe a little rough, but not without its charms.

RPGs have been an ever-evolving genre for years, and while most developers strive to introduce some new details to innovate, Dungeon Encounters follows the path of hardcore minimalism. The result is a game that looks outdated and with rusty game mechanichs, sold at a price that is everything but minimal. It offers a couple of interesting details but also wild grinding, very repetitive gameplay, and poor graphics. We should expect more than that from Square Enix.

Fort Solis is a satisfying and simple narrative video game, with few real innovations but many themes and points of reasoning that thriller lovers might like. It's not a horror movie, so don't expect scares of any kind. It is not even approachable to works like Dead Space and The Callisto Protocol.

Conglomerate 451 manages to mix the highest traditions of the dungeon crawler genre with the gameplay mechanics one would expect from any modern video game. There are some flaws here and there, especially concerning the procedural generation of the missions, but they are counterbalanced by the high variety of the enemy types and the deep customization system of the agents.

Tennis World Tour 2 improves upon its disastrous predecessor, but cannot completely make us forget its flaws because it’s based on the same creaky structure. It can be fun, but you shouldn’t expect perfection.

Cyanide & Happiness: Freakpocalypse is a game made for C&H’s fans, rather than point&click lovers, and it’s okay. The game’s mechanics act as a stimulus, prompting the player to talk to all the characters and examine every single part of the setting, enjoying the surreal dialogues and absurd descriptions that dot the game. I don’t know if everybody can appreciate it, but if you like dark humor and you’re not afraid of BDSM teachers, bullies and delusional weirdos, this is a point&click adventure that may fit your lovely taste.

Blood Bowl is a beautiful game and Cyanide replicates it in every detail in its latest videogame version. Too bad the single player is ruined by terrible AI and multiplayer is plagued by incomprehensible restrictions. At least developers seem to be addressing the hottest topics raised by the community.

Terminator Resistance is a mediocre title. Gunplay in not so bad, but the game looks old and never offers engaging or exciting moments. Fun for a couple of hours and nothing more.

A very pleasant and engaging adventure, Flint: Treasure of Oblivion reaches the goal without distorting the genre and not inventing anything particularly new in the scenario of tacticians with RPG elements. Shuffle the cards on the table by taking inspiration from Baldur's Gate 3, inserting the dice mechanic and, in the meantime, detail an intense story polished to reach as many players as possible. If you haven't read Treasure Island, you want to get closer to Stevenson and then buy this toy here, then this adventure could give you unexpected emotions.

This fifth installment of the Mario & Sonic series is a nice multi-event sports title, although a little too easy for an experienced gamer. It's pretty clear that the targeted audience is younger gamers, and they'll have a lot of fun, thanks to the eye-candy graphics, the local multiplayer (not online, though) and a roster of well-known and loved characters.

Endless Ocean Luminous is not the dream sequel I always hoped for to Arika's beloved submarine series. The change of direction has favoured the co-operative component, but has mutilated the original experience of many interesting and distinctive features. The purely educational aspect remains, and the possibility of organising dives together with such a large number of friends is not to be underestimated, but I wouldn't recommend the game to those who are only interested in reliving the fascinating sensations of the original chapters on Wii.

This final episode of the Assassin's Creed spin-off finally lives up to its potential, with a mix of platform and stealth elements, a frantic gameplay, a robust level design, and an excellent art direction.

Let's put aside the controversies about the Metal Gear saga, and talk about the game, and what it can really offer. The idea of mixing the gameplay of Metal Gear Solid V with a survival setting could have really worked, but the truth is that the very foundation of the game is pretty weak and messy. There are some fun and challenging moments, but overall it feels like a wasted opportunity.

Despite its wonderful art direction, Super Neptunia RPG is obsolete, anachronistic and poor in content.

One cannot conceive of combining the irreverent spirit of the Suicide Squad with a formula plastered around what one considers to be the most marketable fashions at the moment. The risk is twofold, namely that of creating a game that dresses poorly around the lead characters, but also that of arriving outside, deflated fashions. Suicide Squad: Kill the Justice League stumbles over both of these mistakes. Yet here and there flashes of fun situations emerge, the characters have charisma, the writing is good with spikes of excellent quality, and Rocksteady knows how to do their job technically. Let's hope the live service experiments with superhero groups are over here.

While Stray Blade occasionally shows glimpses of the care and effort Point Blank obviously put into it, the end result winds up not too convincing, mostly due to a general lack of polish and balance.

The risk of being repetitive or boring in some situations, the insipid narrative and a perfectible technical sector work against it, yet not everything is to be thrown away because Skull and Bones has potential, I can perceive it while I sail its seas juggling between PVE clashes and other players who, like me, aspire to the title of pirate king. Unfortunately, the problems during development end up being reflected in a live service which, despite the intriguing pirate setting, in the current state of things appears incapable of standing out from the crowd to rival the giants of the genre.

Had it been released in the middle of the last generation, perhaps Unknown 9: Awakening would have had a different effect. Today it is really hard to be impressed by a video game like this, technically and conceptually too old in which the only thing that is promoted is the story.

Mario Party: The Top 100 values quantity over quality, with a huge array of different events tied by a very basic connection. The overall result is basically an opportunity to regret how good and passionate the old chapters were.

Micro Machines World Series could have been a great game, but it simply isn’t. Codemasters worked for the bare minimum, and it’s a shame. The formula still works and entertains, but the game has a saddening lack of content, an absurd online system, and it won’t be saved by some new, interesting game modes.

Rustler has some obvious technical and structural limitations but it is the first to laugh at them because it knows you should never take yourself too seriously. That's what it does and that's how it goes for the player too, who cannot avoid to be captivated by the absurd medieval setting, by the old style gameplay and by mountains of elegant vulgarity.

Warcraft III is still one of the best RTS ever made, yet this Reforged edition is just a lazy remaster. That’s because many features are missing and the game is plagued by a significant number of technical issues.

Necropolis is a mix of action-oriented dungeon crawler and souls-like's combat. The game is intriguing as we thought, but the variety and depth of settings and enemies paradoxically remain confined to a small range of creativity.

Gothic Classic Switch is a cleaned and revised edition of Piranha Bytes' classic masterpiece. The innovations around camera and inventory management are just a plus in front of a title that, despite being twenty years old, still works like it used to.

Ufo Robot Goldrake The Feast of Wolves is unfortunately a mediocre game, so much so that I would not recommend it even to the most die-hard fans of the iconic robot, except at a discounted price. Like the original material, it is a product aimed at a young audience, ironically at the antipodes of the old-timers who are supposed to represent the hardcore Actarus fans.

It's not the return fans of the series were hoping for, but that doesn't stop it from being a decent cooperative shooter. It does, however, need more content.

The Spirit of the Samurai is a decidedly particular game: it is full of very good ideas which, however, are never fully developed. The stop-motion style is still worth a try.

Generally, the fun curve of managerial games starts to go downhill when we have learned to gather resources, build facilities, and research technologies in the right sequence. At that point everything becomes routine and we are no longer surprised by anything. Undead Inc. manages to keep the interest a little longer thanks to various unlockable content but mostly because it touches on a hot topic in recent times, and earning billions on the lives of patients proves sadistically fascinating. Those who enjoyed Fallout Shelter will love this variation set in the cruel world of speculative medicine.

An overpriced collection of tech demos that isn't worth the money Sony is asking for: at least a couple of them should have been developed as full games to justify the outlay.

The Last of Us Part I is a masterpiece of gameplay with a story worthy of Hollywood. Definitely the best transposition of Joel and Ellie's adventures, with some technical inconveniences on day one that are being quickly resolved.

Jagged Alliance: Rage! has a bunch of interesting ideas, but it’s flawed by many technical issues.

Anthem is a hymn to laziness, where a great potential is held back by strong repetitiveness, the absence of some basic features and the artificially increased level of difficulty. Moreover, BioWare and Electronic Arts made an incomplete product, a mere idea of a full game with the promise that each patch will bring us closer to what we might call a final product. Still, is it possible to have fun with a group of friends and spend some pleasant time exploring or fighting? Sure, but the experience will quickly turn into an infinite loop devoid of any goal.

A clumsy attempt by Square Enix to reach the heights of the first three chapters, but the lack of personality and boldness, together with some technical issues and slightly flawed gameplay, make this fifth installment a game for hardcore fans only.

Zheros is a the debut title from Rimlight Studios, a young Italian software house. It's not a bad game, but it suffers from a certain repetitiveness in the gameplay and a bland level design.

One Piece: World Seeker is a shallow open world action game saved only by its nice art direction and technical achievements.

Matchpoint: Tennis Championships shows all its limits after just a few matches. There are some interesting ideas but, considering the poor A.I and the lack of game modes, there is no reason to play this game for more than a few hours.

By borrowing here and there from the past Sledgehammer has played it too safe, but has forgotten to provide fans with truly new and valid reasons to dig into their wallets again this year. Call of Duty: Modern Warfare III seems like a DLC that is saved thanks to more solid gameplay than ever, but much more is needed to enter the hearts of fans.

Sword Art Online: Alicization Lycoris is a mediocre game, ambitious but incapable of realizing its vision, plagued by an inadequate and lazy realization. Only for the most dedicated fans of Sword Art Online.

Developing a Battle Royale in pace with the times starting from the gameplay of Pac-Man, released in 1980, without disrupting its nature, must have been very difficult indeed. PAC-MAN Mega Tunnel Battle Chomp Champs partially succeeds, offering a very interesting formula in the first few game sessions, which gradually reveals all the limits, with no additional modes to keep the momentum going. In a couple of hours you get to see all that the video game has to offer, after that it is only a matter of time before the fun begins to fade. If you are looking for fast-paced and colorful competitive multiplayer, however, it might be for you.

Big Rumble Boxing: Creed Champions is like a 90’s game: good for short sessions of play, with only few modes, a cheating AI and a lot of pressing the same button over and over. Despite all that, it manages to be entertaining for a few hours, but you’ll soon get bored of fighting the same boxer but with a different skin. The strange, over the top narrative Arcade is enjoyable, but with just one more mode (Versus), there’s no way to get to the twelve round without getting tired of its basic mechanics.

Tom Clancy's Ghost Recon Breakpoint is a gaming experience at its most mediocre, packed with all the worst practices that the videogame industry can offer and completely decimated by an embarrassing level of polish. This looter shooter seems to want to squander its large budget, failing to develop its premise in a way that is at least remotely meaningful.

Track design, off-road arcade driving and nice scenarios make V-Rally 4 a game worth trying; unfortunately, asphalt races, career and Buggy/Rally Cross are much less enjoyable.

Space Hulk: Deathwing is one of the best action monuments ever developed around Warhammer 40K, and yet the unstable framerate, the uncertainties of the AI ​​and the poor structuring of the co-op drag the game a little bit lower than it deserved.

ReCore is an interesting game with a solid combat system, but affected by a boring open-world structure and a lot of technical issues.

Simply put, Shroud of the Avatar is a wreck. It tries to be a single player experience and a MMORPG at the same time, and fails on both counts. Everything is out of time: the combat system is boring, the progression of the avatar is repetitive, and the the graphics would have been OK fifteen years ago.

Wanted: Dead has a very entertaining combat system based mainly on the use of white weapons, full of ultra-violence, blood, dismemberments, combos and particularly devastating final techniques, but it limps in everything else: the AI of our team and the enemies is not efficient, the minigames are sometimes a pretext to unlock some collectible, other times an interruption between one mission and another, and the story, however interesting to follow, continuously breaks the action. The final question is: is a triumph of blades enough to justify the purchase? Definitely yes, if you loved the slasher films of the early 2000s, otherwise you might find the offer a bit scarce.

The real problem with 1-2-Switch is the steep price: 50 bucks is a lot of money for a bunch of cute minigames (half of which are meh). There are some occasions when 1-2-Switch shows the great potential of the new Nintendo console, but it's not enough to justify the buy.

Despite a truly intriguing gameplay formula, Peaky Blinders: Mastermind ends just when it really begins to show all of its potential.

Reynatis offers an interesting story and bloody fights with a dual system between defense and attack that is really engaging, especially in the boss fights with gigantic monsters. Unfortunately, exploring Tokyo and the parallel world Another is not as engaging, since apart from rare situations it turns out to be little more than a walking simulator. Technically it is not excellent, with models and textures that recall what we saw on PS3, but at least there are no slowdowns or dropped frames. If you are looking for a story full of charismatic characters, it could be for you.

Fade to Silence is a broken mess where even the simplest of tasks is frustrating.

Sonic Forces has an intriguing concept and shows some high production values, but at the end of the day this translates in some shallow and rambling ideas, and a main character that fails to create any empathy with the player. It's not a bad game per se, but an anonymous one.

A series of interesting boss fights clashes with the general treatment of the Chinese indie game, lowering the quality to the point of not doing it justice. Nevertheless the challenge offered brings with it great intuitions.

The LEGO Movie 2 Videogame is clearly inspired by LEGO Worlds. It’s easy to play and with a good amount of content, but it lacks variety and it’s way too easy.

One Punch Man: A Hero Nobody Knows is a game aimed primarily at Saitama fans with a nice progression system and lots of content. Unfortunately, not all of them are well made, the gameplay can become monotonous and the fights weighed down by various structural defects.

When it comes to art direction ad writing, The Way of Life is full of interesting and intriguing elements. The same is not true for gameplay, with a lot of repetitive mechanics and routines that ruin the flow of the game and sometimes break the attention of the player. Nonetheless, a bold first effort.

An aesthetically fine action roguelite that does not offer any particular gameplay cues but allows itself to be enjoyed. It lacks a bit of optimization that materializes in a few too many stumbles both at the technical level and in usability.

The House of the Dead Remake is a game rooted on nostalgia and zombies, but fails to bring an entertaining experience on Nintendo Switch due to the many issues with its control scheme. A pity, since the juicy arcade gameplay and extras would have deserved all of your love.

A classic beat ‘em up lacking any particular flare of originality, but enjoyable to play and quite rich in content. The combat system is simple but sufficiently articulated to make the fights varied and appropriately challenging. What is missing for now is an online co-op mode, promised in future updates by the development team, and some intervention is urgently needed to correct a few technical issues.

A gothic and bloody old-style TPS with massive explosions and BIG guns. It doesn't have the charisma of Devil May Cry or Bayonetta, and its gameplay is partially flawed by some annoying issues... but you won't regret the time you'll spend with it.

Soul Axiom is a puzzle adventure set in an evocative cyberpunk universe. There are some good ideas here and there, but it also has some design flaws and storytelling problems.

A brave outdoor life simulator in which you have to explore, hunt, and carry out repetitive tasks and missions completely devoid of appeal. The result is a game that is beautiful to look at (for its price) but rather boring to play; only recommended to the most motivated players.

Jump Force’s gameplay is spectacular and amazing, but too many technical issues get in the way, ruining part of the fun.

The Technomancer has an original setting and some peculiar narrative premises, but the story develops in an unoriginal way, and the RPG gameplay dynamics are pretty weak, repetitive and sometimes inconsistent.The Technomancer has an original setting and some peculiar narrative premises, but the story develops in an unoriginal way, and the RPG gameplay dynamics are pretty weak, repetitive and sometimes inconsistent.

Technically it's not the best game around, but keep in mind that Earthlock is an independent production, and as such it must be treated. If you're looking for a light and not too demanding experience, with an intriguing battle system, fun to play from the beginning to the end, Earthlock is the right choice.

Whether it’s lack of effort, time or budget, Cyanide Studio does not enough to provide a satisfying combat system, nor an interesting story-telling, nor a decent technical presentation.

Chornobyl Liquidators offers a poignant and intimate story, presenting a real playful structure. It entertains and engages for the entire five hours it takes to get to the end credits, also reinforced by brilliant writing and memorable dialogues capable of transporting you to another brutal reality. It could move those who, impressed by the television series, have left their hearts in the story of the most tragic nuclear power plant in the world.