For 7,776 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,350 out of 7776
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Mixed: 1,493 out of 7776
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Negative: 1,933 out of 7776
7776
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Clayton Dillard
The final note of optimism is consistent with the documentary's overall tone and interest in perseverance.- Slant Magazine
- Posted May 16, 2016
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Reviewed by
Simon Abrams
Le Mans needs to be rediscovered so that it can be hopefully embraced as one of star Steve McQueen’s finest hours.- Slant Magazine
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Reviewed by
Elise Nakhnikian
Despite the occasional cliché, this film mostly feels as messy as life, and as movingly complicated.- Slant Magazine
- Posted Mar 28, 2016
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Reviewed by
Clayton Dillard
According to the film, individual misdeeds aren't the final enemy, but the byproduct of an unregulated regime.- Slant Magazine
- Posted Nov 16, 2015
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Reviewed by
Carson Lund
As in Nathan Silver's previous work, what could have been a rote retread of Pasolini's Teorema blossoms into a study of factional identity and power dynamics.- Slant Magazine
- Posted Dec 6, 2015
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Reviewed by
Carson Lund
In the simultaneously heady and lyrical The Creation of Meaning, we're obviously implicated in that comment, as the film views the meaning-making process as something malleable and dependent on perspective.- Slant Magazine
- Posted Nov 16, 2015
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Reviewed by
Clayton Dillard
It neither glorifies nor castigates pot usage, letting consumers speak for themselves without the intrusion of an omnipresent voice.- Slant Magazine
- Posted Feb 14, 2016
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Reviewed by
Jake Cole
Nothing that Marvel Studios has produced can compare to the visual splendor of Scott Derrickson's Doctor Strange.- Slant Magazine
- Posted Nov 2, 2016
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Reviewed by
Diego Semerene
The drag in the film rejects the U.S.-centric obsession with "realness" and the acrobatics that come with it.- Slant Magazine
- Posted Apr 25, 2016
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Reviewed by
Oleg Ivanov
It offers a powerful metaphor for the manner in which we carry the memories of our departed inside ourselves.- Slant Magazine
- Posted Aug 12, 2016
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Reviewed by
Christopher Gray
The smartest thing about Kelly Fremon Craig's teen dramedy is its measured take on its protagonist's theatrics.- Slant Magazine
- Posted Oct 23, 2016
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Reviewed by
Elise Nakhnikian
Its feminist perspective checkmates the frat-boy misogyny and machismo that too often mar films set in combat zones.- Slant Magazine
- Posted Mar 3, 2016
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Reviewed by
Chuck Bowen
Erika Frankel’s documentary is finally revealed to be a story of prolonged adjustment to retirement, and a poignant illustration of sublimated redemption.- Slant Magazine
- Posted Feb 17, 2016
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Reviewed by
Jake Cole
With its fine-tuned comic timing and feeling of constant action, Into the Spider-Verse is downright invigorating, and that’s evident even before it gets to its dazzling, dimensional-colliding climax.- Slant Magazine
- Posted Nov 30, 2018
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Reviewed by
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- Critic Score
Harsh punishments are dished out in a way that jolts the material away from coming-of-age cliché.- Slant Magazine
- Posted Jun 6, 2016
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Reviewed by
Jaime N. Christley
The threat of feeling slighted links every small and large ripple of drama in Kelly Reichardt's film.- Slant Magazine
- Posted Sep 28, 2016
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Reviewed by
Christopher Gray
Even as it invites snarky ridicule, the film dares you to buy into its singular earnestness.- Slant Magazine
- Posted Jun 22, 2016
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Reviewed by
Carson Lund
What comes through clearly by the end of the film is the act of one artist's eccentric generosity breathing new awareness into the life of another.- Slant Magazine
- Posted Feb 1, 2016
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Reviewed by
Wes Greene
The documentary advances its cause through an intimately diaristic depiction of hard work done well.- Slant Magazine
- Posted Jan 16, 2017
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Reviewed by
James Lattimer
Kelly Reichardt's film is a wry, appealingly raggedy look at the impossibility of conjuring up excitement from boredom.- Slant Magazine
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Oleg Ivanov
It presents a captivating portrait of one of the era's greatest defenders of artistic freedom and a true American original.- Slant Magazine
- Posted Jun 20, 2016
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Reviewed by
Kenji Fujishima
This singular mix of character study and mysterious mood piece might not have come off quite so successfully if not for Royalty Hightower's internal performance.- Slant Magazine
- Posted Mar 11, 2016
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Reviewed by
Wes Greene
The film feels most real, even at its most absurd, when focused on the idea of closure as a kind of fantasy.- Slant Magazine
- Posted Aug 8, 2016
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Diego Semerene
Agnieszka Smoczynska's film is most poignant when it simply stares at its own strangeness.- Slant Magazine
- Posted Jan 31, 2017
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Reviewed by
Jesse Cataldo
Chad Hartigan's film is especially perceptive about the effect of external influence on personal development.- Slant Magazine
- Posted Aug 15, 2016
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Reviewed by
Elise Nakhnikian
The film's horror is spookily and movingly expressive of the tenuous position of women in 1980s Iran.- Slant Magazine
- Posted Mar 16, 2016
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Reviewed by
Clayton Dillard
So Yong Kim's film ultimately manages a convincing articulation of friendship between women.- Slant Magazine
- Posted Feb 13, 2017
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Reviewed by
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Reviewed by
Kenji Fujishima
The film ultimately succeeds in offering a fresh female-centered perspective on its genre material.- Slant Magazine
- Posted Jul 25, 2016
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Reviewed by
Jesse Cataldo
Benjamin Crotty's film is content to drift free-associatively through the intricacies of group mechanics via an expressive free-form structure.- Slant Magazine
- Posted Feb 1, 2016
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Reviewed by
Nick Prigge
Throughout, Pavan Moondi and Brian Robertson purposely indulge Hollywood formula only to subvert it.- Slant Magazine
- Posted Feb 15, 2016
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