Slant Magazine's Scores

For 7,776 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7776 movie reviews
  1. The final note of optimism is consistent with the documentary's overall tone and interest in perseverance.
  2. Le Mans needs to be rediscovered so that it can be hopefully embraced as one of star Steve McQueen’s finest hours.
  3. Despite the occasional cliché, this film mostly feels as messy as life, and as movingly complicated.
  4. According to the film, individual misdeeds aren't the final enemy, but the byproduct of an unregulated regime.
  5. As in Nathan Silver's previous work, what could have been a rote retread of Pasolini's Teorema blossoms into a study of factional identity and power dynamics.
  6. In the simultaneously heady and lyrical The Creation of Meaning, we're obviously implicated in that comment, as the film views the meaning-making process as something malleable and dependent on perspective.
  7. It neither glorifies nor castigates pot usage, letting consumers speak for themselves without the intrusion of an omnipresent voice.
  8. Nothing that Marvel Studios has produced can compare to the visual splendor of Scott Derrickson's Doctor Strange.
  9. The drag in the film rejects the U.S.-centric obsession with "realness" and the acrobatics that come with it.
  10. It offers a powerful metaphor for the manner in which we carry the memories of our departed inside ourselves.
  11. The smartest thing about Kelly Fremon Craig's teen dramedy is its measured take on its protagonist's theatrics.
  12. Its feminist perspective checkmates the frat-boy misogyny and machismo that too often mar films set in combat zones.
  13. Erika Frankel’s documentary is finally revealed to be a story of prolonged adjustment to retirement, and a poignant illustration of sublimated redemption.
  14. With its fine-tuned comic timing and feeling of constant action, Into the Spider-Verse is downright invigorating, and that’s evident even before it gets to its dazzling, dimensional-colliding climax.
    • 72 Metascore
    • 75 Critic Score
    Harsh punishments are dished out in a way that jolts the material away from coming-of-age cliché.
  15. The threat of feeling slighted links every small and large ripple of drama in Kelly Reichardt's film.
  16. Even as it invites snarky ridicule, the film dares you to buy into its singular earnestness.
  17. What comes through clearly by the end of the film is the act of one artist's eccentric generosity breathing new awareness into the life of another.
  18. The documentary advances its cause through an intimately diaristic depiction of hard work done well.
  19. Kelly Reichardt's film is a wry, appealingly raggedy look at the impossibility of conjuring up excitement from boredom.
  20. It presents a captivating portrait of one of the era's greatest defenders of artistic freedom and a true American original.
  21. This singular mix of character study and mysterious mood piece might not have come off quite so successfully if not for Royalty Hightower's internal performance.
  22. The film feels most real, even at its most absurd, when focused on the idea of closure as a kind of fantasy.
  23. Agnieszka Smoczynska's film is most poignant when it simply stares at its own strangeness.
  24. Chad Hartigan's film is especially perceptive about the effect of external influence on personal development.
  25. The film's horror is spookily and movingly expressive of the tenuous position of women in 1980s Iran.
  26. So Yong Kim's film ultimately manages a convincing articulation of friendship between women.
  27. The film ultimately succeeds in offering a fresh female-centered perspective on its genre material.
  28. Benjamin Crotty's film is content to drift free-associatively through the intricacies of group mechanics via an expressive free-form structure.
  29. Throughout, Pavan Moondi and Brian Robertson purposely indulge Hollywood formula only to subvert it.

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