For 7,776 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,350 out of 7776
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Mixed: 1,493 out of 7776
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Negative: 1,933 out of 7776
7776
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Chuck Bowen
Sweaty Betty is a reminder that poetry comes in all shapes and sizes, and that art ultimately dictates its own terms.- Slant Magazine
- Posted Jan 4, 2016
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Reviewed by
Jake Cole
Sion Sono's film imagines gangs not as rebels without a cause, but a lost generation of displaced, poisoned youths.- Slant Magazine
- Posted Oct 19, 2015
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Reviewed by
Chuck Bowen
It captures the frustration and the longing of forever wanting more and better at the expense of casualness of being.- Slant Magazine
- Posted Nov 1, 2015
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Reviewed by
Chuck Bowen
The film's highpoint is one of the most remarkably moving sex scenes in all of American cinema, and the irony of it involving bland puppets is hardly lost on Kaufman and Johnson.- Slant Magazine
- Posted Dec 17, 2015
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Reviewed by
Matt Brennan
Director Gavin Hood treats the aesthetics of high-tech surveillance as the opaque membrane through which the prosecution of the War on Terror must pass.- Slant Magazine
- Posted Mar 8, 2016
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Sean Nam
It's to Britni West's credit that she's yoked the film's experimental sequences with the hard reality of characters trying to figure things out.- Slant Magazine
- Posted Sep 13, 2015
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Drew Hunt
It takes place entirely at night, and the dingy color palette, washed-out and intentionally drab, presents Russia as an almost alien landscape.- Slant Magazine
- Posted Sep 13, 2015
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Reviewed by
Chuck Bowen
One watches the film with an escalating sense of disbelief and horror, as Warren Jeffs is steadily revealed to be an even greater monster than we initially take him for.- Slant Magazine
- Posted Sep 14, 2015
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Reviewed by
Ed Gonzalez
The film's unbelievably precise choreography of action seeks to tap into a universal feeling of powerlessness.- Slant Magazine
- Posted Apr 3, 2016
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Sean Nam
For all its congratulatory spirit, the film has the persistent feeling of an elegy bidding adieu to a bygone time.- Slant Magazine
- Posted Mar 28, 2016
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Reviewed by
Chuck Bowen
It grounds us so effectively in Joplin's emotional realm as to partially rekindle the social transcendence that her voice must have represented for its owner.- Slant Magazine
- Posted Nov 22, 2015
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Reviewed by
Chuck Bowen
Both Olivia Wilde and Luke Wilson understand the greatest pain of loss to be rooted in its searing inexpressibility.- Slant Magazine
- Posted Oct 12, 2015
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Reviewed by
Clayton Dillard
It displays a staggering propensity for examining its unauthorized scenario without succumbing to either too insular or too general a set of assertions.- Slant Magazine
- Posted Oct 5, 2015
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Reviewed by
R. Kurt Osenlund
Dianna Agron, suddenly inspired to let go, proves the perfect on-the-prowl foil to Paz de la Huerta's free spirit.- Slant Magazine
- Posted Oct 26, 2015
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Reviewed by
Christopher Gray
After the film's early optimism and speculative midsection, Western struggles to manage all the rich dramatic irony of its final half hour, perched uneasily between plot and stasis.- Slant Magazine
- Posted Sep 24, 2015
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Reviewed by
Elise Nakhnikian
It highlights the potent dichotomies that, combined with Bergman's relatively unmediated beauty, made the actress luminescent both on and off screen.- Slant Magazine
- Posted Nov 9, 2015
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Reviewed by
Carson Lund
Flowers of Shanghai operates on the whole much like Yoshihiro’s music, filling your senses like a thick haze, holding you rapt without petitioning for your attention.- Slant Magazine
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Reviewed by
Ed Gonzalez
Microbe and Gasoline is enervating for both relishing whimsy and looking behind it to absorb the yearnings of youth and its attendant complications in all their nakedness.- Slant Magazine
- Posted Sep 28, 2015
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Reviewed by
Jesse Cataldo
Despite the defeated tone of Patricio Guzmán's tales, a spotlight is placed on the power of persistence.- Slant Magazine
- Posted Oct 20, 2015
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Oleg Ivanov
This is activist filmmaking that manages to be both angry and elegiac in its recounting of the 2014 Ukrainian revolution.- Slant Magazine
- Posted Oct 8, 2015
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Reviewed by
Elise Nakhnikian
The film functions as a love letter to Pakistan, despite the misogynistic culture it exposes.- Slant Magazine
- Posted Oct 6, 2015
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Reviewed by
Clayton Dillard
The film is unwaveringly attentive to problematizing the dividing line between predator and prey.- Slant Magazine
- Posted Nov 16, 2015
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Pat Brown
The film seamlessly interweaves fun escapades and earnest emotions, but it lacks the visual power of its predecessor.- Slant Magazine
- Posted Jun 13, 2019
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Reviewed by
Jake Cole
Ebulliently funny, visually inventive, and above all passionately committed to the idea that heroism isn't a burden but an uplifting realization of our best qualities.- Slant Magazine
- Posted Jun 27, 2018
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Reviewed by
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- Critic Score
The Magnificent Seven fights an uphill battle in matching the scope and thrills of its source material.- Slant Magazine
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Reviewed by
Diego Semerene
The film's structure, however stifling, is filled with gorgeous imagery and nuanced symbolism.- Slant Magazine
- Posted Aug 15, 2016
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Reviewed by
Sean Nam
The absence of a central narrator for the most part prevents the film from devolving into gratuitous pedagogy.- Slant Magazine
- Posted Jan 4, 2016
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Reviewed by
Nick Prigge
It places more focus on the childish fabulousness of The Adventures of Tom Sawyer than the racial reckoning of The Adventures of Huckleberry Finn.- Slant Magazine
- Posted Jan 10, 2016
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Reviewed by
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Reviewed by
Elise Nakhnikian
It respects and plumbs the feelings of all three main characters while surfacing the economic, ethnic, cultural, and gender power imbalances in their relationships.- Slant Magazine
- Posted Nov 3, 2015
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Reviewed by
Chuck Bowen
Alison Bagnall and her talented leads appear to effortlessly achieve a tone that's tricky to sustain, one that abounds equally in absurdism and empathy.- Slant Magazine
- Posted Nov 9, 2015
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Reviewed by