Slant Magazine's Scores

For 7,776 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7776 movie reviews
  1. Sweaty Betty is a reminder that poetry comes in all shapes and sizes, and that art ultimately dictates its own terms.
  2. Sion Sono's film imagines gangs not as rebels without a cause, but a lost generation of displaced, poisoned youths.
  3. It captures the frustration and the longing of forever wanting more and better at the expense of casualness of being.
  4. The film's highpoint is one of the most remarkably moving sex scenes in all of American cinema, and the irony of it involving bland puppets is hardly lost on Kaufman and Johnson.
  5. Director Gavin Hood treats the aesthetics of high-tech surveillance as the opaque membrane through which the prosecution of the War on Terror must pass.
  6. It's to Britni West's credit that she's yoked the film's experimental sequences with the hard reality of characters trying to figure things out.
  7. It takes place entirely at night, and the dingy color palette, washed-out and intentionally drab, presents Russia as an almost alien landscape.
  8. One watches the film with an escalating sense of disbelief and horror, as Warren Jeffs is steadily revealed to be an even greater monster than we initially take him for.
  9. The film's unbelievably precise choreography of action seeks to tap into a universal feeling of powerlessness.
  10. For all its congratulatory spirit, the film has the persistent feeling of an elegy bidding adieu to a bygone time.
  11. It grounds us so effectively in Joplin's emotional realm as to partially rekindle the social transcendence that her voice must have represented for its owner.
  12. Both Olivia Wilde and Luke Wilson understand the greatest pain of loss to be rooted in its searing inexpressibility.
  13. It displays a staggering propensity for examining its unauthorized scenario without succumbing to either too insular or too general a set of assertions.
  14. Dianna Agron, suddenly inspired to let go, proves the perfect on-the-prowl foil to Paz de la Huerta's free spirit.
  15. After the film's early optimism and speculative midsection, Western struggles to manage all the rich dramatic irony of its final half hour, perched uneasily between plot and stasis.
  16. It highlights the potent dichotomies that, combined with Bergman's relatively unmediated beauty, made the actress luminescent both on and off screen.
  17. Flowers of Shanghai operates on the whole much like Yoshihiro’s music, filling your senses like a thick haze, holding you rapt without petitioning for your attention.
  18. Microbe and Gasoline is enervating for both relishing whimsy and looking behind it to absorb the yearnings of youth and its attendant complications in all their nakedness.
  19. Despite the defeated tone of Patricio Guzmán's tales, a spotlight is placed on the power of persistence.
  20. This is activist filmmaking that manages to be both angry and elegiac in its recounting of the 2014 Ukrainian revolution.
  21. The film functions as a love letter to Pakistan, despite the misogynistic culture it exposes.
  22. The film is unwaveringly attentive to problematizing the dividing line between predator and prey.
  23. The film seamlessly interweaves fun escapades and earnest emotions, but it lacks the visual power of its predecessor.
  24. Ebulliently funny, visually inventive, and above all passionately committed to the idea that heroism isn't a burden but an uplifting realization of our best qualities.
    • 74 Metascore
    • 75 Critic Score
    The Magnificent Seven fights an uphill battle in matching the scope and thrills of its source material.
  25. The film's structure, however stifling, is filled with gorgeous imagery and nuanced symbolism.
  26. The absence of a central narrator for the most part prevents the film from devolving into gratuitous pedagogy.
  27. It places more focus on the childish fabulousness of The Adventures of Tom Sawyer than the racial reckoning of The Adventures of Huckleberry Finn.
  28. It respects and plumbs the feelings of all three main characters while surfacing the economic, ethnic, cultural, and gender power imbalances in their relationships.
  29. Alison Bagnall and her talented leads appear to effortlessly achieve a tone that's tricky to sustain, one that abounds equally in absurdism and empathy.

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