For 7,776 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,350 out of 7776
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Mixed: 1,493 out of 7776
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Negative: 1,933 out of 7776
7776
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Goldberg
The psychological wars that have made the prequels simmer with tightly wound tensions are given their most cutting treatment yet.- Slant Magazine
- Posted Jun 26, 2017
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Reviewed by
Chuck Bowen
It's a comedy concerned with myopia that doesn't succumb to the self-obsessed pitfalls of that subject.- Slant Magazine
- Posted Jan 11, 2015
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- Critic Score
The film's inferno of horrors are undoubtedly visceral, but psychologically implosive rather than entrails-exploding.- Slant Magazine
- Posted Jun 2, 2015
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Reviewed by
Jesse Cataldo
A chronicle the act of labor as both a universal function of life and a spectacle in itself.- Slant Magazine
- Posted Jan 12, 2015
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Reviewed by
Nick Prigge
Writer-director Andrea Pallaoro's feature-film debut isn't especially beholden to plot or dialogue, impressionistically shaping its story through pervasive silence.- Slant Magazine
- Posted Jan 12, 2015
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Reviewed by
Clayton Dillard
The primary pleasure of the film resides in its awareness of the impossibilities of unity, whether physical or cultural, within a rapidly transforming global milieu.- Slant Magazine
- Posted Mar 31, 2017
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Reviewed by
Keith Uhlich
For all the genuine thrills provided by its pioneering pageantry, Way of Water ultimately leaves you with a soul-nagging query: What price entertainment?- Slant Magazine
- Posted Dec 13, 2022
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Reviewed by
Clayton Dillard
The film at first plays like a refresher and throwback to Hayao Miyazaki's Kiki's Delivery Service, before revealing itself to be less minimal than minor.- Slant Magazine
- Posted May 17, 2015
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Reviewed by
Nick Prigge
The doc adopts the viewpoint specifically of those who knew him best, and seeks to separate the person from the emblem.- Slant Magazine
- Posted Jan 31, 2015
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Reviewed by
Keith Watson
The film is packed with mirthful pranksterism, a vigorous anti-authoritarian streak, and literal potty humor.- Slant Magazine
- Posted Jun 1, 2017
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Jesse Cataldo
The reworking of a tired horror trope into a transformed feminist symbol stands out as an impressive act of genre revisionism.- Slant Magazine
- Posted Feb 15, 2016
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Reviewed by
Jesse Cataldo
It confronts the hard realities of a world in which few make it to maturity without their share of scars, and no one makes it out of adulthood alive.- Slant Magazine
- Posted Nov 11, 2015
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Reviewed by
Christopher Gray
Mistress America is both the most concentrated and antic film in Noah Baumbach's unofficial New York trilogy.- Slant Magazine
- Posted Aug 12, 2015
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Reviewed by
Clayton Dillard
The film is a compelling addition to Sebastián Silva's cinema of compassionate comeuppance.- Slant Magazine
- Posted Oct 19, 2015
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Reviewed by
Chuck Bowen
The formalism fashions effective textural shortcuts to behavioral understanding that the remarkable cast fills in with chilling, convincing finesse.- Slant Magazine
- Posted Jul 13, 2015
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Reviewed by
Ed Gonzalez
Its triumph is primarily a matter of style, a visionary revelation every bit as expressionistic as its main character's electric sense of shade.- Slant Magazine
- Posted Jun 28, 2015
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Reviewed by
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Reviewed by
Clayton Dillard
Charles Poekel displays an assured directorial hand and maintains a modest, appealing, even droll sensibility throughout.- Slant Magazine
- Posted Mar 14, 2015
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Reviewed by
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Reviewed by
Clayton Dillard
Director Brett Morgen distinguishes the biographical documentary by viewing himself as more of a curator than a film director.- Slant Magazine
- Posted Apr 18, 2015
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Reviewed by
Diego Semerene
Writer-director Alanté Kavaité's film is a string of softly weaved pictorial metaphors steeped in reverie.- Slant Magazine
- Posted Nov 16, 2015
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Reviewed by
Nick Prigge
Lawrence Michael Levine's film occupies a sweet spot between the self-aware and taut.- Slant Magazine
- Posted Feb 22, 2015
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Jesse Cataldo
The film is a patient exploration of the enlaced connections between professional and emotional sectors.- Slant Magazine
- Posted Feb 3, 2015
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- Critic Score
The film obliquely addresses its narrative mysteries through the conversational cracks of two people in enforced proximity.- Slant Magazine
- Posted Mar 5, 2015
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Reviewed by
Carson Lund
Ethan Hawke's concentration on Seymour Bernstein isn't a betrayal of his own ego massaging, but rather an attempt to have a genuine soul-bearing conversation.- Slant Magazine
- Posted Mar 9, 2015
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Reviewed by
Drew Hunt
The cogent character study nestled inside all the bombast remains crafty for its rare commingling of artful storytelling and genre nonsensicality.- Slant Magazine
- Posted Feb 23, 2015
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Reviewed by
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Reviewed by
Clayton Dillard
It convincingly insists that the human figure is no more vital to the image than the rapidly shifting landscape it inhabits.- Slant Magazine
- Posted Feb 10, 2015
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Reviewed by
Jesse Cataldo
The film's black humor is inextricably tied to serious questions about moral relativism and personal responsibility.- Slant Magazine
- Posted Jan 18, 2016
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Reviewed by
Diego Semerene
It suggests that a disease isn't a product of one single person's body, but the eruption of an entire family history of unarticulated desire.- Slant Magazine
- Posted Feb 25, 2015
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Reviewed by
Ed Gonzalez
Denis Villeneuve's film views life in the age of the modern-day drug war as an ever-crescendoing existential nightmare.- Slant Magazine
- Posted Sep 13, 2015
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Reviewed by
Carson Lund
The mannered direction is at its most effective when it inspires an enhanced sensitivity to the import of every gesture, visual or verbal.- Slant Magazine
- Posted Mar 13, 2015
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Reviewed by
Oleg Ivanov
Even though the film takes on a more overtly fictive aesthetic after he's kidnapped, Michel Houellebecq's understated presence lends the proceedings a factual quality throughout.- Slant Magazine
- Posted Mar 23, 2015
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