Slant Magazine's Scores

For 7,776 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7776 movie reviews
  1. The psychological wars that have made the prequels simmer with tightly wound tensions are given their most cutting treatment yet.
  2. It's a comedy concerned with myopia that doesn't succumb to the self-obsessed pitfalls of that subject.
    • 76 Metascore
    • 75 Critic Score
    The film's inferno of horrors are undoubtedly visceral, but psychologically implosive rather than entrails-exploding.
  3. A chronicle the act of labor as both a universal function of life and a spectacle in itself.
  4. Writer-director Andrea Pallaoro's feature-film debut isn't especially beholden to plot or dialogue, impressionistically shaping its story through pervasive silence.
  5. The primary pleasure of the film resides in its awareness of the impossibilities of unity, whether physical or cultural, within a rapidly transforming global milieu.
  6. For all the genuine thrills provided by its pioneering pageantry, Way of Water ultimately leaves you with a soul-nagging query: What price entertainment?
  7. The film at first plays like a refresher and throwback to Hayao Miyazaki's Kiki's Delivery Service, before revealing itself to be less minimal than minor.
  8. The doc adopts the viewpoint specifically of those who knew him best, and seeks to separate the person from the emblem.
  9. The film is packed with mirthful pranksterism, a vigorous anti-authoritarian streak, and literal potty humor.
  10. The reworking of a tired horror trope into a transformed feminist symbol stands out as an impressive act of genre revisionism.
  11. It confronts the hard realities of a world in which few make it to maturity without their share of scars, and no one makes it out of adulthood alive.
  12. Mistress America is both the most concentrated and antic film in Noah Baumbach's unofficial New York trilogy.
  13. The film is a compelling addition to Sebastián Silva's cinema of compassionate comeuppance.
  14. The formalism fashions effective textural shortcuts to behavioral understanding that the remarkable cast fills in with chilling, convincing finesse.
  15. Its triumph is primarily a matter of style, a visionary revelation every bit as expressionistic as its main character's electric sense of shade.
  16. Charles Poekel displays an assured directorial hand and maintains a modest, appealing, even droll sensibility throughout.
  17. Director Brett Morgen distinguishes the biographical documentary by viewing himself as more of a curator than a film director.
  18. Writer-director Alanté Kavaité's film is a string of softly weaved pictorial metaphors steeped in reverie.
  19. Lawrence Michael Levine's film occupies a sweet spot between the self-aware and taut.
  20. The film is a patient exploration of the enlaced connections between professional and emotional sectors.
    • 70 Metascore
    • 75 Critic Score
    The film obliquely addresses its narrative mysteries through the conversational cracks of two people in enforced proximity.
  21. Ethan Hawke's concentration on Seymour Bernstein isn't a betrayal of his own ego massaging, but rather an attempt to have a genuine soul-bearing conversation.
  22. The cogent character study nestled inside all the bombast remains crafty for its rare commingling of artful storytelling and genre nonsensicality.
  23. It convincingly insists that the human figure is no more vital to the image than the rapidly shifting landscape it inhabits.
  24. The film's black humor is inextricably tied to serious questions about moral relativism and personal responsibility.
  25. It suggests that a disease isn't a product of one single person's body, but the eruption of an entire family history of unarticulated desire.
  26. Denis Villeneuve's film views life in the age of the modern-day drug war as an ever-crescendoing existential nightmare.
  27. The mannered direction is at its most effective when it inspires an enhanced sensitivity to the import of every gesture, visual or verbal.
  28. Even though the film takes on a more overtly fictive aesthetic after he's kidnapped, Michel Houellebecq's understated presence lends the proceedings a factual quality throughout.

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