For 7,776 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,350 out of 7776
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Mixed: 1,493 out of 7776
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Negative: 1,933 out of 7776
7776
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Chuck Bowen
Jonathan Demme makes loving sport of the trust his actors have clearly placed in him, erecting for them a monument to the joys and terrors of walking an emotional high wire.- Slant Magazine
- Posted Jul 21, 2014
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Reviewed by
Steve Macfarlane
Without a frame of footage nor a single interview presented from outside the camp, the documentary shows a capitalist nightmare that accords its victims zero wiggle room.- Slant Magazine
- Posted Aug 6, 2014
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Reviewed by
Clayton Dillard
János Szász's film is a thoroughly provocative WWII screed that almost deliberately goes out of its way to avoid sentimentality or bathos of any sort.- Slant Magazine
- Posted Aug 25, 2014
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Reviewed by
Clayton Dillard
It avoids the typical trappings of the genre pastiche by utilizing its clear indebtedness to numerous other films as merely a starting point, rather than an end.- Slant Magazine
- Posted Oct 13, 2014
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Reviewed by
Tomas Hachard
The repetitive rhythms of Joaquim Pinto's daily routines provide the film with a feeling of serenity that stands in contrast to the man's underlying anxiety.- Slant Magazine
- Posted Aug 5, 2014
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Reviewed by
Drew Hunt
More than just a thorough examination of hardcore pornography, Christina Voros's doc is also a sort of chronicle of the filmmaking process.- Slant Magazine
- Posted Aug 18, 2014
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Reviewed by
Nick Prigge
It subtly counteracts the cliché that creative expression can save your life by making its protagonist a hipster Peter Pan whose creative expression is an excuse not to grow up.- Slant Magazine
- Posted Sep 15, 2014
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- Critic Score
Slowly, the powerful message of heart and soul winning out over an impaired body and over-thinking mind develops into the core drama of this otherwise modest doc.- Slant Magazine
- Posted Sep 30, 2014
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Reviewed by
Keith Watson
Given that big-studio children’s animation so often feels like it was created by algorithm, it’s refreshing to see a kid’s cartoon like <em>The Last Wish</em> that’s filled with too many ideas rather than too few.- Slant Magazine
- Posted Dec 19, 2022
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Diego Semerene
For its general ludic obsession with all things generally thought of as disgusting, the German film Wetlands is stuck in the anal stage.- Slant Magazine
- Posted Sep 4, 2014
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Reviewed by
Clayton Dillard
The film's music is the city itself as well as a subtle suggestion that Tim Sutton's own digital cinema is just as elusive and intangible as Willis's unwavering sense of dissatisfaction.- Slant Magazine
- Posted Sep 1, 2014
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Nick McCarthy
This inventive animated feature about depression and familial roots suggests NPR's "The Moth" storytelling series by way of Persepolis, mixing mesmerizing memoir monologue with whimsical animation.- Slant Magazine
- Posted Sep 4, 2014
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Reviewed by
Jake Cole
Shane Black's The Nice Guys doesn't want for great exchanges, and even disposable conversations brim with acidic wit.- Slant Magazine
- Posted May 17, 2016
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Reviewed by
Chuck Bowen
The film often suggests a less defiant cover of The Defiant Ones, yet it's a must-see for Viggo Mortensen's characteristically wonderful performance.- Slant Magazine
- Posted Apr 26, 2015
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Oleg Ivanov
It's best appreciated as a tragicomic profile of a man whose extraordinary talent was undermined by the farcical political reality in which he was enmeshed.- Slant Magazine
- Posted Sep 15, 2015
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Reviewed by
Jesse Cataldo
It confirms the Roy Andersson universe as one of near-fossilized similitude, in which any effort or movement is disruptive, revealing new cracks in the set illusion of order.- Slant Magazine
- Posted Jun 1, 2015
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Reviewed by
Chris Cabin
Roberto Minervini has created a moving portrait of feminism born out of hard work and intuitiveness, but he never belittles or condescends to the faithful.- Slant Magazine
- Posted Sep 14, 2014
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Reviewed by
Nick Schager
The filmmakers profile the prolific Mark Landis with a non-judgmental straightforwardness that allows the sheer brazenness of his scams to generate both shock and amusement.- Slant Magazine
- Posted Sep 14, 2014
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Reviewed by
Clayton Dillard
It convincingly reconciles private passion with public desire by suggesting that, for women in particular, the 21st-century limelight is always on, no matter the setting or venue.- Slant Magazine
- Posted Nov 1, 2014
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Reviewed by
Christopher Gray
J.C. Chandor's fondness for situational irony is empowered by the spartan efficiency of his method, and that of most of his performers.- Slant Magazine
- Posted Dec 14, 2014
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Reviewed by
Kenji Fujishima
Gabe Polsky's quiet yet welcome achievement is to allow us to see the individual amid the politics, clearly and sympathetically.- Slant Magazine
- Posted Nov 10, 2014
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Reviewed by
Eric Henderson
You can't help but be impressed by how much it represents a natural, even defensive evolutionary step on its creator's part.- Slant Magazine
- Posted Sep 23, 2014
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Reviewed by
Carson Lund
It showcases a genuine fascination with the mind/body split engendered by Skyping, online dating, and constant app usage through a plot that doesn't fuel itself on received wisdom.- Slant Magazine
- Posted Oct 20, 2014
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Reviewed by
Elise Nakhnikian
It intriguingly invites us to think about the mundane forces that can drive a seemingly ordinary guy like Mohamed to do something so desperate and cruel as piracy.- Slant Magazine
- Posted Sep 30, 2014
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Reviewed by
Nick Prigge
The distinct lack of domestic drama is precisely what makes the doc so gratifying as a portrait of a family averting turmoil in spite of challenging circumstances.- Slant Magazine
- Posted Oct 5, 2014
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Reviewed by
Clayton Dillard
What progressively mounts tension is the film's understanding of a boy's gradually realized homosexuality as being inextricable from the central metaphor of compromised vision.- Slant Magazine
- Posted Nov 3, 2014
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Reviewed by
Chuck Bowen
A reminder that crime movies pointedly inspired by other, better genre films can still be enjoyable, if they wear their influences lightly and cleverly connect them to something tangibly human.- Slant Magazine
- Posted Nov 9, 2014
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Reviewed by
Abhimanyu Das
The romantic elements are secondary to what is essentially an astute and cleverly written dissection of a co-dependent friendship being gradually eroded by the incremental ravages of age, rivalry, and rapidly diverging personal arcs.- Slant Magazine
- Posted Oct 9, 2014
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Reviewed by
Ed Gonzalez
Just as the film’s gorgeous backdrops suggest characters trapped in suspended animation, the many colorful balls of light that frequently circle their heads hauntingly convey the filmmakers’ idea of fate and love locked in a cosmic struggle.- Slant Magazine
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Reviewed by
Carson Lund
Adam Rifkin's documentary convincingly portrays the sense of community fostered by Giuseppe Andrews's crazed passion.- Slant Magazine
- Posted Jan 12, 2015
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