Slant Magazine's Scores

For 7,776 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7776 movie reviews
  1. Jonathan Demme makes loving sport of the trust his actors have clearly placed in him, erecting for them a monument to the joys and terrors of walking an emotional high wire.
  2. Without a frame of footage nor a single interview presented from outside the camp, the documentary shows a capitalist nightmare that accords its victims zero wiggle room.
  3. János Szász's film is a thoroughly provocative WWII screed that almost deliberately goes out of its way to avoid sentimentality or bathos of any sort.
  4. It avoids the typical trappings of the genre pastiche by utilizing its clear indebtedness to numerous other films as merely a starting point, rather than an end.
  5. The repetitive rhythms of Joaquim Pinto's daily routines provide the film with a feeling of serenity that stands in contrast to the man's underlying anxiety.
  6. More than just a thorough examination of hardcore pornography, Christina Voros's doc is also a sort of chronicle of the filmmaking process.
  7. It subtly counteracts the cliché that creative expression can save your life by making its protagonist a hipster Peter Pan whose creative expression is an excuse not to grow up.
    • 77 Metascore
    • 75 Critic Score
    Slowly, the powerful message of heart and soul winning out over an impaired body and over-thinking mind develops into the core drama of this otherwise modest doc.
  8. Given that big-studio children’s animation so often feels like it was created by algorithm, it’s refreshing to see a kid’s cartoon like <em>The Last Wish</em> that’s filled with too many ideas rather than too few.
  9. For its general ludic obsession with all things generally thought of as disgusting, the German film Wetlands is stuck in the anal stage.
  10. The film's music is the city itself as well as a subtle suggestion that Tim Sutton's own digital cinema is just as elusive and intangible as Willis's unwavering sense of dissatisfaction.
  11. This inventive animated feature about depression and familial roots suggests NPR's "The Moth" storytelling series by way of Persepolis, mixing mesmerizing memoir monologue with whimsical animation.
  12. Shane Black's The Nice Guys doesn't want for great exchanges, and even disposable conversations brim with acidic wit.
  13. The film often suggests a less defiant cover of The Defiant Ones, yet it's a must-see for Viggo Mortensen's characteristically wonderful performance.
  14. It's best appreciated as a tragicomic profile of a man whose extraordinary talent was undermined by the farcical political reality in which he was enmeshed.
  15. It confirms the Roy Andersson universe as one of near-fossilized similitude, in which any effort or movement is disruptive, revealing new cracks in the set illusion of order.
  16. Roberto Minervini has created a moving portrait of feminism born out of hard work and intuitiveness, but he never belittles or condescends to the faithful.
  17. The filmmakers profile the prolific Mark Landis with a non-judgmental straightforwardness that allows the sheer brazenness of his scams to generate both shock and amusement.
  18. It convincingly reconciles private passion with public desire by suggesting that, for women in particular, the 21st-century limelight is always on, no matter the setting or venue.
  19. J.C. Chandor's fondness for situational irony is empowered by the spartan efficiency of his method, and that of most of his performers.
  20. Gabe Polsky's quiet yet welcome achievement is to allow us to see the individual amid the politics, clearly and sympathetically.
  21. You can't help but be impressed by how much it represents a natural, even defensive evolutionary step on its creator's part.
  22. It showcases a genuine fascination with the mind/body split engendered by Skyping, online dating, and constant app usage through a plot that doesn't fuel itself on received wisdom.
  23. It intriguingly invites us to think about the mundane forces that can drive a seemingly ordinary guy like Mohamed to do something so desperate and cruel as piracy.
  24. The distinct lack of domestic drama is precisely what makes the doc so gratifying as a portrait of a family averting turmoil in spite of challenging circumstances.
  25. What progressively mounts tension is the film's understanding of a boy's gradually realized homosexuality as being inextricable from the central metaphor of compromised vision.
  26. A reminder that crime movies pointedly inspired by other, better genre films can still be enjoyable, if they wear their influences lightly and cleverly connect them to something tangibly human.
  27. The romantic elements are secondary to what is essentially an astute and cleverly written dissection of a co-dependent friendship being gradually eroded by the incremental ravages of age, rivalry, and rapidly diverging personal arcs.
  28. Just as the film’s gorgeous backdrops suggest characters trapped in suspended animation, the many colorful balls of light that frequently circle their heads hauntingly convey the filmmakers’ idea of fate and love locked in a cosmic struggle.
  29. Adam Rifkin's documentary convincingly portrays the sense of community fostered by Giuseppe Andrews's crazed passion.

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