For 7,776 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,350 out of 7776
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Mixed: 1,493 out of 7776
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Negative: 1,933 out of 7776
7776
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Jake Cole
Compared to your average Disney princesses, Moana is neither selfishly rebellious nor simplistically innocent.- Slant Magazine
- Posted Nov 22, 2016
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Reviewed by
Rob Humanick
The film is spare, empathic, and deeply introspective, and its imagery, such as a pelican fascinated by its own reflection, is so sublime in its kookiness as to be worthy of Werner Herzog.- Slant Magazine
- Posted Nov 6, 2014
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Reviewed by
Andrew Schenker
What emerges is a portrait of a fully committed band that could never quite make it and of the rock n' roll project as something between a (very serious) hobby and a full-time career.- Slant Magazine
- Posted Oct 26, 2014
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Reviewed by
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Reviewed by
Jake Cole
The film at one point offers the finest sustained act of emotional storytelling to grace a Marvel Studios production.- Slant Magazine
- Posted May 2, 2017
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Reviewed by
Jake Cole
Joel and Ethan Coen's idiosyncrasies elevate the film above the level of a mere creative exercise.- Slant Magazine
- Posted Feb 3, 2016
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Reviewed by
Nick Prigge
Its time-jumping strategy cleverly illuminates the way in which we go over and fixate on isolated incidents in our minds of breakups past.- Slant Magazine
- Posted Nov 30, 2014
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Reviewed by
Keith Uhlich
Michel B. Jordan plays Erik Killmonger with such moving, occasionally gut-wrenching commitment that it nearly mitigates the goofiness of his moniker and the superficiality of the film in toto.- Slant Magazine
- Posted Feb 8, 2018
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Reviewed by
Kenji Fujishima
This is muckraking journalism that moves confidently with the brio of an action thriller.- Slant Magazine
- Posted Nov 3, 2014
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Reviewed by
Nick Prigge
Christian Schwochow's film is a tense psychological slow burn, putting us in the muddled headspace of its protagonist as she gradually comes unglued.- Slant Magazine
- Posted Nov 3, 2014
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Chuck Bowen
This is a confident work that smashingly updates the Southern gothic for contemporary generations.- Slant Magazine
- Posted Nov 9, 2014
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Reviewed by
Kenji Fujishima
The film goes deeper in its allegorizing, tapping into the volatile nature of identity politics.- Slant Magazine
- Posted Mar 2, 2016
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Reviewed by
Wes Greene
Perhaps Sanjay Rawal's most fascinating excursion into agriculture's dark side is the vineyards of Napa Valley, where the practically Eden-like scenery masks a dreary labor model.- Slant Magazine
- Posted Nov 17, 2014
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Reviewed by
Carson Lund
The narrative works through the many contradictions brewing inside its main character in the wake of his personal actualization without ever feeling like a dramatic checklist.- Slant Magazine
- Posted Nov 17, 2014
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Reviewed by
Diego Semerene
The film refuses to tease us with suspense, overwhelm us with sentimentality, or defy us with nuance.- Slant Magazine
- Posted Nov 18, 2014
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Reviewed by
Chuck Bowen
Jody Lee Lipes shapes the footage into an intimate symphony of poetically shaped bodies that contrast poignantly with uncertain faces.- Slant Magazine
- Posted Jan 30, 2015
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Reviewed by
Rob Humanick
Despite the subdued anger and drawn-out suffering on display, the documentary is primarily a work of hope.- Slant Magazine
- Posted Nov 26, 2014
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Reviewed by
Kenji Fujishima
Here is a film that isn't afraid to risk didacticism in order to put across its vision of the debilitating physical and psychological effects of colonialism.- Slant Magazine
- Posted Dec 1, 2014
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Reviewed by
Nick Prigge
This is a micro-budgeted affair of the heart that's never precious or obnoxious, but tender and moving and occasionally explosive in its intrinsic emotion.- Slant Magazine
- Posted Dec 8, 2014
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Reviewed by
Carson Lund
Even as it entertains increasingly far-fetched detours, the film's folkloric narrative offers an ideal vehicle for this pictorial play.- Slant Magazine
- Posted Dec 18, 2014
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Reviewed by
Elise Nakhnikian
It has generous lashings of Aardman Animations' trademark warmth, visual inventiveness, and satisfying Claymation tactility.- Slant Magazine
- Posted Aug 3, 2015
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Reviewed by
Elise Nakhnikian
The cumulative effect is cheerily life-affirming, a bracing infusion of macaque-style joie de vivre.- Slant Magazine
- Posted Apr 13, 2015
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Reviewed by
Nick Prigge
A movingly authentic exploration of a working-class milieu and the psychological and economic trauma that ripples through a town in the wake of a tragic accident.- Slant Magazine
- Posted Jan 9, 2015
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Reviewed by
Elise Nakhnikian
Paolo Virzì's Human Capital gives the tired trope of cutting between overlapping stories a welcome shot of adrenaline, using it not just to compare and contrast tangentially related stories, but to show how people caught up in their private dramas can overlook or misinterpret the people around them.- Slant Magazine
- Posted Dec 8, 2014
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Reviewed by
Oleg Ivanov
It puts the viewer inside Maidan, allowing them to draw their own conclusions about the ideas and agendas espoused by the movement's leaders and participants.- Slant Magazine
- Posted Dec 10, 2014
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Reviewed by
Clayton Dillard
North Korean culture is lensed in part through a South Korean perspective, with the final chapter asking: “Is reunification possible?”- Slant Magazine
- Posted Sep 13, 2015
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Reviewed by
Kenji Fujishima
Instead of finding one consistent tone and sticking to it, Serge Bozon allows the wildly hilarious and the grimly serious to uneasily coexist, exulting in the resultant clash.- Slant Magazine
- Posted Dec 11, 2014
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Reviewed by
Clayton Dillard
It evolves into an intimate reverie on family and aesthetics, while remaining sporadically attuned to the reflexive and ethical dimensions of ethnographic discovery.- Slant Magazine
- Posted Mar 24, 2015
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Reviewed by
Diego Semerene
Desiree Akhavan's tale of queer post-breakup funk shows more nuance, and racial dimension, than its cinematic cousins.- Slant Magazine
- Posted Jan 15, 2015
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Reviewed by