Slant Magazine's Scores

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For 7,775 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
  1. Positive: 4,349 out of 7775
  2. Mixed: 1,493 out of 7775
  3. Negative: 1,933 out of 7775
7775 movie reviews
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  1. 7 Minutes
    Whether because of race, shame, shelter, or fright, 7 Minutes remains white in the face throughout.
  2. 4th Man Out
    It's a bizarre and retrograde spectacle, as clueless and incurious about friendship as it is about the rudiments of composition and screenwriting
  3. King Cobra
    It’s difficult to find a reason for the film's existence beyond a spoiled platform for James Franco's ersatz boldness.
  4. The Last Face
    The Last Face's shameful exploitation of Africans doesn’t stop with the mere privileging of its two wealthy white doctors and their trivial personal struggles within the narrative.
  5. Carrie Pilby
    The film is essentially an exercise in forcing a female genius back into her proper place of dependence on both the father figure and the Prince Charming.
  6. The Eyes of My Mother
    Though the film strives to be audacious and galvanizing, it's easily shaken off as an exercise in stunted necrophilia erotica.
  7. Lazy Eye
    Writer-director Tim Kirkman tries to peg depth of character on the character of Dean instead of having him earn it.
  8. Death Wish
    At a time when Americans are constantly bombarded with reports of unpunished police brutality, the film suggests that the true problem with justice in our country is that law enforcement isn't violent enough.
  9. Dark Crimes
    There’s a lot of sexual violence in the film, but it scans as unimaginatively repulsive, as well as blatantly misogynistic.
  10. Life Itself
    Despite its title, Life Itself doesn’t revel so much in the joys and travails of life as it does in the shameless emotional manipulation stemming from the ham-fisted tendencies of its own maker.
  11. Cannibal Holocaust
    Even the most desensitized, ghoulishly amoral gleaners of deviant cinema can’t just stare down the nastiness on display in Cannibal Holocaust and just shrug it off.
  12. Jojo Rabbit
    Waititi is incapable of dealing with the twin horrors of oppression and indoctrination beyond cheap-seats sentimentality and joke-making.
  13. Trick
    Patrick Lussier’s film is an incompetent, nihilistic exercise in gore and pseudophilosophy.
  14. The Roads Not Taken
    The film is an unending source for the worst possible clichés and most overdone series of graphic matches in the history of film editing.
  15. Marry Me
    Marry Me plays out as the logical culmination of a multi-hyphenate icon’s indiscriminate commercial voracity.
  16. Midnight in the Switchgrass
    Randall Emmett’s directorial debut is virtually indistinguishable from the scores of cheap VOD action thrillers that he’s produced to date.
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