For 7,776 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,350 out of 7776
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Mixed: 1,493 out of 7776
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Negative: 1,933 out of 7776
7776
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Chuck Bowen
A fawning tribute to the cult legend, enriched by a subtle current of sadness that prevents the documentary from turning into a glorified DVD supplement.- Slant Magazine
- Posted Mar 28, 2015
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Reviewed by
Clayton Dillard
Michael Winterbottom's film is a mess of tones, but not of ideas, which could well sum up the director's prodigious but uneven oeuvre.- Slant Magazine
- Posted Jun 13, 2015
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Reviewed by
Steve Macfarlane
The film feels utterly infatuated by the cop/crook dividing line long-since drawn, if not flogged, by Michael Mann.- Slant Magazine
- Posted May 15, 2015
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R. Kurt Osenlund
On one hand, the film is surely a celebration of a land's distinct creatures and the people who live among them, but on the other, it's a culture's biting auto-critique.- Slant Magazine
- Posted Mar 7, 2015
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Chris Cabin
Throughout, Benoît Jacquot never loses sight of the primordial compulsions that drive feelings and expressions of great love and beauty.- Slant Magazine
- Posted Mar 12, 2015
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Kenji Fujishima
Chaitanya Tamhane's grand canvas is Indian society as represented by its legal system, and what it reveals is none too flattering.- Slant Magazine
- Posted Mar 14, 2015
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Nick Prigge
It depicts counterculture where those stranded outside the barriers of conventional society seek to push past natural boundaries to intermingle with the metaphysical in midair.- Slant Magazine
- Posted May 17, 2015
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Chuck Bowen
Before I Wake's images have a pleasing straightforwardness that parallels the openness of the young protagonist's longing for love.- Slant Magazine
- Posted Dec 22, 2017
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Reviewed by
Chuck Bowen
Aesthetically, the film cunningly suggests life that exists solely within an academic experiment, closed off from chaos that isn't manufactured.- Slant Magazine
- Posted Sep 25, 2015
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Elise Nakhnikian
The film's episodes and attitudes register with searing immediacy while feeling true to their time period.- Slant Magazine
- Posted Oct 21, 2015
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Chuck Bowen
The film is so unusually moving and penetrating because it refuses to cloud its emotions in distancing irony, anger, or nihilism.- Slant Magazine
- Posted Apr 6, 2015
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Joseph Jon Lanthier
Despite all this macabre torment, It's Such a Beautiful Day involves a lot of sweet, plucky humor that represents a discreet softening of the angry sarcasm for which Hertzfeldt has become known.- Slant Magazine
- Posted May 18, 2015
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Jake Cole
Joel Edgerton's boilerplate direction is a blessing for a genre increasingly saddled with literal visualizations of madness.- Slant Magazine
- Posted Aug 4, 2015
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Reviewed by
Chuck Bowen
Director John McNaughton, once an agile orchestrator of seemingly incompatible tones, has retained his talent for teasing insinuation.- Slant Magazine
- Posted Apr 6, 2015
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Clayton Dillard
The ghostliness of the Kunsthistorisches Museum in Vienna derives from an identity crisis, where digitization threatens to eradicate the gallery space.- Slant Magazine
- Posted Apr 19, 2015
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Reviewed by
Jake Cole
The film is an unbroken chain of one-liners, sight gags, and pop-culture references, and the hit-to-miss ratio is high.- Slant Magazine
- Posted Feb 5, 2017
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Reviewed by
Wes Greene
The doc emerges not so much as a glimpse into the mind of a dying artist than as a factual drama on how loved ones are impacted by an individual's death.- Slant Magazine
- Posted May 11, 2015
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Kenji Fujishima
If nothing else, Heaven Knows What is one of the most harrowing cinematic depictions of drug addiction in recent memory, reliant less on formal gimmickry than on close observation of behavior.- Slant Magazine
- Posted Apr 22, 2015
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Chuck Bowen
The transcendence that the film offers isn't to be taken lightly considering the near impossibility of living professionally as an artist.- Slant Magazine
- Posted May 4, 2015
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Oleg Ivanov
The documentary takes an equivocal stance, implying that just because a film should not be shown doesn't mean that it should be banned.- Slant Magazine
- Posted May 10, 2015
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Clayton Dillard
Lafleur denies Nicole the angsty treatments given similar characters in films like The Graduate and Frances Ha by refusing to saturate the film with an undergirding sense of charm, where the issues being faced are merely points of spasmodic uncertainty that will erode over time.- Slant Magazine
- Posted Apr 28, 2015
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Elise Nakhnikian
A neatly balanced tragicomedy about the easily blurred line between assisted living and assisted death.- Slant Magazine
- Posted May 18, 2015
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Reviewed by
Elise Nakhnikian
A good story, full of life and related with intelligence and a sense of humor.- Slant Magazine
- Posted May 17, 2015
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Jesse Cataldo
Louder Than Bombs is a parable that takes depression seriously as a condition and a state of being.- Slant Magazine
- Posted Apr 4, 2016
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Steve Macfarlane
The difference between the film and its equally expensive contemporaries is Luc Besson's playful, childlike naïveté.- Slant Magazine
- Posted Jul 14, 2017
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Carson Lund
The film is an unambiguous endorsement of violent revolt as the only effective response to such inhuman savagery.- Slant Magazine
- Posted Apr 11, 2016
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Jake Cole
Philippe Garrel's film uses its characters' stodgy, formal language to betray their self-consciousness.- Slant Magazine
- Posted Sep 25, 2015
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Kenji Fujishima
Arnaud Desplechin tries his hand at a coming-of-age tale, and does so with equal doses of mature reflection and youthful impetuosity.- Slant Magazine
- Posted Oct 2, 2015
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Reviewed by
Chuck Bowen
Maïwenn fashions a bracing film about co-dependency, capturing the erotic contours of subservience and flattery.- Slant Magazine
- Posted Jul 10, 2016
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Oleg Ivanov
The film mostly succeeds in capturing the nuances of an event that continues to arouse passionate debate to this day.- Slant Magazine
- Posted Aug 18, 2016
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