For 7,776 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,350 out of 7776
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Mixed: 1,493 out of 7776
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Negative: 1,933 out of 7776
7776
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Sam C. Mac
Derek Cianfrance's film is a beautifully sustained study in adult themes of emotional crisis.- Slant Magazine
- Posted Aug 30, 2016
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Reviewed by
Clayton Dillard
It fuses documentary and dramatic sequences into a free-form narrative that exists somewhere between essay film, political manifesto, and exploitation.- Slant Magazine
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Reviewed by
Chuck Bowen
With The Handmaiden, Park Chan-wook has made a gigantic leap as an artist, but he retreats to lurid cartoonishness just as he’s earned your trust.- Slant Magazine
- Posted Oct 12, 2016
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Reviewed by
Chuck Bowen
Jerzy Skolimowski's formal control over the material is so masterful that the textual particulars are revealed to be beside the point.- Slant Magazine
- Posted Apr 4, 2016
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Christopher Gray
As long as Patriots Day is concerned with recreating the sense of ambient chaos among sparring investigators and an anxious community, it’s immersive and thrilling.- Slant Magazine
- Posted Nov 28, 2016
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Reviewed by
Chuck Bowen
Denys Arcand fashions a commandingly leisurely pace that allows us to follow these people who walk a tightrope separating ecstasy from misery.- Slant Magazine
- Posted Apr 8, 2016
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Reviewed by
Chuck Bowen
It displays an intimate chemical understanding of the exhausting and unrelentingly impotent agony of failure.- Slant Magazine
- Posted Jul 17, 2016
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Oleg Ivanov
It makes a convincing argument for viewing Thomas Wolfe's work as a product of the excess and exuberance of the 1920s.- Slant Magazine
- Posted Jun 9, 2016
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Reviewed by
Oleg Ivanov
The film provocatively has audiences see the world's current ecological concerns in a different and unexpected light.- Slant Magazine
- Posted Mar 22, 2016
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Keith Watson
Like Lights out, David F. Sandberg's previous film, Annabelle: Creation is a haunted-house horror story that plays on our primeval fear of the dark.- Slant Magazine
- Posted Aug 10, 2017
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Carson Lund
Most gratifying throughout A Cure for Wellness is the moment-to-moment anticipation of where Gore Verbinski will put his camera next.- Slant Magazine
- Posted Feb 7, 2017
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Clayton Dillard
The documentary lingers on silences and reveals its subjects only through moments of quotidian behavior.- Slant Magazine
- Posted Apr 10, 2016
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Reviewed by
Clayton Dillard
The documentary is an attempt to capture something of Akerman's infectious spirit and thirst for worldly experience, as both an artist and a human being.- Slant Magazine
- Posted Mar 28, 2016
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James Lattimer
Ross Lipman's gloriously egalitarian approach to culture means that his complex argumentation never becomes inaccessible.- Slant Magazine
- Posted Mar 28, 2016
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Carson Lund
As clarified potently by the film, most of life is spent distracting oneself from matters of the closest personal significance.- Slant Magazine
- Posted Jul 11, 2016
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Carson Lund
What makes the film churn so forcefully for so long is Jaume Collet-Serra's visual acrobatics.- Slant Magazine
- Posted Jun 23, 2016
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Chuck Bowen
Leyla Bouzid successfully dramatizes how young people eroticize peril and risk due to a lack of experience.- Slant Magazine
- Posted Sep 6, 2016
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Chuck Bowen
Álex de la Iglesia's film is an explosion of kitsch, an intensely formalized mixture of farce and tragedy.- Slant Magazine
- Posted Apr 11, 2016
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Diego Semerene
Throughout the documentary, the question of truth is equated to the essence of the tango.- Slant Magazine
- Posted Apr 12, 2016
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Matt Brennan
The film is a mere fulfillment of familiar tropes, but it approaches sports movie's conventions with a light, funk-inflected touch.- Slant Magazine
- Posted Sep 22, 2016
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Carson Lund
Walter Salles reinforces the impression of Jia's own art as emerging fluidly from the vagaries of his own life and socioeconomic position.- Slant Magazine
- Posted May 24, 2016
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Chuck Bowen
When Bo Mikkelsen springs his traditional yet cathartic climax, it's earned because the violence matters truly as violation.- Slant Magazine
- Posted May 9, 2016
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Nick Prigge
Zhang Yang achieves an astonishing immediacy by simply allowing the prostration process to play out over and over with minimal aesthetic interference.- Slant Magazine
- Posted May 9, 2016
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Diego Semerene
Anne Fontaine's film is an allegory for women's condition more generally, in times of war or peace.- Slant Magazine
- Posted Jun 28, 2016
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Chuck Bowen
Steve Hoover's documentary affords one an unusually intimate glance at the collapsed infrastructure of the former Soviet Union.- Slant Magazine
- Posted May 17, 2016
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Kenji Fujishima
Cristian Mungiu's film is more than just a cry of despair toward the hopelessness of life in modern-day Romania.- Slant Magazine
- Posted Sep 25, 2016
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Reviewed by
Sam C. Mac
Loving finds little grooves of humanity to explore in its characters, and in its milieu, in between expected plot beats.- Slant Magazine
- Posted Oct 29, 2016
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Chuck Bowen
Bruno Dumont's formalism is presently charged with a spark of simultaneously controlled and spontaneous mystery.- Slant Magazine
- Posted Apr 20, 2017
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Reviewed by
Chuck Bowen
The film changes gears whenever one is lulled into believing that it has finally settled into a recognizable narrative pattern.- Slant Magazine
- Posted Sep 25, 2016
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Chuck Bowen
A pointed simplicity governs Michael Dudok de Wit's The Red Turtle, one that’s traditional of many survival tales.- Slant Magazine
- Posted Jan 16, 2017
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