Slant Magazine's Scores

For 7,776 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7776 movie reviews
  1. Raw
    Throughout Raw, Julia Ducournau exhibits a clinical pitilessness that’s reminiscent of the body-horror films of David Cronenberg.
  2. Laura Poitras doesn't indulge in score-settling cheap shots, but seriously grapples with her contradictory subject.
  3. This is a sports tale in which the character building has almost nothing to do with the sport.
  4. Mimosas confounds its surface narrative with intimations of more layered meanings to come through a jockeying of story threads.
  5. Kiki presents a world of fantasy in such a genteel, unforced manner that it only seems ordinary and mundane. As such, it feels like a touchstone for all of Miyazaki’s later, even greater works of cartoon storytelling art.
  6. Thom Andersen attempts to establish unity by effectively bridging vast swaths of film history into one cohesive body of work.
  7. Noah Buschel shows that formula can be repurposed to serve empathetic ends without losing its self-actualizing appeal.
  8. The doc finds pathos in an amiable, fluid construction that chronologically charts the career (and political) ambitions of TV producer Norman Lear.
  9. It implies that not even the concentrated self-scrutiny required to make art like Ida Applebroog's is enough to make sense of ourselves to ourselves.
  10. It combines the brooding intensity of a slow-burn thriller with the high-flown ornamentation of a gothic melodrama.
  11. Denial shows that people’s misfortunes need not preclude them from living virtuous lives founded on basic human decency.
  12. The film shows how much Johnnie To still experiments with his form, especially as he continues to transition to digital cinema.
  13. It offers lively and layered images that reveal the chefs both as individuals and components of a larger social organism.
  14. It demonstrates both the fatal proximity and deceptive distance that can exist between the words and deeds of extremists.
  15. The film has been executed with a sense of formally stylish and thematically symmetric panache.
  16. When Ralph Breaks the Internet ignores the glittering marvels of the internet and focuses on the rapport between its two leads, it's deeply moving.
  17. Violence in Transpecos is sparse, but the filmmakers use it with a narrative precision that highlights the unforgiving consequences that accompanies every choice in this desolate borderland.
  18. It highlights how the ownership of art serves as a marker of capital for distinguishing one institution over another.
  19. It becomes a bleak comic spit into the face of organized religion, organized society, and even organized narrative.
  20. The film's images have a loose, rough, textured liveliness that honors the spirit of Chinatown Fair.
  21. Split is personal and outlandish, with questionable themes, riveting plotting, somber storytelling, and elegant construction.
  22. Both a potent rendering of and cure for the holiday blues, Bad Santa 2 shows that even the most hopeless situations can be remedied and that just about anyone is capable of redemption
  23. It recombines elements of the emigrant saga and the coming-of-age story into a searching, fresh-faced portrait.
  24. The Amma Asante film's broade sociopolitical overview is balanced by the intimate attention paid to the leads.
    • 72 Metascore
    • 75 Critic Score
    While he may indulge in the occasional programmatic jump scare, writer-director Clément Cogitore ultimately heaves his debut feature closer to the realm of psychological terror, understanding that there's nothing more frightening or darker than the human mind.
  25. Aisholpan’s liberation is a harbinger of the growing pressure that the outside world exerts on a once isolated community.
  26. Viva‘s intentionally flat performances and flatter double entendres...mercilessly satirize the Playboy mindset even as the film revels in the kitschiness of it all.
  27. Tracy Droz Tragos's documentary examines its titular subject with a compassionate eye for regional detail.
  28. It refuses to pass judgment on whether or not Sergei Polunin's success was worth so much sacrifice and heartache.
  29. Brendan J. Byrne's documentary about Bobby Sands colors its familiar formal lines with welcome intelligence.

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