For 7,776 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,350 out of 7776
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Mixed: 1,493 out of 7776
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Negative: 1,933 out of 7776
7776
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Jesse Cataldo
Director Craig Atkinson's documentary explicates its points with blunt but persuasive efficiency.- Slant Magazine
- Posted Sep 25, 2016
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Reviewed by
Sam C. Mac
Cameraperson is certainly a collection of memorable images, but it's more so Johnson's facility with narrative, on a micro and macro level, that impresses.- Slant Magazine
- Posted Aug 28, 2016
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Clayton Dillard
It insists that it's in moments of small talk, between life's larger events, that one finds vitality.- Slant Magazine
- Posted Aug 26, 2016
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- Critic Score
Jason Cohen’s slick aesthetics manage to elevate Silicon Cowboys beyond fellow “info dumps” of this caliber.- Slant Magazine
- Posted Sep 12, 2016
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Reviewed by
Kenji Fujishima
Writer-director Joseph Cedar charts Norman's rise-and-fall arc with the attention to detail of a procedural.- Slant Magazine
- Posted Apr 10, 2017
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Reviewed by
Christopher Gray
Peter and the Farm is a warts-and-all portrait that asserts its subject's sense of purpose even as it seems to slip out of his grasp.- Slant Magazine
- Posted Sep 8, 2016
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Steve Macfarlane
Mike Mills’s 20th Century Women incurs sorrow at the prospect of saying goodbye to its characters.- Slant Magazine
- Posted Oct 13, 2016
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Chuck Bowen
The film has an eerily WTF arbitrariness that should be the domain of more films in the genre.- Slant Magazine
- Posted Nov 14, 2016
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Reviewed by
Jesse Cataldo
Ben Wheatley's film reduces the modus operandi of the action movie down to its starkest elements.- Slant Magazine
- Posted Apr 14, 2017
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Chuck Bowen
Andrei Konchalovsky's film is more than an exercise, as pitiless moments accumulate with enraged relentlessness.- Slant Magazine
- Posted Oct 4, 2017
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Chuck Bowen
Mark Duplass and Sarah Paulson have extraordinary chemistry, painting a cumulative portrait of the fragility and rareness of being truly in sync with a partner.- Slant Magazine
- Posted Oct 2, 2016
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Reviewed by
Wes Greene
Throughout A Family Affair, time is continually collapsed to the point where events separated by many years bleed into one another.- Slant Magazine
- Posted Sep 15, 2016
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Chris Cabin
Neither sentimentality nor nostalgia for reckless years gone by can be found in Rebecca Zlotowski's Belle Epine, which makes its tale of teenage rebellion in the face of overwhelming grief fall closer to a sobering character study than a classical youth film.- Slant Magazine
- Posted Sep 18, 2016
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Reviewed by
Clayton Dillard
Like Shohei Imamura, Argentinian writer-director Gaston Solnicki can be understood as a cinematic "entomologist."- Slant Magazine
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Keith Watson
Throughout Get Out, Jordan Peele incisively probes the connection between liberal racism and good old-fashioned white supremacy.- Slant Magazine
- Posted Feb 23, 2017
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Carson Lund
The insistence of Green’s gaze throughout the film encourages us to look beyond the mechanisms of speech and behavior at the more uncanny movements of the conscience.- Slant Magazine
- Posted Oct 6, 2016
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Reviewed by
Chuck Bowen
In terms of formal orchestration, Creepy is as sublime as any prior Kiyoshi Kurosawa film.- Slant Magazine
- Posted Oct 21, 2016
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Chuck Bowen
These shorts follow female protagonists as they wrestle with exclusion and implicit social standards that may or may not extend to their male counterparts.- Slant Magazine
- Posted Feb 14, 2017
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Reviewed by
Wes Greene
Jacques Perrin and Jacques Cluzaud's Seasons is a nature documentary that reveals itself as a story of tragic usurpation.- Slant Magazine
- Posted Nov 21, 2016
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Reviewed by
Chuck Bowen
The plaintive plain-spokenness of the interviewees, the way they matter-of-factly speak of atrocity, is transcendent and intensely haunting.- Slant Magazine
- Posted Nov 3, 2016
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Reviewed by
Carson Lund
Even more diverse than the film's historical material is its eccentric mash-up of styles and approaches.- Slant Magazine
- Posted Nov 14, 2016
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Keith Uhlich
Bradley Cooper understands that a message is only as resonant as its messenger, so he surrounds himself with collaborators, old and new, who can sell even the hoariest cliché.- Slant Magazine
- Posted Sep 8, 2018
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Chuck Bowen
Johnny Ma's Old Stone is a lean, nasty entry in a subgenre that could be termed the bureaucratic noir.- Slant Magazine
- Posted Dec 3, 2016
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Reviewed by
Clayton Dillard
Sam Pollard's documentary teeters on reaching a higher plane of meaning simply through the efficiency of its information.- Slant Magazine
- Posted Nov 27, 2016
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Oleg Ivanov
It captures how sports can bring wholly disparate people together to accomplish feats that change the destiny of nations.- Slant Magazine
- Posted Dec 5, 2016
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Christopher Gray
The film circumvents bleakness with a thoroughgoing commitment to understanding and intimacy.- Slant Magazine
- Posted Feb 20, 2017
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Jake Cole
Jon Watts deftly weaves the epic and the mundane aspects of Spider-Man’s existence throughout the film.- Slant Magazine
- Posted Jun 27, 2019
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Chuck Bowen
The Rosses share David Byrne’s interest in the minutiae of habitats and the comforting enclosure they provide along with the discomfiting constriction of anonymity.- Slant Magazine
- Posted Feb 27, 2017
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Reviewed by
Oleg Ivanov
It captures the qualities of live theater that are rarely transmitted to film, of being immediate, alive, and spontaneous, as if the viewer is just a stone's throw away from the characters.- Slant Magazine
- Posted Feb 13, 2018
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Reviewed by
Chuck Bowen
The film revels in a hushed and lucid expressionist naturalism that’s reminiscent of Andrei Tarkovsky’s Stalker.- Slant Magazine
- Posted Jun 28, 2017
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Reviewed by