I think part of the problem with Bloodstained: Curse of the Moon 2 is that the first game was so good and all they had to do was copy the same design. Maybe the same people didn't work on this title, but it's offensively difficult with few options. Difficult games are fine; in fact, I celebrate difficult games. Unfortunately, without giving tools or proper agency, CotM2 deserves as much respect as it gave me, the player. Unless you are the most die-hard classic gaming fan, I can't recommend this title. In fact, even then, buyer beware.

Episode 1 is a respectable first step. I'm acquainted with the characters, understand where the story's headed, and want to know if everyone's going to be okay. In short, I care, and that speaks volumes. While I wasn't blown away, I think this is a reliable foundation for some killer storytelling. Given the consistent quality Dontnod presents, I have faith that they will, at very least, meet the expectations of their fans.

The difference from the first game to the second, in my experience, is like the difference between cheap pan-Asian food sold in a mall and an expensive Japanese sushi restaurant. No more greasy egg rolls: it's time for some blue-fin tuna...except, it's from Europe.

With a successful transition to a fully realized open world, Atelier Yumia is a strong start to a new series while serving as a fantastic follow-up to the Atelier Ryza games. The world is large and rewarding with something around every corner, and the cast is unique and lovable while having a whole lot of heart. Battles are active and intense, ensuring the player is always engaged. While the synthesis system may initially seem unintuitive, the payoff for learning the system’s intricacies far outweighs the few hours of confusion. A stellar soundtrack and gorgeous visuals complete the package, ensuring Atelier Yumia punches far above its weight while competing with contemporaries whose budgets are multiple times its size.

A challenging yet accessible dungeon crawler that rewards thoughtful party construction and thorough exploration.

In case I haven't said it enough already, the PC port of Trails of Cold Steel is quite simply the best version of the game you can get at the moment. It's also an excellent port on its own that brings many improvements and scales well between a dedicated gaming rig at max settings and an ultraportable laptop squeaking by on low. If you're a fan of the series, this is a no-brainer. If you've never played a Trails game before, this is an excellent place to start.

In my review of Chapter Two, I praised the developers for learning from what wasn't great in Chapter One, and I'm happy to see that they followed through in the final chapter. It took a long time for this story to finally see its conclusion, but I'm really glad that it did. Now that it's complete, I can definitely recommend this series to fans of point & click adventure games. If you haven't played Chapters One and Two, make sure to do so before you play Chapter Three; as of this writing, you can get all three for just $30, and that feels pretty fair to me.

Playing Wintermoor Tactics Club gave me the same feeling as curling up on the couch with a comic book and a blanket. It wholeheartedly lived up to its billing as a "cozy" game and I loved the 12 or so hours I spent with it. The entire play experience felt smooth and I enjoyed immersing myself in this game's world without overwrought menu hopping and stat gathering interrupting my reverie. Wintermoor Tactics Club is far from perfect and may not please hardcore SRPG fans, but I thought it was a great game and I hope to see more like it in the future.

Corpse Factory is a great visual novel and an incredibly interesting piece of fiction. It’s descriptive, creative, bloody, and most importantly: fun to read. It’s a bit frayed on the edges and leaves a few too many questions unanswered, but it has a hell of a lot of heart. Personally, I can’t wait to see what River Crow Studio does next.

Hunt the Night is a beautiful game that crafts a haunting atmosphere and an engrossing world. Despite some uneven design, the desire to unravel Medhram’s mysteries and see the next inventive boss fight kept me engaged until the end of the 15-hour adventure. If you can stomach the frustrating combat elements, there is a lot to enjoy in Vesper’s quest.

Developer Outerloop Games prides itself on the diversity of its team, and it shows with aplomb in one of the best games I’ve played all year. I completed a single playthrough of Thirsty Suitors in about 12 hours, yet felt like I had known Timber Hills and its inhabitants far longer than that. I genuinely related to Thirsty Suitors in ways I’ve never connected to a video game before and would love to revisit Jala and company in DLC or a sequel. Thirsty Suitors isn’t just a stock game with a Bollywood veneer; it’s an entity that showcases both obvious and subtle aspects of South Asian culture in the West. That, plus Thirsty Suitors’ diverse gameplay elements, harmonize to create something special that is truly more than the sum of its parts.

Minor blemishes aside, WitchSpring R is a wonderful little gem that I truly enjoyed every moment with. It’s cute and charming and I found myself laughing more times than I had with any other game in recent memory. It’s a cozy little game that ticks all the Atelier boxes yet forges its own path and identity. While the WitchSpring series has been running strong on mobile, I’m hopeful that WitchSpring R does well enough to warrant a sequel. It feels like a Gust game with the level of polish one would expect from a first-party Nintendo game. I don’t know how they pulled it off, but I am thoroughly impressed with Kiwiwalks and eagerly await their next work.

Shiny Shoe, the developers, have done it again with innovative game design and atmosphere. While Inkbound is by no means a perfect game, it’s certainly addictive and rewarding. What’s more, it plays phenomenally in solo or multiplayer. I applaud the devs for their unique ability to create an authentic experience unlike what others—AAA or indie—are capable of doing. Hat’s off to you folks, and thank you for pushing entertainment forward with your awesome ideas and execution. Your work will undoubtedly be written into gaming lore to inspire others.

I could go on at greater length about NEO: The World Ends with You; it was an emotional rollercoaster for me, to be sure. Normally, I avoid having expectations going into a game so as not to cloud my judgment or set myself up for disappointment. I had reservations going into this because of the trailer. Still, I came out deflated in a huge way. As a fan, I admittedly enjoyed every cameo from the first game, but after the initial glee wore off, I realized that it honestly felt a little disrespectful to the source. Not everyone needs to show up, and if they do, put some meat into the occasion. If I were to point at one thing NEO did wrong, it’d be that it has too many characters and the writers didn’t know how to drill down and focus on quality relationships. That aside, I still don’t understand leaving most of the game a mystery until the very end and then just making up reasons or abilities with no prior justification. Can this game be enjoyed? Certainly. The combat alone will be fun for some, but TWEWY was so much more than its gameplay.

It improves in some ways on things that were already good without really remedying the things that weren't working, but at its heart, there's plenty of fun to be found in this game, and as long as you find the fun, Fable III's flaws aren't too big to be forgiven.

One of the best visual novels available in English, despite some hiccups.

Flawed but engrossing, I could have definitely played Ruined King: A League of Legends Story for several more hours. The characters, their relationships, and their combat prowess are addictive both in their simplicity and crisp design. Appreciating Ruined King for what it is is important: this isn’t The Witcher, but it knows its identity and leans into it with finesse. Those not into the League of Legends world will enjoy the experience if turn-based RPGs are their thing, but fans of the universe will definitely get something extra out of it.

For first-time players, Tales of Xillia Remastered is still a great way to experience this Tales of classic, as there’s currently no other official way to play it on current-generation consoles, and no system is backward-compatible with PS3. While the original may not be the absolute brightest in the series, Tales of Xillia Remastered is a solid way to play a solid Tales of title that hasn’t had a chance to shine in a while.

Bloodlines manages to deliver an enjoyable RPG experience, while at the same time providing high-quality visuals, excellent audio, and a truly fantastic story. If it hadn't been for the bugs, this game would have been one of my favorite RPGs of all time.

Fantasian was something of an impulse play for me. I hadn’t considered getting an Apple Arcade subscription before I found out about the game, but so far, I’m glad I did. Of course, I’m pretty immersed in the Apple ecosystem, so it was an easier adjustment for me than it might be for others. I’d like to hope that Fantasian may one day make its way to other systems — it felt like it would be right at home on console and PC when I played it on my Apple TV — but for now, it’s Apple or bust. I absolutely think the game is worth it. It’s such a delightful and nostalgic adventure, especially if you’re like me and your first Final Fantasy was on the original PlayStation.

All in all, Pokémon Conquest is solid across the board, but it is lacking in a few key areas that are likely to turn away non-Pokémon fans and hardcore strategy players. However, if you don't go in expecting the next Final Fantasy Tactics or Tactics Ogre, then there's plenty to enjoy.

The 2025 remake of Amerzone – The Explorer’s Legacy is a worthwhile journey whether you’re returning to its familiar rivers and jungles, or if it’s your first time strapping into a Hydrafloat. You will best enjoy it if you take your time and let it sweep you into the well-thought-out pace retained from the original game’s designer, the late Benoît Sokal, who passed away in 2021. From intro to credits, it is an unabashedly classic adventure.

Yakuza Kiwami is a fantastic remake that effortlessly immerses you in the world of Kamurocho, Tokyo.

Overall, between the game’s story and gameplay, nothing sticks out as individually exceptional. Still, Final Fantasy comes together as an experience that is better than the sum of its parts. The Pixel Remaster does an excellent job of keeping the surprisingly well-aged gameplay that started the series intact while updating it with more modern pixel art and a beautiful soundtrack. Outside of a few confusing moments and poorly balanced bosses, Final Fantasy is a game I would readily recommend to modern RPG fans, and it’s a great introduction to the genre’s classics.

All the pieces of Olympia Soirée work together seamlessly like the colors of a rainbow naturally drawing together. Just as we all comprise multiple roles, some given to us by family or tradition and others that we seek out ourselves, Olympia Soirée takes its roles of comfortingly traditional and refreshingly modern otome with pride and executes them with great skill. The welcome mixture of seeking out a soulmate and working towards societal change bestows great merit on the game’s storytelling as a whole: just like how looking for love in real life doesn’t have to get in the way of your other goals, an emphasis on romance doesn’t have to get in the way of an interesting story. Olympia Soirée is proof positive that an emphasis on romance, or that being “a game for the female audience,” should never by itself be used as a point of contention against a game.

Great characters, fun story, witty script.

Any detachment we may have felt as we slowly immersed ourselves into this hellish world should be lost here. Those who've hungered for each coming episode may experience some tunnel vision as they dive into their monitors and become a part of the group's lives.

Danganronpa V3: Killing Harmony is a wild ride which will leave you feeling both hope and despair, and that's exactly what I was looking for

Awakening might feel rushed at times, but it tells an important story and allows the Commander of the Grey to kick tremendous ass, and there's little more satisfying than that.

Lufia: Curse of the Sinistrals may fall short in a few areas, but it more than makes up for it in its dynamic gameplay.

An otherwise delightful and nostalgic JRPG, Octopath Traveler's lack of an integrated story leaves the experience feeling empty in the end.

As a long time Pokémon fan, Let's Go has warmed my cockles and brought me the same joy I experienced when I first picked up Yellow all those years ago. With Generation 8 on the horizon, there are many lessons these upcoming entries can take from Let's Go, although the entire format should always remain separate. I'll always want the mainline games, and I don't see myself continually coming back to Let's Go like I have done the standard entries, but as a gateway for newer, younger players, I can't think of anything more perfect that Let's Go.

Dungeons of Hinterberg is a celebration of recreation and an assertion that video games can be not only a fun escape but a chance to dream of something outside of our routine spheres of life. It’s wonderfully imaginative, beautiful, and sometimes trippy to look at, and it is thoughtful about its subject matter. If you need a break from life, Dungeons of Hinterberg is here for your slaying needs.

At the end of the day, The Last Story is a decent RPG, but nothing to be excited about. A dull story and uninteresting characters mar a unique combat system and solid gameplay.

Dreamscaper has been in early access for about a year, and based on my time with it, I can say that time was well spent by Afterburner. They’ve created a well-balanced and engaging roguelike Action RPG that perfectly pairs with its social simulator mechanics. I continued to play long after I conquered Cassidy’s dreams and enjoyed every run, whether it was all the way to the end of the game or stupidly dying in the first level. This is a super impressive debut for the studio, and I hope that Afterburner is already working on its follow-up title! If Dreamscaper is any indication, we will be in for some sweet dreams ahead!

A beautiful, chaotic adventure, Dragon's Crown Pro is worth a go if you've never played the original.

Kingdoms of Amalur: Reckoning was clearly a labor of love from creative people with the ways and means to bring their ideas to fruition, and it shows.

Easily the best domestic RPG on the PSP to date. The game itself is incredibly unique and fun to play. The portability is both a blessing and a curse, allowing one of the PSOne classics to be played on the go, but limiting you to a four inch screen.

A Telltale-esque title set in suburban America that hints at maturity.

If you've played Trails FC, there's a good chance you're already waist-deep in SC, and so my review isn't going to sway you one way or another. For those who haven't yet taken the plunge, I cannot stress enough that SC is a direct sequel that takes place immediately following the ending of the first game, so I recommend beating FC first.

Ys: The Oath in Felghana is a fun game, and it's worth the purchase for any Ys fan, if simply for the included soundtrack.

Dicey Dungeons certainly offers a unique experience to turn-based, deck-building titles. Unfortunately, the inclusion of dice can both excite and frustrate, as no amount of planning can prepare one for each contingency one might encounter or a poor run of luck. The unique playstyles keep the game fresh, the sheer quantity of items one might accrue add to the customization. If I've got the itch to throw dice, I can see myself dusting off Dicey Dungeons before anything else, but I think my luck's run dry for the time being.

A documentary in game form that allows the player to experience historical events authentically in a way no film could.

As a game that has been in development for well over seven years, my expectations for Granblue Fantasy: Relink have been sky-high. With only a handful of very minor flaws, the game has dramatically proven itself worth the wait. While combat, setpieces, and character customization triumph, the game also has incredibly tight pacing. While Final Fantasy XVI put five or so hours of side questing and downtime between pivotal moments and spectacular boss fights, Granblue Fantasy: Relink cuts all the fat and focuses on delivering a fast, dramatic, and exciting experience. With myriad mechanics, setpieces, character variety, and fantastic combat, the game is the perfect blend of modern action RPGs while avoiding the formula. Granblue Fantasy: Relink has, without a doubt, surpassed my lofty expectations and set a new bar for character action RPGs. I cannot wait to lose a couple hundred hours of my life to the post-game scenario with friends.

I was happy to have the chance to revisit Ys SEVEN with fresh eyes. Falcom and XSEED have pulled off an excellent port that runs like a dream even on my (far-)below spec laptop. As far as Ys titles available on PC, we're spoiled for choice, and this is an especially fine one to revisit.

If you've never played Lunar before and you own a PSP, this is your chance to play a classic.

It's better than the original Atelier Rorona, but I'd still rather be playing any other Atelier game.

Lies of P certainly evokes the likenesses of the game we all know it is trying to emulate — that’s right, Nightmare Creatures 2 (j/k, it’s Dark Souls). However, it is polarizing to me; it marks a step backward in several ways from the design of its inspiration. However, it also offers a few alternative modes of stepping forward from those designs, such as robust weapon adjustments, streamlined cosmetic options, and a fun new skill tree in Quartz upgrades. It also offers a more obvious central story, one that does a good job of recognizing its ancestry while gracefully appropriating it for the present cultural moment. It is just a bummer that, from a gameplay standpoint, Lies of P fails to remember where it came from.

Despite a slow start, a rough final dungeon, weak side content, and an ambition that surpasses its grasp, Scarlet Nexus manages to excel in the most important area for any game: being fun. Combat never gets old as you tear apart your enemies in glorious style, and the large cast of characters really grows on you. I hope we see more of this gameplay and setting. If you can forgive a few flaws, Scarlet Nexus is a joy to play and has the potential to become a beloved franchise.

The Legend of Nayuta is an incredibly polished experience.

Final Fantasy Crystal Chronicles: My Life as a King is better than the sum of its parts. When you look at everything separately nothing sticks out as particularly fantastic, but its charm and addictive quality go a long way towards making it a great game.

I had never played these games before, and it's possible that those darn kids we all hear about these days might not enjoy the decidedly retro gameplay and so-bad-it's-good translation. On the other hand, if you've got an eye for classics that have aged better than fine wine and been given the premium porting treatment, I see no way you could go wrong picking this one up.

At the outset, I was raving about Potionomics. I had modest expectations going into this title, given its cartoony aesthetic and cliché plot, but I love fantasy-based shopkeep games like Recettear, so I gave it a go. Again, I could not believe just how complex and deep the varied systems flowed together. Building a deck based on relationships I made was always exciting, just as seeing the interest increase with each sale was. Unfortunately, the bag of tricks emptied halfway through this fifty-hour investment, leaving me eager to exit the whole affair.

Ys X: Nordics is a truly sensational adventure where the story, themes, characters, and combat are all individually strong and collectively transcendent. It is a worthy starting point and an excellent evolution for fans of modern Ys. It has singlehandedly reinvigorated my passion for both Ys and Falcom as a whole, and I regret having only so many words to recount all the reasons you should play it. 2024 is already packed with several more-than-worthwhile RPGs, but please do not let this one go unnoticed.

Virgo is a great game, plain and simple. While every aspect of the game is worthy of praise, the ace in the hole is easily its sound. Any game where the music makes me immediately drop my controller, grab my bass guitar, and play along to learn my favorite pieces is something special. Delightfully, it marches to the beat of its own drummer and I loved every second of the 14 or so hours I spent with it. If you are into unique turn-based JRPG style games with twitch elements to keep battles interesting, you simply must play Virgo Versus the Zodiac.

I’ve played just about every Mario RPG, and I’ve reviewed six before this one, but Paper Mario: The Origami King is definitely the one that I’ve had the most difficulty figuring out how to score. The things that frustrated me about it (mainly the combat) frustrated me from start to finish, but I still had a good time with it, and even went back for a set of optional boss battle repeats after I had finished so that I could get an in-game trophy. And perhaps that is the biggest compliment I could pay to this game — I liked it enough that I chose to come back for more of the part I found the most difficult after I had finished.

If the phenomenal storyline, eye-popping CG cinemas and soulful orchestration weren't enough, the plethora of gameplay nuances and player diversions are sure to make the most jaded gamer giggle like a school girl.

Despite some repetitive gameplay and a story that sputters out, Judgment is a worthy successor to the Yakuza series, with engaging side content and a world that feels truly alive.

I loved every second of the 30+ hours I poured into Wandering Sword. In a year filled with so many critically acclaimed RPGs like Baldur’s Gate 3, Starfield, Final Fantasy XVI, and Sea of Stars, I could easily see a smaller, PC-only release like Wandering Sword getting lost in the shuffle. That would be an absolute tragedy, as Wandering Sword delivered one of the best gaming experiences I’ve had all year. Yuwen Yi’s journey opened my eyes to the wuxia genre and the wonderful world of Chinese RPGs.

Escape Academy is far from a stellar title, but it’s enjoyable if appreciated for what it is. The creators have released a “road map” for future updates and DLC, which is always nice to see. Would-be purchasers may take heart in knowing that there’s more life to be injected if escape room puzzle solving evokes an interest. As for me, I’ll quietly look forward to these updates, but I’m in no way chomping at the bit.

It wouldn’t be wrong to label Fairy Tail: Dungeons as Baby’s First Roguelike, though that might be selling the surprisingly crunchy gameplay experience short. Veterans have plenty to dig into, even if they might ultimately breeze through it. It can also be an entertaining entry point into the niche roguelike genre, which can be an acquired taste. I wish there were more of it, so here’s hoping there will be someday.

With a strong narrative chocked full of fascinating characters and choices, DS2 ably sprints ahead with the torch passed on from the first game. Simply, those underwhelmed by the first game will not like this installment, while those who lauded the former only have to decide if the safety and security of structured, neat opportunities and a lack of tension hinder the experience.

The game manages to do something different fusing rhythm mechanics with turn based battles, but the awkward controls made it difficult to completely enjoy. While the addition of multiplayer, a new character, and a brand new game mode might tempt some toward the console version, the game is clearly best suited to the PC. As all of the upgrades are coming to Steam as well, there's no real reason for existing fans to try out this new port. If you like RPGs, music, and rhythm gameplay, and prefer console or handheld gaming, I'd recommend Theatrythm: Final Fantasy any day.

As a follow-up to Monster Hunter: Generations and a precursor to Monster Hunter: World, Monster Hunter Stories keeps the essence of Monster Hunter‘s older style while also forging ahead, mainly in streamlining inventory management and revamping something as fundamental as travel. Ironically, the only way MHS falters is by, much like Monster Hunter, producing a game that’s all about its dynamic gameplay, deviating from the pack with fantastic combat that’s turn-based but failing to do so with a meaningful story. Still, if Monster Hunter Stories was overshadowed by Monster Hunter because of its parent’s reputation and its deviation from the well-established series, then it’s deserving of a second life. In this JRPG resurgence, it’s a reminder that there’s still plenty of room to reinvent the classic style. Ride on!

Homura: The Crimson Warriors is an otome that Western audiences missed at launch, but it shows how timeless a good VN can be. Even without many extras, the game holds its own among the Switch’s strong otome lineup. If you’re a Hakuoki fan, Homura is worth a look, but it’s also a must-buy on its own merits.

At the end of the day, Café Enchanté is a charming and, dare I say, enchanting take on the otome genre. Much like a delicious cup of coffee, I immensely enjoyed my time with the game and its quirky cast of characters. The tonal shifts in the plot at times could be surprising, but ultimately made the story stand out all the more. This is definitely the type of refreshing visual novel I wouldn’t mind having a refill of.

You can count on Variable Barricade to treat you to highly enjoyable love interests that are surprising in the best ways, and span some fun and whacky romance tropes. You can trust it to provide an incredibly well-rounded cast of both love interests and secondary characters, in addition to a protagonist with her own capacity for engaging character growth. And you can be confident that it will have you grinning from ear to ear from start to finish. With Variable Barricade, I’ve found not only the cure for my own Resting Bitch Face syndrome, but a genuinely loveable title that’s permanently wormed its way into my heart. Yes, it’s a heart that’s been running on otome games for quite some time by now, but Variable Barricade stands out in all the right ways with its mix of uproarious humor and heartfelt romance. No matter what mood you enter in, you’ll leave and think back on Variable Barricade with a smile.

Ultimately ASTLIBRA Revision is a resounding success. KEIZO should be incredibly proud of what they’ve achieved after 15 years of work, designing such intricate gameplay systems and plotting an engaging narrative that rivals the work done by large teams with big budgets behind them. If you can look past the somewhat amateurish presentation there is a glittering diamond in the rough here, one that transcends its humble freeware beginnings into one of the best gaming experiences I’ve had all year.

While the musical presentation was excellent, the gameplay passable, and the controls well executed, the horrible job with the story and the disappointing graphics dragged down the game a lot. Add in the short playtime and you have a game that is a rental at best, but definitely not a purchase.

Depths of Peril doesn't care to be a book, or a movie, or a soundtrack. It is simply a game, and it is a great game, so long as all you want is a solid, interactive experience with none of the frills of high-budget PC titles.

Where To the Moon spoke to me when I struggled with the looming risk of my father’s death, Fishbowl speaks to me as I struggle to come to terms with it. I’m thoroughly impressed that two first-time designers made such a good game, especially during a pandemic, and I hope to see more in the future.

Although it's certainly not genre busting in any way, it provides Action-RPG fans something better to play than the subpar "Fallout: Brotherhood of Steel." Anyone who is a fan of either the X-Men or Action-RPGs will find a fun, 15-hour game with X-Men Legends.

An excellent follow-up to 2014's The Stick of Truth, but with some positive gameplay changes and less consistent storytelling.

Simple, old school fun. Neither game is horribly complex, nor are they the epitome of handheld roleplaying. What this compilation is, however, is what gamers wanted back in 2003: Final Fantasy Origins to be portable.

There isn’t anything negative about Coffee Talk Episode 2, as it builds beautifully upon the first game. Familiarity with the first Coffee Talk is a boon for players, given the continuing storylines. However, that makes Episode 2’s release a valid argument for going ahead and playing both games! After all, they’re excellent slice-of-life narratives with fun interactive moments and a surprising amount of replayability. I love that the sequel is more of the same in all the ways that truly matter. There’s much heart on this relaxing journey for the weary soul, proving that Coffee Talk Episode 2: Hibiscus & Butterfly is a refill worth savoring.

While the additions to Ys Memoire: The Oath in Felghana are slight, they make this already excellent action RPG marginally more enticing. For those who have played previous versions, I wouldn’t say the changes make this edition essential beyond the convenience of being available on modern platforms. But for everyone else, Oath in Felghana is a classic that deserves to be played, and it’s now more accessible than ever. So, take a pointer from Adol and go have yourself an adventure!

Grim Grimoire is not a deep RTS, but it is a fun one.

Trails in the Sky is not a game in which the gameplay shines, but rather the story and characters. It isn't deep nor compelling by any stretch of the imagination, but it is fun and extremely charming.

Oxenfree is an extremely well put-together horror game from a new developer, and one that I can find very little fault with. Night School Studios might just be 2016's class valedictorians, and any fan of Telltale games and suspense fiction simply must give this one a go.

Dark Souls II: Scholar of the First Sin offers only minor tweaks to serious gameplay issues of the original game. Nonetheless, it still remains a wholly enjoyable online experience, just don't expect much from the singleplayer experience.

An easy recommendation for those looking to munch on some popcorn while you get the crap scared out of you.

Dungeons of Dredmor isn't without problems, but the good humour and addictive gameplay make it an amiable purchase. It might not be to everyone's tastes, and the random generation can be frustrating, but for only a few dollars it's pretty easy to recommend.

New Pokémon Snap is the perfect blend of nostalgic and modern, accommodating for the fact that Pokémon is so much more now than what it was over 20 years ago. Just as the series has developed a life all its own, New Pokémon Snap gives the Pokémon, region, and cast the polish they need to truly shine. They say a picture is worth a thousand words, and New Pokémon Snap proves it, as it captures everything there is to love about Pokémon into one package.

For as messy as Kingdom Hearts is, for all of its flaws, the series has a lot of heart and emotion that’s been beautifully conveyed through the music over the years. With Melody of Memory, I got the chance to re-experience many of the tumultuous emotions that I’d felt since the beginning and reconcile them. This was a series I once adored and recently began to feel disenchanted with, but this game reminded me of joy I’d felt hearing each song for the first time over the years. And while the package could be better, and I wish I enjoyed playing it more, this feels like the only way to cap off the Dark Seeker Saga. Whether I’ll be back for the next Saga, I’m not sure, but Melody of Memory captures my journey with the series perfectly: we’ve had our ups and downs, but ultimately, Kingdom Hearts has been influential in my life, and I don’t regret seeing the series through.

For my part, Steins;Gate 0 probably will not be joining that list of all-time greats. But I am glad to have played it. I’ll speak fondly about many parts in the years to come, even if the completed puzzle isn’t the picture I was hoping it would be. Maybe check it out sometime.

A casual speedrun to just get to the end will run about two hours, but if TOEM is played how it’s “intended,” then expect to get a few hours out of it, while completionists might hit five or more. If content’s your concern, there it is, but if a high-quality, easygoing experience to escape the anxiety of these pandemic times—or whatever ails you—then TOEM works wonders. The world needs more TOEM, and it’s been a pleasure to get to live in this meditative place, even if only for a short while.

Take an idea from someone who's designed multiple amazing games, add in a team who makes games they'd want to play and loves what they do, avoid the red tape of the retail distribution process, and what do you get? A great game like Deathspank, which provides a $60 experience for just $15.

Get through the boring intro, and then enjoy 30 solid hours of what is easily Falcom's most ambitious title to date. Cheers to XSEED for the solid localization and for taking a chance on the series.

As a long time Pokémon fan, Let's Go has warmed my cockles and brought me the same joy I experienced when I first picked up Yellow all those years ago. With Generation 8 on the horizon, there are many lessons these upcoming entries can take from Let's Go, although the entire format should always remain separate. I'll always want the mainline games, and I don't see myself continually coming back to Let's Go like I have done the standard entries, but as a gateway for newer, younger players, I can't think of anything more perfect that Let's Go.

Speedrunners will likely delight in ripping through this game, while others will enjoy a leisurely adventure as they poke into every inch of the world plumbing for secrets. A magical adventure tinged with nostalgia can be hard to find these days, but Ocean’s Heart delivers a stellar, fun experience that may leave you craving more.

Stella Glow is a game that makes a terrible first impression: The story is a hodgepodge of several other JRPGs that telegraphs its twists from a mile away, its villains' motivations fall apart under any scrutiny, and the game's attitude towards its female cast is abhorrent at the best of times. And yet, something happened as I spent time with it: I started having fun.

Afterimage is a valiant effort in the Metroidvania genre by the developers over at Aurogon Shanghai. Built upon a solid foundation for combat and world design, unfortunately, it is still noticeably rough around the edges. It sorely needed a couple more passes in the editing board for overall level flow and story presentation, but in the grand scheme of things, it’s still an enjoyable experience.

Sequels typically either make only slight improvements or worsen the series, but Atlus went the extra mile to make a major overhaul, and ultimately succeeded on improving the series.

Like a great album, People of Note is all killer, no filler. It’s an excellent antidote for RPGFans who may be tired of repetitive, overly long experiences. Don’t be fooled by its puns and Disney-ish charms—People of Note is thoroughly challenging and thought-provoking with its gameplay. I truly hope that when talk comes about for great turn-based combat, this game is in heavy rotation.

I find myself oddly pleased with my playtime of Final Fantasy XIII-2. The game isn't long for those who want to just take down the story - perhaps 25 hours at most - but it was a mostly enjoyable experience.

Ultimately though, Gladius is an ambitious game that attempts to breathe new life into the genre. It's not entirely successful, but it is the best gladiator game I've played.

Despite lackluster music, Hakuoki is an enjoyable visual novel that could actually make gamers rethink their perception of Idea Factory.

Nobody Saves the World provides a large toybox and an enjoyable world in which to play with it. The Forms at the center of its gameplay feel significantly different from one another and are all exciting to use once you get a handle on them. Thanks to the shareable abilities, you can also experiment with endless combinations of moves. The main story makes for a satisfying and entertaining 20-ish hours with some challenges still left over to complete. At the end of the day, everybody is somebody, even if you’re Nobody.