A-Men walks a fine line between the fun of persevering with a trial-and-error system and the frustration of instant death, and should only be tackled by the most patient players.

There's nothing you've not seen before in The LEGO Movie 2 Videogame -- unless you haven't seen the film yet. This is largely a by-the-numbers LEGO platformer with a variety of open levels in which to find collectibles and solve simple puzzles. The low difficulty makes this perfect for children to play with friends or family, and the sandbox area will let you get a little creative too. It's a safe entry in the series that fans will enjoy, but if you're getting tired of the same old formula, there's not much new to see here.

The controls are wonky and the mission design is straight outta last-gen, but there's still dumb fun to be had with Saints Row The Third Remastered. Even all these years later, it's a refreshingly stupid sandbox title that offers up some memorable moments -- it's just a shame that they're buried beneath tedious activities and gameplay that feels incredibly basic by today's standards.

Project CARS 3 marks a significant departure for the series, abandoning most of its sim heritage in favour of arcade racing. Offering a variety of different cars and tracks, there’s plenty of content on offer, making for a fun distraction, but it lacks the excitement we expect from wheel-to-wheel racing. It takes inspiration from all over the place, but it’s perhaps most closely aligned with Sony’s own DriveClub. It would seem, then, that the PS4 cycle is ending the way it began. We’re just not sure we’d pick this over what’s come before.

Konami is effectively taking a year off because it knows it has the basis of something special here and it wants to ensure it makes an effective transition to the PlayStation 5; we can respect that. But with barely any changes and the abovementioned licensing shortcomings, we’d recommend you just pick up last year’s game for a couple o' quid instead.

WWE 2K15 on the PS3 is very much a clone of last year’s offering.

PaRappa the Rapper Remastered is a time capsule from the late 90s – warts and all. The high-definition gloss might make the game look better than ever, but it can't mask how the genre has moved on in PaRappa's absence. The mechanics don't hold up against the competition of today, but the fantastic soundtrack, charming characters, and budget price should prove more than enough to get the nostalgia juices flowing in anyone who remembers the old dog's first outing 20 years ago.

Just Cause 4's traversal system can be wonderfully entertaining, and the chaotic, explosion-sim physics in play are frequently exhilarating, but they're manacled to a game that has absolutely no idea how best to use them. What's the point in giving players an array of tools that lets them cause wanton destruction on a gargantuan scale, and then designing a campaign full of drab, copy-pasted missions that barely require you to use them? It's a bit like getting the coolest BMX on the market for Christmas, but then your Mum tells you you're only allowed to ride it around the garden where she can keep an eye on you. Cheers, Mum.

It’s probably the most simplistic 16-bit title you’re going to find on the PS4 and PS Vita, and thus the difficulty options – which include circumventing either the combat or puzzles entirely – make sense. You’re going to find next to no challenge here besides the inexplicable absence of a map, but it’s a bright and breezy romp that will almost certainly keep your kids entertained for a few hours.

If you can stomach its disappointingly dull quests, Eiyuden Chronicle: Rising is a solid enough action RPG. Some pretty visuals and a cosy JRPG vibe do a lot to mask its flaws.

There are moments in The King’s Bird where it’s easy to lose yourself in the gameplay and striking visuals. Rocketing around colourful stages and indulging in the serene soundtrack is fun, but frustrating puzzle mechanics and little variance in the gameplay taint the experience.

An antique that's aged ungracefully. The presentation is sublime from the release's rousing start right the way through to its anticlimactic finish, but several shoddy design decisions detract from its otherwise exemplary gloss.

Conan Exiles is a surprisingly good open world survival game that does a good job of blending genre mechanics with the harsh world of Conan the Barbarian. It's seriously addictive stuff despite general jankiness and a strange obsession with nudity, but the multiplayer is the real highlight. If you're looking for something new to play with your friends for a bit, look no further.

With its hand-drawn, off-kilter visuals, Mundaun turns even the most benign objects into something sinister. The act of actually playing it may not be a pleasure, but looking at it most certainly is. When the soundtrack crescendos and the hair-raising atmosphere takes hold, there's nothing quite like the menaces of Mundaun.

StarBlood Arena is a likeable PlayStation VR shooter that's well-presented and pretty fun to play. The problem is that there simply aren't enough people playing it, and with the online experience being far-and-away the biggest selling point here, that's a problem. If you can convince your friends to pick it up then there's fun to be had here, but with very little single player content it's a risk entering this minefield alone.

The simplistic gameplay may turn some off with how tedious exploration can become with few scares and long stretches of nothing, but if you choose to remain steadfast on this trail, the sights, sounds, and story may very well be worth your effort.

Valkyrie Elysium is a game of two halves. The level design and objectives feel at least two generations old and the characters and storyline are more like placeholders than the finished article. There's no capital F feelings here or much in the way of narrative justification, but if you're okay with that and you just want fifteen to twenty hours of fast, frantic, fluid combat then we can just about recommend this one.

The Surge 2 is brimming with minor gameplay and technical issues that threaten to spoil the broth on a constant basis, but the game’s combat system and varied locations do just enough to push them to the back of your mind. When the going gets tough, the experience shines with a genius take on health regeneration and brutal, gory takedowns that are just as satisfying to perform as it is to whittle an enemy into submission. It can’t hold a candle to a From Software joint, but The Surge 2 will satisfy those chomping at the bit for the next take on the genre.

While there is a light sense of progression enabled by an XP system, the game generally feels quite hands-off in terms of guidance or direction. We enjoyed learning the operation of the trams and even the signalling system, but once we’d driven both routes a handful of times, we didn’t feel massively compelled to do it again. By comparison, Train Sim World 3 – with its medals, collectibles, and deeper scenarios – feels a lot more moreish, and thus we’d only really recommend TramSim: Console Edition if you’re comfortable with setting your own rules and rewards.

Ben 10 is an enjoyable little beat-'em-up romp. All 10 of Ben's aliens feel fleshed out and vastly different from one another, and jumping from enemy-to-enemy in the fast-paced combat is suitably satisfying. Fans of the show will be thrilled with the faithful recreation of the show's art style and general feel. Unfortunately, it's a little bit let down by the afterthought upgrade system, incredibly short length, and non-existent difficulty.

There will be case studies written about this release, because it should have been a sure-fire slam dunk, and yet it feels like a missed opportunity. Make no mistake, the title has improved since launch – and with the announcement of Black Panther, developer Crystal Dynamics remains committed to iterating on it for the foreseeable future – but as we alluded to in our Marvel’s Avengers PS4 review, there’s a disconnect between the promise of this product and what it actually offers.

Just like Facebook and instant soup, this experiment is very much what you make of it.

Poignant character moments and some impressive use of pop music make Under Pressure a better episode than Tangled Up In Blue, but still nowhere near the lofty heights that we know Telltale is capable of. There's enough good work here to indicate that by the time the series is over it'll have given us reasons to care about the cast and what they're up to, but if you're on the fence about whether or not to pick up the season pass, you're probably best waiting a little longer to make that decision. The series has potential, but whether it'll ever manage to escape the shadow of the movies it is so desperately trying to recreate remains to be seen.

Airheart: Tales of Broken Wings has potential but without a solid story powering it forward and lots of tedious grinding, you’ll struggle to see it through to the end. While the game is visually stunning and at least exciting in principle, Airheart never quite takes flight.

This latest edition’s clumsy controls will obstruct your enjoyment at times, and while the top-notch puzzles and vibrant visuals will certainly tunnel through some of these issues, the input problems will still chip away at your patience like a pickaxe as you progress.

Sketching the true horrors of mental illness, Neverending Nightmares succeeds in creating an unnerving atmosphere that will keep you forever on the edge of your seat. It's let down by a lack of environments and varied gameplay, but it still stands as a chilling experience that those with an interest in the genre should check out.

Code Vein 2 is not the strongest soulslike we've ever encountered. While there is absolutely some fun to be had slaying the myriad horrors that inhabit this post-apocalyptic world and building a powerful Revenant Hunter, repetition inevitably kicks in. Narratively, it's pretty dull, lacking compelling characters or quests to engage with. While not broken or a bad game per se, it is hard to recommend when so many better entries in this well-worn subgenre already exist.

While it fulfils its promise of delivering a much needed edge to the saturated zombie horror scene, Deadlight: Director's Cut is sadly hampered by its clunky combat system and recycled puzzles.