New Gundam Breaker is a disaster. A near broken mess of an action game, even Gundam maniacs will struggle to stomach its many, many flaws. Its visual novel elements are so obnoxiously cliche that you'll have to stop your eyes from rolling our of their sockets, and the gameplay is a mix of clunky controls and unfathomable chaos. Add some unbelievably poor technical performance to the mix, and you have a Gundam game that's not even fit to be mobile suit scrap orbiting the Earth.

RAID: World War II apes the Payday series so intentionally that it’s pretty hard not to view it as an ill-advised spin off. With dated presentation, tedious combat, and a consistently low player count, it actually feels like a step back when compared to Payday 2. Perhaps the biggest nail in its coffin, though, is just how buggy it is, with frequent crashes and broken scripting fanning the fires of your disappointment until it resembles the haunted look in John Cleese’s eyes during the atrocious FMV cut-scenes.

Bubsy: Paws on Fire is a combination of elements that range from merely adequate to frustrating beyond belief. In fact, the best part of the game is often being able to break the rules and cheese your way to victory. With almost zero redeeming qualities to speak of, the only way this game could possibly offer anything of benefit is to Trophy hunters, as there are a fair number of easily unlocked gold trinkets. If that’s not something you care about, then steer well clear - it’s just not worth it. Despite the shockingly long legacy as a series, surely this time must be the last, right?

That Trivia Game is a poor game show title with very little appeal and even less replay value. Indeed, the title’s few redeeming features are overshadowed by poor presentation and a seriously unfair scoring system.

This title is one of a very rare breed, one that will appeal to absolutely no one, and buying it would quite literally be akin to throwing your money away.

Despite having the foundations of a decent vehicular combat game firmly in place and boldly on display, Smash 'N' Survive is nonetheless a shambling mess whose solid - albeit well worn - premise can't offset its technical inadequacies, disastrously unresponsive handling or the tragic lack of options available.

DayZ is a complete and utter disaster on PS4. Not only is it profoundly outdated in 2019, it’s also technically inept. A horrendous frame rate brings the experience to a standstill on a worryingly consistent basis, while numerous bugs and glitches are a bewilderment. After taking five years to release, we can’t help but feel like this was an outright waste of everyone’s time.

Starlight Inception is a hot mess.

There’s nothing else quite like The Quiet Man, and there’s a reason for that. The blend of FMV and interactive combat sequences fails on every level with an unfathomable plot that raises far more questions than it answers, and encounters that fail to explain themselves and do little to engage. The Quiet Man is the most baffling release of 2018, to the point where a post-mortem investigation into its sheer existence sounds so much more exciting than this bizarre and convoluted comedy sketch.

The Lord of the Rings: Gollum is a broken mess of a game. There are barely any redeeming qualities to be found amidst what can only be described as a massive missed opportunity. There is some serious potential in a single-player linear Lord of the Rings experience like this, but with outrageously dated level design, clunky controls, a severe lack of polish, muddy and unimpressive graphics, and a dull story, Gollum completely misses the mark. As massive fans of the books, films, and games, it's sad to see that there is nothing precious about this experience.

Roger Ebert once famously opined that video games are not art, and Ghostbusters is Exhibit A for his case. This is not art. It barely qualifies as a game. Sure, it's not broken like some games are. It's functional. It works. But there's no risk, no ambition, and not a trace of anything resembling the personality of the Ghostbusters movies or cartoons. This is a game that seems like it was made with the specific purpose of tricking parents who don't know any better into buying it for their kids.

Unresponsive controls, dull combat, and obnoxious humour that even the most immature gamer would find difficult to smile at makes Zombeer a complete creative disaster.

A drab campaign and awful loading times underline this colossal misstep in the stage of history.

Road Rage is an open world motorcycle combat game that is so shoddy in every single facet of its being that it could function as parody without actually changing a thing. A game of this dubious merit is so rare that it belongs in a museum, destined to be studied by the gaming scholars of the future in How Not To Make a Video Game 101. The list of offences that Road Rage perpetrates are so heinous in nature and so humorous in quantity that the strict 1,000 word limit imposed upon the humble reviewers here by the Push Square overlords can't possibly do it justice. So let's just say it's a broken, bewildering, shambolic mess, and never speak of it again.