The Park is a bit of an oddity. A walking simulator with an incredibly brief runtime – 90 minutes at a leisurely pace – that nonetheless has some fun ideas sprinkled in.

It’s nice to come back to Trials Fusion, if only to see how many times we’ve been humiliated by that one friend who doesn’t shower or leave the house. However, Riders of the Rustlands is a temporary lure at most. With so little content included in this drop, we recommend waiting for future offerings to see if the Season Pass is even worth the investment.

Across the Valley has a lovely hand-drawn art style and some good simplistic gameplay ideas, but its execution isn't up to snuff. It’s wide array of bugs, repetitive gameplay, and lack of content leave this farm without its Push Square or Red Tractor approval.

The Solus Project is poor survival game that plays far better as a walking simulator. The lack of any guidance in controls and direction will leave you feeling clueless on how to proceed throughout. The environments are bland and barren, and although the weather and day/night cycle offer some positives, they're all ultimately overshadowed by the game’s negatives. To top it all off a below par PlayStation VR option and a large number of bugs turn what could have been a good survival title into a disappointing one.

Shadows of Katmai looked to be an exciting new entry in the Cabela's franchise, but it instead finds itself trekking directly into Uncharted territory without the necessary finesse and polish it needs to withstand its high profile competition – a far cry from the niche genre the Cabela's series is known and enjoyed for.

The fact that Nutjitsu: Reforged started life as a phone game is plain to see right from the start, and it's this legacy that infuses every aspect of the experience.

This is less a pirate ship, and more a pensioner’s cruise party to Majorca.

There are the bones of a decent game in here, but its issues prevent it from being the compulsive factory puzzler we were hoping for.

Unless you’re a die-hard fan of both franchises, we recommend that you leave this one in a galaxy far, far away.

It's such a shame that Kerbal Space Program is so shoddily ported, because underneath its buggy, messy experience lies a fantastically detailed game with plenty for science nerds. The career mode offers replayability and near-endless depth, while the tutorials are hugely helpful in bringing new people into the complex clutches of physics, but its plethora of bugs and some huge design oversights make it very hard to recommend. The gameplay itself shoots for the stars, but its technical problems bring it crashing back down.

Sonic Forces is a disappointing step back for the franchise. Uninteresting level design and subpar gameplay on all three playable characters make for a game that can be frustrating to get through. The nonsense story is poorly written and makes more tonal shifts than Mariah Carey with an ice cube down her back. The game is perfectly fine for the younger audience it’s targeting, and we’re sure they’ll enjoy it for what it is, but in the wake of Sonic Mania’s tremendous success, the problems 3D Sonic has always faced are becoming much harder to ignore.

Everyone else looking to relive the past may be better off tackling one of the Blue Blur’s adventures, though – and letting this blue blob fester in the pipes beneath the sink.

There is an awesome world that has been built here, with so many interesting characters and areas to explore, but poorly thought out gameplay makes Dex a dull affair. Melee combat has no nuance to it, weapons control too poorly to be of any use most of the time, and hacking is repetitive and bland. There is real promise here in the world building and character development, but the terrible gameplay is too much to make up for.

Marooners can be fun with the right people but ultimately it lacks a lot of polish. The AI is lacklustre, there’s not a huge amount of content, and the online community is practically non-existent.

Ultimately, you’ll want to pack some paracetamol for this headache.

A give and take where one element of the game is great fun, but another is broken or unpolished. What you're left with is a game with a super fun core that's unfortunately too broken to put any meaningful amount of time into.

It’s a shame it doesn’t really come together because, as we noted at the start of the review, there’s actually the glimmer of a good idea here. If the shooting sequences were better executed and the car handling better honed, you could end up with an interesting alternative take on the arcade racer that serves its license well. But while there’s some reasonable presentation on display, the package doesn’t deliver on its ambition at all.

Overall Operation Babel is a frustrating experience. The game mechanics aren't explained particularly well, and so you’ll need a lot of patience to figure out how everything works. If you’re a newcomer to the genre then you’re better off playing something like Ray Gigant. While Babel has some interesting mechanics, it definitely lacks a lot of the polish of similar titles like Stranger of Sword City. Simply put, there are a lot of quality dungeon crawlers out there on Vita that do a much better job than Operation Babel.

Robot Rescue Revolution is functionally fine, but it’s not much fun. Repetitive gameplay mechanics, a messy art style, and a general lack of ambition make it difficult to recommend. There are glimmers of hope in the level editor, audio, and online leaderboards, but you’re still better off pulling the plug on this circuit board of mechanical misery.

Jeremy McGrath's Offroad has raced into a genre saturated with more competent competitors, and it pulls up in last place as a result. While the game doesn't necessarily do anything offensive, it's still a subpar experience with a major identity crisis. If you're looking for an enjoyable offroad racer, there are much better options on the PS3. Don't waste your time with this cheaper sub-standard alternative.

Vampire: The Masquerade - Bloodlines 2 is a shambles. Its best qualities are always short-lived, buried deep beneath the frustrations of non-existent RPG elements, extreme padding, and diabolical technical issues. Beyond the promise of its opening hours, this is a tragic misfire of a game.

If you're someone who heard "a new Gungrave" and got excited, this is a game for you. For what it's worth, it nails that. It genuinely feels like a lost PS2 game, and that's the kind of thing we love. Although, the original game had the benefit of only being around two hours long, while G.O.R.E. clocks in at about 12. However, we can't in good faith recommend someone to spend £45 on this, outside of those with an affinity for the series.

Blue Reflection has a lot of interesting ideas, from its plot to the core gameplay, so it’s unfortunate that these ideas are left to fester in a pool of mediocrity and drowned in an adventure that feels boring and stale before it’s even really begun. The opening scenes show a lot of promise, but none of it is built upon as the game develops. Blue Reflection feels like a tutorial for JRPG beginners - one that even the most inexperienced player would get bored with.

AO International Tennis went wide with its first service, and double faults at second attempt. Turgid, unrealistic gameplay is emphasised by the title’s shot targeting mechanic, which largely restricts you to the spot and relieves you of the freedom that you’d have on a real court. The few official player models are of a good quality and the customisation options are a welcome touch, but the PS4’s first tennis title is a disappointment – it wouldn’t even make the qualifiers let alone win a Grand Slam.

In a perfect world, remasters and enhanced editions would be reserved for games that fall into one of two categories: classics and underappreciated gems. Unfortunately, Risen 3: Titan Lords - Enhanced Edition is neither.

The bleak backdrop of Franciade sums up this miserable outing, as you engage in dreary underground missions built around the most rudimentary of brazier-based puzzles.

Sticking with Hello Neighbor takes a lot of patience and forgiveness. While the lure of the secret in the basement is a strong one, the glitches, complicated puzzles, and problematic AI all make for a giant slog. With improvements this indie could be a spine-tingling horror game, one which plays on deep childhood fears and leaves a lasting impression, but in its current state, we wish that we'd just stayed at home.

If more of the game had the degree of polish that reaving does, the game could have been something special. The end result is a small-scale game with lofty aspirations that miss the mark. Stealing specials is great, but everything surrounding that is unimpressive.