7 Days to Die has a compelling premise, but it withers within minutes. The gameplay here is fundamentally not fun, and having to deal with technical issues every few seconds becomes extremely grating. The multiplayer injects a little entertainment, if only because you'll be observing the release's shoddiness with others.

Chronovolt is a glitchy and unsatisfying title that's hard to recommend. While you may glean some enjoyment from its opening moments, the novelty swiftly wears thin. This title is best rolled out of sight, and into obscurity.

Arcania: The Complete Tale is quite possibly the dullest RPG to arrive on the PS4 to date, and as if that wasn't enough, it also manages to be a poster child for all of worst parts of the recent trend for remasters.

The story mode will be wrapped up within five hours but there is an exploration mode if you haven’t quite had your fill of bugs. Here you’ll be able to take control of other creatures and, as the title suggests, explore. There are short video logs dotted around the place if you want to try to find out more about what happened to the world. Although, once you realise that the other creatures are even harder to control than the sugar glider, and have encountered your fair share of crashes, you’ll probably decide that you don’t actually care that much about the reasons for humanity’s demise.

There’s definitely some promise buried deep beneath Disney Epic Mickey 2: The Power of Two’s surface drudgery, but this needless PlayStation Vita port fails to uncover it any better than its PS3 counterpart. In fact, the underwhelming adventure actually fares worse on Sony’s pocketable platform, delivering a framerate that flirts with single digits and some pretty inconsequential touch screen features.

Fans of the main Touhou games may find an amusing diversion here, but there is very little of worth to recommend to anyone else. Ultimately, unless battling stunted characters with clunky 3D models in sparse arenas is your idea of a good time, Touhou Kobuto V: Burst Battle is a deeply unnecessary title to invest in.

How Fast & Furious Crossroads wound up as a full-price release will forever remain a mystery. It is lacking in every department possible, from shallow and repetitive gameplay through to abysmal visuals that belong on the previous generation of consoles. Not even the most committed Fast & Furious fans should subject themselves to this monstrosity. That is unless you want to have a good laugh alongside Vin Diesel.

The Huntsman: Winter's Curse's relatively short campaign is a slog, with little variation in the types of enemies presenting themselves. Moreover, the plot is so basic that it offers little in the way of distraction from the terrible mechanics of the game. The only saving grace is that this is an attractive game with its storybook stylisation.

Star Trek: The Video Game shows signs of promise, and even manages to deliver a serviceable plot – but buried beneath its palatable dialogue is a calamitous third-person shooter that makes a mockery out of its source material. Fans of the franchise may be able to see past the bugs, but will despise the emphasis on action, while everyone else will be best served elsewhere.

There's no reason to recommend Shadwen to anybody other than prospective game developers looking for a lesson in what not to do.

Let’s Fish! Hooked On is less lobster thermidor and more fish fingers. The angling adventure’s heart’s in the right place, but its monotonous gameplay and lacklustre presentation leave a lot to be desired. Pop this one back in the water, and let it swim a long way away.

It's not entirely without entertainment value – kids will no doubt get a kick out of the license – but its longevity to even the most faithful followers is severely limited. We've got no time for this adventure.

Poor track design, unattractive visuals, repetitive music, lack of content... We could go on, but we think you get the picture.

MXGP 3, made in 2017, is almost imperceptibly different from the first entry in the series, released in 2014. Sure there a few differences, but at its deepest, this is a game that has a truckload of issues when it comes to the actual feeling of riding a dirt bike. Add to that a feature list that is seemingly identical to MXGP 2, now with very poorly implemented dynamic weather, and you get very little bang for your buck. Milestone needs to take a step back and reassess where this series is going, because right now the only place it’s going is backwards.

On a system bursting with great horror games, you can safely side-step Dying: Reborn. While we appreciate the attempt, the production values just aren't in place to create the tension that's intended here, and even though there are a couple of decent puzzles on display, there's not enough meat on this murder mystery's bones to make it worth the price of admission.

Need for Speed Payback is a real-world example of microtransactions gone wrong. As an open world racer, the game’s inoffensively average – but when paired with its bafflingly bad progression system, it’s frankly an embarrassment. It’s scary to think that publishers are quite literally sabotaging their own games in pursuit of a bonus buck or two these days.

Minecraft: Story Mode has, again, failed to impress. A miniscule run-time paired with a plethora of uninteresting events helped to make this one of the weakest episodes we've seen from Telltale in a long, long time. We're now two episodes in, and we're still not finding a whole lot to like.

This is a confused product that’s too complicated for non-musicians, and far too basic for proper producers.

Perhaps as much as anything else, we feel angry at WWE 2K20 for robbing us of precious time as we circle the swirling vortex of death. It’s completely bewildering that a game of this magnitude has been released in such a state, and whether you want to pin the blame on outgoing developers, poor management, or a rushed development cycle, there is absolutely no denying that this title needed more time in the oven. We initially wondered why 2K weren’t that keen to send us their latest WWE title, but after playing one of the highest profile flops of 2019, we’re starting to understand why.

Soft locks, crashes, and bugs burden this gorgeously presented Christmas story. Until this nightmare before Christmas is patched, we'd suggest finding something else to place under your Christmas tree.

WWE 2K Battlegrounds is a game that seems like it exists purely to house its storefront, offering predatory microtransactions which would be overly pricy in a free-to-play game. In a paid title - even a budget one - they're offensive. The only silver lining here is that the game is rubbish anyway, so feel free to skip it without feeling like you're missing out.

As it stands, without any online functionality, no creation suite, a litigious gaggle of performers, and dodgy mechanics, this game is all but impossible to recommend to anyone.

The Walking Dead: Survival Instinct is an appalling, unpolished mess. Gameplay is dull and buggy, there’s very little attempt at a plot, the characters are unlikeable, and bar a couple of interesting mechanics, everything feels rushed and dated. The likenesses and voices are accurate, with Norman Reedus and Michael Rooker reprising their roles as Daryl and Merle respectively, but that isn’t enough to rescue this abomination from the shallow grave of wretchedness that it has dug for itself.

Destiny is grindy, but it has an immensely satisfying gameplay loop and a rich story. Outriders doesn’t have the best plot or visuals, but each class has a wide variety of powers that synergise brilliantly, meaning each build is unique to how you want to play and combat is worthwhile for its own sake. The First Descendant has the stand-out Colossi battles, but everything leading up to them is so mind-numbingly tedious that they don’t justify the time or monetary investment you’d need to spend to enjoy them. It’s the gaming equivalent of playing with a fidget spinner while on a Discord call — something to keep your hands occupied while you catch up. It’s a game designed to get you to pay to skip it, not play it, so what’s the point of it?

Every so often, a video game will come along that seemingly defies all preconceived logic and common sense. That can be a good thing, or it can go the way of The Quiet Man. Unfortunately, Last Labyrinth is a PlayStation VR title that very much belongs in the latter category. Its core mechanic is sound enough, if a little stale by this point, but it's the decisions made around the edges that turn this into one of the most baffling experiences we've had inside a virtual reality headset.

Late in the game, one of the characters has a line where he says “I am a miserable, unfortunate man.” We can’t think of a more perfect way to describe playing this title. From a team capable of making a game as exceptional as Fated: The Silent Oath, the quality of work, or lack thereof, on display here stings.

LEGO Brawls feels like an insult to LEGO fans after the fantastic LEGO Star Wars: The Skywalker Saga released earlier this year. From the terrible core gameplay to the incredibly grindy unlock system, there are very few redeeming qualities to this package. If you're really desperate to build your own minifigure, most LEGO games already have a character creator of their own. Your time and money are best spent elsewhere.

Slender: The Arrival was a solid horror title on the PC when it came out in early 2013, and that fact remains unchanged. This PS3 port is unfortunately a shambling nightmare, though, with very few elements working as intended.