Past Cure is a bad game. It's bad bad. But it's also the best kind of bad game, in that it's not for a lack of effort or that the team were bereft of ideas that the finished product doesn't come together. If anything, the game is too ambitious, with too many ideas, and it inevitably crumbles under the weight of numerous poorly implemented gameplay styles and a total lack of a cohesive identity. It's a bit like when your mum tries making Baked Alaska for the first time – sure, the end result is a sloppy mess, but you've got to applaud the audacity to try it in the first place.

Even if you’re in love with its concept, Generation Zero is an experience you should avoid at all costs. Thanks to archaic co-operative design, an open world that feels sparse at even the best of times, and an inventory system that routinely works against you, disappointment takes centre stage here. You may catch one or two beautiful vistas along the way, but as the framerate drops into the single digits, you’ll wish you never bothered.

Jujutsu Kaisen: Cursed Clash is unfortunately cursed trash. Its shallow, unsatisfying combat system fails to capture the balletic brilliance of the anime and manga’s striking skirmishes, and its disjointed single player campaign is unlikely to be enjoyed by franchise faithfuls or prospective new fans. Given the enormous popularity of Gege Aktusami’s series, it’s frankly unfathomable how badly Bandai Namco has dropped the ball here.

Bubsy in: The Purrfect Collection is Atari and Limited Run bringing back some pretty bad games and bundling them together with features that make them minimally better, but not good. If you are a Bubsy mega fan who has played any of these games since the '90s, you will likely enjoy this collection. For anyone else, the only real reason you’ll want to buy this collection is curiosity about how bad this series has been.

If you buy into the mystery and you can tolerate the obnoxious characters then you'll get more out of this than we did. But by the time we were lost in the maze, bamboozled, for what felt like an hour, we just didn't care anymore. We played it twice and got different endings and neither was worth it. Maybe there's an ending that's a banger and we just missed it. We suspect not.

Don’t even consider giving this a shot unless you find it very, very cheap.

Umbrella Corps is a brain-dead mess of good ideas gone wrong. It partially hides its flaws underneath a veneer of pretty graphics and promising gameplay concepts, but it can't hold up under its own weight in execution.

If there’s one bright spot, it’s the new “trails” game mode, a checkpoint-type race that has more varied terrain. It’s quite fun, and very chaotic, serving as the high point amid innumerable lows. And that about sums MX vs. ATV Legends up: at its core, this is a buggy, flawed mess that falls far short of other racers on the market.

It's an abysmal end, resulting in a controversial sequel, leaving fans of 1992's rad Flashback most likely preferring to return to Conrad's previous amnesia in the original's plot to forget that Flashback 2 ever existed.

Valkyria Revolution is like a bizarre, alternate reality version of Valkyria Chronicles in which everything that the original got right has somehow been twisted into something awful. The devolution of interesting and quasi-relatable characters into eye-roll inducing stereotypes is upsetting, and the technical shortcomings of the game are disappointing. But it's the combat of Revolution that suffers most in comparison to Chronicles, and indeed, in comparison to practically anything else in the genre. Where Valkyria Chronicles was a constantly rewarding strategy game, Revolution is an action RPG so utterly devoid of any potential to challenge or delight that the only strategy you'll require is working out the quickest bus route back to the shop to get your refund.

The few redeeming features in the vibrant visuals, accurate hand tracking, and the somewhat enjoyable traversal when using the glider are just not enough to resurrect this unfinished title. Altair Breaker can barely even be classified as a fully-fledged game; it proves the VR software stereotype correct by just being a glorified tech demo.

Sadly, those looking for their MX vs. ATV fix are much better off waiting for Rainbow Studios to develop a new installment in this series specifically for the PS4.

Disaster Report 4: Summer Memories is an absolute mess from start to finish. The puzzles that stand in the way of your progress are almost universally illogical leading to an experience that frustrates throughout. This would perhaps – at a push – be worth persevering with if the story were engaging enough, but the tale told here is so silly that it could have been generated by pulling plot twists out of a hat. Throw in a creepy vibe, crummy production values, and dodgy controls, and you're left with an unmitigated disasterpiece that you should avoid like it's got the coronavirus.

MindsEye is a broken, boring mess of a game that has somehow been allowed out in the world. It has little glimmers of something semi-entertaining in there with its cutscenes and story, but it’s bogged down by a vapid large scale map that is at odds with its aggressively linear campaign, and padded out with a dull repetitive gameplay loop that is nothing short of archaic.

It’s not always entirely drab – a bit of mindless blasting is always entertaining in short bursts – but much like the weedy Ultra Magnus, this is still a shadow of the title that it’s trying to replace.

Ninja Senki DX reads like an old codger's take on modern literature and walks like a decrepit schoolgirl gallivanting her way to her first tax return and, fittingly so, her first heart attack. When life gives you lemons, make lemonade. Tribute Games made garbage.

Might & Magic: Duel of Champions - Forgotten Wars isn’t a terrible game, and in fact it can be quite fun once you’ve figured everything out and settled into a few comfortable strategies. Unfortunately, it’s all very poorly framed by adverts and requests for real money.

Aspyr has done a serviceable, even admirable job with its porting of Star Wars titles up to this point, but the Star Wars: Battlefront Classic Collection represents a monumental misstep and a much-deserved blemish on its reputation. These are two beloved games representing some of the very best experiences the Star Wars IP has ever offered. To release these remasters in this state is deeply concerning. Our only solace is the fact that, eventually, most of the problems should be fixable.

We suppose that the studio should be commended for its efforts, but when the results are this laughably bad, maybe it should consider walking before trying to fly.

Sadly, Bounty Battle plays about as well as it looks. The goal is to empty the health bar of your enemies, but character animations are so basic and stunted that it's near impossible to tell what's going on — especially during three or four player fights. The controls are responsive enough, but the release is riddled with stuttering issues on PS4 — combat just never feels smooth, and that's a nail in the coffin of any fighting game.

Magus is not an entertaining game. It suffers from repetitive gameplay, bugs, glitches, and abhorrent visuals. Worse still, it’s expensive, with the release currently commanding a laughable $24.99 price point on the PlayStation Store. Put your time and money towards something better than this.

Motorcycle Club feels unfinished. The repetitive races, dreary challenges, horrendous sound, and unbalanced motorbike classes ruin what could have been a promising game. Unless you're utterly desperate for a two-wheeled arcade racer, then you'd be wise to ride as far away from this release as possible.

This dreary visual novel is packed with poor puzzles and even poorer prose, and it deserves feeding to the beast from the east as a consequence.

Just because it employs the same font as a competing title doesn't mean that Professional Farmer 2017 comes anywhere close. This is a lousy, cynical game which has just one positive to its name: it's made us appreciate Farming Simulator 15 that little bit more.

Ultimately, this is a mindless medieval fest with bad microtransactions; don't touch it – not even with a 10-foot jousting pole.

Left Alive categorically fails at everything it sets out to accomplish. Wonky and unreliable AI makes engaging in stealth a frustrating chore, poor gunplay leads to numerous misplaced shots whizzing past the bullet-sponge enemies, and an unfair difficulty means you’ll need to repeat those enraging moments over and over again. This game could have filled a gaping hole in the market, but instead it needs to be taken round back and put out of its misery. This is a truly miserable experience for even the most die-hard supporters of the genre.

Speakeasy may well be the worst game on the PS4. Its initial charm and originality is quickly replaced by an overwhelming sense of laziness.

Horror games can be tricky to get right, but Daylight fails on virtually every front. It’s a shame to see such a promising product slump so spectacularly, but despite being a rather short affair, this is still a pain to play through.