Framerate fluctuations render Tetris Ultimate almost unplayable, and while these issues only seem to occur when online, disconnecting tends to strip the title of much of its appeal.

Siegecraft Commander is a good idea which very nearly works. There is a lot of game packed in, and if a decent multiplayer community can be formed then it could be a fun one to be part of. The problem is the wonky control system which never quite feels right and undermines much of the good stuff on display.

While it is hard to be too critical of this game, considering the entire project was developed by one person and a small staff, it is also hard to even call this a full game. It's a shame because its graphics rival tentpole AAA productions and there's clear passion to deliver a satisfying gameplay loop. But a lacklustre story and repetitive pacing coupled with unnecessary additions such as the skills makes Bright Memory: Infinite an uneven and jarring experience. Perhaps in the near future, given a bigger budget, developer FYQD Studio could make a more fully realised vision.

Battlefield 2042 is disjointed and incomplete at launch, but it's impossible to deny it still has that magic spark that made past entries thrive. There aren't enough maps and one too many bugs and glitches get in the way of the fun. However, with the excellent Portal mode to bolster it, Battlefield 2042 does just enough to get us on board. While we wish so many things were better, nothing else does it quite like Battlefield.

The Occupation is bold, ambitious, and a bit of a mess. Its bugs and occasionally obtuse storytelling severely detract from the overall experience, and yet it will live longer in the memory than the average game. There’s something fascinating here: a real-time thriller that puts genuine political power in the palm of your hands. But it’s strangled by its own ambition, and that’s as inevitable as it is unfortunate.

Like its predecessors, Destiny 2: Warmind struggles to justify its price tag thanks to a throwaway campaign and some incredibly tired mission design. The quality of Destiny's core gameplay is still clear to see and the expansion as a whole is dotted with a handful of high points, but it ultimately just feels like the game is purposefully treading water until September's big arrival -- and that's simply not good enough.

Fuse is a boring game that just so happens to be tolerable with friends. Aside from some idiotic AI, there's nothing necessarily wrong with the shooter – but it fails to ever do anything to justify its existence. If you have a group of buddies willing to commit to the experience, then you may find a glimmer of fun here. Otherwise, expect one long, dreary slog.

Sonic 4: Episode II is good - not great, not very good, just good. Its physics are better than the first game and the broad nods to past games will please fans, but the music is a disappointment and the combo moves limit the flowing momentum that would have nudged it into "very good" territory.

Vampire: The Masquerade - Bloodlines 2 is a shambles. Its best qualities are always short-lived, buried deep beneath the frustrations of non-existent RPG elements, extreme padding, and diabolical technical issues. Beyond the promise of its opening hours, this is a tragic misfire of a game.

Trailblazers is an ambitious and entertaining arcade racer with a great core concept that gives races a very dynamic edge. The added strategy that the track-painting system provides makes for an excellent ebb and flow to the racing, and the presentation is well executed. Some gameplay hang-ups do occasionally spoil the fun, however, with stubborn AI drivers that cause lots of unwanted collisions -- including your teammates. Some performance issues aside, this remains an engaging, and rather different, racing game that just about overcomes its problems to offer some good old fashioned fun.

Mato Anomalies is a tough sell; it features some fresh ideas and concepts (which should be applauded) but fails to create a compelling core gameplay loop in the process. With so many other other excellent turn-based titles demanding your attention, it fails to provide a compelling reason to undertake this surreal journey.

This Diablo clone shares many of the mechanics with the famous dungeon-'em-up, but scarcely manages to execute them with the anywhere close to the same degree of quality. The moment to moment gameplay is where Warhammer: Chaosbane falls shortest, offering a loop that is neither fun nor addictive by any recognisable measure thanks to dull combat and disappointing loot. There's little reason to recommend Warhammer: Chaosbane in a world in which Diablo III exists – which is the world we currently live in – so we're not recommending it.

PlayStation Vita Pets is not exactly a prize-winning pooch, but it’s definitely the pick of the litter in a genre that’s renowned for its mediocrity.

Planet Alpha is an enjoyable sci-fi indie, one that is undeniably stunning and engaging thanks to a unique day-night dynamic and interesting puzzles. Its major downfall is the glaring predictability of the story, but most players will be over the moon with what this game has to offer.

Bubsy: Paws on Fire is a combination of elements that range from merely adequate to frustrating beyond belief. In fact, the best part of the game is often being able to break the rules and cheese your way to victory. With almost zero redeeming qualities to speak of, the only way this game could possibly offer anything of benefit is to Trophy hunters, as there are a fair number of easily unlocked gold trinkets. If that’s not something you care about, then steer well clear - it’s just not worth it. Despite the shockingly long legacy as a series, surely this time must be the last, right?

Madden NFL 21 is stagnant, and while football fans will find things to enjoy, it’s not like there’s an alternative option available. The Yard is a genuinely promising addition, and we’re looking forward to seeing how it evolves over the course of this season – and future games. But an embarrassing story and an untouched Franchise mode mean that it’s the only real reason to upgrade. And while Madden Ultimate Team continues to be a time sink, the stale state of the on-field simulation means that this year’s game fails to find its intended receiver.

Call of Cthulhu’s successfully evokes Lovecraft’s Mythos by delivering an eerie story that ultimately doesn’t stray too far from some well-trodden ground. While anyone expecting a terrifying horror title or an RPG packed will player choice and decisions will need to check those expectations at the door, there’s at least a half-decent adventure game lurking under the surface.

Shiftlings is a fun, quirky title that may surprise those who decide to give it a go.

Dialogue between characters can often feel a tad overzealous considering the game's light-hearted approach to comedy, making it hard to recommend to anyone unable to stomach an inoffensive, self-aware fantasy romp of this fashion.

Trivial Pursuit Live! is an amusing, original adaptation of the original board game. Its terrible online mode, visual slowdown, and lack of variations let down what is otherwise great fun with friends. For the right people, under the right circumstances, you won't see a single problem. For everybody else, this is one to buy later down the line.

Primarily a game for fans, Lost Song obviously won't appeal to everyone, but those who do enjoy the source material will certainly appreciate its colourful and inviting world that's packed with things to do.

Thanks to a control scheme that doesn't make sense and sometimes doesn't do what it's supposed to, and appalling AI for both allies and enemy units, Sudden Strike 4 is a ga me that answers all of these questions and a bunch more you were probably afraid to ask.

With the online being a bit of a bust and the single player modes failing to really showcase the game's strengths, it's difficult to recommend Slice, Dice & Rice. Against a human opponent, the title's interesting and entertaining on a fundamental level, but as an overall fighting game package, it's found lacking.

Late in the game, one of the characters has a line where he says “I am a miserable, unfortunate man.” We can’t think of a more perfect way to describe playing this title. From a team capable of making a game as exceptional as Fated: The Silent Oath, the quality of work, or lack thereof, on display here stings.

Astria Ascending is a beautifully hand-drawn game with an old school JRPG feel. It tries to keep the experience modern with some much needed quality of life improvements, but annoying bugs hold it back. It’s a bit of a shame that the story is fairly forgettable but the fun combat system does help alleviate this to an extent. With a very detailed job system and plenty of optional side content to get involved with, there is entertainment to be found here if don’t mind the grind — but as an overall role-playing adventure, Astria Ascending has clear flaws.

We were enjoying the lowlife-detective-gets-in-way-over-his-head storyline, but it takes another turn later on into something decidedly more obscure. The final hour or two throw the whole story for a loop, and to make things worse, it feels as though none of the plot threads are resolved — you're just left hanging, probably with a furrowed brow, while the credits roll. It's a shame, as the music and visuals are excellent throughout, but the presentation just isn't enough on its own, and that's about all it has.

There’s an absolute treasure trove of licensed content, spanning both men’s and women’s teams, with only the lucrative Indian Premier League the notable omission. However, a robust creation suite means fans will be able to create any missing players or clubs and share them online, which should plug any small gaps that do exist...The biggest downside, then, is just the underlying lack of budget: cricket is popular enough, but it’s not baseball, and it’s clear that Big Ant Studios just didn’t have the resources to nail key gameplay mechanics, like fielding, which feels flat and unrealistic due to the limited selection of animation cycles in its library.

It’s a valiant effort, and an impressively authentic recreation all-in-all, but it just doesn’t hold up from a modern perspective – especially without a lightgun in-hand.

If you're looking for a decent, but not overly demanding action RPG, you could do a lot worse than That Time I Got Reincarnated as a Slime: Isekai Chronicles. It's a pleasant anime-based adventure, topped off with enjoyable action — but you'll need to endure some serious repetition along the way.

A rushed packing job to hit the road and enjoy the adventurous escape of Vita's launch. It's got a lot to offer and has a wealth of good times in store, but with a little more time spent on getting things together this could've been the trip of a lifetime.

Simply put, there is very little to recommend in this year’s game. With fewer modes than F1 2013, and with next year’s big update mere months away, this entry finds itself very much stuck on the grid.

At the end of the day, this is a neat experiment that fans of the film will enjoy, but overall it fails to measure up to the source material.

Ghost Blade HD is a brilliant entry into the shoot-'em-up genre for both newcomers and veterans alike. It strikes the tricky balance of offering a reasonable challenge to anybody who picks it up, but makes sure that the difficulty never gets out of hand. The deep gameplay and strategy allows for a variety of playstyles, and while the two-player co-op is a let down, the score attack mode will leave you coming back for more after you've bested the main game.

A surprisingly solid racing game, WRC 5's biggest undoing is its evident lack of budget. Kylotonn Games has put its priorities in the right place, delivering a slick handling model that captures the spontaneous nature of the sport well, but the presentation is fairly poor across the board - and the frame rate issues really detract from the responsiveness of the driving.

Skydive: Proximity Flight is fun at first, but it plummets prompter than bungee jumper with the wrong length cord. With little other than a flimsy campaign mode to keep you occupied, the thrill of swooping through a never-ending sequence of coloured rings will soon outstay its welcome, and you’ll quickly be looking elsewhere to get your fix of extreme exhilaration.

Few would consider the combat in the various Saints Row games particularly memorable, so it’s surprising to discover that the frantic, fast paced battles and excellent agent switching gameplay end up being the true heroes of Agents of Mayhem. While it’s disappointing that the open world feels surplus to requirements at times, it’s the 80s cartoon atmosphere and absorbing upgrade system that also help ensure that this is more than just a Saints Row spin-off.

With a fairer difficulty curve this could have been a decent timewaster; instead, we'd recommend it to masochists only.

Destruction AllStars can be a brilliantly frantic multiplayer game, with fun characters and cars, great DualSense feedback, and entertaining modes. However, it can ring a little hollow at times when the action dips. Lacklustre customisation options and mictrotransaction-locked content doesn't help matters, but when everything is playing out smoothly, this is more than capable of giving you a good time. Currently free to PS Plus members, it's well worth taking for a spin.

Chimparty is fun in places, but the repetition and occasional frustrations of its minigames means it's not likely to stay that way for long. As a family game it's too fiddly to be enjoyable for a sustained period of time, though its visual style is appealing enough to soften the blows of the substandard gameplay. Mario Party it certainly isn't – hopefully there'll be some better family games coming to PlayLink sooner or later.

Blind is a wildly uneven, generally disappointing trip into virtual reality. Its main sticking point, echolocation, shines when used to its fullest, but more often than not, it doesn’t get put to any real use. In between each of the game’s good puzzles, you’ll encounter large stretches of walking, and probably a smattering of technical problems as well. But hey, at least it won’t take too much of your time. The ending impression with Blind that we were left with was largely one of disappointment. We hoped for, and expected, more.

Shadow Heritage is another fine addition to Assassin's Creed Odyssey. It's an improvement over the previous episode thanks to more engaging quests and better character interactions, but for a game that likes to remind us that player choice is a key part of the experience, the forced ending of Episode 2 is undeniably disappointing. Still, we're looking forward to seeing how it all wraps up in the third and final instalment.

Dangerous Driving is a decent effort to bring back the boisterous, fast-paced racing of Burnout, and while it somewhat delivers on that promise, it's not without its fair share of problems. Technical issues hinder the experience, and one or two issues with handling stop the game from being a top arcade racer. However, the chaos and tension within the various event types makes for some good, old fashioned, adrenaline-fuelled action, and fans of this breed of racing will likely be able to burn a few hours here.

While there are glimmers of an outstanding experience, the title’s amalgamation of ideas never quite forms a perfect circuit, making this an interesting experiment that could have been so much more.

The Lost Child isn't a game bereft of merit, and we're sure that there's a number of people who'll enjoy the visual novel slash first person dungeon crawler approach taken here. But it's certainly a game with limited appeal - even among the role playing game demographic - thanks to the lifeless battles and cumbrous dungeon design. It's a game that pays more than a passing nod to numerous other RPGs - Pokemon, Persona, and other Shin Megami Tensei titles - but sadly, never approaches the quality of any of them.

Unfortunately, the minigames – a selling point for the first two entries in the franchise – flop harder than a gorilla on a trampoline. Their ranks – down from 50 in the original to 10 of the “best” here – include snowboarding and a terrible version of Monkey Target, but not even considerable effort can salvage these irritating alternative activities. The package is rounded out with various Time Trial options and the minigame-powered Decathlon, but not even the addition of online leaderboards can make the title’s awful adaptation of Whack-a-Mole entertaining.

While the PS3 version is superior, LEGO Batman 2: DC Super Heroes on Vita crosses the finish line right on its tail.

The weakest episode in The Walking Dead: A New Frontier thus far, Thicker Than Water is paced awkwardly and doesn't spend enough time exploring the relationships that really matter. A good conclusion sets up the finale well, and there are some standout scenes over the course of the instalment. But an underdeveloped villain and some hard to believe exchanges make this a forgettable episode overall.

While Orgarhythm's overall idea is great, all too often the positives are hidden in the mix by flaws that make it much more of a hassle than it should be. There are moments of excellence that occasionally blare out front and centre and hint at what could have been, but that quality is sadly not as consistent throughout as its stomping drum beats.

Terminator: Resistance Enhanced is a decent looking PS3 game that’s 10 years too late. It adds little value to the disappointing original release, and will only please hardcore fans of the movies.

The wonky motion tracking and cumbersome menus may leave you reeling, but Monster of the Deep: Final Fantasy XV is not the gimmicky gag that many expected it to be. This is a hearty package with a surprising amount of meat on its bones, and it’s a feast for the eyes in PlayStation VR. Cut corners like 2D cut-scenes do break the immersion somewhat, but relative to expectations, this is way better than it has any right to be.

Concord is a clean and well-meaning first-person shooter, with no shady business practices to boot. Its lack of real identity is an issue, and it’s difficult to determine just how much Sony is going to get behind it long-term. However, there’s a polished and beautifully presented experience on offer here, with some interesting tactical team-building systems and sublime animations. Firewalk’s debut may not be out of this world, but it’s genuinely pretty good overall.

The polished graphics, open world levels, serviceable combat, and fairly compelling dungeons are up to scratch, but the title's niggling gameplay flaws, terrible writing, generic visuals, and bland plot and characters don't exactly make it the cat's meow either.

While very short and suffering from some control issues, Small Radios Big Televisions mostly succeeds in delivering a fun, bizarre adventure game. Its presentation is its greatest strength, offering moments of tranquility and also of total obscurity. It's a shame that the puzzles never grow beyond their initial design, as the premise practically begs to be expanded upon.

Like it or not, Madden NFL 18 is still by far the best American Football game on the PlayStation 4, but if you fancy something a little sillier then Mutant Football League is not a bad shout at all. It plays similarly to the iconic EA series, but its aggressive playbook and irreverent sense of humour make it a fun alternative for a few downs – just don’t expect the appeal to last long into overtime.

Outward may aim high but is most definitely flawed, constituting a ga me just above par that's most ideal for RPG enthusiasts.

Both Museum Archive volumes utilise the same basic user interface and generic retro music that is serviceable, if a bit dull. They also employ the same settings, including a screen size modifier and a rewind system that makes any game laughably easy when abused. Having exactly the same functionality in both games also raises the uncomfortable question of why these collections had to be separated into two volumes at all. Still, they both offer a good selection of nostalgic gems, the odd so-so title like the frustratingly sloppy Mappy-Land, as well as a disappointing lack of unlockable extras. If it were one complete collection it’d be easily recommended but, as two separate purchases, these are for hardcore Namco fans only.

Unfortunately, the game's issues run a bit deeper. Like the 2016 version, the gameplay is stiff, slow, and rather dull, and sometimes it's unclear precisely how to proceed. Inventory space is a near constant headache. Building up your town is hard work, which is probably intentional but isn't very fun — especially when giant monsters unceremoniously wander over and destroy your buildings. Fighting back can feel futile and isn't particularly satisfying, either. It's tough, because there's great potential in its collaborative, common goal nature, and Phoenix Edition really does make many improvements to the overall experience, but its cold, repetitive core holds it back.

If the lead character’s HP reaches zero then it’s game over. All character levels are lost upon defeat, and you’ll have to start the dungeon from the first floor, keeping your equipment and any learned skills. Though the floors are short, it’s best to take your time and level up steadily to make progress in preparation for the potential difficulty spike, otherwise you’ll pay the price for trying to rush through. The game's flow can feel quite protracted as a result, and there’s a certain amount of level grinding from the off.

Cumulatively, you end up with a title brimming with nostalgia and good ideas, but controls that hold the affair back.

Zombie Army Trilogy is an enjoyable co-operative shooter that's a lot of fun when played with others. Unfortunately, it runs out of steam all too quickly, giving you a severe dose of déjà-vu once you realise that you're playing very similar encounters, with only the backdrop changing.

The game is different, odd, colourful, and often funny, but it feels like step backwards from its predecessors in more ways than one. And sadly playing as Battle Cat just doesn't seem to fix it.

Stray Blade is an enjoyable entry-level Souls-like RPG with a beautifully built world to explore. Its intriguing narrative and comical companion, Boji, will keep you entertained for its full 20-plus hour duration. Although bugs and frame rate issues are present, we would recommend Stray Blade to those looking to get a foot in the door of the Souls-like genre.

So called “walking simulators” live or die on whether they deliver an engaging story, and while The Station appears – at least at first glance – to have this covered, it misses the mark in a number of important ways. It’s not bad by any means, but its characters and themes feel light and underdeveloped. While it stumbles narratively, it does at least successfully craft a tense atmosphere, but neither this nor its modest number of enjoyable – if somewhat easy – puzzles are enough to make this a prime candidate for first contact.

If you liked the original, then you'll probably enjoy Dead Island: Riptide – but this feels more like a big expansion pack than a standalone sequel. Newcomers will be frustrated by the buggy gameplay, while long term fans will be baffled by the unfixed glitches. The game is at its best in co-op, but, despite some decent presentation, it's still not really worth the admission fee.

Here They Lie is not a perfect horror game – but it's tense and well worth experiencing if you're looking for some frights for your new PlayStation VR headset. The narrative could have been stronger, and the way it displays textures is odd, but the cavernous environments and clever control scheme make this a ride worth taking.

Perhaps the main takeaway here is that FlatOut 4: Total Insanity is safer than its name suggests. There's not a lot to criticise in terms of its execution, but its ambition feels firmly rooted in the PlayStation 2 era. There's nothing particularly wrong with that, and if you're looking for a distraction to occupy between juggernaut releases, then the PS4 isn't host to many destructive racers that are better. But while there's fun to be had while you're playing, don't expect this above average car crash to live long in the memory at all.

WRC Powerslide is a visually attractive experiment with an unclear purpose.

We're torn on Lost Soul Aside. On one hand, it's a very intricately made action game, full of interesting combat dynamics backed by an impressive degree of player expression. But on the other, it's a pseudo RPG with a really poor story, crappy characters, and a forgettable world. Right now, it's looking like a cautious recommendation for action afficionados, but we'll have to see how the rest of the package shakes out. [Review in Progress]

This is the same old Torchlight, but somewhat diminished. Classes are full of character and lots of fun to play, while Relic abilities encourage experimentation and significantly change combat. However, there's nothing especially new or exciting about this third instalment.

Between the limitless multiplayer, bulging single-player content and extensive list of trophies, you'll be busy for a very long time.

Ultimately, we think our impressions of Firewall Ultra boil down to just one question: will we be back for more? At this point in time, it seems unlikely. There are certainly the bones of a good game in here, but with the streamlined gameplay experience and limited content roster, frankly we just kept thinking about the better VR games we could be playing. We’ll certainly be keen to dip in once new content arrives, but it’s especially disheartening when we’ve been waiting for a big VR shooter like this on the PSVR2 for quite some time. Firewall Ultra then is an infrequently fun yet persistently disappointing first-party title that really forgets what makes VR so special in the first place.

However, through a fondness for the side-scrolling beat-'em-up genre, Southend Interactive has concocted a fun arcade PSN snack, which is even tastier in local and online three-player co-op.

This is a competent game, but it’s barely a refinement of a release that you’ve almost certainly already played.

Wreckreation isn't quite the arcade racer many fans have been waiting for. Its super-fast racing action and emphasis on taking down rival drivers recalls fond memories of Burnout, and the game's focal point — the ability to build your own challenges and courses wherever you please — has bags of potential. Unfortunately, iffy physics and handling and a lifeless open world let the side down, but there's still fun to be had in this open world racer, especially if you can gather some pals for some online shenanigans.

Conception II: Children of the Seven Stars is a strange title, but it offers an intriguing experience that’s let down by a few issues. Indeed, the bizarre story elements, off-putting sexual material, and repetitive gameplay mechanics may turn you away from this eccentric title, but look past these problems and you will find a way to appreciate its otherwise interesting narrative and entertaining cast.

Adventure Time: Pirates of the Enchiridion is an enjoyable sail along the high seas that is ultimately hampered by being rough around the edges. The battle system and story are an enjoyable experience, but absurdly long load times, frame rate stuttering, a clunky menu system, and a poorly developed upgrade system hamper the experience. It's still an entertaining experience, and fans of the show will likely love it, but those looking for an incredible RPG experience here might be left a little disappointed in its squandered potential.

Frustrating at times but fearlessly inventive, Slitterhead is an absolute must-play if you’re looking for an original take on the survival horror genre. Serving as a spiritual successor to fan favourites like Siren, Gravity Rush, and Soul Sacrifice, this haunting tale about a body-hopping spirit – who uses humans as fodder to put a stop to the eponymous enemy – is a scintillating albeit occasionally undercooked debut from Bokeh Game Studios. Repetition and an overall lack of refinement do bring it down, but you’ll be hard-pushed to find a more imaginative experience this year.

The series’ PS4 debut is very much a case of one step forward, two steps back – and while it lays the groundwork for a great game, 2K Sports has a lot of work to do to unlock it.

Color Guardians is a charming little title that will be appreciated by endless runner fans. The inconsistent difficulty is a problem, and its lack of variety means that it's best played in short bursts – but if you want something simple to brighten up your day, then this will do the job adequately.

The cartoony, minimalist graphics and eye-catching presentation will hold your attention, but like a fanciful daydream, the breezy experience will abruptly end, leaving you sighing in disappointment as you snap back to reality and stow away its pleasant aspects at the back of your mind for a good, long while.

It's not often that you can say a previous iteration in a sports franchise is significantly better than the newest and prettiest, but for EA Sports Rory McIlroy PGA Tour that is very much the case.

99Vidas is an affectionate homage to scrolling beat em ups of the 80s and 90s. It’s also a fun game to spend an afternoon with, regardless of age and skill. There’s not a lot of content and you can run through the story mode in a few hours, but local and online co-op, unlockable characters, and the promise of more levels should give it some lasting appeal.

Solid like a block of ice, and just as unremarkable, Lost Planet 3 is an enjoyable adventure that cobbles together ideas from elsewhere, but doesn’t dig its way beyond the basics.

A love letter to the noteworthy shooters of yesteryear, Gunscape combines old ideals and new ways to play, with mixed results.

Saints Row is a largely successful reboot, even if it sometimes feels dangerously outdated in terms of open world design. Its story and characters can be hit and miss, but the experience is carried by fun gameplay and an endearingly dumb sense of humour. Despite the new faces, Saints Row is definitely still Saints Row — just bigger and probably better.

A fast and frenetic adventure, Naruto to Boruto: Shinobi Striker is greater than the sum of its parts. Despite some voice work that feels rather flat and a handful of other minor issues, the game feels genuine in its attempt to recreate the action of Naruto, and forging your own custom character's legacy is bound to be enough to entice fans.

As a whole, We Are Doomed doesn't quite meet its asking price. While what's here can be compelling for a short while, it quickly loses appeal. However, it's certainly not doomed, as it's a solid arcade shooter with a gorgeous – if occasionally distracting – art style and fitting music.

A good little game that makes involving use of PlayStation Move, elevating a fairly straightforward slash 'em up into something more fun. However, while Zindagi's motion controls excelled in Sports Champions, they are slightly too inconsistent in this adventure setting.

For those who relish bizarre interactive experiences, The Good Life is an essential oddity that can't be missed. For everyone else, this is a barely functional chore that is all but guaranteed to frustrate and bewilder. Still, you've got to hand it to SWERY: no one else makes games quite like this.

Maglam Lord's got heart, but it's encased behind some disappointingly shoddy design.

There are also some thrilling chase sequences that help to change the tempo of the game, as well as sections where you’ll explore a large part of the school while being stalked by an enemy: a police officer, a ghost, or something even scarier. Unfortunately, it’s often in these sections where the game falters. Movement is slow to make you feel vulnerable, but clues are spread so far and wide that you can often feel directionless and grow frustrated as you wander the dark hallways of the school while you search. Add to this some clunky transitions between gameplay and interactions, texture pop-in, and frame rate drops, and the spooky atmosphere crafted through brilliant sound design is stripped away.

Downward Spiral: Horus Station neither succeeds nor fails in any spectacular fashion, and as such, it just sort of exists. This is a boring experience that doesn’t do anything truly unforgivable, but is also unsuccessful in offering anything worthy of talking about. Downward Spiral: Horus Station is a thing, but you really don’t need to experience it.

If everything Godfall had to offer was as good as its satisfying combat system, we would be looking at a darn good PS5 launch game. However, in reality, that's the only thing it has to boast about. An inconsequential loot system, recycled environments, and a frustrating mission structure thwart any sort of enjoyment the game might offer. It's not god-awful, but Godfall is going to be very quickly forgotten about.

There are several issues though and its biggest one regards movement, which offers three options: teleportation, swinging the PlayStation Move controller, or a smooth option reliant on button pressing. None of them click perfectly and adding to this, character models look a bit rough. If you can get past these flaws, Onslaught is ultimately enjoyable, bringing good combat and rebuilding Alexandria is quite fun. If you’re a fan of the TV series, this is worth a look.

Island Time VR’s best attributes – the visuals and the voice acting – are unfortunately overshadowed by some very major flaws in repetitive gameplay, a very short running-time, and game-breaking bugs. If you are looking for a new friend, Carl the Crab will certainly suffice, but if you’re looking for a top-notch VR survival title, we’d suggest you swimming the other way.

Tales of the Shire has a great premise, but will unfortunately leave most players wanting more. Its charms will potentially appeal to Hobbit fanatics, but with there being much better cosy games on the market, it's relying heavily on its Tolkienian license to distinguish itself.

Fun for a few bouts now and then, this is a brawler that doesn't quite do the original work justice - even if its nicely crafted story mode will keep fans entertained for at least a few hours.

Jeremy McGrath's Offroad has raced into a genre saturated with more competent competitors, and it pulls up in last place as a result. While the game doesn't necessarily do anything offensive, it's still a subpar experience with a major identity crisis. If you're looking for an enjoyable offroad racer, there are much better options on the PS3. Don't waste your time with this cheaper sub-standard alternative.