As boring and mundane a steering exercise as you will ever find. [Feb 2003, p.91]

The visuals are spot-on, a dead ringer for the series. [Jan 2003, p.62]

Doesn't match the heights ascended by "Silent Hill" or "Resident Evil," but the game thoroughly entertains with its building tension. [Jan 2003, p.64]

Levels so sparse they should run at 30, the models are bad, and there's loading where there should be none. [Feb 2003, p.90]

Gameplay is exactly like "Live" (with EA's exclusive Freestyle Control), so players can expect fast, adrenaline-pumping gameplay. [Jan 2003, p.84]

An absolutely stunning effort, a combination of hubris and execution that left me giddy with delight. [Dec 2002, p.66]

There just isn't anything exciting about controlling these nondescript racers. [Jan 2003, p.78]

The Mummy has big-game production values, fluid animation, plenty of nice effects, and a somewhat intriguing character swapping feature. [Oct 2002, p.86]

There is one thing I absolutely loathe, and that's the super-hyper-lame-ass "ooh-yeah" and "woo!" they feel necessary to slide in every time you pull off anything even remotely cool, and the similar "what the?" and "careful!" every time you get bumped. [Sept 2002, p.73]

Especially cool is the ability to use a light sabre for some classic combat, but this is a shooter first and foremost, and in this regard, it's pretty good. [Dec 2002, p.88]

For a game that came out of nowhere Dark Angel delivers the prime time goods and then some. [Jan 2003, p.60]

Big on fun, big on energy, and big on speed. For this style of racing, Shox has no equal. [Nov 2002, p.83]

Better than "Spiderman," but it still could have been better." [Jan 2003, p.58]

Flat control, annoying fish-eye perspective, and a schizophrenic camera that never settles down. [Jan 2003, p.80]

Better than "Spiderman," but it still could have been better." [Jan 2003, p.58]

Every task is spelled out. Superman's world is flat and lifeless, and the arthritic man of steel does indeed move as if he were indeed made of the substance. [Jan 2003, p.80]

NHL 2K3's biggest accomplishment is without question the AI: it is absolutely brilliant - especially the goalie. [Jan 2003, p.84]

Uneventful level desigin and poor AI. [Feb 2003, p.91]

Better than "Spiderman," but it still could have been better." [Jan 2003, p.58]

Feels flat and recycled, a perfunctory exercise to suck in the remaining loyalists. [Dec 2002, p.86]

Terrific enemy placement, tough bosses and pretty good graphics. [Aug 2002, p.71]

The only big downside to all this is a dated engine that shows wear in the animation, which may have passed the test on Dreamcast but loses appeal in today's arena. [Dec 2002, p.88]

The facial damage system is spectacular. You can actually see the damage you're inflicting on your opponent. Yo Adrianne! This game rocks! [Jan 2003, p.85]

The game has a razor-sharp edge that creates space and mood with the slickness of the big-budget films from which its ideas were borrowed. [Jan 2003, p.72]

For a game that came out of nowhere Dark Angel delivers the prime time goods and then some. [Jan 2003, p.60]

Dead to Rights is no "Max Payne." It tries to be when it's not being a mediocre melange of mini-games or a reheated crime story, but for the most part it's just generic. [Jan 2003, p.79]

Unlike any other 3D fighters on the market. Midway has done an exceptional job of creating a brand new MK experience while still maintaining the old-school flavor that so many of us are familiar with. [Jan 2003, p.70]

Where the game lacks is in the repetitive nature of the battles and enemy types, but the beautiful locales, spectacular animation, diverse gameplay, and 1080 degree high-def TV option, more than bring up the rear. [Dec 2002, p.77]