Ghost of a Tale has not managed to completely immerse us in its interesting adventure, the fault to a lack of visibility mainly. We still want to accompany Tilo, but some passages are painstaking by having to hide to escape the danger. Yet here too lies its strength, its infiltration side mixed with RPG and exploration, colorful characters and a sweet sense of humour. The universe is attractive and the animations are excellent, but the enemies are as dumb as a washing machine and the textual dialogues do not help. This is not a bad game, far from it, but it did not meet all the hopes that we had put in it.

For its first mainstream FPS, Avalanche Studios failed completely. The gameplay is slow and generic, the survival aspect is non-existent, the quests are boring, the story telling is a fail and not to mention the moronic AI. And again, we could talk about the horrible level design, the inability to swim or the many bugs encountered here and there. One of the few positive points is the engine of the game, convincing that we would like to see more out of it.

Sekiro Shadows Die Twice is a milestone in the genre. It offers complex, stunning and precise sword fights and duels that its predecessors lacked, and from which its successors will have to keep up with. You no longer simply learn by repeatedly and unfairly dying, but you refine your talents as a player. You seek unique methods to overcome each boss, rather than just rolling at the right time before spamming a few hits.

We. The Revolution manages to plunge us into the darkest era of France, with an innovative scenario, and the special appeal to play as a judge. There is always something to do, and the system of choices and repercussions is cruel but just. It's a good thing that you can go back in time whenever you want and make different choices. The game is as expected: immersive and refreshing.

Far from being a bad game, One Piece: World Seeker sticks to the fundamentals but never tries to transcend them. Devoid of originality, the title looks like a basic open world on which have been grafted characters from the manga. The title clearly lacks ideas to renew the gameplay, coupled with an overall lack of soul, the result crumbles against the competition.

With Space Junkies, Ubisoft offers unbridled competitive multiplayer battles. Needless to say that the bet is successful. Lots of action, very little seriousness and no motion sickness. Space Junkies also manages to be both accessible and difficult to master against experienced opponents who will be able to take advantage of the field bonuses, verticality and gadgets, in addition to knowing how to use the right weapon at the right time.

We conclude with great sadness this saga alongside Clementine. Even if it is quite short, the episode still offers us a great deal of emotion and action. Produced in the same manner as the previous episodes, it still brings some innovations and does not simply end the adventure softly. AJ takes off for the worse and for the better.

Yoshi's Crafted World finally became a game for children. The best way to enjoy it for an adult is by playing with a young child. The recipe works then, with its excess of cute things and some ideas that should please all those who like to pull stuff to reveal hidden things. Still, the gameplay and the general atmosphere of the title tend to make the set very slow, like the soundtrack made of a single piece recycled on the forty levels of the game.

If you are familiar with the series, a detail will definitely jump out at you: Tropico 6 looks like Tropico 5, which was criticized for being too much like Tropico 4. A hard blow for this series which evolves too little, copying most of the game mechanics and even bringing on the issues. Fortunately, the crazy atmosphere under the tropical sun is still here in Tropico 6. It may help you enjoying your winter times, as you seek warmth and papaya.

While the new version makes the game more accessible, offers more depth on the domain's management and a small but not marginal graphic facelift (notably sunlight management). It is unfortunately counterbalanced by the main character models being sometimes less polished, a catastrophic display of nights and a rather embarrassing bridle of the experience. This version is recommended for those who could not play the original game. However, the PC version is highly recommended, at least for the 60 FPS availability.

GrizzlyGames offers a vision of city building with Islanders as rarely seen before. Forget the management of the population, the economy and all the cumbersome settings, the game starts with the bare minimum to travel and appeals to your optimization skills. Building a city has rarely been so pretty and satisfying, and you'll probably end up your games thinking "Come on, I can do better". We will simply regret the music being a little too repetitive.

Provocateur, Weedcraft Inc is undoubtedly. At first sight this is a very complete management game offering multiple activities to carry out your business. While the humour is very nicely tailored in the dialogues, the repetitive gameplay and excessive recycling of the same sentences over and over again are disappointing. The negotiation and social relationship could and should have been much more interesting. Still, the multi-faceted management aspect mixed with the funny moments the title has to offer, like juggling between legality and influence over individuals and society, is enjoyable enough to grab your interest.

Bow to Blood: Last Captain Standing is a game with an interesting concept of competition in arena which involves alliances with other captains. Unfortunately, the arenas and the proposed goals are too few in number, empty, and all ending up looking like each other. If you are sensitive to VR's motion sickness, we advise you to activate the tunneling. The spectacular aspect of the show proposed by the host, as well as the humor between the crew members, are rather successful and the different elements to manage provide a good challenge.

Blue Byte beautifully manages the return to the roots of Anno. Many things are reminiscent of 1404, but it still adds significant value by adding inspiration from the last two episodes, and adapting it to the industrial revolution. The return of the sandbox mode is more than appreciated and ingeniously designed. Of course, the game is not perfect and there are a couple of small problems here and there, but Anno 1800 is a frank success on all aspects and can easily rise to the rank of best game of the series.

Hob has obvious inspirations and an overwhelming originality. The Runic Games's title is a tale of adventure mastered as rarely seen before. Classic in its approach or progression, it offers a high-end artistic direction and a dream soundtrack. The impression of "déjà vu", inherent to the genre, is sometimes present but does not affect in any way a smooth and pleasant progression. The ten hour longevity of Hob is well worth the investment.

Katana ZERO is a real success. A cryptic scenario well brought on, very fine gameplay, generous without being frustrating, the visuals are delightful, the soundtrack is funny and everything is magestically orchestrated. It is difficult to blame anything after the baby of Askiisoft, maybe a lack of a Time Attack mode that would match perfectly with the genre.

We finally have little to complain about in Mortal Kombat 11, which managed to reconcile us with the series. Thanks to its varied cast of characters, its technical but accessible gameplay and its content that does not take players for monkeys, the new MK has the arsenal to satisfy the fans hungry fro fighting games. However, beware of micro-transactions and Tour mode whose construction is dangerously close to mobile free-to-play games.