This just feels like the developers came up with a rough outline for for a concept for a game that they could play with their young children, and then called it a day. Unless you have a thing for wasting a lot of time and not having much to show for it, you'll just want to stay far, far away.

What I find most surprising about the game is the distinct lack of replay value.

Not the title to bring soccer to the greater masses; it only insults those who enjoy the sport.

Obviously, given it’s only about $5 at the time of this writing, it’s not like Loopindex costs you a whole lot in terms of money. But there are much, much better ways to spend those $5 — not to mention much better ways to spend the time it would take you to earn this quick-ish Platinum — and you’d be well-advised to look into any of those, and forget about this one.

I saw it quickly deteriorate into yet another cash cow trying to capitalize on a Hollywood hit.

Dr. Mario is too little too late and definitely isn’t what the doctor ordered.

It's fun to run around the galaxy as a saber-flinging Jedi, cutting down droids by the score. But after a few minutes there's no point. It's too easy and extremely shallow when compared to other adventure games.

It's far from the best or most innovative action RPG, but as PSP owners seeking their action RPG fix don't have a lot to choose from, it’s certainly better than nothing.

The story is silly and inconsequential, the action has the potential to be amazing, but cobbling together game concepts from the most popular titles on the market and releasing it with an amazing lack of polish just doesn't cut it in this day and age.

War Theatre is undeniably an improvement over Mecho Tales and Plague Road. I wouldn’t call it good, by any stretch of the imagination — no game that looks this bad could ever be described in such a positive light — but it is, at least, better. Baby steps, I guess.

What I find most surprising about the game is the distinct lack of replay value.

The game does scare with quick zombies and limited lighting, but there's not much play to put this on target.

Spray comes off as a pretty big disappointment, since I'm generally a big fan of platformers. The mechanic of using different liquids to overcome obstacles and puzzles isn't necessarily a bad one, but it doesn't feel all that fresh considering what Super Mario Sunshine had done previously (and awhile ago).

In the end, the humorous aspect of the game and the unique story are not enough for me to continue playing. With boring retro type games, which RGC is centered on, and the need for me to unlock the games by playing challenges of which some are very difficult; I feel this game really isn't worth my time and I suggest you take a pass even if you are really into retro games.

Playing Sherlock Holmes: Crimes and Punishments, it becomes clear the series has continued to find new ways to be mediocre, even as they’ve evolved in some ways. It’s a so-so game from nearly ten years ago that now feels positively ancient, and you’re better off just ignoring its existence.

The controls are a bit sluggish and sometimes unresponsive.

Acknowledging its major flaws and noteworthy highlights, the whole of The Division is an average shooting game with online elements, loot progression, and some bugs.

So once again, this fledgling series fails to impress, and while I get the idea behind the game and the mechanics that it's going for, it just feels like a lot of the elements are unnecessary and a bit too archaic for my tastes.

Really, though, there’s no reason why you should put up with a kart-racer that’s merely fine when you have so many other better options out there, most of which are just as suitable for the demographic Race with Ryan is aiming for.

There’s a gulf between competent and enjoyable, and Jumanji: The Curse Returns comes nowhere close to crossing it. It may work, but before you’ve finished your first time playing it, you’ll be wishing there was something more than that to it.

Admittedly it's not inherently bad or broken, but your mileage will depend almost entirely on how much you like bowling, mini-golf and/or if you have either of the other two systems' bowling games.

The combat in the game can be a blast at times, but the awkward control and super precision of the enemies often makes it more difficult than it needs to be.

Promesa is a slow-moving, boring game that never really explains why it exists, which makes it hard to care about any of it.

In the end, it’s worth playing through if you got it free from a pre-order deal when DmC was purchased. But I honestly don’t think it’s worth the $10 asking price.

In fact, I'd say that if that pop idol simulation thing appeals to you, you're better off just grabbing Hyperdimension Neptunia: Producing Perfection for the Vita, indulging your inner J-Pop mogul's every whim there, and forgetting this game even exists. And if it doesn't? Then you may as well have a nap, because that would basically replicate the Omega Quintet experience.

Comic Jumper is a game that's better watched than actually played. The humor is there, the concept is there, but the execution is sorely lacking.

Overall, Dark Void was a definite disappointment, but at the same time it's completely playable.

In other words, most of these games have been forgotten for a reason. Whereas the first Namco Museum volume was a solid mixture of all-time classics with one must-play new game added in for good measure (and let me reiterate: go play the Pac-Man Championship Edition demake!), Namco Museum Archives Vol. 2 is a collection of oddities that you probably don’t need to play.