On one hand, the short and tight nature of the experience, the eccentricity, and the fun movement keeps you entertained and consistently surprised. But at the same time, it comes across as a bit of a one-trick pony, a game that feigns depth and content variation and in reality struggles to be more than what's on the surface.

Everybody's Golf Hot Shots is charming, varied, and fun. The game successfully combines simple, accessible mechanics with depth and strategy, and the many game modes and unlockable items mean that there is always something new to discover.

It's a viral success that says more about us than about itself. We no longer want to arrive. We just want to watch the journey. We want to watch everything go wrong, preferably in real time. And in that way it feels like a game for our time.

As with Evil Dead: The Game, this feels, to me, like wasted potential and an iconic film licence used in the wrong way, for the wrong kind of game.

This is a well made and fun game, with great art and a quality multiplayer offering, but it's held back by overwhelming and demanding crafting, RPG, and progression that takes the sting and thrill out of the broader experience.

I probably had too high hopes for the Monster Energy Supercross series' return. It feels like it could have improved even more than it was, but regardless, what we get is a motocross experience that is simply as good as it was before.

While it's certainly impressive that Frogwares have managed to develop Sherlock Holmes The Awakened in just about a year and under terrible circumstances, the short development cycle is clearly evident in some areas. Ultimately the game feels caught between two worlds - not quite reaching the level of modern cinematic adventures and not being challenging enough to please fans of classic point-and-click games.

Wrath: Aeon of Ruin is still an incredibly solid start for KillPixel, and after a few patches it will surely flourish even more.

Dread Templar is an outrageously fun retro FPS. It's straightforward, simple, thrilling, action-packed, and exciting, and is the perfect sort of game for anyone who is solely looking for an old-school Doom-like title.

There is a hint of imagination that still makes it fairly fun, but at the same time it feels rather visually boring and in the end it is just a fine adventure both as a game and as an experience in VR.

If you like this kind of entertainment, Layers of Fear is one of the best of its kind. I can't remember the last time I've experienced a game with such an intense atmosphere and that was as unpleasant to play as {Layers of Fear}. And in this context, that should be understood in the most positive way.

Despite complaints, the core of Blades of Fire remains hot, with enough individuality and fun in its boss fights to prevent it needing to be reforged. However, it's hard to shake the feeling that if a bit more focus was put on any element of the game, it could have been very good. Its hodgepodge mix of being a combat-focused, story-heavy Soulslike that relies on breaking and making weapons feels like it was an attempt to get as many keywords in as possible without polishing them enough to shine.

At the moment there is very little else that competes with The Great War: Western Front and it is probably the best modern interpretation of trench warfare on the gaming market.

If you're the type who loves exploring every corner of a game world and leisurely moving through a slightly cluttered game world, this could be a great way to pass the time.

Essentially, don't expect to find a revamped or a completely new Phantom Abyss experience with this 1.0 update, because that isn't what this is. Instead, what you'll find is simply an upgrade and slight improvement to various aspects and parts of the entire framework that constitutes what Team WIBY created in the first place. If you've never played Phantom Abyss before, now is the perfect time to check it out, and likewise if you haven't played since early in the EA launch, there's a reason to return to it again. But, if you've been routinely playing this game for the past 18 months, you'll likely be a little disappointed that the 1.0 debut didn't come with a bit more meat on its bones, if you will.

I would describe Fairy Tail 2 as a game that does what it's supposed to do without showing off too much. Because all the systems fulfil their purpose. The characters feel elaborate without shining, the graphics are appealing without adding anything new, and the music and setting lull you into classic Japanese role-playing that sticks to the framework to the letter. However, there is nothing special that grabs your interest, but most of it feels well done without reaching further emotionally.

Minecraft Legends has a lot of good fundamentals, but usually doesn't take them all the way to the finish line. Defeating large enemy bases is incredibly satisfying and fun, but the lack of options to build your own large bases is disappointing.

Commandos: Origins is a great game in a genre that sorely needs one. With a difficulty that'll challenge even the most tactical minds, combined with refreshing visuals and characters that are fun to play, what you get is a satisfying,, rewarding experience that has you reloading save after save, believing the next strategy you try will be the winning one. The difficulty may cause the odd frustration here and there, and you may wish for a bit more besides a satisfying gameplay loop, but overall this is a win for the fans of RTS games out there.

My concerns about this game turned out to be unfounded, which, as a Roiland enthusiast, I'm very happy about. As I said, even though the Rick and Morty creator isn't involved in running Squanch Games, he left his DNA behind, and it clearly still permeates the game development over there. And that's something you either love or hate. I like it, and I like High on Life 2.

Star Trek in game format has often not been synonymous with quality and unfortunately this time it is not a hit either. The story is interesting and the characters are generally colourful and well written. However, it is hard to give these characters more life and we have to deal with the stiff animations and the weak voice acting unfortunately.

Purple Lamp has created one of, if not the best, SpongeBob SquarePants video games to date, and if you're a fan of the series, it's worth giving this one a look because it will undoubtedly give you a few laughs and fill you with tons of warm nostalgia.

Akimbot promises to be a noteworthy addition to the action and platformer genre. It not only honours the legacy of classic titles but also reminds us why we fell in love with these games in the first place, while offering a modern twist—which would be a disservice to label it as merely a clone.

The team behind Tides of Tomorrow made a name for themselves with the brilliant Road 96 and Road 96: Mile 0 - both of which were great stories. Tides of Tomorrow is no different, and the game had no trouble keeping me hooked during the 11-13 hours it took to complete. DigixArt are good at telling compelling stories, and they do so again with this game; this time, they spice it all up with this 'asynchronous multiplayer' mechanic, which is certainly a nice gimmick - and which makes the game one of the freshest narrative adventure games we've seen in a long time.

Undisputed is exactly the boxing game I've been waiting for, for over 13 years. It looks fantastic with realistic damage and plays well thanks to the excellent and complex controls. Unfortunately there are some minor issues with repetition in animations and commentary, but if you can look past this, I see no reason not to dust off your boxing gloves and punch someone in the face.

The Knightling is a fine action-adventure game with some strong ideas and elements. There's plenty of charisma and quality at the heart of this game, and it's broad and packed enough to keep you engaged until the credits roll. But, and despite its immediately noticeable similarities in gameplay, don't expect a game of nearly the same mechanical depth nor technical refinement as that of a Zelda project, as The Knightling doesn't have the same attention to detail as the series that to this day stands out as one of, if not the best in the genre.

Flintlock: The Siege of Dawn is a massive achievement by A44, let's not forget that. This is a relatively small team that has spent years realising a game that in almost every way competes far outside the team's normal weight class. In that sense, it's amazing that there aren't more compromises or failed design attempts, because there are very few things you can point to that really don't work here. It's not for everyone, but for me this has been solid summer entertainment, and for that reason it's pretty easy to recommend to anyone with a penchant for this formula, as long as you can overlook the jank.

Lords of Fallen is a solid Souls-like that goes beyond being just another genre copycat. Its combat feels fluid and has plenty of depth due to its nine starting classes and its dual-world concept literally helps to add another dimension to its combat and exploration.

All the action is very entertaining, once again, but there are moments when you feel that it becomes a little too streamlined and simple to lose some of the entertainment value that was there last time.