Diehard fans of the original trilogy and newcomers alike, make no mistake—this is the definitive way to experience Phoenix Wright on new hardware.

In many ways, Marvin's Mittens is a perfect game for young ones. Its story, aesthetic, and mechanics are simple and inviting enough to remain engaging, but despite its younger skew, I found the game to be delightful.

For fans of strategic collectible card games, Ironclad Tactics will provide hours of entertainment and offers the ability to go deep into its deck-building mechanics. For more casual players, the game's difficulty spikes and deck micro-management can quickly feel overwhelming. Despite its promising qualities, Ironclad's list of problems clink and clank too loudly not to notice.

For players new to the adventure genre, this package offers a great opportunity to play one of the best adventure titles ever made. The compelling crime narrative, intriguing characters, and great puzzles are all there, and an integrated hint system minimizes the need to alt-tab to a walkthrough. It's a shame that this remastered version squanders much of the charm of the original, though—I can't see it converting those cold on the genre, but fans and players interested in adventure gaming's roots would do well to check it out.

Runers has an interesting crafting mechanic and a truly staggering number of weapons, but beyond that, there's just nothing much to recommend.

The longer I played The Old City, the more I kept hoping that it would end sooner than it did. While each chapter can be completed in about ten minutes or less, the lack of involving content and Jonah's unbearable droning made it all feel much longer.

It's delightful to look at and even more delightful to explore. If Ubisoft wants to restore some goodwill with core audiences again, releasing lovely little titles like this is a step in the right direction.

Citizens of Earth may entertain for a while, but I doubt it'll have any real lasting appeal.

With bright. beautiful graphics and fantastic level design, Kalimba is a near-perfect action/puzzler that's always challenging in the most rewarding way. It's rare to see a game so difficult be so encouraging, and the developers should be applauded for making this kind of hardcore skill experience accessible to everyone.

In an era where action-RPGs are chock-full of skill trees, obscene amounts of loot, myriad spells and skills, the back-to-the-basics approach in Gauntlet is a breath of fresh air.

Grey Goo feels like a complete RTS package, built to spec in a time when enthusiasm for the genre is at a low. It helps show there's life yet in the formula pioneered by the likes of Command & Conquer and Dune, and while it might not have the weight to stand up against the likes of Starcraft 2, its own place in the contemporary strategic constellation is secure.

A gem, and perhaps the greatest indie sports game of all time. In fact, it's so good that big-budget sports devs need to take an honest look at it—there's a lot they could learn.

Ultimately, it may not have delivered as much variety as I was hoping for, but with the right expectations there's still a good amount of job-flavored questing to be had.

Despite the dated graphics, Criminal Girls: Invite Only manages to impress as an entirely competent retro dungeon crawler. It does run out of steam before the end with some amazingly pointless backtracking and a storyline that devolves into a typical harem snoozefest, but the overall experience? Still worth it, overall.

The unfamiliar battle system may put some newcomers off, but those who don't mind putting in a little practice will be well-rewarded with one of the best and freshest fighters in ages. That it's also one of the most absurdly good-looking titles in years is just gravy on top of a pretty damned special meal.

It's a pinball game at its core, and if the pinball isn't nailed down, then the entire experience suffers. With some redesign of the boards and a bit of physics polish, this would be an easy recommend. As it is, it doesn't feel quite ready for prime time.

Sure, it might be getting up there in years, but while the younger generation feels like it has to show off how ‘scary' it is with cheaper, higher-octane thrills, Resident Evil takes the time to really get under my skin, and considering how many times I leapt out of it, I'd say a bit of maturity isn't a bad thing.

Dying Light is a great experience from beginning to end. The combat is stellar, the parkour is a genre best, and it's taking place in an environment perfectly designed for the game's strengths. For all of its problems, Dead Island was pointing towards something great in the future, and it's clear that Dying Light is that something.

What I can say is that the concept of rewinding and rewriting has much potential. If it delivers genuine variances based on player decisions, there could be many interesting outcomes, but it's too early to tell how much Effect the Butterflies will have.

While Monster Hunter 4: Ultimate is still Monster Hunter (and thank goodness for that) Capcom has put a great deal of effort into improving the overall experience, and I'd say that their revamp has been a wild success.

There's nothing truly ground-breaking going on in The Detail (Telltale and BioWare have done better in the "players-choose-their-responses" department), but it does have potential.

A bit of a disaster...Why? It's a half-assed, crudely cobbled-together product prone to crashing, lockups (and as of press time) absolutely non-functional multiplayer.

Once again, Sony proves itself to be a welcome place for alternative experiences that don't easily fit the standard boxes, and Splice is one more that they can be proud of. I found it to be gracefully understated, masterfully elegant, and a puzzler that I enjoyed every minute with... Even those minutes when I had absolutely no idea where that final cell needed to go.

A highly disappointing game, no two ways about it.

The only mode to feel completely finished is Nightmare in North Point, which pits the player against an army of hopping vampires and a few resurrected faces from the main storyline.

It was great to spend a little more time with the Saints crew and when the series pops, it really pops. I enjoyed some of the situations and one-liners, that musical number was a true classic, and being able to fly across the city on a pair of wings was fantastic. Unfortunately, without more of the comedy and writing that makes Saints Row great, Gat Out Of Hell is too much busywork and not enough good time.

Despite my frustrations with some unfair aspects of the gameplay, I found Never Alone to be incredibly compelling.

In choosing to re-create Wings exactly as it was, warts and all, the developers have revealed that on a fundamental level, Wings was always more wart than it was game.