A rare case of a brilliant idea coming together brilliantly.

It tells a story I've heard already and never really cared for, and its intended message is rendered meaningless by a shallow morality system.

With no real gameplay innovations unique to the episodic format and the fact that Resident Evil's weakest quality has traditionally been its story, Revelations 2 is putting an awful lot of eggs in this samey-feeling basket.

It would be easy to write Harold off as a mobile game out of its depth, and I'd be lying if I said the basic concept of the game doesn't scream out for touch controls—it would certainly be the most intuitive way to play. That issue aside, Harold's charming visuals and comical tone may come across as deceptively simplistic, but it offers depth and challenge to those who make it past the slow pace of the first few levels.

While it may not look like much on the surface, Helldivers has a hell of a lot going on once players dig in, and being a disposable interstellar trooper raiding death planets has never been more perfectly captured than it is here.

Telltale's sophomore episode frontloads all of its secrets at the start of its 120-minute adventure. While this means it starts off strongly, things peter out toward into an uninteresting holding pattern. No big reveals, no surprise ending, and no power moves were made to advance the plot.

It's a technical disaster that fails to deliver any of the arcade bliss typically found in shoot 'em ups thanks to weak action, wimpy explosions and whacked controls. Leave this one in the digital bargain bin.

Funk of the Titans isn't likeable, though, and it manages to squander what little goodwill the premise engenders through terminally awful gameplay.

The total package is a game of deceptive brilliance.

ith inert characters, forgettable villains, and an achingly slow plot, Tears to Tiara 2 never offers a reason for anyone to keep reading.

Diehard fans of the original trilogy and newcomers alike, make no mistake—this is the definitive way to experience Phoenix Wright on new hardware.

In many ways, Marvin's Mittens is a perfect game for young ones. Its story, aesthetic, and mechanics are simple and inviting enough to remain engaging, but despite its younger skew, I found the game to be delightful.

For fans of strategic collectible card games, Ironclad Tactics will provide hours of entertainment and offers the ability to go deep into its deck-building mechanics. For more casual players, the game's difficulty spikes and deck micro-management can quickly feel overwhelming. Despite its promising qualities, Ironclad's list of problems clink and clank too loudly not to notice.

For players new to the adventure genre, this package offers a great opportunity to play one of the best adventure titles ever made. The compelling crime narrative, intriguing characters, and great puzzles are all there, and an integrated hint system minimizes the need to alt-tab to a walkthrough. It's a shame that this remastered version squanders much of the charm of the original, though—I can't see it converting those cold on the genre, but fans and players interested in adventure gaming's roots would do well to check it out.

Runers has an interesting crafting mechanic and a truly staggering number of weapons, but beyond that, there's just nothing much to recommend.

The longer I played The Old City, the more I kept hoping that it would end sooner than it did. While each chapter can be completed in about ten minutes or less, the lack of involving content and Jonah's unbearable droning made it all feel much longer.

It's delightful to look at and even more delightful to explore. If Ubisoft wants to restore some goodwill with core audiences again, releasing lovely little titles like this is a step in the right direction.

Citizens of Earth may entertain for a while, but I doubt it'll have any real lasting appeal.

With bright. beautiful graphics and fantastic level design, Kalimba is a near-perfect action/puzzler that's always challenging in the most rewarding way. It's rare to see a game so difficult be so encouraging, and the developers should be applauded for making this kind of hardcore skill experience accessible to everyone.

In an era where action-RPGs are chock-full of skill trees, obscene amounts of loot, myriad spells and skills, the back-to-the-basics approach in Gauntlet is a breath of fresh air.

Grey Goo feels like a complete RTS package, built to spec in a time when enthusiasm for the genre is at a low. It helps show there's life yet in the formula pioneered by the likes of Command & Conquer and Dune, and while it might not have the weight to stand up against the likes of Starcraft 2, its own place in the contemporary strategic constellation is secure.

A gem, and perhaps the greatest indie sports game of all time. In fact, it's so good that big-budget sports devs need to take an honest look at it—there's a lot they could learn.

Ultimately, it may not have delivered as much variety as I was hoping for, but with the right expectations there's still a good amount of job-flavored questing to be had.

Despite the dated graphics, Criminal Girls: Invite Only manages to impress as an entirely competent retro dungeon crawler. It does run out of steam before the end with some amazingly pointless backtracking and a storyline that devolves into a typical harem snoozefest, but the overall experience? Still worth it, overall.

The unfamiliar battle system may put some newcomers off, but those who don't mind putting in a little practice will be well-rewarded with one of the best and freshest fighters in ages. That it's also one of the most absurdly good-looking titles in years is just gravy on top of a pretty damned special meal.

It's a pinball game at its core, and if the pinball isn't nailed down, then the entire experience suffers. With some redesign of the boards and a bit of physics polish, this would be an easy recommend. As it is, it doesn't feel quite ready for prime time.

Sure, it might be getting up there in years, but while the younger generation feels like it has to show off how ‘scary' it is with cheaper, higher-octane thrills, Resident Evil takes the time to really get under my skin, and considering how many times I leapt out of it, I'd say a bit of maturity isn't a bad thing.

Dying Light is a great experience from beginning to end. The combat is stellar, the parkour is a genre best, and it's taking place in an environment perfectly designed for the game's strengths. For all of its problems, Dead Island was pointing towards something great in the future, and it's clear that Dying Light is that something.