A beautiful looking experience, hampered only by some bizarre footwear volume issues, Maid of Sker is as every part a horror experience as its established contemporaries.

Whilst not the deepest or most realistic of Trials-like games, it makes up for it with silliness and charm.

Lumote: The Mastermote Chronicles is adorable with clever logical puzzles that may appeal to the masses who love a good puzzler. Despite being filled with Bioluminescent beauty though, the lack of direction and repetitive environment holds it back from being anything more than ordinary.

The opening absurdity of Squirrel With A Gun lives up to its name with some of the most ridiculous moments I've had in a video game. Once the novelty wears off however, you're left with a hollow, janky and frustrating video game that's a better meme than it is a gameplay experience. Still, the initial hilarity may be worth it for the more immaturely minded.

The Pinball Wizard could’ve taken things further with regards to its level design. The game only really gets fun near the end, when you have everything it has to offer. However, for a humble game with a dungeon crawler/pinball hybrid it executes the novel combination successfully. Gameplay doesn’t feel as solid for a pinball game, but as a casual arcade game to play in bursts, it’s worth pulling the plunger.

Whilst it may seem like an intermission before Bloodlines 2 comes out, Vampire: The Masquerade – Swansong isn’t engaging enough to fill the gap. Lacklustre gameplay, unsightly character models and a sense of “You should know this already” are enough to put off the new players. Maybe for the fans, but that’s only if they’re coffin up the money for it.

Rock of Ages 3: Make & Break is more of what worked in the previous games with a handful of new modes and a creation suite. A tactical tower defence game that’ll have you scratching your head combined with an arcade physics derby that’ll have you grinning over the destruction left in your wake, it’s a lot of fun to play. It’s still not perfect but for those who’ve had fun with the previous 2 games, this instalment builds on that formula in the right places.

Redemption Reapers is a passable strategy RPG with a focus on tight squad-based tactics that’s probably too simple for genre veterans. Its campaign is disappointingly dull and does nothing to pull your attention away from its forgettable squad and stilted animations.

Unlike the French Revolution, you’re most probably going to fail at subduing this rebellious town a number of times. Deep and challenging gameplay systems are unfortunately undermined by an authoritarian difficulty curve, lack of variety in presentation and a bland story. For would-be dictators however, there’s a city worth pulling up kicking and screaming from the dirt.

Whilst the core gameplay loop of riding, swerving and tricking across different parts of an elaborately designed city is fun, the gameplay variety falls short very early on. If you're set on just getting packages from point A to B in sick and quick succession then Parcel Corps may just be the package for you, but those looking for more bite to their bike may choose a different delivery service.

A few issues aside, Peaky Blinders: Mastermind is a celebration of the TV sensation that translates much of what is loved about the show into tangible game play systems. The last third of this game is a brilliant showcase of the time manipulation mechanics and puzzle depth that can really push the player and offers oodles of tension. It’s simply a shame that it takes two thirds the game for that to be realised and for it to end so soon after it begins.

One moment it’s cute and funny and the next it’s dry and drawn out. A peculiar mix of engrossing visual novel and average dungeon crawler, Undead Darlings ~no cure for love~ will please those who have the patience to push through its moments of drudgery. For everyone else, a purer form of each genre might be more entertaining.

Forspoken is a fun action RPG when it gets out of its own way. Its linear narrative and heavy-handed first few hours sap the player’s goodwill, before letting you free and realising its true potential. Strong combat and traversal mechanics really shine, and by the end, even the story manages to rise, like Frey herself, to the challenge.

Spirit of the North remains a beautiful but hollow experience on PS5. The 4K 60 frames upgrade is glorious to behold, but the lack of DualSense integration in a game that’s crying out for it and hangups from the last-gen version makes it difficult to recommend.

The Edge of Fate is a desperately disappointing follow up to The Final Shape, offering little to nothing of value to the overall Destiny 2 experience. A forgettable story, lifeless new locations and joyless mechanic additions, this is a sad indictment on Bungie's current place in the industry.

It doesn’t offer anything new in “old school” regards, but the solid run-and-gun gameplay paired with two cracking soundtrack options should appeal to the curious.

A simple enough racer, #DRIVE Rally is the next evolution from Pixel Perfect Dude's last #DRIVE title. Whilst the racing is fun and competent, the lack of anything else to do might be a little off-putting. But for those that want cute arcade racing, this will get your engines revving.

Dreamworks All-Star Kart Racing is really trying to play with the bigguns but just isn’t doing enough differently to justify why anyone should care, especially if you’re a Switch owner. Name recognition can only get you so far and not even everyone’s favourite giant green ogre can save this one.

Override 2 is a different beast compared to the original. It’s easier to grasp, much faster paced and far more dynamic. Fans of the first game might not gel with these changes which make it more akin to a traditional fighting game. Despite the tweaks and a lack of game modes, this game manages to bombastically portray destructive kaiju battles in a very satisfying way.

King of Seas is a delightfully chill and humorous title that’s best experienced on a Sunday afternoon as you wish you were a swashbuckling pirate taking down warships with enormous cannons. Whilst the combat can be fiddly and the procedural nature may play with your sense of direction somewhat, there’s plenty to enjoy in this light-hearted sea tale.

It may not hit the heights of other giants in the business simulation genre, but Blood Bar Tycoon has plenty of personality and good management gameplay to keep it afloat. Who knew serving vampires and chewing on lowly humans could be this joyful and light-heartedly fun?

Alone in the Dark returns with a refreshing take in terms of its setting and atmosphere. However, it never gets to shake off its nostalgic cobwebs to be a fulfilling game that can go toe-to-toe with survival horror peers. With lacklustre gameplay and uninterested protagonists dampening the experience, you can’t help but feel this game is from a bygone era.

Mythwrecked: Ambrosia Island is an engaging and hugely enjoyable follow up to Röki. The characters you meet throughout allow you to discover the gods of Greek mythology in fun, unique ways, and there's plenty to discover as you explore this mysterious island. Mythwrecked comes highly recommended.

Curse of the Sea Rats takes some good ideas for gameplay systems but fumbles them in the execution. As a Metroidvania, it could be a good entry point and if it is, it can only go up from here. However, the animation that is in the game and the music does make a pirate life one for me, just not an overall great one.

Boti: Byteland Overclocked is ironically the opposite of its own namesake in being overclocked. Full of game breaking bugs, freezes, clipping, the list goes on – you name it it’s in there. Whilst having some small enjoyable elements within the game, It’s difficult to get past its state at review.

Gods Will Fall should have been so much more fun. An average action-adventure with a few roguelike elements, it’s combat is both fiddly and too simplistic to engage. Its Gods fail to inspire, and its world lacks tangible reward, while hurting the player with its high-stakes warrior loss mechanic.

Bleak Faith: Forsaken is a competent sci-fi soulslike with a beautiful and brutal new world to explore. It’s combat is serviceable, but its lack of explanations, narrative or even lore will leave many floundering without anything much to grab onto. This is one for the really dedicated Souls veteran who leans far to the extremes of the From Software design school.

God of Rock has flashy, entertaining visuals with a thematic flair. While its style and level editor excel, the rhythm gameplay and fighting mechanics feel shoe-horned together, creating a clunky and messy whole. The music is great and the idea could work, but this isn’t the rock-charged moshpit that it promised to be.