Bus Simulator 21 allows you to experience the day in the life of a bus driver managing their own company. Create routes, receive pay days, scold ticket dodgers and be on time. The game comes with a clunky and overwhelming interface and little tutorial, but if you shift past this, Bus Simulator 21 could invite a satisfying ride.

Although the core game is enjoyable and the stories it can generate will leave lasting memories, Blood Bowl 3 has a lot of problems. For Blood Bowl fanatics interested in PvP, there is fun to be had here, but for the more casual player who likes to play against the AI, it’s a really hard sell. With a few changes and improvements, the game could be a great one, but for now it is a bit of a fumbled attempt at a touchdown.

Suicide Squad: Kill The Justice League has an identity crisis. The core gameplay is diverse and addicting. The tonally grim but hilarious story showcases Rocksteady at their best, and the game is technical wizardry. However, anything live service about the game entirely complicates what is otherwise a winning formula that not even Task Force X can save.

Kandagawa Jet Girls is exactly what you expect and still offers a fun time for those invested in the genre. For everyone else, there’s absolutely nothing to see here.

If you like those slide puzzle mini-games you find in many other games, Cubicity is a cutesy, leisurely game built around that core concept. There’s 6 to 8 hours of content in this original package with the hint of more to come later but in less than half of that time, you’ll have seen everything this game has to offer. It’s easy – far too easy for my taste as it becomes boring quickly – but this is a comfortable way to kill an hour or 2 before the monotony sets in.

It may not look next-gen on your 4K TV running through your PS4 Pro, but it doesn’t need to. Conversely, I thought it was well suited to something like the Switch: much like a comic, you hold it in your hands and flick through at your own pace. In that regard, Atomic Wolf have nailed it.

Unfortunately falling victim to the giants of rogue-likes it provided the shoulders for, Collapsed is an entertaining if poorly balanced rogue-like. Solid action and gunplay can only carry you so far when repetition slowly wears away your enthusiasm, and you know that other games in the genre offer so much more in comparison. Collapsed is despairingly trapped under the rubble of those who have surpassed it.

Whilst a bit janky on the Switch, Blair Witch offers a decent first-person horror title based on an established mythos. And a dog!

Curved Space is a decent twin stick shooter which has a variety of weapons, striking level backdrops, satisfying upgrade systems and a cool leash mechanic. Sadly, it’s significantly let down by repetitive objectives, technical issues and level design which is aesthetically, but not practically, interesting. While not a bad game by any means, Curved Space sadly fails to capitalise on its promise despite its solid offering of modes.

Flashy, inspired but flawed, Hotel Barcelona is a blood-drenched, frenetic but clunky action roguelite. Leaning towards style rather than substance, its creative story, breadth of replaybility and brilliant horror-inspired art direction make this one for the cultists.

Concept Destruction is instantly accessible a neat take on the Destruction Derby set on table tops with cardboard cars. There’s some odd rules that can cause a headache and there’s not a lot of content here. After a few hours, you’ll have seen everything the game has under the hood.

An homage to the original GTA games, Rustler is a fun medieval twist on what made those 90’s smash hit games so enjoyable. Unfortunately, many aspects of GTA 1 & 2 that have aged poorly also rear their ugly head here which makes Rustler feel dated and clunky in comparison to its modern day peers.

On the surface, Hellpoint should have been a worthy contender. But too many technical issues suck any real enjoyment out of it.

Aquarist is a fine addition to the career simulator genre, although there are some optimisation issues on the Switch with some ill-fitted control problems and and fiddly mechanics. Behind these flaws though there is a casual, fun game that has a lot to offer.

So I’m a little disappointed, but there’s definitely something that perhaps could evolve into an adventure that’s tighter and faster. Summer in Mara feels loose and slow. There’s rightly no urgency in the world of Mara nor they should be, the zen of it all is what appeals but, could there have been just a little more tempo? Koa and the charming world of Mara is enough to keep an eye on this one, but it’s too big with not enough depth and that makes Summer in Mara far from essential.

Expedition Zero hooks you in with its first hour of tense atmosphere and excellent world design, only to fling you away with horrendous combat, counter-intuitive survival & exploration mechanics, and a barebones story. This expedition simply isn’t worth embarking on, but maybe one day there’ll be an adventure worth going on.

Antab Studio’s ambition has to be applauded. Blending multiple game types with such a bold aesthetic style and an intriguing story premise – and getting so close to pulling it all off – is a remarkable achievement in its own right. As it is, it’s a qualified recommendation from me – the combat could be a little tighter and you should be prepared for some frustration with the instant-fail stealth sections. However, at the price point Foreclosed sits at, you’re getting a lot of bang for your buck, and that’s a difficult value proposition to ignore.

South Park: Snow Day! is a pale imitation of the series’ previous titles, and falls short of the imagination and hilarity they produced. Whilst it’s certainly fun to run around South Park and interact with your favourite characters, the laughs are few and far between, the gameplay is deeply mediocre and if you were wanting more after the end of The Fractured But Whole, this certainly isn’t up to scratch. But hey, it’s £25. I’ve had worse takeaways that cost more than that.

What could have served as a reminder to how good it once was, Crysis Remastered is instead a broken mess that needed a lot longer in the oven. Terrible AI and awful graphical glitches just suck any semblance of fun out of this.

A visually stunning and atmospheric stop-motion samurai adventure, thoroughly retro in its design, is ultimately betrayed by glitches, janky combat and punishingly unforgiving platforming.

If you can get past that and seek a new type of challenge, then you can’t go far wrong with Shred! 2. It has indie title written all over it, so if you can appreciate it at that arcade level and price point, it’s definitely worth a look for those that want to push themselves. It’ll push you and you’ll get mad at times (please, do. I can’t be the only one that gets annoyed), but if you can persevere until you unlock new rides to help, it opens up the challenge with progression and practice.

MythForce doesn’t quite entice you to tune in to next week’s episode as the game has a lot of quality-of-life issues to contend with. There’s a big emphasis on co-op with it’s balancing of mechanics and cool team compositions, without the facilities to oblige – making it a slow and painful grind if you want to get anywhere on your own. It delivers on the aesthetic it goes for and the moment-to-moment gameplay is simply fun, but it’s not quite enough to make it out of a pilot episode.

Marred by dysfunctional controls, tired turn-based combat and an abysmal story, Crown Wars: The Black Prince is a dire knight. There are glimmers of the game that could have been within its broken and fractured armour, but this warrior is wounded beyond repair. There are simply too many other games in this genre that are more deserving of your time, and money.

Harvest Hunt sows some excellent horror rogue-lite seeds with an interesting folklore background, brilliant card modifiers and a suffocating atmosphere. The growth is unfortunately stunted through lack of variety and some cheaper horror tactics, but with perseverance and post-launch support, I have confidence the devs can harvest a true indie horror classic, once the blood moon reaches its peak.

There are a number of technical issues which blight Forgotten Fields but there’s nothing here that couldn’t be addressed over time and with patches. The core of the game, featuring a very human and relatable story mirrored in a literary fantasy one, shines bright enough that those who can forgive a few glitches will find something unique and interesting here.

LOVE is a charming game that ties a time bending puzzle box to a lattice of interwoven dioramas that await the player’s intervention. It’s like a Rubik’s cube but instead of coloured tiles, there’s bite sized narrative adventures to uncover. Not all of the stories are impactful because they’re told exclusively though character gesticulations rather than text or vocal performances but more than enough stick the landing to make this a satisfying experience.

To some, a short relaxing spiritual adventure through some lush environments will really appeal. For me, I wanted more than what was delivered. I wanted to be a fox, I wanted that feeling like when I was a wolf in Okami, but clearly there was a lot more to that game than I appreciated. Sadly the lonely experience of Spirit of the North is only a transparent, albeit beautiful, imitation.

City Eye is a surveillance simulation game that has an interesting concept but disappoints in many areas. From bottlenecking progress in late stages by padding the game unnecessarily to repetitive mechanics and a lack of variety, the game fails to capitalise on an interesting premise. You’ll find yourself less likely to be fighting crime, and more likely to be waiting for them to happen.