It’s beautifully produced and absolutely in line with the way that Jansson’s Moomin works ran. They’ve always left me wanting more, and I can’t wait until the next Moomin game comes my way.

Of course, Minos’ fans – and the game deserves to have a lot of them – will tell you the plot isn’t important. What is important is its creative sandbox and gleefully gory approach to what is essentially a tower defence game. And on that I would agree with them. Minos is really difficult to put down once you start finding yourself daydreaming about new ways to combine your trap arsenal together.

Tomodachi Life: Living The Dream is somehow both a satire of all these life simulator games and also the most wildly entertaining one that I actually want to keep coming back and playing. It’s truly madcap, chaotic fun, and every second of it is a delight. I wish I could share screenshots of just how silly the relationship between Dee Dee and “me” really got. Unfortunately, though perhaps wisely, Nintendo’s made it very hard to get screenshots off the Switch 2 for sharing with Tomodachi Life. Nintendo knew exactly what direction many people’s little communities of Miis were going to go. Nintendo knows us all too well.

I haven’t been able to put this game down, though, because through its weaknesses, it is a clever spin on the basic idea of Scrabble, and thanks to all those items and board variations, a nearly endless variety to make each new game its own experience. It might not be the “level up” on Scrabble, I imagine the developers went into the project aiming to make, but they certainly have come up with something that is perfect to pair up with a coffee on a Sunday morning. And I do love my Sunday morning coffee games.

Many people assume that the only point of otome is the romance, and the appeal is minimal beyond your interest in male fan service. Anyone who has played otome games realises that this is not the case, and Homura: The Crimson Warriors is a particularly strong example of this. It’s both “girl and reverse harem of pretty men” AND quality historical fiction, and that’s a combination that’s hard to put down.

A great effort, overall. Don’t let this one disappear in the swill of shovelware on the Switch’s online store.

Those amusing bugs aside, Greedfall: The Dying World is an earnest project by one of the most earnest game developers out there. It’s a game that is trying hard to say something important about a topic that is of great importance, while structuring it into an RPG that builds on the truly interesting world and lore conceived in the original. Spiders remains the best of the B-tier European RPG developers, and that’s a compliment. Belonging outside of the big-budget blockbuster developers affords a creative freedom that Spiders has never been hesitant to embrace.

Super Mario Bros. Wonder is arguably the finest Nintendo platformer ever, for the way that it managed to perfectly capture Nintendo’s entire philosophy towards platformers. This review might sound flat on the game, but that’s only because the “DLC” that’s been added to the Switch 2 upgrade is difficult to be quite so enthusiastic about. Still, if this is your first time with Super Mario Bros. Wonder, it’s adding more to an already brilliant package, and if you already have the game, the “DLC” is only $20, which is more than reasonable as an excuse to dust it off for another whirl.

It’s just a really nicely designed and executed game. I don’t think Ariana and the Elder Codex will be the kind of experience that sits in people’s memories for months and years after finishing it. I also don’t think that it’ll be something people are recommending and writing essays on a decade from now. It’s a bright, charming game made for easy consumption right now, and sometimes that’s all you need.

The “remaster” is good because the game itself is, but given some of the work we’ve seen in remakes and remasters in recent years, this one is far too pedestrian for its own good. I can’t help but wonder just how incredible Tales of Bersaria could have been if it was given a full-on remake to bring it to parity with the most recent new game in the series (Tales of Arise). That could have been something truly special.

Ultimately, Path of Mystery might not have the impact that a Famicom Detective Club, Phoenix Wright, or Danganronpa might, but this visual novel has plenty going for it. A cast of characters with a brilliantly written and believable set of dynamics between them, a clever mystery, told well and surprising enough to keep its hooks into you, and truly gorgeous art and presentation. Aksys picked a good one to localise, and the game deserves more attention than it’s getting.

Pokopia is going to occupy you for so many dozens of hours. Even once you’ve completed the main story and collected all the Pokémon, there’s still the core sandbox to play around with. Where Animal Crossing does eventually become a series of routines that you get stuck into until eventually it becomes dull, Pokopia resists falling into the same box by simply giving you so many objectives for when you don’t feel like simply inhabiting the world. Which is just as well, because we’re all going to need a lot of this kind of calming escapism over the next few years.

It is hard to shake the feeling that Monster Hunter Stories 3 is going to slip under the radar, and that would be a real shame. This is not merely a charming sidestep for Monster Hunter fans. It is a confident, ambitious JRPG in its own right, with strong storytelling, smart systems, and a clear identity. For the first time, the spinoff feels every bit as essential as the main series.

But it’s nice to have the genesis of such a storied series available, too. Like with any art form, being able to track the progress and changes that occur over time has inherent value to people who love the medium, and games like Nobunaga’s Ambition are like settling down to a vintage Humphrey Bogart or Charlie Chaplin film: they help you to appreciate the entire medium all the more.

I’ve played, and loved, Project Zero 2 many times over, with both the PS2 and Nintendo Wii versions. While it would have been nice for Koei Tecmo to get the frame rate under control for the sake of the cinematic quality beating at the heart of Fatal Frame 2: Crimson Butterfly Remake, in every other area, this remake deepens the gameplay mechanics while maintaining the incredible art direction and torturously beautiful story. That makes it the superior version of the finest horror game of all.

There is a lot that you can potentially get out of Gear.Club 3, especially if you enjoy time trial challenges, where you’ll get a lot out of the large number of tracks and online leaderboards. Collecting all the cars and then playing around with them is a lot of fun, and ideal for pick-up-and-play sessions. It might not be a must play, but it’s one of those games that you’ll likely find yourself spending more time with than you realise.

I thoroughly enjoyed each separate segment (except one) as discrete gameplay units and distinct slices of Resident Evil history. But as a coherent overall experience and statement of intent, Resident Evil Requiem is a mutated beast left to exsanguinate on the floor.

This is a genuinely well-written, complex, literary-quality mystery horror story that will teach you something about Japanese ghost storytelling traditions and does an exceptional job of highlighting one of the country’s more interesting, if less-visited, locations. It’s filled with intelligently structured and rewarding puzzles, and the gorgeous art really makes the atmosphere sing. I’m so very impressed that Square Enix has seen the value of these visual novels, and happy that they’ve been such creative successes. With any luck, this one is also enough of a creative success to earn a third, because there are a lot of ghost stories right across Japan that this series could go places.

I’d be lying if I said that this is a game for everyone. By its nature, the absurdism and surrealism of Romeo is a Dead Man is only going to resonate with people who can appreciate that quality about it. The game itself point-blank refuses to be entertaining to play on a passive level. But given that video games around us are becoming more and more generic, “best practice” driven, and in general, everything that Romeo is a Dead Man pokes fun at, it’s nice to have the occasional game that’s willing to put some people off in pursuit of its creative vision.

Overall, Dynasty Warriors Origins is a big, explosive, and massively entertaining action game, and true to its title, a conscious effort by Koei Tecmo to get back to the qualities that so many people have enjoyed from the series over the years. Lu Bu is terrifying, Sun Shangxiang is history’s greatest tomboy, Zhuge Liang is brilliant, and watching all these stories play out with such energy is just utterly brilliant.

The Run is a fun, feature-film-length game with mystery, murder, and a whole lot of running. I was rooting for Zanna from the beginning, when she was bright-eyed and pushy-tailed with innocence oozing out of her pores. Handsome, mysterious farmer Matteo adds more questions than answers, but he’s a welcome break in watching one person run alone, interrupted now and then by masked murderers. The acting was good, but the story is where The Run shines. And the endings I found? *insert mind blown emoji here*

It is strange to me that in the end, Dragon Quest VII Reimagined is better for new players to Dragon Quest than existing fans. I would think that the “VII” next to the title would put off those newcomers, who would assume that they would be coming in six titles too late. More to the point, no RPG trading on nostalgia – port, remake, or entirely new game – should overlook the existing fans entirely. Dragon Quest VII Reimagined makes some very smart decisions with the narrative and gameplay, and is so very close to the perfect version of the masterpiece thanks to that, but players have to go in knowing that the challenge is essentially non-existent.

Code Vein II is very, very close to joining From Software’s games and the Nioh series in the upper echelons of soulslikes. A quality narrative, fluid combat and an excellent, Ocarina of Time-like approach to progression combine in a way that makes it very hard to put the controller down. It does feel like it’s in search of an identity of its own at times, and it's unlikely to develop the reputation Ocarina of Time has for that reason, but Code Vein II has a lot going for it.

The long and short of it is that FFVII Remake Intergrade is a truly excellent game, and it plays brilliantly on the Nintendo Switch 2. Having such an excellent port of an excellent game to play on the go more than justifies a second purchase of it.

Lached Up Games gets more confident and ambitious with every title. The 15-20 hours that Help! I’m Turning Into A Mermaid! takes to run through make you wish that the developer had a bigger budget to work with, but you’ll be glad that games like this somehow get made in the first place.

I just suspect that in the world of board games, anime fan service aesthetics are something that heavily limits the number of gaming groups that are going to be willing to play. Not everyone likes fan service, and if even one person is put off by Heart of Crown’s characters (particularly the lolis), then that’s a group that’s never going to vote to play it on game night. Therefore, as I’m not a fan of playing randoms online, Heart of Crown is likely to be a single-player only experience for me, and that’s a disappointing way for an otherwise excellent game to fall short.

Temirana might not be up with my very favourite visual novels, but it is entertaining, with good and warm energy behind it. It’s not the ideal entry point to otome as it doesn’t really have a hook beyond “exactly the kind of game otome fans like to see,” but if you are a convert, you’ll find yourself chuckling along with the way it plays within the genre traditions right throughout.

Gorgeous art, an excellent soundtrack, a massive epic narrative that actually feels earned thanks to the strength of the writing and characterisation, and an exciting, tactical combat system. Yeah, it is, quite genuinely, an 80+ hour game, but that’s what the Christmas break is for, right?

Cricket 26 is iterative, rather than a bold new vision for how cricket games should play, but Big Ant’s earned the privilege to approach its cricket games like this now because they’ve spent the past ten years building up to a cricket series that already offers a quality simulation of the sport. It might not have the investment of the big blockbuster properties, but nonetheless, this year’s Cricket offers an earnest, enthusiastic, and high-quality take on the sport for fans. I’ve always been an admirer of the vision and clear passion for the sport that Big Ant has, and I fully expect that this new title will occupy yet more hundreds of hours of my time.

The point I’m really getting at here is that Lumines Arise has a meditative-like quality to it. Lumines has always offered rich and vibrant soundtracks backed by gorgeous visuals and an incredibly intense, yet rewarding gameplay loops. Lumines Arise is the ultimate realisation of that vision, and quite possibly the greatest puzzle game I’ve ever played.

I realise that Avernum, and Spiderweb Software’s work in general, is a tough sell. One look at the screenshots and it’s far too easy to file this one away as something too niche for its good. But I’ll tell you this: Any time I’ve convinced someone to actually play a Spiderweb Software game, they’ve gone on to play at least a few more. Jeff Vogel has been a great survivor in indie development for a reason. If you like your RPGs, give Avernum 4 a go. Trust me.

With its hugely appealing setting, rendered gorgeously well and near-blockbuster production values, Anno 117 might not be Ubisoft’s biggest breadwinner, but this is a confident and well-considered step forward for the series. When you think about what distinguishes a great city builder, you’d have to say that near to the top is when you can pan the camera back and feel like you’ve genuinely built something, and taken a couple of buildings and roads and turned it into a thriving city. The very best city builders make you want to learn about urban planning, and with Anno 117 it comes with a second benefit – it’ll make you want to learn more about what made the Ancient Roman cities tick as well.

While Hyrule Warriors: Age of Imprisonment isn’t going to convert anyone who doesn’t enjoy Koei Tecmo’s Warriors formula, this is a very fine entry in it. It effectively builds on the lore of Tears of the Kingdom, gives you plenty of entertaining characters to play around with, and looks stunning as the first Warriors to get a spin on the Nintendo Switch 2. If you enjoyed Koei’s previous collaborations with Nintendo, you’re going to really love this one.

While I do think that Mortal Kombat: Legacy Kollection is the most polarising Digital Eclipse museum experience so far, in terms of the quality of the games that are in it to play, I also think that it’s one of the most compelling experiences from a historical perspective. Who knows if we’ll ever have a series that has thrived this completely on notoriety again, and for that reason, this is a collection of curiosities that can’t be ignored.

Final Fantasy Tactics: The Ivalice Chronicles is the best version of one of the greatest video games. This review was largely pointless in the sense that just about everyone knows that it’s a masterpiece, and yet, as of time of writing, there are “only” 2,500 user reviews on Steam. For the love of Hatsune Miku, please don’t let this be a “cult classic” a second time around. If we’re going to ever take video games seriously as an art form, it needs to start with games like this being part of the canon.

Tormented Souls 2 is the kind of horror game you like to see from independent developers. As a clear passion project that is willing to push back against “best practices” to maintain the creative vision, it’s here for people who have fond memories of the formative years of survival horror, while also looking very modern. It’s by no means perfect, but the clear enthusiasm that went into it – and the fact that it’s so atmospheric – makes it compelling.

Dragon Quest I and II HD-2D Remake achieves exactly what developers should always be trying to achieve with a retro remake: Breathe new life into something that fans love. With enough new additions to surprise and delight even the most veteran fan of both titles, combined with a gorgeous art style that does so many favours to Dragon Quest, I somehow found myself genuinely excited, enchanted by, and unable to stop playing something I’ve played almost annually for decades now.

What it does have, though, is an excellent example of a roguelike formula largely done right, with great loot loops and an upgrade path that doesn’t make you feel like you’ve taken too many steps backwards every time you “die” and need to start a new run. And, hey. The pretty and sassy robot girls are the cherry on top.

Pokémon Legends: Z-A hits such an exceptional stride. An invigoratingly original combat system, an almost surprisingly good narrative that covers real and important themes, and the same charming monster designs and aesthetics that continue to define Pokémon as one of the biggest media properties in history. Excellent work, Game Freak.

This has been quite the non-review, I know, but then I don’t have anything to say about Persona 3 Reload that I haven’t already said, other than to note that it’s not quite as refined, smooth and slick as it is on PlayStation 5. It’s a slight enough degradation that I have no issue recommending the game anyway, though. More broadly, I guess the retro gamer in me does miss the days when meaning in video games was a collaboration between the player and the limitations the game developer worked with.

Ball x Pit is a very easy game to pick up and play, though it’s also one where the central gameplay conceit is very much present in the free demo; I could see some gamers bouncing (pun not intended) off it pretty hard, but if the demo intrigues you, trust me, there’s a lot more to come that does get addictive fast.

The long and short of it is that Silent Hill f is brilliant. It’s an exceptional story told exceptionally well, with a depth of theme and artistic heritage that makes it worth actual study. That is backed up with an entertaining blend of well-designed combat and intelligent, challenging puzzles. Silent Hill f will – or at least should – make you uncomfortable, and it will haunt your thoughts long after you’ve stopped playing. And that’s the hallmark of a truly special horror game.

It’s always great to see a developer grow in confidence, embrace new ideas, and find new ways to embrace their creativity. Submansion is a lot of things – quirky, surreal, whimsical and dark. It’s also the kind of game that could only come from a single developer exploring their personal creativity.

On the one hand, we’re talking about the game that is to Kojima what Dr. Strangelove is to Stanley Kubrick (i.e. the masterpiece in a resume that basically has no misses). Even considering how brilliant Death Stranding is, Metal Gear Solid 3 is just something special, meaningful, and important as a work of art. It’s hard to see how anyone could improve on it, so it didn’t really need a “remake” in the way some other titles do. On the other hand, this really isn’t a new game, and while it wouldn’t be fair to say the remake’s efforts were “lazy,” it’s also hard to shake the feeling that where the Silent Hill 2 remake was exciting by virtue of how new it was, this is just that game, that we’ve already played and loved to death, in a prettier dress. But hey, if you’ve somehow not played Metal Gear Solid 3 before, this is going to blow your mind.

Story of Seasons doesn’t exactly paint a picture of the realities of the life of a farmer. It is, after all, one of the hardest, if noblest, jobs. But the sweet utopia that the series offers is pristine escapism, and Grand Bazaar has one of the strongest concepts and executions that we’ve seen in the series. This game is a total delight.

Nightdive proves over and over again that for a certain type of vintage video game – the more mature and high-profile “blockbusters” of yesteryear – it is a formidable choice for not only making the game playable on modern hardware, but straddling the balance between giving the nostalgic the game they remembered while making it as playable and enjoyable as new games today. Heretic and Hexen are both brilliant dark fantasy adventures, and they’ve been polished to a special kind of sheen that celebrates the impact they had on many thousands of fans back in the day.

All of this might sound critical of Iwakura Aria, and I guess in one way I am disappointed in this, but only because it could have very easily been another House in Fata Morgana. The intensity of the themes are there. The art is right up there with the best VN art I’ve ever had the pleasure to see. The writing is beautifully eloquent, and this is a rare visual novel that I would happily pick up as a proper novel, where it would stand strong on any bookshop’s shelves against any of the literature on there. Even as it is, Iwakura Aria is better than 99% of the other visual novels out there. It’s essential as-is, and right on the cusp of being a masterpiece, and that’s ultimately why I’m disappointed that it doesn’t quite get there.

A lot of it is very standard genre fare, and as most people have played at least one Mystery Dungeon title in the past, you know what you’re going to get… at least in terms of how it plays. What distinguishes Mado Monogatari is its extreme enthusiasm and relentless humour. With a joyful art style, hugely entertaining character design and a painfully catchy and exuberant soundtrack, Mado Monogatari ends up being more memorable than it has any right to be. It’s been a stressful couple of weeks for me with an almost overwhelming workload, but whenever I loaded this up I found myself smiling and relaxed almost immediately afterwards.

I can’t think of a game that I have played in years that has been made with as much love as UFO 50. It’s the kind of project that could only come from people who love video games that much, and it does feel like a celebration of video games right down to its digital pores. I would have happily purchased 20 (if not more) of the games in this collection as standalone titles. Having them all in one package feels so generous I almost feel like we’re all taking advantage of the developers here.

I had a lot of fun with Rugby League 26, and it’s not even a sport I follow closely. I have been playing Rugby League games from as far back as the Commodore, with E.T.’s Rugby League (no, not the Spielberg Alien). As I said, the sport lends itself to big hitting, arcade-like fast play, and Rugby League 26 delivers this, and will continue to improve as the patches roll in.

Really, the question of whether this game is going to be worthwhile to you is ridiculously simple: Do you enjoy nonograms? If you do, then you don’t really need to be a Miku fan to get value out of this. You’re getting 1000 puzzles, and most of them are very well-designed nonograms. That is, by default incredible value. If you don’t like nonograms, then… well, I just don’t know you.

The issues with Wild Hearts S are minor enough that I’ve been more than willing to put up with them to enjoy the greater context. This is an excellent take on the Monster Hunter formula with stunning production values, an excellent and challenging range of monsters to track down, and, ultimately, a satisfying world to inhabit. It’s just incredible to now also have it in a portable format.

I genuinely didn’t know that I wanted Golden Tee Arcade Classics until it was released, and now I fully expect to be one of my most played games with Nintendo does its annual “what did you play” wrap. It’s challenging, it’s rewarding, it’s nostalgic and, as strange as the entire project is, it’s so very entertaining. I now know what the Simpsons’ excellent Lee Carvallo’s Putting Challenge was parodying, and like so many of the best Simpsons jokes, it’s making fun of a very fine thing indeed.

The Wandering Village is the kind of game that you can end up spending a lot of time in, and may just leave you feeling reflective and pensive. It doesn’t do that by bludgeoning you with a narrative lecture. Nor is it over the top or excessive in any way. It’s really very subtle and sedate. Yet, by anthropomorphising the earth as a giant, gentle beast, and giving it a personality, The Wandering Village really does make a stark point of just how cruel we humans can be to our one and only home.

No Sleep For Kaname Date – From AI: The Somnium Files is a kind of filler release, and that’s okay. Not every game needs to be something that overs tens of hours of highly emotional plot and deep gameplay, and the first two AI: The Somnium Files games have already established an intelligent pedigree for the series. It’s nice to have something that goes for pure comedy as a contrast. The Zero Escape team stuck to what they knew with the gameplay, and clearly had bundles of fun doing so. That makes it very easy for fans to have fun with the game in return.

Neverwinter Nights 2 is an artifact of its time, and today straddles a somewhat uncomfortable spot where it’s not quite so nostalgic that it feels “retro” while at the same time, the games industry is now producing far more complex and nuanced narratives, in particular. With that being said, as a stand-in for getting a group together to play some tabletop Dungeons & Dragons, it’s difficult to look past this. Basically, it’s the right kind of kitsch.

Donkey Kong Bananza is the perfect launch window title for the Nintendo Switch 2. It highlights the kind of creative whimsy that Nintendo can achieve with its new hardware, demonstrates that the Switch 2 really is more than a slightly bigger Switch… and is just a very fine game on top of all of that. Donkey Kong has finally appeared in a 3D platformer worth a damn.

Was Bustafellows season2 strictly necessary? Probably not. The original was so beautifully constructed and went out with a bang. By exploring events past that bang, we do get a chance to get to know the characters even more deeply, and the story is every bit as well-written and engaging. So while it’s not strictly necessary, I am not by any means complaining about having the opportunity to dip back into this world again, either.

The man is a genius and he will be remembered as the game industry’s first real auteur. Miyamoto and many others were great game developers and artists before Kojima, but Kojima is a true, bona fide auteur. Death Stranding 2 doesn’t harm that legacy in any way.

There are times when complexity can be a good thing, if it’s done well. Against the Storm gets that much right, giving us a challenging and also rewarding city builder with a compelling replay loop that will have you playing right through the night for weeks at a time.

“Director’s Cut” is the right term for this Yakuza 0 release. The biggest addition is additional minutes of narrative footage, and it’s been spruced up to work on a handheld console for the first time. That’s really all it needed, because it was already the pinnacle of one of the greatest JRPG properties we’ve ever seen.

Is this an essential update? Not really. I would argue that the Switch 1 version of Civilization VII isn’t worth playing, and so if you are going to play the thing, you should upgrade. Nobunaga’s Ambition is already an excellent game, but you’re not getting much extra if you already have it and all the DLC on Switch. There’s also no upgrade option like there is with Civ VII, so you’d need to shell out for a full-priced game if you wanted those mouse controls. But then, on the other hand, I’ll still be playing Nobunaga’s Ambition: Awakening a year (and longer) from now.

I had fun playing Hello Stranger, even though repeated playthroughs sometimes felt a little redundant. Cam is relatable, and I found myself genuinely rooting for him even though I made him a bit of a creep in one scene… sorry Cam. There is a tense feeling while playing, as though you’re waiting for something to jump out and scream at you. (That doesn’t happen… often…) I’m a bit bummed about the minigames and the decision tree, but I’m thrilled with the story and visuals.

Raidou Remastered: The Mystery of the Soulless Army is one of the more niche Atlus classics, but the remaster has been well worth the time and effort. There is a dark and culturally interesting heartbeat at the centre of this one, and while I do prefer turn-based combat to this action button-mashy stuff from Atlus, I was more than willing to put up with it for everything else about the game.

Mario Kart World is magnificent. It features the tight and refined gameplay you expect from the series, a brilliant new Knockout mode, and such colourful energy and vibrancy that it was the perfect title to launch the console. I really didn’t think there was much else Nintendo could do after Mario Kart 8, but I stand corrected.

I have nothing but positive things to say about Date Everything!, and that’s saying something considering I’m a pessimist. It’s a love game that was meant to launch for Valentine’s Day, but it’s also a queer game launching in the middle of pride month, so the launch timing is still wonderful. It is an amazing game, and its fictional relationships hit me in my very real feels. The characters vary greatly in everything from appearance to personality, and despite there being 100 of them, it’s easy to remember each as someone special. The voice acting is exquisite, and shoutout to the devs for including the voice actors on every dateable’s profile. I expect to be recommending Date Everything! to others for years because there are so few quality games as quirky and heartfelt.

Bravely Default didn’t need fixing, and simply rescuing it from the 3DS is more than enough. This is a beautiful, heartfelt, and wonderfully classical JRPG, and as much as I love Mario Kart, over the past week, I’ve wanted to play this one so much more.

Fantasy Live i has that big MMO feel to it, yet throughout the adventure never becomes exhausting. Whether the post-game stuff is for you or not, the journey there is such pure, wholesome, moreish escapism that it doesn’t matter. Level-5 took many years to get this out the door, but the wait has been more than worth it.

Thanks to its laid-back, low-pressure vibe, aesthetic warmth and overall wholesomeness, Guardians of Azuma captures the comfort food quality of the entire Rune Factory series. Meanwhile, thanks to a vastly improved visual engine, accessible interesting combat, and an exceptional setting, it also takes a strong step forward from its predecessors. This is the strongest entry in a beloved series, and made all the more special because, after the original developer of the series closed shop, it looked like the entire series was dead for several years. This is a pretty good statement that there’s still so much more that it can offer yet.

Elden Ring Nightreign is a very clever game. FromSoftware has produced a multiplayer-focused “Souls” experience that borrows some of the best ideas from the multiplayer giants while retaining the Soulslike formula and style. It’s not really for me. I’m a mega Souls fan, but I’m there for the dark fantasy storytelling and exploration more than the action and bosses. But I can appreciate what FromSoftware has done with this, and I certainly think the team has nailed what they set out to achieve with it.

The thing is, Eurojank RPGs are always better than their big blockbuster counterparts, because they’re what the developers really want to make. I don’t think an Elder Scrolls could be made with the grimdark purity of Tainted Grail. Look at what happened when EA put the blockbuster sheen over Dragon Age, which itself once indulged in dark fantasy. I personally don’t think King Arthur is as dark as game developers continue to, but I certainly appreciate that the developers of this game committed to that and actually delivered it. There’s a real heart and soul to this project, and Poland has produced yet another developer that is well worth keeping an eye on.

Pivot of Hearts is something special. The main character, Wen, is extremely relatable — even to people who aren’t game developers. He is the beating heart of the game, someone you can’t help but root for because he tries so hard to do everything “right.” The game shows genuine, non-conforming relationships progressing from the start, making it easy to fall in love with the characters. The way the developer incorporated the tarot card aspect is extremely clever. The more I played, the more I enjoyed it — even while lacking spades! I firmly believe that Pivot of Hearts can change some minds regarding “traditional” relationships. It isn’t always easy, but all that matters is that your heart is in the right place.

All in all, the original Duck Detective was a wholesome, entertaining, totally charming bit of brilliance, and this stand-alone sequel does it justice.

What you end up getting with 7’scarlet is a safe-ish suspense mystery. There are otome visual novels out there that are far darker, more explicit, sharper, more horrific, and more intense than this one, but it’s not a criticism of 7’scarlet to say that it’s for those that want something more relaxing and straightforward to enjoy. A truly lovely setting that will have you pining to explore small-town Japan, and some lovely art, make this pulpy-style otome an easy-going page-turner.

Death end re;Quest: Code Z ends up being something of an archetypical JRPG for Idea Factory in one way, while the opposite of what we expect in the other. It’s far sharper and smarter than the over-the-top fan service suggests it will be. That’s the archetypical half. Meanwhile, the JRPG mechanics are competent and enjoyable, but very standard with little experimentation. That’s categorically not what we expect from Idea Factory. It’s usually a company that experiments with combat systems to its detriment. That being said, I’m not disappointed by this at all. We haven’t had a proper “Chocobo Dungeon” style roguelike in a long time. This scratches the itch and then, thanks to the exquisite horror art and theme, leaves a bloody scar behind.

Those gripes and wishlish items are minor issues that would be nice to see Big Ant address in future titles, but I don’t want to take anything away from AFL 26. It plays incredibly well and has had a lot of effort put into it, despite being a game that only really has Australia to count on as far as marketability. What’s more, Big Ant’s still patching away. It’s going to be fascinating to see where this one ends up in a year.

I love being able to play Age of Empires II on my console, and for it to play so well on the hardware and with a controller. As someone who consumes anything to do with Romance of the Three Kingdoms with enthusiasm, I’ve loved this latest expansion in a very long line of excellent expansions, too. Now we just need to get a remaster of Civilization 2 as well, and I’ll spend the rest of the year just playing the same games I spent my entire teenage years with.

Clair Obscur: Expedition 33 is a precious thing. It has the big blockbuster production values, but in sharp contrast to most other “narrative-driven” games in this space, it also respects the intelligence of its audience and is willing to engage with a rich tapestry of themes rather than leaving the onion unpeeled. My gut tells me that as respected and successful as this game has already been, it’s only really getting started and over time will sit alongside the likes of NieR, and Planescape: Torment as the most literary and intelligent games ever made. Goddard, Camus and Sartre would be proud (well, perhaps not, existentialists are not a particularly jovial bunch by reputation).

I have not minded the opportunity to step back into Oblivion at all. It’s a big, beautiful adventure with some truly exceptional, memorable moments. The world of Oblivion alone is a perfect recreation of the Dungeons & Dragons descents into hell from my tabletop days, and I had such a rush of nostalgia playing that through again. It has made me feel old to reflect on the fact that it’s a 20-year-old game and I swear I remember playing it new like it was yesterday, and nostalgia always comes with some rose-tinted glasses, but yes, I haven’t minded having the opportunity and excuse to play this again at all.

We live in an era where games that have puzzles need to lead players by the nose to their solution, for fear of the player getting stuck and giving up. Anything that truly challenges the player is anathema to modern design best practice. That’s why Amerzone is such a rare treat. It looks the part of a modern game, tells an exceptional story with a page-turning quality that only one of history’s finest comic book artists could achieve, and is willing to throw some genuine puzzles at the player. If you’ve got the resolve for it, then you’re in for a ride with this one.

I’m not sure why Square Enix has decided to become so prolific with the SaGa property. Three games in a single 12-month timespan is the most ambitious release schedule we’ve ever seen for it. But I’m also not complaining. SaGa has always been something of the forgotten child of Square Enix’s JRPG properties. With any luck, that’s changing now, and a whole bunch of people are going to realise just how good Frontier 2 here is for the first time.

The fact is that as a fan of Chu Chu Rocket, I am continually disappointed that there isn’t more done with that kind of puzzler, and Tempopo more than scratched the itch. This has been my favourite puzzle game in years.

These are two remarkable, classic games that have held up as well as any other retro JRPG, and one of them hasn’t actually been released in the West in a very long time (Lunar 2’s last release outside of Japan was on the PlayStation! You owe it to yourself to pick this up, because, in every way, these are truly vintage JRPG classics.

All in Abyss is exceptional. Sharp and very funny writing, is backed by a fast-paced, intelligent appropriation of poker. This is going to be one of my highlights of 2025.

Battlefield Waltz is one of Otomate’s stronger efforts. It takes a strong setting, a strong narrative, and strong characters, and makes the most of them. It’s a “safe” game that takes few risks and doesn’t really push boundaries, but it’s an enormously enjoyable and moreish page-turner. The digital equivalent of picking up a good paperback.

One thing you could never criticise about Coulombe’s work is that he has a great eye for detail and understanding about what “art” means in the context of video games. It’s the clever use of interactivity, the playful subversions of expectation, and freeform creativity that ensures that Look Outside will remain with you, coiled in your mind and puzzling you long after the computer’s put in rest mode.

Gnomes is one of those games that is just clever, and if there’s any justice in the world it will have a similar trajectory ahead of it that Vampire Survivors did. It’s immediately accessible, both devilishly challenging and rewarding, and almost impossible to put down.

Xenoblade Chronicles X: Definitive Edition is much more than a port and there’s enough there to justify a re-purchase, even if you’re still one of the ten people still playing it on the Wii U. For those that aren’t existing fans, all you need to know is that this is one of the biggest science fiction epics on the Switch, and while I do prefer the intellectual depth and fantasy trappings of the “proper” trilogy, it’s hard not to be thrilled when exploring your way around this lush, unique vision and world.

Wanderstop is phenomenal for many reasons, including its characters, world, gameplay, and message of mental health and hygiene. I feel deeply for Alta. I’m not frustrated by her inability to think differently, I empathise with it. Learning new thought patterns requires a lot of hard work for a long time, and the game is Alta’s journey to a new way of looking at life. Wanderstop is touching, sweet, funny, and soothing. Its gameplay is flawless. My only issue with it was a lack of working accessibility options, sometimes causing me pain when I could have been feeling a glowing, happy warmth instead.

Atelier Yumia: The Alchemist of Memories & the Envisioned Land is a committed effort by Koei Tecmo to further grow the series and find a new audience. It means that some of the Atelier traditions have been firmly and, on the back of the Ryza series, likely permanently behind. But this new direction is wonderful in its own way. Yumia’s ambitious scope, sense of adventure, quality party of characters, and typically gorgeous music and art direction make for an exciting new chapter to the series.

I don’t think we need the Suikoden series to “continue” any more than we need someone to go out and write a Water Margin 2. I have no idea if Konami is using this release to gauge interest in a proper “reboot” or new sequel, and being honest, I don’t think we need that. Frankly, I’m not even sure we need the rest of the series to be re-released from here (though I also wouldn’t say no to that). We should just appreciate that Suikoden and Suikoden 2 are remarkable achievements, both as literary adaptations and entertaining video games to play, and that quality and worth has not diluted one bit in the years since. Play these, love them, and then do yourself a favour and go and read Water Margin too.

Head Over Heels: Deluxe also runs like a charm on the Steam Deck, and if you’d told 14-year-old me that I could spend a weekend lying on a sofa playing Head Over Heels, he frankly never would have moved ever again. Maybe it’s a good thing that the Deluxe Remake has taken so long to appear.

It’s always refreshing to come across a narrative that challenges genre norms, while still respecting the genre it belongs to. Him, The Smile & Bloom doesn’t set out to criticise or undermine the otome visual novel, but it does take expectations in a different direction thanks to the way it has been structured. Thanks to that, this is a vibrant and highly enjoyable, intelligent, and thoughtful experience, well worth the price of admission.

Urban Myth Dissolution Center is a novel take on the ADV genre that is worth playing, even if it can be finished within a weekend. It makes you think, and not just when it comes to solving a case: its commentary on society, social media and the genesis of urban myths has left an impression on me after finishing the game, along with that spectacular ending.

Shujinkou is a genuinely worthwhile language tool wrapped up in a genuinely worthwhile indie Etrian Odyssey-style dungeon crawler. It’s an inspired, intelligent idea and I hope people give it a chance despite being as indie as they come. On sheer ambition and creative energy, I would be hard-pressed to point to anything I have ever played that’s more impressive than this.

Never 7: The End of Infinity and Ever 17: The Out of Infinity are both very different experiences, but both are worth picking up because they give you an insight into one of the auteurs of our industry. Kotaro Uchikoshi has a rare talent for bringing a literary quality to his projects, and with these two we get to see what he was like at the beginning of his career. That’s a treat that you shouldn’t miss.

The score you’ll see right below here is more reflective of where I think the game will end up than where it is right now, but Big Ant’s earned the benefit of the doubt and until they fail to deliver, I’ll continue to give it to them.

Stories from Sol: The Gun-Dog has made a great impression on me because of the characters, the narrative, and how everything is so detailed. The gameplay and text create a frantic experience, contrasting with the laid-back visual novel style. It sure had my heart pounding and my brain in overdrive! Yes, I have some gripes about the controls and timed events, but those things haven’t stopped me from enjoying the other, more prominent aspects of the game. The series has promise, and I’m very curious about where Space Colony Studios goes with this anthology series.