It's a disjointed and senseless game that has about as much to do with James Bond as an ill fitting suit. To add insult to injury it shows no care towards the classic stories it is ripping off and even less care towards the character of Bond. It then takes this lack of care and combines it with lazy game making and rushed development.

Zack Zero feels like it was made by going down a checklist. Lava level? Check. Rudimentary puzzles? Check. Arbitrary baubles and hidden treasures to collect? Check. Boss fights at the end of levels? Check. There's no charm, save for the enemy designs and certain environments, and no sense of identity. The game alternates between being an unexciting, stale, middling affair, and being a somewhat broken game that hits some remarkably low lows. I don't know which is worse.

Trillion: God of Destruction isn't a game, it's a job; and not a very good one. This isn't something that should be played at home but instead in a cubical, on a desk surrounded by unsigned TPS reports while Becky from accounting reminds you to sign Bill's birthday card before he goes home for the day. And while the company you work for may be interesting, the work you do is so mind-numbingly banal you can't help but wonder if your skills could be put to better use somewhere else.

Destroy All Humans is, at best, a mediocre exercise in boredom and at worst, a glitchy mess of incompetent design. It's lazy, it's dull and it's hideous to look at. Clearly rushed out in time for the holidays, you will effectively be abusing a loved one if you give them this as a holiday gift.

In summary, Armored Core: For Answer is a bland game that only exhibits brief periods of satisfaction, namely blowing things up, amidst its numerous flaws. For Answer has some particularly testy controls, poor mission structure, aggravating battles, and a complete lack of flair in its levels.

Once the game begins and things actually have to be rendered in motion, the facade slips away and the game's unfortunate, misshapen, true form is revealed. Outside of the fantastically realized hallways and background details, everything else looks like trash.

Damage Inc. is a hot mess. Choppy frame rate, ugly graphics, shoddy presentation, forgettable multiplayer, and an overall worthless feeling when playing doesn't amount to much. There's at least a good variety of things to do with the number of missions and planes involved, but you may be too frustrated with the gameplay itself to even care.

If you don't care about unlocking all the customizations, achievements, high scores, or the few characters that hardly change the gameplay, then you'll probably get bored of this within 20 minutes. Even at a lower price, I wouldn't recommend it.

Even if you haven't played the game yet and would be able to use these new utilities while completing the story, it's a bad sell. These DLC items make Just Cause 3 a brainless and straightforward snoozefest.

An embarrassment to the series.

Curio might be a half decent game underneath all the window dressings, but those dressings are precisely what make it such a frustration to play. When you can't even see what you're doing the majority of the time, no one is going to enjoy whatever style or atmosphere it's hoping to convey.

This game is a flat out 3, you should really play it.

To add insult to injury, RoAW makes it frustratingly hard to get into the lore.

Whereas the Switch 1 had games like ARMS and 1-2 Switch to show off the new tech, NS2 Welcome Tour carries the burden of being somewhere in the middle-ground of those and a free tech demo. If it was a free pack-in, this would've felt like an entirely different experience. But alas, it is unfortunately its own thing, and it's a thing that I hope does not become commonplace.

The reality is: WWE 2K Battlegrounds is a game nobody will remember a year from now. It lacks so much of what made over-the-top arcade wrestling games great in the first place, while also being filled to the brim with microtransactions. The spectacle of its over-the-top moves and abilities are quickly lost in the tedium of its progression, lack of depth, budget presentation, and technical issues. It almost feels like 2K has come crashing down with the WWE license...and it hurts inside.

I think the absolute worst part, and this is unique to Skate Jam, is when the game decides that you hit an angle wrong and instantly boots you back out to a random area instead of the zone you're actually playing in.

Condemned 2 is bad. It's got one or two fun mechanics, which it absolutely refuses to let the player enjoy for any significant length of time. The story sucks, the level design is even worse, and the graphics are grimy to the point of being ridiculous.

The most heartbreaking part of Food Truck Simulator is that the core gameplay is solid-ish, but the foundation they put it on is built out of Saltines. I feel like I could stick my finger into every orifice of the game and come up with a different disease each time. It’s rotten.

The idea has merit, but the actual end result is a boring, ugly mess that offers little.

Every time I could find something to enjoy in Flynn & Freckles it would quickly be overshadowed by a frustrating platforming sequence, mundane level design, or one of the many rage-inducing bugs that would ultimately result in my death. The character design and colorful world all have promise, but it's evident that something when wrong along the way.

Within under ten minutes time you'll have experienced all the game has to offer; boring boating, equally dull scaling of buildings and peering out a periscope to find the next white and green building to climb. There is no failstate, no urgency, no combat, just moving from point to point and monotonously collecting shit.

A shell of an RPG. The idea for the world is there and the idea for a unique battle system is there, but nothing is actually inside these ideas.

It doesn't feel like much love went into this project in almost every aspect. It's probably the best game in the Bubsy franchise (not saying much), but also lacks some of the few things that really gave Bubsy any definition at all. It just feels like a random platformer with Bubsy plastered all over it because hey, remember him? Oh also it's thirty dollars. In a year that has brought us a bevvy of amazing platformers, some even revitalizing long-dormant series, Bubsy is easily left behind.

There may be an inkling of promise in its budding story, but for many I imagine it will be hard to read between the lines and even harder to consider it a worthy experience.

Guns Up! is a dull game. It's repetitive, it's tedious, it's digital Ambien. If the thought of a console version of Clash of Clans excites you, you’ll probably have a blast with Guns Up! Me, I can’t wait to delete this off my PS4.

It presented me with a story mode that was random and poorly voiced, where I would win every round, no matter what I did. The game's controls weren't very strong, and so I learned what a poor port of a Wii game is like.

X-Men: Destiny is an ugly, boring, lazy little game. Even if it were free, it would be insulting to have one's time wasted in this way, but the fact it's being sold for sixty dollars rubs salt in the wound. It tries to eke out an existence by pretending to be a far richer and more satisfying game than it is, but the promise of a better experience only serves to hammer home just how bad the final product actually is.

Aliens: Colonial Marines is more than a disappointment. It's downright depressing. I can't say if it's the result of a lacking budget, rushed development, or sheer carelessness, but having the nerve to present this as a full retail game is inexcusable. It's simply not finished, and it certainly isn't worthy of being considered a legitimate followup to Aliens.

Rekoil: Liberator is as generic as they come. Basic maps, uninspired character models, the "same-old, same-old" game modes we're all used to. What it tries to do to make itself stand out it fails at, and what does make it stand out is nothing to be proud of.

X Rebirth might be worth grabbing in a Steam sale in a couple of years, after 100 patches and with a dozens of mods that create an entirely different game. That game could be fun if you are into modding. As it is right now at launch, X Rebirth is simply a broken, flawed, and almost unplayable mess.

The story threatens to be interesting, but is laughably bad, as is the dialogue in the game (such as the lady who constantly talks about being "punished"). I'll give it this, it has a pretty cool version of Moonlight Sonata as part of its soundtrack. At least Phantom Dust dared to try something different, which is more than can be said for most AAA games these days.

Quantum Theory is what would happen if Gears of War and Super Mario Bros. had a baby. A mewling, deformed, horrific baby that doctors would try to drown.

Does little to elevate itself over the antiquated genre it spawned from. The hand-drawn 2D art is nice, and the real-world caricatures that act as bosses after each stage might elicit a smirk, but the game is short, shallow, and unable to properly execute the simple, tried-and-true beat 'em up gameplay style, let alone advance it.

All I can say is that it looks as if they at least tried to make an effort, but their attempt to create a digital, small-scale version of Gears has been an absolute failure.

I hope to never return to this game and I wouldn’t want anyone to waste their time and money on the endeavor. Whether that is harsh or not, Slain on the Switch is not the version you should buy. If you want to have any hope of enjoying the game, get any of the other versions available (all of which run at 60 FPS and offer customizable controls).

The game just reeks of a lack of interest. The animation work is fine, and there aren't any bugs, but it feels like there's no care for the audience involved here.

Uno is a shining example of misleading marketing and a great argument for Xbox Live to adopt Steam's refund practices.

The Cartel could have gotten away with being an unremarkable yet playable shooter, but the galling lack of presentation and legitimately uncomfortable audio/visual problems make it an unpleasant experience overall. Unfinished, buggy, and barely fun to play, Call of Juarez: The Cartel is a sloppy serving from people who should know better, and ought to be ashamed of themselves.

I don't know why this sequel exists, outside of a cynical cash-grab or a frankly ridiculous belief that the original was almost perfect and could get away with trying the same trick twice. Both circumstances are unforgivable. No game about a psychopathic teddybear should be this dreadful.

All in all, I wish I could say that playing Where the Heart Leads was fun — I was really rooting for it, and hoping it would rise to the occasion. But, regardless of how long I held out, playing this game turned out to be a pretty miserable experience, and one I would have given up about an hour in if I didn’t want to finish it for this review. This game bit off more than it could chew, it seemed, and when you try to say too many things at once, you don’t end up saying anything at all.

The level design is dull, the platforming is simplistic, the graphics look a few generations old, the RPG elements are basic, the music is forgettable, the enemies are pushovers, the difficulty is turned all the way to easy – I'm honestly at a loss for words.

Wildlands is a bad fu.king game -- it completely fails at everything it aspires to be. It's a bad co-op game, it's a bad shooter, it's a bad open-world game, and the writing is terrible. At best, the game is boring. At worst, it's frustrating. I suppose the visuals are worthy of some praise, but you can just look at screenshots for free. I cannot recommend Ghost Recon Wildlands to anyone, unless you're directly related to someone on the development team. If that is the case, by all means, support your family! Everyone else: stay away.

Overstays its welcome and starts to get rather monotonous around halfway through.

All of these issues add up to a final product that feels devoid of any real personality and what we’re left with is a generic experience that relies too heavily on a gimmick that never fully delivers on its promise of fun.

Overall, Soul Axiom is a painful experience...I love the plot premise; the idea of a digital, man-made afterlife and how that affects society is a cool idea. I just wish Wales Interactive explored it in a bit more detail, instead of giving us the half-baked story, sparse and boring environments, and easy, repetitive puzzles that it did. It feels like an opportunity for something special that’s been completely wasted.

As it stands now, Manhunt 2 acts as the worst of all worlds; its non-gameplay will irritate gamers who actually want to enjoy themselves, its presumed violence will send the media into a frenzy and send public opinion of videogaming back another five years, and its relatively low level of visually clear violence will disappoint gorehounds who just want to see a bad guy get his balls ripped off with a pair of pliers.

There's almost nothing redeeming about it...The biggest problem with Shattered Crystal is the sluggish pace.

As it stands, playing Bombshell for more than an hour at a time is like ingesting a sedative, save for flashes of rage as you fall through the map one more time or are asked to find six more crystals.

This just feels like an all around sloppy port that was quickly pushed out to try to score some cash off of Friday the 13th's bungled release. The console version doesn't even include all the download content released for PC, including the Halloween DLC with Michael Myers. The mouse-like controls in the menus, coupled with the fact that most all the actions are mapped to the triggers and shoulder buttons, makes it feel like whoever ported this doesn't play consoles to begin with (thankfully you can remap the controls).

There are some genuinely cool moments buried among the slop. If this were an Early Access title, I'd be very content saying to keep an eye on it as it nears release. Considering that this game is being released like this, I will instead warn not to waste any money on this unfinished title. I look forward to a potential 2.0 release, because I really want the game that was intended to come to fruition.

There isn't a lot to like here. Banal gameplay, cheap deaths, poor feedback, dull quick-time event combat, bad acting, worse writing, and an overall amateurish presentation. The most enjoyable part of this experience was venting to a colleague about how bad it is.

In theory, Tony Hawk: Ride could have been an interesting and fresh gaming experience, and Activision and Robomodo should at least be commended for taking a chance. But in execution, Tony Hawk: Ride falls flat in nearly every aspect.

Tales of Elastic Boy - Mission 1 requires that you contort your wrist in ways it wasn't meant to bend. Maybe the blistering tendinosis you'd likely develop is a sign that this game isn't meant to be played, either.

Finding hidden objects is a delightful activity for children, but there is no tangible value for anyone looking to play a game.

It literally feels as if Techland studied the original Call of Juarez, identified all the things that made it feel fresh and interesting, and intentionally left them out of the sequel. What was once a franchise of weirdly intoxicating half-successes has been turned into a dull, unsatisfying, originality-devoid shell of its former self.

It's nearly impossible to recommend.

There are bad games that failed due to poor budget, ill-conceived mechanics, or a simple lack of skill, and then there are bad games like NeverDead -- that could have been good if the developers hadn't cut corners, used its innovations as excuses to get away with incompetence, and absolutely, positively, failed to give a single solitary shit about the people unlucky enough to be playing. For games like that, there is not an adequate word in the English language to vocalize my disgust.

Awful design, a counter-intuitive art style, and an obscenely cheap approach to difficulty makes BloodRayne: Betrayal a game that should be avoided by all but the most masochistic and deranged of gamers. The deep revulsion that this game inspires within me cannot accurately be described, but it is measured only by the intense, burning disappointment I feel as a fan of the series.

It is visually atrocious, interactively vapid and incomplete to a degree that a full retail price is an insult. It's tempting to buy this just to have something new on the system, but good things come to those that wait, and it's hard to imagine anything not being good compared to this mess.

With all of the incredibly boring slogging that goes on between puzzles, and considering that the quality of the puzzles themselves ranges from bad to mediocre, Doctor Lautrec and the Forgotten Knights is impossible to recommend to even the most ravenous puzzle players. Even if this game were available for free, I wouldn't recommend spending time with it.

Ruining all of the goodwill that Popcap has built up over the years is a damn shame. EA is doing some things right in the current climate, but the publisher has consistently shown us that it cannot move forward without taking multiple steps back.

Crude, archaic, sloppy, and unfunny, but I don't want the show to be blamed for any of it -- not because I wish to defend Family Guy, but because by blaming the show, we let this game get away with being the invidious dross it is.

Congratulations to AvP: Evolution! You've managed to be marginally worse than an unfinished, buggy, outsourced piece of trash. You must be very proud.

Even if it wasn't a gross misuse of a license, Reservoir Dogs: Bloody Days is a boring, buggy game with a universal selling point that's nowhere as fun, or as smart, as it thinks it is. And just like Joe Cabot, I'm so goddamn mad hollering at you guys, I can hardly talk.

Survival Instinct clearly isn't finished, and has no business expecting money from any paying customer. It's the kind of hurried, jury-rigged game that risks dealing damage to a property -- an especially sour note considering all the excellent work achieved by Telltale's The Walking Dead.

Left Alive falls flat on its face at nearly everything it attempts to do. The story and characters aren't that compelling, the piss-poor stealth is thrown out the window thanks to the forced combat, and the combat at its best made me burst out laughing in pure disbelief at how terrible it was. So, at least it has that going for it.

I can just imagine some kid saving up their allowance to buy this pricey meatball and crying afterward.

Devil May Cry: Peak of Combat is one of the most joyless games I’ve ever played. Its combat system doesn’t even come close to living up to the Devil May Cry legacy, and any entertainment that could have come from it is buried under its overwhelmingly aggressive monetization. It is, at best, functional and, at worst, utterly devoid of any value. If this is the peak of combat, I’ll just hang out at base camp.

Whereas Regular Show 3DS was a flawed love letter to retro fans, Explore the Dungeon is a sheet of paper with chicken scratch scrawled on it. It's the worst game WayForward has put out in years, and yet another example of a wasted licensed game opportunity.

It's a gormless, chafing, unquestionably horrid little waste of time. Only the hardcore Disney obsessive need look into this one, and I don't advice they look too deeply.

Ghostbusters does the bare minimum required, and it's apparent that this is a project that nobody cared about. It's ironic that a game so entrenched in specters and spooks is so completely lacking in spirit.

It tries so hard to ape the trappings of better horror games that it never stops to think about how to use them. Mercifully, CASE is staggeringly short.

Maybe the idea was kind of clever, or you may have fun accidentally, but everything else is horrendous.

I simply don't understand how this got the green light in its current condition and I am gravely concerned that something like this is going to be sold to people. Maybe it's fine on the PS2, but the Xbox 360 version is poison for your disc tray.

You don't get many brawlers these days, but even the biggest fan of the genre should consider it a personal debasement to buy this one.

Compared to some of the games that it has decided to price itself against, Dungeon Hunter: Alliance looks absolutely pitiful. Sitting this next to Uncharted, Army Corps of Hell or even Ubisoft's own Lumines, exposes Alliance for the cheap, nasty, outdated and outclassed little con job that it is. Expensive at a quarter of the price, this embarrassing waste of space has no business pretending to be a full retail game.

Basement Crawl is not only a broken, unfinished game -- it's also a poor one.

So unless you're in the mood to ruin your day and possibly take a few years off of your life, do yourself a favor and skip Turok: Escape from Lost Valley. Whatever the core concept was, it has not turned out well.

Past Cure wants to be something great, and that ambition is the only thing it has on its side. This is a game that is flawed to its core. The mangled story and shoddy design prevent any single aspect from ever sticking out as something special. Don't even risk taking a bargain bin flier on this one. You'll only end up frustrating yourself.

A festering irrelevance with nothing to offer the world. It's a game with an odious personality, one that could only endear itself to the sociopathic and mentally maladjusted. There may be life in Duke yet, but not his current incarnation. Not while his developers legitimately think he's cool and hilarious, rather than creepy and nauseating, and not while he's starring in games that can't even compete with budget titles.

Buried beneath bugs, control issues, harsh mission design and even harsher economic balancing, there seems to be a shadow of the old Stronghold as we remember it; sometimes you'll even have a minute of fun here and there.

Super Seducer: How to Talk to Women is too stupid to be sexist. It’s a relic from the Entourage era we’re all better off having moved on from and absolutely nothing to get worked up over.

It's disgusting that a game in this forsaken a state is asking for a single thin dime, let alone sixty bucks. Even if it was free I wouldn't recommend it.

Even as a tech demo it's pretty unimpressive, though the actual environments do catch the eye. It's certainly not worth the price. If you do feel like being annoyed for an hour, you'll have to grab it on Origin. It's an exclusive.

I can't recommend anyone play NightCry unless you have a steel resolve, unlimited time on your hands, and a penchant for terrible physics and animations straight out of the PS2 era.

Flat, featureless, and simplistic, it is devoid of any redeeming qualities found elsewhere such as replay value or fun. What could have been a cool, cartoon-y version of a classic franchise is but a wasted shell of its former self.

Low on content, high on rookie mistakes and amateurish design, Black Ops: Declassified is an insult to pretty much everybody and everything in the videogame industry.

A disgusting joke of a videogame...There is no justification for releasing a game this unapologetically loathsome.

In the buffet of 3DS RPGs, Langrisser Re:Incarnation Tensei is the day old, slimy tilapia Golden Corral employees forgot to take out. Other than the fact the game didn't crash on me, there isn't an iota of quality to be found. I knew I was going to have a rough go at it when I booted up the game and realized the developer switched the traditional roles of the "A" and "B" buttons for no goddamn reason. But that was only the tip of the poor execution iceberg that is Langrisser Re:Incarnation Tensei; a game I have no qualms calling the worst RPG I've ever played.

The whole package feels extremely light on content, and even a bit rushed. With reused assets, features missing that were in previous titles, added microtransactions, a lack of characters, and lots of grinding, it is hard to recommend this to even the most titty-starved gamer. You'd be better served watching videos of the spicier scenes online or just going to any number of free porn sites, thus saving yourself the time, money, and brain cells that would otherwise be spent on this.

Overlord: Fellowship of Evil is an experience I'll be glad to forget: a mindless, tedious, boring excuse for a game that tortures the player throughout, much like the characters in the game torturing the poor souls of the innocent. Maybe that is the point and Codemasters has done an amazing piece of art...As if.

It’s annoying, frustrating, and those hand cramps are all for naught. I was actually surprised to see that a game as brutally simple and dreadfully mundane as Facebreaker dared to have an online component.

Seriously, though, this budget-priced cash-in should be avoided at all costs, even if you're a die-hard fan of the shows. And parents, please don't ruin your kids' childhood by buying them this piece of trash. Instead, just loudly have sex in the next room over. Trust me, that one leaves a mark.

Do not, under any circumstances, play Troll and I. Don't buy it on sale. Don't pirate it. Don't rent it from your local A-Z Video. Just. Say. No. The only benefit Troll and I may bring to the world is when your favorite YouTuber plays through it and provides you with many funny moments as they struggle.

The fact that Rambo: The Video Game is being sold for almost full retail price is insulting, not to mention the fact that it feels mostly unfinished and uninspired.

I have played some truly awful drek on the Wii over the last few years, but Calvin Tucker ranks among the worst gaming experiences I have ever had. It is sloppily designed, has largely uninspired gameplay, a terrible interface and hideous graphics. I would not sell a copy of it to my worst enemy and, if I saw someone attempting to purchase it for themselves, I would have to seriously consider setting the store clerk on fire because they are obviously a terrorist.

Final Fantasy All the Bravest is not really a game. It's a cash delivery system, with you playing as the courier, your money the cargo, and Square Enix the unpaying recipient. After years of trying to monetize videogames, Square Enix has now moved on to monetizing customers themselves. It's cut out the irritating middle man that is the videogame, and found a way to simply get people to hand over money in exchange for nothing. That is what All the Bravest is. It's nothing. It's air. It's a thought.

It's a collection of repetitive gameplay, bland levels, a horrible story with forgettable characters, and a poor system of checkpoints that forces you to keep replaying sections of the already tedious levels. The overall experience is mind-numbing and frustrating, making it hard to play it for more than 30 minutes at a time without wanting to throw something or burn things.