The veteran series has sadly been outgunned by newer rivals such as Total War, which breathes greater personality and more engaging gameplay into this time period. This one suffers badly from poor game design choices, and a visually dull style, which will put many potential buyers off. While the scenarios are detailed and historically accurate, sadly there is little in the way of control in the overall gameplay loop. Battles are disappointing and confusing affairs, while the turn-based chore of filling up hexes to conquer areas gets old very quickly. With a raft of DLC already available, when there are some basic features missing on release, it is a hard title to recommend to fans of the genre or time period. The best word to describe this? Lacking.

While Khaos Reigns extends the experience of the enjoyable Mortal Kombat 1, the story expansion itself is nothing to write home about. The six new fighters are the meat of the experience, with some fun returning characters from past games and three well-realised guest characters, some of which have shaken up the meta in a positive way. Regardless, this bundle is difficult to recommend as a package, so fans who are only interested in a select few Kombat Pack 2 fighters would be better off purchasing them individually.

Take away the frustrating tutorial and newcomers stand a chance of liking Farm Manager 2022, that is if they can get to grips with the, at times, illogical menu system whose navigation is critical to gameplay and can put up with the occasional ridiculously long loads. It is a real shame that it took such little time to turn a beloved simulation into a highly unenjoyable experience, not letting the game's positive aspects of running a farm and managing all aspects shine as bright as they should have.

Battlefield 2042 is nothing short of a rip-off, and screams of EA trying to see what they can get away with this generation. Overpriced, yet devoid of the content to justify its next-gen premium, it will leave franchise fans feeling insulted. Make no mistake, anyone looking to get into Battlefield should look elsewhere, or risk letting a lacklustre first impression sour their perception of what is otherwise one of the most premiere first-person shooters in the genre - which frankly just makes 2042's lack of content, lack of a campaign, and lack of polish all the more frustrating. Battlefield's legacy deserves better than EA squandering DICE's potential by launching a major title in a clearly unfinished state. Battlefield 2042 is a beta masquerading as a AAA release.

The biggest mistake in game design is making a player feel totally disinterested on what's going on in front of their eyes - twice as big of a mistake in the actionless genre of city-builders, because unless given a strong incentive to do what needs to be done, it all feels like tedious, boring work. In Aquatico no one will feel as if they are helping a group of people survive the end of the world. You are basically a project manager of the slowest, least demanding project, where almost everything is done without much input on your behalf.

A heartfelt confession, but an otherwise boring experience, Sea of Solitude fails both as a game, as well as an exploration of mental health. At times too symbolic and abstract to decode, and at other times very straightforward with its message, most will find it hard to feel the struggles of its cute, feathery protagonist and connect with her. This is basically like reading the diary of a high school kid. What is said within its pages is true and all, but that doesn't make it a good read. Even worse? The simplistic platforming/exploring/puzzle-solving that needs to be done here can even put an elephant to sleep.

MetaGal is the store-brand version of - any - Mega Man. It has all of the elements from said franchise, but none of the charm - competent, but unremarkable. The pieces are there for a good experience, but the potential is withheld, and the result is a title that's merely serviceable. With the much better-made, and entertaining Mega Man 11 out, there's no need to bother with this one. Like Mighty No.9, it attempts to be a spiritual successor to the classics, but past the retro aesthetics, there is a game that's simply run-of-the-mill.

As a side or minigame, Neptunia Riders vs Dogoos might be kind of fun…for about an hour, but as a nearly full price game, something like this is tough to swallow. The whole thing can be beaten in a few hours, and the gameplay is entirely derivative, bland and lacking much in the way of anything interesting. Idea Factory should stick more with the ecchi games or themes, as that's what they're best at.

In some ways, Siegecraft Commander works well for the VR medium; it introduces an apt and engaging control mechanism with the structure flinging. In addition, the control of the map and units and the touches of love in the UI all are positive things. The disappointing part is that the main gameplay on top of those things is just simply not anywhere near engaging or interesting enough to make for a great experience. Battles, whilst having a touch of strategic thought, more often than not descend into a boring slog of tower-defence mechanics.

Gee Bee's austere visuals looked cheap next to emerging colour games in 1970s arcades. With only three-to-five-minute games with no escalation or features, after a few plays, the loop becomes mind numbing. Its core is so basic that not even modern features can do much to elevate its plainness. Most people play video games to beat boredom. Gee Bee is for people who crave monotony.

Only the most fanatical solitaire enthusiast may enjoy this product.

Imagine, for a brief, painful moment that Sigi - A Fart for Melusina is an actual fart. What kind of fart would it be? Luckily, it's not one of those disgusting, watery-ones - sadly, it's not one of those glorious, last-night-I-ate-like-a-bison, volume turned-to-11 ones either. This generic action-platformer is just a boring, scentless, barely heard fart… and not even a funny one.

Outward isn't so much bad as it is outwardly bland. Bolstered by its genuinely endearing premise, and an emphasis on a more "human" approach to the RPG genre, the title is simultaneously held back by lacklustre presentation, an underwhelming combat system, and a main game that goes on far too long to justify the onslaught of hostility thrown at the player. The survival elements do help to keep the experience engaging, but, more often than not, they hold back what would otherwise be a rather atmospheric and pleasant action-RPG. The hostility on offer is a genuine strength on a conceptual level, but it perhaps goes too far, resulting in an RPG that can't quite overcome its flaws despite its qualities.

Wolfenstein: Youngblood is hurting without B.J.. While he was sort of made out to be a tool in The New Colossus, his daughters are insufferable dude-bros who only want to kill - they just so happen to use Nazis as an excuse to justify their bloodlust. There are no more soulful internal monologues, instead these girls cause tons of collateral damage, and the game acts like its cute. The gameplay is so flawed on a fundamental level that it is beyond saving and all of it is for the sake of padding. What's the point making the side-quests "optional" if they are necessary? May as well have made this a traditionally linear, first-person shooter in the first place.

Samurai Defender is not worth buying, especially not on the 3DS where it has a $3.99 price tag. Perhaps for 99 cents (or nothing at all, for that matter) it could actually be a worthwhile, yet tedious, distraction.

Somehow, it manages to take the original and, honestly, it makes it worse… The same story and the same game are still here at its heart, but it's hidden away under so many layers of imperfections and issues that it's almost indistinguishable. Frankly, it's a better idea to grab a SNES mini and enjoy the original instead. Horribly disappointing.

Sayonara Wild Hearts is a beautiful-looking and sonically dazzling work of art, yes...but like most arty games, it lacks a compelling hook. The very bare mechanics can be generously called "gameplay", in that there is moving a character on a screen and pressing button prompts, but there's no substance at all. Doing a perfect run and not making mistakes for a flawless music video should be a reward. It shouldn't have been given away to just anyone. Overcoming a "broken heart" is not easy in real life, and that should have been reflected in the gameplay.

Alteric had the potential to be a good alternative to the difficult platforming genre. However, the various issues that rise up, from "sliding" off during intricate platforming sections, to respawning on top of a boss for another immediate death, can be very annoying. The skill that is normally required for traversing these difficult platformers goes out the window in Alteric, as the controls and level design work together to make things unfair instead of being challenging. The gravity - and plane - switching features are cool mechanics and it is a shame that they were hampered by the controls.

Even if you're a die-hard Potter fan who falls into the lower age category the game is clearly intended for, there's very little here to hold your interest for long.

Selfloss is a game that really should have been better. It feels like Cocoon or Unravel or one of those other elevated indie titles that critics love to throw laurels at. It dares to explore complex emotional themes within a richly imagined world. Its artistic direction and narrative ambition are great, and this feels close to offering a genuinely worthwhile experience. However, it never gets there. Even with all it gets right, this is a genuine struggle to get through. It is a poorly designed, glitchy mess that is equal parts brilliant and boring. Those willing to overlook its flaws will find a journey that is memorable and emotionally resonant. Unfortunately, it is a lot more likely that journey is going to get cut short and this is the sort of experience a lot of people will quit on before the credits roll.

Once the one that would show the industry how things should be done, Civilization VII is an unpolished, pale imitation of what a Civilization instalment should be. There are a myriad of problems with this, but the biggest one is that the wonderful feeling of freedom for which the series was always known for is now completely gone, as players are forced to go down very specific paths in every single match. Unless there’s a very, very big sale, it would be best to stay away from this bundle of disappointment.

Masquerada: Songs and Shadows is an incredibly disappointing RPG, not because it's outright bad, but because it has everything it needs to excel. Gorgeous visuals, a well directed voice cast, and the tutorial's promise of a political drama set in a city that's clearly on the verge of a coup, all make for a compelling experience. Unfortunately, the visuals are let down thanks to a painfully bland dungeon design, the script isn't anywhere near the voice cast's direction, and the actual story opts for a bafflingly generic approach following the intro. It certainly doesn't help matters that load times are abundant, dragging an already slow title to a crawl, and that the core combat is somehow both chaotic and uninteresting. Despite a relatively strong start, this simply isn't worth the time or effort.

Light on content and presentation, Shut the Box is a hard recommendation for any gamer. Cheap graphics and sound sully the experience.

Given the title, Panty Party doesn't really throw a lot curveballs. Seeing as how each pair of undies has their own strengths and weaknesses, there's actually a bit of depth to the action. As long as players make effective use of cover and manage their stamina, they can avoid getting shredded to pieces. The three modes of play are also appreciated. However, the camera is a constant nuisance. Aiming is really unreliable, and the lock-on isn't great, either. Then there's all of the lolicon garbage, which has no place anywhere. Altogether, this is a strange and only somewhat amusing game. It just can't quite reach its full potential.

Gemology is a flawed game, with serious problems in its difficulty curve, which, as a result, makes for an unsatisfying playthrough.

Technical issues, and lack of polish put aside, Evil Genome is just a mediocre action-adventure, that only metroidvania aficionados can manage to enjoy for more than an hour. Bring its many problems back in, and what you get is a bargain bin metroidvania that simply isn't worth the trouble... fan or not.

Reel Fishing Paradise 3D is one of only very few options available for people looking for a fishing game on the Nintendo 3DS. It simply cannot match console simulators that really get the feel for fishing down far better than a portable edition can, though.

Giraffe and Annika doesn't quite excel when it comes to its adventuring side - a pity considering how much time it ends up taking - but a charming, comic-esque presentation, and rhythm game boss fights at least make it interesting. That said, it's worth keeping in mind that the rhythm-adventurer's best qualities are the ones it indulges in the least. There are only around half a dozen bosses in the entire thing, leaving the exploration to carry a majority of the experience. Still, light puzzle-solving and a short campaign make it easy to stomach its rougher edges. This is absolutely a case of a concept being better than the execution, but this might still resonate well with a younger audience.