WILL: Follow the Light offers a few glimmers of promise amidst its fog of missed potential, but they are too few and far between to recommend. Stiff delivery, rough writing and uneven puzzles all would have been better served by being thrown overboard so WILL could focus on its atmospheric sailing strengths. Instead, WILL is better left adrift at sea with only its lost promise to keep it company.

Invincible VS is a bloody, brutal, and bombastic tag fighting game that perfectly nails the vibe and violent visuals of the comic series and the animated television series. It reminded me why I love fighters, but it also reminded me why I sometimes hate them. There’s a level of depth here that gives Invincible VS the sauce players are always looking for, and made the fast-paced and action-stacked matches a delight despite cheesy strategies and wishing I had more agency in my playstyle. But this sauce still needs a little more time simmering in the pot, because its taste profile feels a little barebones and unfinished. While I can’t say how happy it will make the tag-fighting game community, I can say that it is a fun game that pays homage to its source material while serving as a love letter to the titles that inspired it.

After an initially positive impression, Aphelion fails to achieve liftoff. Shallow and outdated climbing mechanics, coupled with an abundance of boring stealth sections, make the narrative the only hope for this mission. However, with a lack of compelling characters or performances, the gravity of two unlikeable leads proves too strong for Aphelion. Despite strong visuals, instead of reaching for the stars, this sci-fi journey ends up falling back to Earth.

Tides of Tomorrow is a textbook example of mechanics that would be better served in a stronger game. Its story-link system is compellingly eerie and smartly iterates on the social aspects of choice-based adventure games, and its resource management shapes player choices in clever ways, but neither can fully escape the leaking ship of flat writing, characters and setting. While I hope that games on future tides can better capitalise on these ideas, for now, Tides of Tomorrow doesn’t deserve much more than a day trip to its rusty water park attractions.

REPLACED feels simultaneously over-scoped yet under-designed. An incredible visual style and rich world immediately catch the eye, but only the former holds up across the entire adventure. Likewise, the gameplay is initially rewarding, but fails to expand its simple foundations over a journey that’s far too bloated. REPLACED’s repetitive gameplay holds back the gorgeous aesthetics, but there’s still a charming core underneath the grime that may just win you over.

Although my time with Regions of Ruin: Runegate was anticlimactic and sometimes turbulent, it had its high points. From its lovely retro art style, satisfying character progression and the enjoyment of rebuilding a gorgeous dwarven keep from a pile of rubble, there are certainly aspects that I enjoyed. However, many of those aspects had downsides, including the rather short and repetitive main quest and very dull resource grinding. If you like 2D hack and slash combat and can tolerate a somewhat simplistic and linear town builder aspect bolted onto it, there is fun to be had with Regions of Ruin: Runegate.

Super Meat Boy 3D isn’t the grandiose translation to 3D as fans were perhaps hoping for. Though there’s competent enough level design and plenty to see and do with its many challenges and unlockable characters, it quickly goes back into old habits, be it with its immature and dated humour or its penchant for the 2D. Featuring generic Unreal Engine 5 3D work and level design that doesn’t quite prop itself up on its own, Super Meat Boy 3D is challenging and quite ugly to look at, but not in the ways I’m sure the developer intended. Not the worst platformer ever made, you could do much worse with Super Meat Boy 3D, but you could also do much better.

A number of cool cephalopod-themed abilities and a focus on stealth set Darwin’s Paradox apart from other linear platformers, though it’s let down by imprecise controls and sluggish loading states between deaths that lead to much of its gameplay feeling frustrating. Its focus on a satirical hyper-capitalist world is engaging, but its bleak environmental design leaves its dystopian world feeling bland rather than enticing to explore. Despite this, some neat puzzles that make clever use of the unique traits of the octopus still make this a decent adventure for mollusc-maniacs.

Raccoin is the newest addition to the ever-growing list of gambling-themed, roguelike, combo-building games, made popular by Balatro’s success. While unique in its use of a coin pusher as its base theme, its other core mechanics feel like a cutesy new coat of paint on top of the same systems the genre has been pumping out for months. Fundamentally sound and with nothing truly wrong with it, Raccoin is a strong contender for one of the better titles in the genre, but it doesn’t provide anything truly new or exciting to help it stand apart from the rest.

Hozy, while a short experience that can be completed in one sitting, is an enjoyable title. With beautiful, realistic graphics, lighting that feels luxurious to bask in and a smooth jazzy soundtrack that helps tie it all together. The attention to detail in the weight of an object, the way the wind blows through an open window, and the ambience that layers when you turn on a fan or a radio, all help build an aesthetically impressive game. Though it lacks in replayability and doesn’t push much farther than a room decorator in its mechanics, Hozy will likely be a hit for fans of titles like Unpacking or any decorative cozy game.

MLB The Show 26 provides a decent baseball experience, but it’s not easy to learn compared to previous entries. It also doesn’t feel like much has changed since the previous release, giving you an almost identical experience. That makes it harder to recommend since you could just play previous entries and have more fun. Instead, you get a more gruelling and difficult experience that does resemble baseball but isn’t enjoyable to play through.

Marathon is a technically brilliant and satisfying shooter that nails the fundamentals but struggles to build beyond them. It delivers incredible moment-to-moment gameplay, yet lacks the depth and long-term pull to match its ambition. Right now, it feels less like a fully realised experience and more like the start of something new waiting to be expanded, a game that will live or die by how Bungie supports it from here.

Never Grave: The Witch and The Curse is a gorgeous-looking roguelike that presents some fun gameplay elements over different stunning backdrops and challenging platforming locations. Some of its elements, like the possession system, are fun, but the devs needed to put more time into making other gameplay elements work and flow throughout. It leaves Never Grave: The Witch and The Curse as a mixed bag, but it’s a fun experience if you don’t care too much about clunky basebuilding or rich environmental lore.

Crabmeat is a solid experience overall, nailing the feeling of isolation one might feel while stuck in the open ocean all alone. The unique point-and-click mechanic, while an interesting choice, does leave room for some difficulties navigating in stressful situations. Sound design is nailed in this short, two to three hour experience, and while I enjoyed it for what it was, I think a little more length and some deeper mysteries to uncover would have added a nice layer of depth. Fans of titles such as Iron Lung and Loan Shark will definitely find enjoyment out of Crabmeat.

Toxic Commando is ultimately fine, but there are many better co-operative shooters you could spend your time with. Perfectly competent shooting is brought down by repetitive missions and an absolutely threadbare campaign. If you absolutely must play a new zombie shooter, you might find some fun here, but if you’re looking for something more fulfilling than video game junk food, look elsewhere.

I ended up enjoying Greedfall: The Dying World quite a lot; however, I recognise that it won’t be for everyone. The Real Time with Pause combat was more manageable than I expected, but I still think I’d have preferred either a straightforward action combat system like the first game or a proper turn-based combat system if the developers wanted to go in a more tactical direction. The large and diverse cast of companions is deep and interesting, and it’s just as well, as the main plot isn’t quite as compelling. If you’re looking for a return to the highs of Real Time with Pause RPGs, like the old Dragon Age or Baldur’s Gate games, Greedfall: The Dying World doesn’t quite get there, but it comes damned close. There’s a fascinating world out there to explore, just be aware that the journey won’t be free of storms.

Fatal Frame II: Crimson Butterfly Remake is a modern rendition of a certified classic survival horror game, and while I believe it should be praised for building a solid atmosphere with superb sound design, the game itself, as it is on console, is a tough task to recommend. In many ways, this remake is a distant departure from what made the original game so breathtakingly horrifying, sacrificing all the subtlety that made you feel at unease and replacing it with cheap tricks. But ultimately, it undermines the oppressiveness of its story with a repetitive gameplay loop filled with constant backtracking and a lack of challenge in either combat or puzzle solving.

There are a number of neat ideas in Mirage 7, from its mysterious meta-narrative to its Resident Evil-style exploration and problem-solving. A rich lore and mythological backdrop help draw you into its vibrant desert world. However, it’s unfortunately held back by tedious combat and frustratingly inconsistent puzzle solutions, as well as a pretty unsatisfying narrative conclusion. Under a few layers of cumbersome design, there’s a unique adventure game here to be enjoyed – if only for a little while.

Scott Pilgrim EX is nothing more than satisfactory. Brawling through dozens of adversaries can be quite enticing, especially with a friend. However, every other element falls flat with areas, enemies, bosses and levelling ending up a big regression from other contemporary beat ’em ups. Likewise, fans of Scott Pilgrim will be pleased by the plethora of visual tributes. But the narrative and dialogue of EX come across as purely referential and lack a heart of their own.

You probably know already if you fit within the Venn diagram of Reigns fans who also love the world of The Witcher. Outside of the hit-or-miss combat, Nerial hasn’t exactly revolutionised its patented Reigns formula with Reigns: The Witcher, but it also doesn’t really need to. The trademark swipey narrative puzzle gameplay suits The Witcher very well, with its focus on moral choices and dark sense of humour. I had a good amount of fun with Reigns: The Witcher. If you’re a fan of The Witcher or enjoyed the previous Reigns games and want to see a twist on the formula, so might you.

Lovish is a cute and sweet 8-Bit retro-inspired action game that parodies the hero-saves-the-princess trope. Each puzzle room is filled with challenging obstacles and enemies that are constantly changing and evolving throughout your playthrough. Though there are some issues, such as the game’s stores stocking useless items, there being no way to pause the game and boring boss fights, Lovish makes up for this by including a lot of secret levels to find and explore, meaning that there is a lot for players to discover and experience after the base game is beaten.

God of War: Sons of Sparta really does try to tackle a different approach to the series while also retaining the feel of God of War. There was so much potential for a new perspective on the characters and their pasts that have yet to be properly explored, which made it all the more dissatisfying when the game came to an end and fell short on all these opportunities. The focus on the primary objective really didn’t leave much room for any other characters to be expanded upon, and the gameplay and storytelling weren’t compelling enough to keep me invested all the way to the end. If you really want to know what happens for yourself, or you’re desperate for a new Metroidvania, wait for some patches to fix the bugs and give it a go. If you don’t, then you will be fine to skip this one.

Mario Tennis Fever is yet another Mario sports game that gets by on being passingly entertaining, while failing to do anything particularly new or exciting. I think I like it a bit better than 2018’s Mario Tennis Aces, but the two games share so many similarities, both good and bad, that it’s hard to tell for sure. If you love the Mario Tennis series, you’ll probably like this. But for everyone else, I’m hard-pressed to tell you there’s anything special about Mario Tennis Fever.

Though there’s a bit of rockiness and jank under the hood, MY HERO ACADEMIA: All’s Justice is a rock-solid 3D anime arena fighter in a series of incredibly middling ones. There’s some real tacticality and dexterity you pick up with how much you’re cycling characters in and out, countering attacks and building up towards constant finishers. No one fight feels the same; I’ve done battles in and out of the Story Mode or exhibition mode that saw me dominate the competition or pull back a victory by the skin of my teeth after being knocked about for a good while. It’s not without its technical issues and padding in the campaign, but plenty of meaningful additions and lessons brought forward from prior entries make it a fitting enough send-off that stands out well in the crowd. Not quite a Detroit Smash hit, but a punchy good time, regardless.

Quarantine Zone: The Last Check is a more-than-competent zombie border security game. It invites players to focus on the small details, providing enough strategic options and management systems to feel rewarding for the player. The game stumbles, or perhaps shambles, in its implementation of certain systems, not always feeling like a cohesive or perfectly thought-out experience. With more depth added to the character interactions and less focus on perfecting security checks, Quarantine Zone: The Last Check could have risen to new heights.

Romeo is a Dead Man is a loud and inventive action game that prioritises style and spectacle. Its combat may be basic by today’s standards, and its systems occasionally bloated, but the confidence behind its strangeness may carry it for some. It can feel very dated, but it’s unapologetic and unmistakably Suda51, and for the right player (you know who you are), that’s more than enough.

The remake treatment of one of Yakuza’s more underrated entries gets marks for its story, world and fan service to the great Kazuma Kiryu, but all of that praise and credit only comes from the original Yakuza 3. What’s within Yakuza Kiwami 3 & Dark Ties is a regression in the timeline, as it resets and retcons crucial parts of the world and greater with its new story. Additionally, unoriginal and reskinned minigames that become a bore, along with the messy politics of disastrous recastings, simply make this an inferior version. The dark horse of the series didn’t get its time in the sun here, and that’s a damn shame.

While sometimes feeling like a pastiche of better things, Dead Pets still offers some fun jams about the challenges of the contemporary life of a punk and female artist. Its management systems accentuate its otherwise tropey storytelling, its minigames are eclectic and varied, and its music is nicely interwoven into its narrative. It might have been a bit more punk to break some new ground, but as adult slice-of-life videogames go, Dead Pets is still one to chuck on the record player if you’re so inclined.

Nioh 3 has thrilling combat, character specialisation and spectacle that are the tried and true staples for both a Team Ninja game and a Nioh game in and of itself. Boss fights are grandiose, and you’ve got plenty of neat kit to feel like a ninja/samurai hybrid badass. You’re not going to be utterly disappointed with the series’ return, but thanks to its open world-ish trappings and overabundance of systems and loot that stops you from getting attached to any one thing, you’re likely not going to be over the moon about it either. It’s Soulslike junk food. It goes down well while you’re in it, but it’s not going to sit or stay well with you for long.

Unemployment Simulator 2018 uses the language of survival games to tell a bleak, relentless tale of depression and existential horror. At the same time, it’s full of eldritch whimsy, revelling in the abject misery of the modern job hunt with nihilistic abandon. As a labour of love from a solo dev, its rough technical edges and inconsistent controls can frustrate, and there’s no real satisfying narrative pay-off; however, as an atmospheric deep-dive into the human experience of unemployment under late-stage capitalism, it absolutely nails the brief.

I Hate This Place is a well-constructed game that provides a decent level of entertainment, especially for those who love a creepy cult setting or a ghostly mystery. While the narrative isn’t the most compelling story ever told, and there are certain aspects of the gameplay that could have been improved on, the overall experience is enjoyable enough that players might be able to look past them and enjoy taking in the atmosphere and charming visual style.

Craftlings lets you turn a small team into an efficient workforce that constructs amazing things. By guiding your team, you work your long-term planning muscles and see your vision become a reality. It’s not easy to master and you will make several mistakes along the way. But if automated building is something you like, don’t pass this game up.

Philna Fantasy is certainly not fantastic, but it’s decent enough. There is plenty of potential, with its deep crafting and customisation system and enjoyably challenging puzzles to make it worth recommending over many other retro-style action RPGs. Unfortunately, its bland narrative and spotty localisation do little to elevate its world and cast, and the game could do more to aid players in making the most of its many systems. You won’t have a bad time with Philna Fantasy, but don’t expect it to light your world on fire.

Cassette Boy is a quaint and at times interesting in its nostalgic recreations and core mechanical hook, but I just wish it offered more substance beyond pastiche. It’s one thing to faithfully recreate the atmosphere, aesthetics and mechanics of bygone platforms and games, but it’s another to make a cohesive, interesting and thoughtfully designed game in its own right, and it feels like Cassette Boy got its headphone wires tangled at the first step. If you have a gut positive reaction looking at the trailers and screenshots, then by all means, revisit this little Walkman to your heart’s desire, but for anyone looking for slightly more substantial puzzle or adventure systems, it might be worth waiting till this particular boy gets a CD player.

Kejora is a short and simple game with an animated art style reminiscent of Studio Ghibli films and the books I read in school to help me learn different languages. Despite its efforts and how much I thoroughly enjoyed the introductory act and the larger themes, questions, and ideas, the limitations of its clunky gameplay, declining quality of its story, frequent bugs, and an immersion-breaking lack of sound effects left me less engaged, indifferent, and bored by the end of it all.

Hero Seekers adds a twist on the usual hero-Demon King stories to draw you in with something new. Gameplay has many quality-of-life improvements that make your experience smooth. However, you should stick to one save file for the best experience, and you must understand that there’s nothing new in terms of gameplay. Come for the story, enjoy the throwback classic JRPG experience, but don’t expect too much, or the magic disappears.

Despite an eerie similarity to the Rhythm Heaven series, Bits & Bops proves its quality with a small collection of well-crafted and entertaining rhythm games. Easy to understand and quick to jump into, it’s the perfect way to spend a couple of hours clicking along with the game’s bouncy tunes and cute mascot characters. At only about two hours long, it’s only a shame the fun doesn’t last longer.

Log Away doesn’t have quite as much to offer as other games in its genre, lacking the sprawling freedom offered in other building games and not making it up enough in other areas to make it worth playing all on its own merit. While Log Away certainly has its moments when the sun hits your cabin just right, the overall experience leaves a lot to be desired, with hardly enough opportunity for creativity to make coming back worth it.

Dogpile is a casual and secretly addictive roguelike deckbuilder that draws you in with dogs and keeps you with its gameplay. You can easily spend hours figuring out the best strategies that help you achieve the highest scores. Some major flaws hold the game back as they significantly disrupt gameplay. Give the game a chance, and you can fall in love with it, but be aware that it’s not perfect.

Call of Duty: Black Ops 7 is polished enough to function, familiar enough to feel safe, and dull enough to be skippable. There are a few nice surprises in here with fan-favourite returning maps and an interesting direction the co-op campaign goes into if you’re already invested, but little reason for anyone else to jump in.

Tingus Goose is an unforgettable psychological horror that succeeds because it is bizarre without being too gory. You can’t help but wonder what’s coming next as you progress through each level. There is a slight learning curve, and the bizarre imagery can make you feel nauseous at times. However, Tingus Goose succeeds because it’s a game that you can’t forget after seeing it once and is worth playing to the end.

SLEEP AWAKE is an experience that doesn’t allow itself enough time to become the piece of art it desperately wants to be. It features all the elements of a beautifully intense and unique audio and visual experience, and has a decent story it’s trying to tell, but feels diluted overall by its short runtime. It almost feels like a game that was playing it a bit too safe, even in its experimental style, and it would have benefited from heavier auditory exploration and more content to properly develop its intriguing narrative.

Overall, Project Motor Racing feels like it lends more toward an arcade-style experience than the initial hype suggested. Whilst it does feature an impressive curated library of vehicles to drive (and they all sound fantastic by the way) and a decent enough career mode, it lets itself down in several ways. The AI drives on rails and is not friendly; they do not like being put two wide through a corner and will defend their line at all costs. There is also no radar or effective spotter, which makes driving in cockpit or hood view pretty dangerous when things are getting tight on track. Whilst it is a playable game on a controller, it just is not the benchmark simulation racer that it was touted to be.

Ultimately, Rue Valley is a frustrating experience, with too many loose ends and unresolved arcs at the end of the game. It’s unable to make the most of its excellent setup, faltering in the mid and late game stages as you’re forced between slow montages and extremely specific puzzle sequences. It’s a game with great writing and some truly fantastic ways of exploring depression and mental health, but it mechanically falls flat.

A love letter to all our favourite mystery series of the past, Detective Instinct: Farewell My Beloved is easy to get engrossed in. With expressive characters and a gorgeously rendered environment, fans of mystery games will love letting the tale unravel with intuitive ‘talk and search’ gameplay. It tackles tricky societal themes with moderate success, only falling short in the later chapters with some missing emotional stakes, but otherwise wraps up its bite-sized revelation with thoughtful grace.

Winter Burrow is positively blanketed in charm and whimsy, but looking below the surface reveals survival gameplay at its most basic. Interesting characters and the aesthetic appeal can’t fully compensate for the repetitive gameplay and oddly lacking mechanics. Dressing up mice in little outfits is fun, but ultimately can’t save a game so torn between two core concepts.

The Berlin Apartment is certainly a nice tribute to the history of the titular city. With gorgeous scenery evolving through time that tells the tales of its residents, the apartment is a delight to explore. However, a more intriguing main narrative or engaging gameplay mechanics would’ve been a massive boon for the game. A gorgeous art style and heartwarming sentimentality make The Berlin Apartment an enjoyable experience, albeit one that struggles to stand against the genre’s best.

Possessor(s) is hauntingly beautiful. It’s a stunning world that begs to be delved into with curiosity. Luca and Rhem’s dynamic is an absolute standout, with an excellent balance of snark and heart between the two. It’s almost to the game’s detriment, as every other NPC (besides the antagonist and one of the eye holders) falls flat in comparison. Movement feels great, as does combat, for the most part. Some unfair enemy design and stun issues drag the experience down, alongside moments where progression stalls, especially if you miss the unclear whip skill interaction. Despite this, though, Possessor(s) still manages to shine with genuine merit and contains a beautiful story well worth seeing through to the end.

Bittersweet Birthday is a mix of elements that I wish had more room to breathe. It features a compelling narrative that quickly becomes confusing and a cast of charming characters that I wish we spent more time getting to learn about. Some puzzle rooms, especially those with time-based puzzles, can feel unfair rather than actually challenging, which slows the pacing down in a negative way. While Bittersweet Birthday has its flaws, it definitely has strengths too, with an in-depth Souls-like combat system and boss rush mode allowing players to customise battles with collected memories to change up each fight, offering a strong level of replayability.

Jurassic World Evolution 3 brings new ways to view the dinosaurs you bring to life. Crafting your own island and building your park on top of it is an immersive experience that’s hard to match. That said, the constant worry about something going wrong got old after a while. If taking pictures of dinosaurs and creating the perfect exhibits is something you enjoy, this is the game for you. But like every Jurassic movie tells us, something can go wrong when you least expect it.

The Sacred 2 Remaster is quite lacklustre, feeling like it could have simply been a toggleable update to the original game. With performance issues being addressed, an overhaul of some unbalanced combat builds, a visual UI change and updated graphics being the main updates, it made me wonder what the point of this remaster actually was. In an attempt to ‘respect the original’, they’ve refused to bring the game into this new world of gaming, alienating a whole group of gamers by not adding any accessibility options, removing multiplayer from the console editions, and with no plans to add any new language translations. Overall, it just doesn’t offer enough to feel more than the original plus a community patch.

Bounty Star: The Morose Tale of Graveyard Clem is deftly written Western, lovingly delivering on the conventions of the genre to weave a tale of judgment and redemption. The mission-based mech combat gameplay loop is supported by interesting and meaningful customisation when it comes to weapons, gadgets and addons for the Desert Raptor MKII, but non-combat systems are somewhat lacking, with limited farming mechanics that don’t feel impactful or necessary to gameplay. Bounty Star is not exceptional, but is thoroughly enjoyable when taken for what it is – a classic Western, as told from the cockpit of a kickass robot dispensing frontier justice.

Escape Simulator 2 doesn’t carry over the visual charm of its predecessor, but that doesn’t mean it’s bad. As a stand-alone game, removed from the first, it’s a solid experience. Each room feels like it was designed with a lot of care, and all of the puzzles are unique. Unfortunately, Escape Simulator 2 doesn’t feel like it was designed with co-op in mind, despite boasting the ability to play with up to 8 players. With a lack of content at launch, all the puzzle rooms can be completed in around 10 hours, though player-designed rooms and DLC are sure to come with time. Hopefully, future content will be geared more towards a more refined multiplayer experience.

Simon the Sorcerer Origins is coming out of retirement, and fans couldn’t be happier. There are some great visuals, to the point where the art team truly outdid themselves, and the music is downright fantastic and fits right in with the world. Though the puzzle difficulty isn’t forgiving, and unfortunately, they don’t offer a hint book for those who need it. Chris Barrie, the voice of Simon, voices a bratty kid well, but he’s not believable enough that he could be an eleven-year-old. With all that said, Origins is filled to the brim with a lot of humour and genuine laugh-out-loud moments that made me want to push through the punishing puzzles to find out what Simon would say next. Hopefully, there’s a chance for a remaster of the original two games from Smallthings Studios, and I cannot wait.

Painkiller is a serviceable co-op shooter that doesn’t live up to its namesake. It gets the satisfying gunplay mostly right, but the rest is unremarkable considering its short length, repetitive objectives, grindy upgrade mechanics and lack of any kind of proper engaging narrative or satisfying conclusion. While it’s hard to call Painkiller bad, I’d also struggle to recommend it to anyone aside from hardcore fans of co-op, while DOOM Eternal exists. If you want an excuse to mow through rooms of demons with two friends, then Painkiller will serve you just fine, but fans of the original will probably have more fun with any of the large array of single-player boomer shooters available on the market.

After my time with Pokémon Legends Z-A, the overall impression I am left with is “good, but with room for improvement.” It achieves that addictive urge to explore and catch ’em all, but the world map is small and doesn’t do enough to make up for it. Real-time battle mechanics are a fresh twist and are the game’s stand-out achievement, but it is a little chaotic and cluttered in its current form. The game looks better than previous Pokémon titles, but continued half-hearted attempts to give itself a high-definition look seem to come at the expense of deeper, more complex content. It’s easy to ignore these cracks, complete the satisfying gameplay loop and vibe through Z-A’s Pokémon adventure, but I know Pokémon is capable of more than this.

When the game commits fully to these funnelled environments, it does result in some spectacular set pieces. The mangroves are a charming calm down after a climactic battle, yet still tense thanks to Mangrove Jack. Another frantic escape from flames cemented itself as a highlight of the whole game for me. While I wish the open and linear levels learnt from each other, both still manage to deliver exciting snippets of gameplay.

EA Sports FC 26 is another confident entry in the long-running series, delivering the essentials with polish and scale. With a staggering amount of licensed teams, players, and global competitions — including women’s leagues — the game remains the definitive virtual football experience. That said, FC26 doesn’t take many risks. Career modes return almost untouched, with some elements even feeling recycled from last year’s release. The absence of a story-driven mode like VOLTA leaves a noticeable gap for players craving something beyond the standard match grind. Still, what FC 26 does, it does very well — and while it may not be a revolution, it’s a finely tuned evolution.

Bye Sweet Carole features a magnetic, magical and also horrific 2D world to explore that takes the conventions of 2D animation and turns them on their head to create a memorable story filled with narrative themes and puzzles that are nailed with pinpoint precision. Without a shadow of a doubt, Lana’s story is one worth experiencing, and it’s a unique horror adventure. However, it’s marred by the sheer scale of a few of its faults, including significant bugs and scarce, unnecessary sequences that take away from the gem that’s there. There’s a magical time to be had here, and I wholly want people to have that… it just hasn’t quite fully found its voice yet.

Letters to Arralla adds the thrill of reading someone else’s mail with the joys of being part of a welcoming community. It’s fun to deliver mail with unconventional puzzles while always having help available. This game does need time to truly show its potential, and it does get repetitive after some time. But you won’t find another cozy game that encourages mail crime, and for that, Letters to Arralla has my support.

Dreams of Another is an admirable mess of a game. Its narrative is poorly executed through truly terrible dialogue and performances, it’s incapable of offering a creative alternative to its exploration beyond shooting, and its philosophical musings wouldn’t be out of place on r/im14andthisisdeep. But, for those players who decide to dream this particular dream, Dreams of Another offers an eclectic kaleidoscope of bizarre artistic motifs, a fascinatingly surreal mood and a (possibly entirely unintentional) thematic density that is still worth treasuring amidst the haze of its voxel world.

Creepy Redneck Dinosaur Mansion 1 Re-Raptored will be super fun for those who love quick puzzle games with a bit of a story thrown in. It’s also for those who appreciate quirky meta narratives and moments when games “break the fourth wall.” Though it is short, it packs a lot of laughs and match-3 goodness into a small game run, enough so that I’d recommend it to those who love humorous, self-aware narratives and solid puzzle experiences.

Hotel Barcelona is a messy but ambitious experiment that often feels like it’s trying to do too much at once. Its style and inventive ideas, like Slasher Phantoms, branching levels and absurd characters, show flashes of brilliance, but the clunky combat and overstuffed mechanics make many runs more testing than enjoyable. In the end, it’s memorable for its imagination, but not for being a satisfying or polished experience.

Sushi Ben is an unbelievably vibrant and charming game filled with a creative cast of characters and lovely vibes in the seaside city of Kotobuki Town. It’s got a real sense of place about it as you’re engaging in silly shenanigans and meeting its cast that are well-voiced in both English and Japanese. First and foremost, it is a strong ‘vibes’ game. Still, it’s between a rock and a hard place when it comes to its translation to a flatscreen. The tactility and interactivity aren’t there as much. It’s got a new set of bugs, and it still has a bit of an abrupt, dissatisfying ending. If all else, I’m glad I finally got to experience Sushi Ben and its weird cast of freaks. No one can ever take that away from me.

All in all, Wobbly Life is a fun time due to the silly physics creating wacky moments. While you can play solo, it does feel better with friends. There’s variety in job types and missions, though most come timed where it’s either too much or too little. While the graphics are admittedly simple, it does offer unique customisation to make your Wobbly unique. The 1.0 update brings more jobs and missions, this time, in space, which lends to the sci-fi genre. It’ll be exciting to see what RubberBandGames expands on next.

Moros Protocol is a decent roguelike FPS with a cool visual aesthetic, but it could have been better, especially as a solo experience. The moment-to-moment combat is enjoyably fast-paced, with a good variety of weapons and upgrades to customise your loadout. However, the sluggish meta-progression and repetition of taking the experience from the top after each death wear down the experience over time. If you’re looking for a fun roguelike co-op shooter, you can certainly do worse than Moros Protocol, as long as you bring a friend.

Despite what is clearly an earnest effort, Lost Soul Aside fails to do justice to whatever director Yang Bing’s vision was. It never stops feeling hamstrung by its lofty aspirations, but is derivative in its execution and doesn’t do any one thing particularly well. If you’re the type of player who can forgive an average experience in return for genuinely great combat, then it might still be worth your while to grab it on sale.

Gloomy Eyes is a cute game about forbidden companions on a quest to find the sun. The visual aesthetic is clear from the jump, with creative character models and some smart accessibility options. However, a lack of camera controls, unskippable cutscenes, and an underdeveloped story leave quite a bit to be desired. With plenty of passion driving the game’s design and narration, you’ll no doubt have a decent time with Gloomy Eyes, but perhaps consider checking out the VR movie first.

Dead Reset is a confined, blood-stained, interactive movie with some appealing practical effects and a unique atmosphere. What’s there is a very solid FMV game carried by a story that greatly benefits from its leading characters, as well as its superb sound design. But it suffers from frequent freezes and crashes that drastically ruin its pacing, a lack of weight in player decisions and variations in the story responding to them, and an ensemble cast where half the characters are forgettable, and even worse, forgotten within their own narrative.

Gears of War: Reloaded is the definitive version of Gears 1, but only by default. A faithful remaster of a remaster that keeps the series alive and opens the door to PlayStation players, but doesn’t do enough to feel essential. It’s both dated and timeless, clunky and exhilarating, simple and unforgettable. A solid nostalgia trip, but a missed opportunity to make the original shine for modern audiences.

Warhammer 40,000: Dawn of War – Definitive Edition sits on the edge of what defines a remake. The audio, UI improvements, and inclusion of all its DLC make it an appealing entry point for newcomers and a nostalgic return for longtime fans. Yet, its dated animations, controls, and art style struggle to hold up against today’s standards. Still, with its sheer amount of content and strategic gameplay, it remains a worthy experience for anyone ready to dive into this gigantic universe.

With Drag x Drive, Nintendo’s latest multiplayer jaunt is both the things we hoped for and the things we feared. It feels immersive and thrilling in the middle of matches to be giving it your all as you speed across a court and try to sink shots as best you can, being one with the chaos. Similarly, it’s a concept and control scheme that we haven’t seen before in games, one that deserves credit. In the same breath, though, this hyper-specific control scheme and skill ceiling will leave a lot of players, both casual and lesser-abled, behind with how demanding it can be. It doesn’t help that the Nintendo charm isn’t quite there, nor is there enough substantial side content.

Echoes of the End has strong puzzle foundations and a good grasp on difficulty, making it the type of challenge that is just right. That said, these puzzles dominate gameplay with action getting less of the spotlight, making for a lack of balance. This is a fantastic pick if you prefer brain-teasers over fisticuffs. But if you were looking for a thrilling escapade, you may be disappointed, as the action in this adventure mostly takes a backseat.

Overall, Tiny Bookshop is a fun, cozy game for book lovers where you live that dream of running a bookstore, while also forming friendships with the locals. The use of real books makes it feel personal, especially if you’re someone who reads often, plus it makes recommending titles to others a breeze. While the story isn’t perfect due to its lack of execution, it’s not too big of a deal unless you’re someone who’s invested in the narrative. Regardless, it’s still enjoyable and could introduce you to your next book.

Demon Slayer – The Hinokami Chronicles 2 gives you a strong fighting game that draws you into the story just like the original manga/anime. Prioritising teamwork and combos makes you utilise every moveset for maximum effectiveness. It’s not an easy game to master, and the story can be finished in a few hours. Fans will love what this game has to offer, but you may not enjoy the game if you’ve never heard of the Demon Slayer series.

1000 Deaths feels like it’s a crazy fever dream I had in the early 2000s after falling asleep in front of the TV. I mean this in the best way possible. Filled with fun levels, genuine heart and a killer, crazy aesthetic, if you’re looking for a colourful experience reminiscent of classic 3D platformers, this is for you.

In moments where you can dive into the mechanics on offer, Ritual of Raven really shines. Tinkering with the automations is fun and rewarding, providing a fresh spin on a well-worn genre. But the game doesn’t encourage these moments, instead pulling you through a narrative in a world that doesn’t feel fully realised. There are some excellent ideas here, but they don’t form a compelling whole.

Touting a unique brand of offbeat humour and some absolutely beautiful pixel art, Artis Impact is a labour of love that mostly hits the mark. While its combat system lacks depth and it could use a stronger core narrative, it presents a gorgeous world filled with charming character moments that surprise and delight. Despite a few rough edges, this is a bite-sized RPG full of heart.

The Wandering Village has a grasp of the building blocks of its genre, but never truly capitalises on its core mechanics or its premise. Rather, it presents an enjoyable but somewhat shallow city-builder that just happens to also be on top of a wandering behemoth, rather than truly embracing and exploring what that could mean in gameplay terms. While its visuals and audio are both lovely, there is little here to really sink your teeth into, particularly for a veteran of the genre. The Wandering Village is worth a visit, but I wouldn’t want to live there.

Killing Floor 3 delivers the punch and the thrill that you’d expect from this well-renowned franchise. Upgraded with modern audiences in mind, the title could have easily been the next big release from a talented development studio. However, with too little focus on content and polish and too much focus on replicating games-as-a-service design philosophies, Killing Floor 3 falls short of its potential.

While there are certainly some areas where Tales of the Shire shines, like its highly engaging cooking mechanics, the package as a whole is lacking the polish to be a real winner. There was clearly a lot of love put into the game, and hopefully, with future patches, the performance issues will be resolved. For now, though, I am still longing for the rolling green hills of the Shire, because this game didn’t quite scratch that itch.

As an overall package, Stronghold Crusader: Definitive Edition just doesn’t tickle me like the first game does. A less captivating band of characters and an unwillingness to lean as firmly into history as its rivals did both back in the day and at present just make for a tonally too strange entity for me to have truly vibed with. It’s a very fine game, but one that disappointed me. Maybe 20 years of anticipation was just bound to do that.

Super Mario Party Jamboree Nintendo Switch 2 Edition + Jamboree TV introduces a collection of fun new rule sets, but is brought down a bit due to the camera and microphone games that, for a title released in 2025, should work better than they do. That said, slapping your live reactions into your Mario Party games adds an undeniable layer of goofy entertainment that the series is known for.

Shadow Labyrinth is such a fascinating reinvention of PAC-MAN that completely changes the concept of what a PAC-MAN game can be. It’s a completely unapologetic, brutal reimagining that fully commits to this vision. It pays off in its best moments, whether you’re fighting a huge boss or weaving through some difficult platforming, but the punishing early game and confusing design choices really weigh it down. It’s far from the most flawless Metroidvania, but if you can stomach the difficulty, it’s a compelling new PAC-MAN experience.

I enjoyed my time with Everdeep Aurora, although it could have been better. Nautilus Games very deliberately nails the feel of an old Game Boy game from the mid-1990s, although it may turn off players looking for something more complex or challenging. With its charming art style and gameplay, it’s hard not to have a smile on your face as you drill down into the Everdeep. That said, the lack of clear guidance regarding exactly what the game is asking you to do a lot of the time left me longing for a quest log or objective marker. If you’re looking for a chill platformer with retro stylings and don’t mind a lack of clear direction, Everdeep Aurora is worth checking out.

Tamagotchi Plaza is a flat experience in a bright, colourful package. The minigames are fun for an hour or so, but take too long to add new mechanics, leaving the gameplay repetitive and unsatisfying. It’s fun to see so many Tamagotchi characters walking around this world, but it would have been far more interesting if there was anything substantial for them to actually do.

As a throwback to the old 2D Castlevania games, Chronicles of the Wolf is serviceable and mostly effective. If you’re after a nostalgia trip that doesn’t have many ambitions to forge its own identity or take note of the quality of life improvements that metroidvanias have been honing since the 1990s, Chronicles of the Wolf will be a satisfying romp through the French countryside. However, the game isn’t aspiring to anything more than a simple trip down memory lane, and would be hard to recommend for anyone not already a Castlevania fan or looking for something that evolves on past Metroidvanias rather than simply imitating them.

Survival Kids doesn’t take any big risks in its kid-friendly approach to survival games. Yes, it is technically kid-friendly in mood and scope, but that’s also underselling the maturity and capability of children playing games. Its level-based approach doesn’t evoke a sense of wonder and exciting exploration that its counterparts are known and beloved for. Its tasks are monotonous and very quickly become repetitive, almost as if they’re not trusting you to understand the same thing they’re teaching and showing you every few minutes. With only nine levels, but with rough pacing in those missions, it’s an experience that somehow passes you by in a flash, but also feels like a slog. There’s fun to be had if you’re with friends in the silly and chaotic gameplay moments, also working together as a refined, well-oiled survival production machine. Still, at the end of the day, Survival Kids isn’t all that much of a successful return, remaining hardly a splash in the ocean.

Dune: Awakening builds on the solid foundation of Survival gameplay mechanics from Funcom’s prior entry in the genre, Conan Exiles. While aspects of the game, such as combat and questing, are less than great, these flaws don’t prevent players from enjoying the well-executed gathering, crafting and research-advancing progression loop, as well as simply existing in and exploring the world of Arrakis. Those who love survival games OR the Dune franchise will likely have a great time here, though others may have less reason to stick around to the endgame. The solo and group gameplay is distinct from one another, but either approach will allow you plenty of fun time in the sun, the sand, and (if you’re unlucky) the belly of a sandworm.

Rooftops & Alleys builds an incredible foundation with its dynamic and exciting parkour & freerunning. Although it can be very difficult to learn and is rife with inconveniences, slowly understanding how to navigate across rooftops becomes such a thrilling time. What holds the game back is how few options the player has to test their new abilities. Despite some solid foundations, a notable lack of interesting missions or enticing exploration makes Rooftops & Alleys feel a bit too empty.

Robots at Midnight is a solid enough romp for the action RPG space. The robot infested world of Yob is a curious and colourful place infused with retro nostalgic futurism, dusty droids and bright purple stormy skies. A lot of flowers should be given to Finish Line Games for making a palatable Soulslike that can be played by all, even offering some engaging play in the supercharged MITT abilities that have you soaring around environments or sucker punching bots. Thanks to other elements, such as a lot of stock standard combat pacing and flawed exploration, Robots at Midnight doesn’t necessarily do a lot to significantly distinguish itself in the hugely populated genre crowd, but it is a different flavoured experience for the space if you’re looking for yet another to eat up. It’s not quite a home run, but it’s a damn solid swing and crowd pleaser nevertheless.

TRON: Catalyst proves that there are still plenty of stories to be told on the Grid, even if it never fully realises this potential itself. Its narrative is well-written and engaging, it faithfully captures the aesthetic of the films and has perfectly function combat and exploration, but its repetitiveness and inability to fully take advantage of the possibilities of TRON’s ‘discfu’ leaves it feeling like version 0.8 rather than 1.0 when it comes to taking advantage of the possibilities of this series.

Despite being competent on many levels, FBC: Firebreak is an exceedingly familiar cooperative experience you have likely played before. Remedy’s signature flair for visual design and return to a familiar and beloved video game locale might be enough for absolute die-hard fans, but it is tough to see who the target audience for this entry into the RCU was envisioned for. While not a total misfire, FBC: Firebreak feels destined to be a footnote from the world of Alan Wake.

The GEX Trilogy won’t convert new fans, but for those raised on tail-whips and TV parodies, it’s a nostalgia-packed return. A solid, if safe, remaster that could’ve done more but still lets Gex channel surf once more with style.

A fun, cooperative puzzler with some neat ideas that mostly hit their mark, Parallel Experiment is an adventure that tickles your brain and challenges your collaboration skills. While its puzzles don’t always satisfy and its control scheme can be irritating at times, for the most part, this is an engaging teamwork experience with some rad artwork and solid voice acting. Recommended for escape room aficionados and patient puzzle fans.

There’s a lot to love in Nice Day for Fishing, but it’s marred by repetition. By the time you’ve cast your line a few dozen times or run about the map from end to end to fetch whatever the wizard Baradun needs, the magic fades. What works well in the short NPC Man skits doesn’t entirely hold up across the course of a full-length game. Still, even though it might not be the legendary catch you’re looking for, Nice Day for Fishing is far from a throwaway, especially so if you’re a Viva La Dirt League fan. In short bursts, it’s a very enjoyable time. It is indeed a nice day for fishing… but not a nice week.

Nintendo Switch 2 Welcome Tour is exactly what it claims to be: an interactive manual with a few bells and whistles. It’s the Wii Sports of the Switch 2 era, helping users understand the console, its features, and how it all fits together. While charging $15 for something that feels like it should’ve been bundled might be a turnoff, the level of detail and interactivity makes the price somewhat justifiable. It’s not a must-have, but if you want a fun way to explore your new console, it’s a decent way to spend a few hours. Just don’t rush through it; enjoy it for its charm.

While the core gameplay loop of Pipistrello and the Cursed Yoyo feels dated, there’s a lot to enjoy in the retro-inspired experience that Pocket Trap have crafted. The level design and puzzles, badge and upgrade system, and art design make it worth a look if you’re craving an old-school adventure. There’s a great game in here, but it’s sometimes held back from shining through.