A fairly mediocre follow-up to the original not so much in terms of content, but the sports you're left to play and how they play. Online play is a great addition, as is more voice control, and the darts and the golf are great fun while they last, but the skiing is way too simple, American Football is dire, tennis is a substandard version of table tennis from the original and baseball is barely passable. So yeah, not exactly blowing us away.

An unusual game, Knee Deep is entertaining while it lasts, its offbeat, Twin Peaks-inspired murder mystery taking in some strange twists and turns to reach its unexpected conclusion. Cypress Knee is certainly a place worth visiting.

Madder than a box of frogs, Manual Samuel is surreal, a bit dark and slightly sadistic, but will bring a smile to your face. There are annoying bits, sure, but overall, Manual Samuel is an enjoyable QWOP-alike that will put your dextrous digits to the test.

As remakes go, Alone in the Dark has a hard time measuring up to horror stablemates like Resident Evil. All of the requisite ingredients might be here, but they're poorly realised and implemented, resulting in a game that has its moments, but is hamstrung by shoddy combat, half-baked visuals, and more than its fair share of bugs.

Every fibre in every single bone of my body wanted to love FUEL. I’m a bit of a sandbox junkie truth be told, but even the huge open-world with diverse environments wasn’t enough to divert my attention from the game’s nagging design faults. With a pretty poor GPS, unbalanced difficulty scale, terrible opponent AI and average visuals, FUEL is left on a par with mediocrity.

If Marvel's Avengers were an MCU movie, it'd be Age of Ultron. It's perfectly entertaining and well put together, with some great set-pieces, but it isn't necessarily one you're going to return to again and again.

State of Decay 2 is a perfectly fine game. Nothing more, nothing less. Sure, it may be buggy and it might be a step back from the original, but it is nevertheless still a fun game, albeit one that doesn’t really motivate you to keep playing. To keep grinding. I imagine it’s what a real zombie apocalypse would be like, we just wanted more from a game about it.

All in all, the Knothole Island pack is an enjoyable romp, however, it is short ... short as hell, and just when you really start to get in to it, the quest line wraps up and you are left wanting more.

As far as horror games that ape the works of H.R. Giger are concerned, Scorn is certainly one of the most interesting examples around, and many of its puzzles are nicely executed. However, crappy combat cramps Scorn’s style, while the unrelenting bleakness of the thing will leave you feeling deflated.

Never Alone isn’t without its merits. Telling an interesting story of a dying culture, it’s a hugely flawed game that manages to conjure warmth in the icy cold.

The multiplayer Control spin-off you didn't know you needed, FBC: Firebreak is an engaging and moreish shooter with interesting mechanics, an abundance of supernatural weirdness, and ample co-op fun. You'll never look at a sticky note the same way again.

A perfect game for kids, especially with four players, but the simplistic gameplay and rather small levels may soon begin to grate on everyone else. Plus for every unique idea there are a bunch of others that seems to be repeated over and over again. Disney Universe is a fun diversion but nothing more than that.

A better presented package overall, Sherlock Holmes: The Devil's Daughter is a small step forward for the series, but still in serious need of polish and a greater level of cohesion between its disparate parts. Fewer mini-games and more sleuthing would have been preferable and played to the game's strengths. As it is, The Devil's Daughter is a solid Sherlock yarn, but one that falls well short of greatness.

Unfortunately, other than a decent enough story and tying up a few loose ends from Underworld & Beneath the Ashes, Lara’s Shadow isn’t the greatest way to end the experience. Playing with a Lara-esque character who handles like Barry Bonds after a big night at the plate is not as fun as you would have thought.

A messy and rather poor campaign, Multiplayer and Zombies modes that fail to offer anything new, and a general dearth of innovation means this year's COD instalment is a bit of a damp squib. Call of Duty: Black Ops 7 still has plenty to offer, but, quite honestly, we've seen it all countless times before.

An absurdly fun and unique multiplayer throw down, Kiln might be somewhat light on content, but it more than makes up for it with bags of character, immediacy, and infectious gameplay.

The only benefit of owning Monopoly Streets is the ability to play with friends online, as otherwise you could just stick to the regular board version. This is essentially just Monopoly with a few rule variations and a swanky 3D board, and is hardly worth shelling out for if you already own the original version. Plus, what's better than bankrupting friends and family in the comfort of your own home, replete with wonderful paper money? This game is simply not meant for consoles.

The Dark Pictures Anthology: Little Hope provides an entertaining horror romp that is high on tension, but perhaps a little too low on actual scares. Regardless, its mix of good performances, excellent visuals and an intriguing mystery will keep you engrossed throughout, even if it falls a bit flat in the finale.

As a new start for the eponymous gang, Saints Row ticks most of the boxes, but falls short in offering up anything fresh. A litany of technical and visual bugs also conspire to spoil the party, making for a solid enough, enjoyable, but ultimately uninspired, return for the series.

The RPG nature of the back end system is a true pleasure at times. Kitting Baldur out from head to toe in badass armour is one of Too Human’s fortes. Other than the main story quest though there isn’t really that much to do and the game gets incredibly repetitive.

Telltale and Batman fans are well catered for in Batman: A Telltale Series' first episode, with a hefty dose of action and intrigue to set things up for the rest of the ensuing saga. We can't wait for more.

Afro Samurai provides an entertaining and bloody orgy of death while it lasts, but camera issues, inconsistent checkpoints, and lackluster boss fights keep it from greatness.

The LEGO Movie 2 Videogame might seem like business as usual, but it's the addition of sandbox bits, the slew of items and gadgets, and the emphasis on exploration and puzzles that make TT's latest LEGO foray a cut above. Everything is (relatively) awesome.

Saints Row: Gat Out of Hell is the Big Mac of games. You know what you’re getting, it’s a bit cheap, you enjoy eating it, you don’t have to chew and an hour later you’ve forgotten all about it. Utterly unchallenging and lacking in fresh ideas, Gat Out of Hell is still capable of making you smile.

I'd be lying if I said I didn't enjoy Quantum of Solace because I did, but this is coming from a huge Bond fan. The single player campaign was entertaining and boasted intuitive and responsive controls; our only grumble is its length.

After the brilliant Lair of the Shadow Broker episode though, it's a shame that BioWare ends Mass Effect 2's run on such a substandard piece of DLC... a piece of DLC that strips everything that we loved from the main game and left us with nothing more than a run-and-gun shooter.

Anthem is a game that despite poor optimisation, agonising load times, bizarre design decisions and unbalanced loot system can actually be a lot of fun to play. The open-world, story, characters and combat are all solid, the rest, not so much. Anthem has potential to be a good game, it just isn’t right now. It could be one day though.

As a Burnout fan, I had high hopes for Dangerous Driving. Unfortunately, Three Fields' effort fails to capture the spirit and feel of its inspiration, and consequently, emerges as a pale imitation.