Spy Drops is a game with a novel concept but bad execution. The idea of smaller missions for a bite-sized stealth experience is neat, and the game mostly nails the graphical aesthetic of a top-tier game from the original PlayStation's timeline. Everything else, especially the stealth mechanics, are so poorly done that the whole experience feels like an absolute chore to get through. Unless you're the forgiving type who's absolutely craving any kind of stealth experience, don't bother with Spy Drops unless it massively overhauls everything with patches.

There's no getting around the fact that just about every aspect of La Quimera is bad. From the story to the gameplay to the presentation, there's barely anything that seems to work as expected. Even the game's short runtime is tarnished by the fact that it abruptly ends. Unless the game gets a major overhaul when it eventually gets released, steer clear of La Quimera and play almost any other first-person shooter instead.

There are a few good things about Neptunia Riders vs. Dogoos. The silly story provides a good vehicle for the shenanigans of Nep Nep and her friends, and going for a completely different genre is always a welcome move. It would've been nice if the game were actually good in every other area. The gameplay loop is far from exciting, especially since it gets very repetitive rather quickly, and the graphical presentation is terrible when you consider the hardware the game is running on. This is also a painfully short experience without any multiplayer capabilities, despite the format being perfect for team or versus play. Unless you're in the habit of collecting every Neptunia-related game, stay away from this title.

It's difficult to muster up any excitement for Pac-Man Mega Tunnel Battle: Chomp Champs. The formula is decent, but the lackadaisical AI doesn't encourage you to play with the parts of the game that make it distinct. The lack of other modes makes this package feel expensive, while the lack of any human players this early on robs the game of any reason to keep playing. It's a dead game that makes you wish that Bandai Namco would resurrect Pac-Man 99 instead.

Wildshade: Unicorn Champions is a very messy game. The racing is simple in execution but suffers greatly from a heavy use of rubberbanding, while the tracks don't offer up too much incentive to look for shortcuts. The modes are sparse, and the breeding feature is ultimately boring. The presentation is decent enough in segments, but the visions of horses tumbling while you they whinny destroys any impressions of it being a family-friendly game. This isn't an outright terrible kart racing game, but considering the breadth of titles in the genre across the two platform generations, there's very little reason to choose Wildshade over the spectrum of vastly superior ones.

Overall, Rollercoaster Tycoon Adventures Deluxe isn't right for fans of the series. It isn't right for anyone, really, and especially not for the price of $40. It works, and it looks nice enough, but it's a smokescreen that hides a game that's been simplified beyond recognition. The experience is also devoid of any fun that I'd usually associate with building a dream theme park.

Discounting versions that were developed for dedicated handheld systems, the 2023 version of Call of Duty: Modern Warfare III represents the series at a low. The campaign is painfully short, and while the open combat missions are a neat idea, they needed more time to feel substantial. Zombies are still fun enough, and the same can be said for multiplayer, but the absence of new maps feels wrong for a brand-new game. If the original plan to make this a DLC package were still in play and the price were reasonable, then one could see it being a recommendation for dedicated series fans. As a $70 full price game, however, what's available is pitiful to the point that gamers should stay away from this title and stick with the older stuff instead.

There's nothing to recommend Quantum Error. No part of the game shines, and the ambition of a small team can't save it from the fact that ambition didn't pay off. The bad combat, incoherent story, awkward firefighting mechanics, and clumsy level design all come together to create a game I couldn't recommend at $10, let alone $60. There are too many games out there that do a much better job, and the unique ideas in Quantum Error are too poorly executed for anyone to enjoy.

Crime Boss: Rockay City isn't a complete disaster. The idea of fusing together managerial duties with action-oriented shooting works well on paper since the gameplay styles complement each other. However, neither aspect plays out that well, and when you combine it with a lackluster story and worse than mediocre performances, the experience doesn't improve as you get further into it. Unless you're hard up for a crime-based game, there's little reason to give this title a shot.

Arto isn't ready yet. There's a good premise, the mechanics play out well enough, and the hook of painting the environment with different art styles is certainly appealing. However, there are simply too many issues in every category that cannot be ignored no matter how hard you try. Should this extensive list get fixed, players will encounter a decent game that we could recommend checking out if you're curious. As it stands now, you should avoid Arto.

There is a good game somewhere under all of this, but it is buried under the weight of every part of Dakar Desert Rally being unlikable for some reason or another. There are the briefest moments where it shines through, the sun is hitting you just right, and you're blasting through the stage skillfully at top speed. The problem is it's at that moment that you round the bend and slam into a random truck or the game hitches and you suddenly understeer into a rock wall. Substantial patching would do this game wonders, but as it stands, it's a joyless mess that delivers frustrations at a far greater rate than podiums.

Itadaki Smash isn't exactly the worst beat-'em-up on the Switch, but it gets close. The graphics are drab, with some bad-looking character models and mediocre animations. The humor is tiresome, and the lack of moves reveals the game's shallowness. The game is short, but the cumbersome saving combined with the overall instability makes it difficult to like. The Switch has a plethora of very good beat-'em-ups, both old and new, so there's no need to check out this offering.

The only saving grace to Ashiragu: The Last Shogun is that it runs, and you can get one Bronze Trophy out of it. Aside from that, there are no redeeming qualities. Under no circumstances should anyone play this. It's a mystery why Sony continues to let this and other games from the developer/producer exist in the marketplace at such a high price.

In the end, to The Top, Mammoth! is a mobile game that's found itself awkwardly ported over to the Switch. The core gameplay loop is enjoyable enough for some quick gameplay sessions, but starting things off with some devious level design doesn't endear it to the target audience. Several design decisions, from the menus to the vagueness applied to power-ups, don't help the game's cause, and the obvious padding in a few areas and some pretty big bugs leaves much to be desired. The more tactile controls make this better than the mobile iteration, but on a system that already offers a plethora of quick pick-up-and-play experiences, it's difficult to recommend this title.

It is difficult to recommend MX vs ATV Legends under any circumstances. The opening moments are punishingly slow to get through, and the whole process of going through the events lacks any polish. The races all suffer from a myriad of issues — including bad track design, wonky physics, constant stuttering, and a fiddly handling system against braindead AI. With the ability to power up all three of your vehicles after only three races, the drive to progress is barely there. This is a case where there are plenty of other motocross racing games that are worth your time, unless you're willing to wait a year or two to see if the team can throw enough patches to make this somewhat decent.

CrossfireX is a mess. If you manage to connect to a server and can deal with a menu that becomes sluggish after every game, you'll find an experience that is dulled by bad design decisions. From a pair of lackluster campaigns to a pittance of maps and modes, there's not much to work with. Combined with tiny maps and shooting mechanics that don't feel good, the shooter is only appealing if you only play free-to-play titles, only care for modern military shooters, don't care for Call of Duty: Warzone, and don't have the Xbox Game Pass.

In Nightmare is an experience that will leave players more frustrated than frightened. The story is decent enough, if predictable, but it quickly loses steam since you can guess what'll happen and the pantomimed scenes are too vague. The gameplay teeters between fine to unplayable due to technical issues and an overall design that favors trial and error and memorization versus crafting a more dynamic challenge. All of those things rob the game of a scare factor; there's nothing really horrifying about what you're up against. The ideas are sound, but unless you have to play every single horror game out there, you can safely skip In Nightmare and not miss a thing.

I hate to be this negative and scolding in this review, but in its current state, Babylon's Fall should not exist, especially not with such a hefty price tag. It's a live service game that's hell-bent on monetizing everything, but it's uninterested in being engaging, rewarding, or nice to look at. There are plenty of glimpses of the familiar Platinum Games talent involved, teasing the game that could have been, but it ultimately fails to make an effort except for microtransactions. Even hardcore fans of the genre or Platinum Games should likely avoid this title.

Neptunia Virtual Stars is a tough game to recommend even for the fans. The regular cast of characters remains as engaging as ever, while the newcomers fit in quite nicely. The story is a nice take on parodying the current state of the internet using the unique viewpoint that the series has carved for itself. Beyond the overly long cut scenes, the gameplay is dull despite the variety that the title and minigames try to provide. While this game won't attract any newcomers, hardcore fans might want to dabble with this after a very deep discount.

Green Phoenix aims to serve two distinct audiences but succeeds at pleasing neither. Shooter fans will hate almost everything about it, from the lack of proper aiming to the lack of enemies. Fans of deep narratives will find the story to be derivative and uninspiring and will hate that it is told so poorly. It may look pretty, but there's no real reason to give this a shot.

32 Secs might work fine as a mobile title, but it doesn't feel like much was done to ensure that it would be a good fit for the Nintendo Switch. From the lack of an overall objective to an intense amount of grind, it feels exactly like the mobile game but with a higher price tag to replace microtransactions. The Switch may not be the first platform for racing games, but racing fans should look elsewhere to get their fix.

The concept behind Open Country is solid enough. A more relaxed hunting and survival simulator in a traditional game structure has an audience: those who feel that hunting games are too vague for newcomers. While some of the quirky bits can be forgiven, the busted hunting mechanics and the dated presentation bring everything crashing down. Unless you're the very forgiving and patient type, pass on this title.

There are things that DreadStar: The Quest for Revenge does right. The actual shooting is quite good, with a nice enough enemy layout even though the levels feel rather long. It also nails the look of a classic late-era DOS game. However, the seemingly endless grind mixed with questionable design decisions and poor performance make it a chore to get through. Unless you get lucky and get a smooth experience with no loss in controls, DreadStar is probably one shoot-'em-up that should be approached with a heap of caution.

The concept behind Redneck Ed: Astro Monsters Show is fine. Going through battle after battle in a galactic game show is a workable premise, and it's only been done a few times before. However, from the dated references and the half-baked presentation to the cheap deaths and lackluster combat, it is difficult to stick with the game after a few levels, since it game does its best to drain any semblance of fun from the experience. Unless you have the patience and willingness to deal with the lack of polish, pass on this one.

I did have some nuggets of fun with Werewolf: The Apocalypse – Earthblood, but there's too much I can't ignore to recommend it to anyone, especially with the dawn of next-gen systems and titles that execute their concepts much better and simply look like what current games should be.

To put it bluntly, Tamarin is messy. The story isn't that interesting, and the characters try to make it sound important but come off as pompous. The platforming is decent once you learn that you have useful moves, but the finicky nature of some elements and the slippery physics mean that asking for precision is inviting frustration. While the thought of resurrecting a Jet Force Gemini-style game is intriguing, the execution fumbles greatly due to it casting aside the advances that have been made in third-person shooters in the last 20 years. Unless you're craving an exercise in frustration, steer clear of Tamarin.

Even at its relatively cheap $5 price tag, it is difficult to recommend Connection Haunted. The premise could be interesting, but its vague nature means that there's no impetus to pursue the game's endings even though they're short enough to conquer in an afternoon. It is supposed to mimic first-person shooters from the early days of online play, but it looks decidedly worse than most of them, and the performance is passable at best. Worst of all, with no scares of any sort or action or intrigue, the game is utterly boring. Unless you're a collector and absolutely need every single Switch game, it's a hard pass on Connection Haunted.

G.I. Joe: Operation Blackout is messy. The presentation is inconsistent, while the story is serviceable at best. The addition of local multiplayer outweighs the lack of online play, and the game is lengthy enough. However, the poor combat mechanics drag down the experience heavily, and on a platform that's absolutely bursting with more competent third-person shooters, this is one that you can easily pass on.

I'm hopeful that the Gnomes & Goblins developers can address these performance issues quickly. There's still a lot of design work that needs to be addressed if they want this game to be as great as its concept. Until then, Gnomes & Goblins is little more than a stuttering tech demo that doesn't capture the imaginative concept it so desperately craves to be.

WarriOrb fails to do many things right. The combat is lackluster due to boring enemies and an uninteresting set of moves. The floaty controls clash with the constant need for perfect platforming. The frailty of your character is inconsistent with the dangers you face, and the checkpoint system feels broken. Even the ball physics and spell system fail to impress, despite how often they're used in the latter half of the game. Combined with a passable presentation and an uninteresting story, there are better games you can spend your time on instead.

While you have to give credit to Spuds Unearthed for trying to be bold and merging two genres into the VR perspective, the execution does not work well. The dodgy controls make a poor impression on those trying out VR for the first time, and the lack of a narrative makes it all feel pointless. The lack of proper explanation for anything is what dooms the game, as it takes loads of unnecessary trial and error to figure things out, from initiating multiplayer to how to set up for fights, let alone how to make yourself useful in the skirmishes. While Spuds Unearthed isn't the worst VR experience out there, it is certainly one to avoid.

Galaxy Warfighter is a better game if you're on iOS or Android. It wouldn't necessarily make it a masterpiece, but it is a more tolerable experience on devices that are made for your pocket. On the PC, however, the litany of issues plaguing the game design are too much to make this worthwhile when the platform has a near-limitless supply of better titles in the genre. Unless you really need Steam Achievements, pass on this one.

Brotherhood United is a game that you might want to play if you've run out of other run-and-gun shooters. The shooting may have been fine if the modern mechanics weren't thrown in, but the multitude of annoyances, from the bad pixel graphics to low customization and inability to easily convey vital stats to the player, combine to make for a terrible overall experience. Considering the vast library at your disposal, Brotherhood United is an easy pass.

BE-A Walker: Battle for Eldorado is needlessly cruel. The number of things you have to monitor due to the fragility of your craft, combined with the ridiculous cooldown times, make for one of the most off-putting opening levels a game can have. If you're able to power through, the rest of the game is monotonous, even if you get lucky enough to grab enough funds to mitigate the constantly depleting meters. Combined with a lackluster story and absent fun factor, it'll take someone who really enjoys masochism to power through to the end of the game. With the multitude of better shooters on the system, it's easy to skip this one.

Ultimately, Without Escape is a sad shadow of a genre from the past. Point-and-click adventure games fell from favor years ago due to progressing technology. Some of the originals of the escape room genre may soon be lost to time (due to Adobe's support of Flash ending in a few months). Now kids can play Roblox with a quick download and Minecraft on a web browser. Perhaps if this game offered more in terms of narrative or visuals, it could be worthwhile, but it doesn't offer enough to be appealing. While some attention was given to the visuals and music, Without Escape largely feels dissatisfying and lackluster.

Azur Lane: Crosswave is essentially a visual novel with some brief moments of action. Everything works as intended, and there's no need for a combat strategy, but the equipment and upgrades systems are cryptic. The visuals look good, and the chibi characters are adorable. The game can be a decent way to pass a weekend. However, Crosswave and all games under the Azur Lane banner espouse views on females — especially young girls — that I cannot look past, and it's troubling to me that this title is deemed appropriate for teenagers.

The most difficult thing about Street Outlaws: The List is trying to find a reason to play it. Depending on the event, the controls range from serviceable to terrible, with a physics system that doesn't make sense. The lack of real challenge is offset by the overall length of the game, which seems far too long for what's being offered. Between the underwhelming presentation, a clunky but bare-bones menu, and lack of gameplay variety, even superfans of the show will find it tough to stick with this game for a significant amount of time.

If Contra: Rogue Corps were known by any other name, it wouldn't be so bad. The idea of a twin-stick looter shooter is intriguing, and the shooting can be decent even if the level flow isn't exciting. However, that reliance on the franchise name comes with certain expectations. The overheating guns, restricted co-op, and missing weapon sets run counter to what fans have come to expect from the series that's been around for over 30 years. If you aren't too discerning, this may be worth a look if it's in the bargain bin. If fans of the series pick up Rogue Corps, they will be disappointed.

There's nothing wrong with ArtPulse being more of a toy than anything substantial. Sometimes it's fun to just goof off. There's not enough here to make the title realize its potential. The creation tools are woefully limited, and the game's ability to instantly delete things stifles one's creativity even more than the limited toolset does. The inability to share your creations or save them also hurts, but anyone hunting for some easy high-level trophies will be happy. For everyone else, ArtPulse would've been a perfect demo disc experience, but it shouldn't be something that you purchase for real money.

There's barely anything salvageable in Down to Hell. The backgrounds look nice enough, and the music is decent if you aren't too picky about your metal. Everything else is a cautionary example of the kinds of sins that game developers should avoid. Even if you were to find the title for less than $1, there are a plethora of similar games on the Switch that do a much better job, so there's no reason to look in the direction of Down to Hell.

Yuri isn't great, no matter how you spin it. The physics system actively works to make platforming unbearable, and the ability to read the environment is sacrificed in the name of making things look good. The constant issues with the general mechanics and push for methodical searching, despite having mechanics that prioritize speed, make the player want to quit despite the game's relatively short length. With a glut of better platformers on the Switch system, there's not much reason to spend time on Yuri.

Combined with the flaky presentation, there's no reason to give Red Siren a look unless you've absolutely raided the library of all other shooting games, have some spare Gold Points to burn, and have absolutely nothing else to do.

The only reason to consider Devil May Cry 2 for the Switch is if you're either a completionist or a die-hard fan of the series. The game has the trappings of a decent action game, but with the Devil May Cry name attached, the expectations are higher. Nothing can justify it being a sequel to one of Capcom's more exciting PS2 games. Unless you need to experience every Dante adventure, skip this one and wait for the inevitable port of the third entry instead.

After all is said and done, Toki is a labor of love taken on by Microids to refresh and rebrand a game that's been largely forgotten. We can see the effort expended in keeping the original intact, keeping the same types of enemies and levels, and even controls, while going to some lengths to update the visuals. However, the art style ends up looking a little amateur, and the overall controls, feel and gameplay end up seeming clunky. Sure, the redone music sounds good, and the cartoony aesthetic is snappy, but the bones of the game don't translate well in today's game market. Perhaps if this game had come out within a couple of years of its first announcement, the art issues wouldn't be so problematic, but as it stands today, Toki is a master class in a bygone era of video games rather than a fun time.

Guns 'n' Stories: Bulletproof VR is a disappointment. The guns feel worthless due to the "bullet sponge" nature of even the most common enemies. The game does a poor job of letting you know where enemies are, and getting through stages is difficult due to the fact that the game doles out foes in all directions at the same time without any indicators. The levels are also long enough that you'll grow tired of the shooting if you don't have an automatic weapon. Even with a decent but uninspiring presentation, there's not much reason to give this a look when other, better implemented VR shooting galleries exist on the platform.

Just Deal With It is an example of a title that just wasn't planned out well. The inclusion of online play is fine, but it's wasted since there hasn't been an online community to speak of since the game's launch. The forced multiplayer means that there's no real way for players to learn the games on their own, and the use of power-ups feels arbitrary. Unless you want a more expensive way to play these games with friends locally, your best bet would be to check out YouTube tutorials for these games and break out a physical deck of cards.

The puzzles are simple in their execution, but their obtuseness can be infuriating at times. The story may begin mysteriously, but both of the endings are unsatisfying, even though the story is still muddled at that point. There are plenty of other titles on the PS4 that do a better job of telling a short and mysterious tale artfully, and your time is better spent with those and saving Vane for a video walkthrough unless you're hunting for Trophies.

Maybe one day the developer will have the opportunity to show us a completed idea, but based on the current build, Tennis World Tour is disappointing.

Gungrave VR is a game that not only tarnishes its own legacy but also leaves a bad impression of VR as a whole. The gameplay is shallow, as attacks feel slow and lack any sort of impact. The limited nature of the stages and the lack of any intelligent enemy combat makes the affair boring, but the clunky implementation of VR is what really drags down the game. The VR feels unnatural, and it doesn't safeguard one from getting nausea. There's still hope that the upcoming sequel will fare better, especially if it sticks with more traditional gameplay elements and presentation, but this VR take is one that players can easily skip.

There's a certain audience that'll find Heavy Fire: Red Shadow to be a decent game. For those people, the turret sequences in other shooters must be their favorite part of the game. For everyone else, including fans of the series, Red Shadow is an utter disappointment. From a regression in gameplay to overly long stages and terrible presentation, there's nothing to recommend here, even if you just want to Trophy hunt. Unless you absolutely need to have every game in the console's library, stay as far away from this as possible.

The unpolished gameplay and bare-bones presentation do the game no favors in this day and age, and the general failure to launch issues cast Bullet Witch in a more negative light. Unless you have a strong sense of nostalgia, there's not much of a reason to pick up Bullet Witch.

Awkward is just bad. Its premise is paper-thin, and its questions range from boring to shocking without a counter-balance to turn testy questions into a form of dark humor. The presentation is nonsensical, and the game doesn't seem to have any purpose. Its only saving grace is that the games are short, but it only takes one time before your party chooses to play something more whimsical instead. Unless you want to bring down the mood of the party or instigate arguments, there's no reason to have this game anywhere near your system.

It's difficult to recommend Gene Rain to anyone. The story makes no sense, and the game does a good job of maintaining that sense of confusion. The gameplay has no redeeming qualities whatsoever, and the presentation would be laughable even during the prior console generation. Not even Trophy hunters would be attracted to this title because the grind to obtain them is unbearable. Stay as far away as possible from Gene Rain.

There's a good idea in RPGolf, but it doesn't have the game mechanics to shine. The simplification of the golf mechanics is fine, as is the idea behind the combat. However, the enemy behavior and the other missing quality of life issues make this game more of a chore than something you'll want to be excited about. Its relatively cheap price means it's reasonable to buy it to check it out anyway, but don't expect much from it.

After five iterations in the modern era, R.B.I. Baseball 18 remains a terrible series for any type of baseball fan. The modes may be serviceable, but everything from the AI to the presentation and the overall performance is severely lacking in quality. PS4 owners have a choice, so if you need your baseball fix, opt for Sony's offering once more with a tiny bit of hope that MLBAM will finally get something going next year.

There's little to no reason to recommend Tennis to anyone. The paltry amount of modes is unsatisfying, and the characters' only differences lie in their limited speech bank that repeats incessantly. The presentation is bearable, but seeing it struggle is bewildering. More importantly, despite the number of control schemes available, it feels like wasted work since your only real interactions with the game are reduced to hitting the ball. Despite the tempting $8 price tag on the game, you're better served waiting for any other tennis game to come along for the system.

In a way, the experience you'll have with the game matches its name perfectly, so unless you're desperate for a masochistic experience, Agony gets a hard pass.

Fear Effect Sedna is a case of improperly executed good intentions. It has an intriguing story at its core, but the bad script fails to make it shine. It has lots of different gameplay mechanics at work, but none of them feel good, let alone good enough to carry the weaker parts. It has a presentation that's less than stellar, even for fans who enjoyed the originals. There's still a chance that you can enjoy the game, but you'll have to forgive the various flaws to do so.

As a whole, Extinction is a game built around plenty of promising ideas, but the execution fails to live up to its promises on almost every single point. It's hard to shake the feeling that Iron Galaxy didn't provide the game with the resources it needed to come close to reaching the heights it was aiming for. That's a shame, since all we're left with is a massive skeleton of a game that could have held some real meat.

Past Cure is many things: technically infuriating, a slog, and thematically inconsistent. While one can appreciate the effort of a small team trying to craft a game that does many things, it can't seem to do any of them well enough to warrant any attention. With a glut of better games that tackle similar elements on the platform, it's very difficult to recommend Past Cure to people, even as a quick diversion.

There's no dancing around it: Road Rage is terrible. From the gameplay mechanics to the presentation, nothing is done right, and every moment spent in the game makes you question why you have it in the first place. Unless you're Trophy-hunting, there are much better PS4 titles that are worthy of your time.

There's nothing wrong with Nightingale Downs being short. Indeed, a short and cheap RPG can be a primer to see if a player who's unfamiliar with the genre would like it before trying meatier fare. However, the imbalanced gameplay, odd pacing, and wonky battle system demonstrate a poor idea of what the typical RPG experience would look like. Paired with decent graphics but terrible audio, it's difficult to recommend Nightingale Downs, even if it is only $2.

It's difficult to recommend XField Paintball 3 when most of it just isn't ready for prime time. The training mode only gives you an empty map so you can get the lay of the land, but it's nowhere close to what's represented in video footage. The online mode is barren, and without any offline modes or bots to work with, the title becomes a virtual paperweight. Unless an online community appears soon, it'll be easy to forget that this game exists.

Perhaps the only good thing that can be said about Dying: Reborn is that you can easily get a Platinum trophy from it, provided you only backtrack after finishing the game. It's faster if you use a guide for the more obtuse puzzles, but the whole endeavor takes only a few hours to accomplish. If you aren't into Trophy hunting, however, there's nothing of value in this title. Poor puzzles that repeat often, dodgy presentation with worse audio, and a story with too many plot holes are all wrapped up in a price tag that's too expensive for what you're getting. On a system that already has plenty of good horror games, there should be no reason for anyone to pick up Dying: Reborn.

There's a germ of a good idea in RWBY: Grimm Eclipse. The counter system alone makes this button-masher feel more refined. However, the rest of it — the presentation, the actual gameplay, and the lack of story — does such a terrible job at supporting this system that the overall game feels unfinished. Only a handful of fans may be fine with the title, but everyone else can easily ignore this offering.

The premise for Ian's Eyes has potential. If done correctly, a horror game that revolves around a glorified escort mission can be a tense and entertaining experience. However, there's nothing here that can be considered well done, as the game simply strives to emulate all of the bad parts of the old survival-horror games without the good parts with that came with it. Even if you're a die-hard survival-horror fan, there's very little that's worth checking out in Ian's Eyes.

Like all roads to hell, ReCore is paved with good intentions. Sadly, a cool concept, intriguing story and lovable, endearing characters aren't enough to stop this game from being one of the more annoying and frustrating game-playing experiences you will find in 2016, if not in the past few years.

No Mans Sky would've made an excellent tech demo of something greater yet to come, or as a $20 independent game from a studio trying to find its footing. It certainly doesn't live up to what was once a marquee title during one of Sony's E3 press conferences, and it doesn't come close to justifying its $60 asking price. No Man's Sky had so much potential in delivering a game that compelled and rewarded unbridled exploration. That it fails to do so only makes its shortcomings more striking, and it's disappointing when compared to how the game was described leading up to its release.

In the end, Trials of the Blood Dragon is a mess. The platforming is barely passable, and several mechanics feel terrible to use.

Unfortunately, Coffin Dodgers is a mess. It squanders its interesting premise, and races are plagued with poor track design, ineffective weaponry, and a lack of meaningful content.

While the hope is that the developers get some patches in soon to improve things, it's very difficult to recommend Slain! in its current state to anyone when there are plenty of better alternatives.

Zamarian gets some kudos for trying to use the tube format since it's still a rarity in the genre. Other than that, it doesn't do anything all that well.

Unless you're getting Pilot Crusader as part of a bigger indie game bundle, there isn't much reason to grab this title, even if you're really into high score runs.

Dinox is as basic of a trivia game as you can get. Aside from the "Walking with Dinosaurs" clips that are thrown around before every question, there's no real flash to get those who aren't particularly interested or versed in the subject matter to give the game a shot.

L.A. Cops is a sloppy game. The controls lack finesse in almost all areas, and the shooting is randomized enough to feel unsatisfying.

Jet Car Stunts had the potential to be something good, but there are too many issues to give it any sort of recommendation.

Though it is a much better effort than the prior game, Power Rangers: Super Megaforce is a game that is fine with being mediocre.

Zombeer is bad. The humor is scattershot and groan-inducing, while the gameplay is barely functional.

Criminal Girls: Invitation Only is a title with a very, very, very specific audience. RPG fans will find the combat tedious and the plot generic, and those looking for a dose of scantily clad anime girls will probably be turned off by the whipping and electrocution.

There is absolutely no reason to grab this one, especially at its rather high price point.

Even die-hard Digimon fans will find very little to relish in this western-only release. For everyone else, many other fighting games can provide a more satisfying experience.

Light is a decent demonstration of stealth done on a smaller scale. The minimalist approach is novel, and the bare-bones stealth mechanic can be refreshing to those entering the genre for the first time.

From top to bottom, Daylight falls short of being a good horror game.

As a stand-alone piece of DLC, Chaos Rising isn't worth the bother.

Unfortunately, Goodbye Deponia is a wasted effort by Daedalic because it's marred by a series of bad moral decisions, and the protagonist is the epitome of unlikeable.

All in all, Deadfall Adventures doesn't have a lot of positives.

Power Rangers: Megaforce is a bad game.

VK3 certainly stands out from the previous games, but it does so in all the wrong ways. Any improvements it made to the mechanics are overshadowed by everything else about the game.

Pokemon Rumble U is a major setback for the spin-off series in many ways.

Very little is enticing about Adventure Time: Explore the Dungeon Because I DON'T KNOW! outside of the license being used, and even that isn't applied properly here.

Some decent game mechanics are ruined by very poor AI that has little to no idea of what to do most of the time. The audio is poorly put together, and the visuals are decent for the middle of the current generation, not at the beginning of a new one. The ESPN license feels largely wasted in the bare-bones presentation. A few modes are too tedious to be fun.

R.I.P.D.: The Game is bad.

It may only be $10, but considering the genre and the number of games that offer more or do better for that price, there isn't much of a reason to get your shooting fix from this title.

Unfortunately, Omerta: City of Gangsters isn't worth playing. The concept is solid, as is the decision to split the game into two distinct game types, but the execution of both game types is subpar.

Once you get past the (incredibly frustrating) first hour or two, earn some cash, and buy or upgrade a few cars, it's an OK combat-racing game that's hamstrung by its appalling camera and handicapped AI, and both of those sabotage any satisfaction you might actually get from the game.

Aliens: Colonial Marines is both disappointing and sad. The plot plays out like a bad fan-made film with unintentionally bad acting and ties to familiar things because it didn't have any original ideas. The gameplay feels dated and out of step with the evolution of the shooter. Bugs are rampant throughout the title, and the game lacks a level of polish that was expected during the first year of this console generation.

Frankly, the amount of failure that Aliens: Colonial Marines achieves in nearly every category is staggering. If you are an "Aliens" fan, the game's handling of the canon may send you into a rage. If you are just looking for a shooter, you'll find an uninspired mess that is mechanically beaten by games 10 years older. The game has no redeeming qualities, as it is a broken mess that must be the lowest possible point of the franchise.

Samurai G has some good ideas but ultimately fails to deliver.