I feel like the Neptunia series is mostly about preaching to the choir at this point, and in that capacity Sisters VS Sisters is a decent enough spin-off. The thing is, I’m not sure where to send people who want to get into the series at this point, and Sisters VS Sisters presents an equally awkward entry for such people. It assumes you already have some familiarity with the cast, and the emotional beats and twists heavily depend on that. The battle system is really bland, and I feel that the cut corners which are practically a staple of the franchise at this point are getting harder to ignore as the years pass. I had some fun with Sisters VS Sisters, but I was bored a lot more often than I’d prefer to be.

The biggest problem with Ace Angler: Fishing Spirits is that it all feels too thin. For all the different modes, it all mostly comes down to luck. You can tell this was derived from a game that is only one step removed from gambling. It puts on a decent performance of making you think you have a say in the outcome, but you really don’t. Perhaps as a lower-priced affair I could see this working better, but at the price point it’s targeting there just isn’t enough meat on the bones here in any sense. If you’re a big fan of the arcade version, you’ll likely be happy to have the game at home with all kinds of extras. I can’t imagine many others finding a lot to love here, however.

Homerun Battle 2 has all the elements that made the original such a hit and more. It's fun, it's easy to learn and it'd keep you occupied for a considerable amount of time. Unfortunately, it also exemplifies everything that I dislike about this type of pay model.

The presentation has been juiced up a bit here, but there are also some technical issues that weren’t in the mobile version. It’s not a bad game, mind you. It’s completely average. But I can’t imagine any world where buying this would serve you better than grabbing any of the dozen or so Atelier games that offer a much better experience.

Personally, I’ve never been a fan of the Garbage Pail Kids and never really got into gross-out humor in general. That means this game is really not aimed at me, and I fully recognize that. I think people who enjoy side-scrollers and the Garbage Pail Kids (or similar gross-out comedy) will have a decent time with this. Others will likely find this game to be rather mediocre, particularly with how abruptly it ends. It’s certainly worthy of the Garbage Pail, and assuredly doesn’t belong in a garbage pail, but I think it’s mainly one for the fans.

Nadir has some good ideas and it certainly pulls its weight in terms of its presentation, but a number of gameplay issues and technical problems end up tossing this one into the limbo between heaven and hell. There’s certainly the seed of something very cool here, but whether or not the developers will be able to nurture it into reaching its full potential is a gamble you may not want to take up.

In terms of its core mechanics, this is probably one of the better side-scrolling beat-em-ups I've played on iOS in a while, so the potential is there if the tech and balancing issues can be sorted out.

It's just a shame because Dungeon Hunter 4 does a decent job putting the series back on track to its roots. Unfortunately, the emphasis on freemium elements puts a damper on the improvements made. Seeing how it's free, dungeon crawling fans should definitely check it out. However, the question remains whether or not its worth the investment required to plow through the entire experience.

Dark Guardians may lure you in with its striking visuals, but don't expect much more than smoke and mirrors.

So, overall I would say that almost everything but Assembly Required's narrative works quite well; it's a shame then that Minecraft: Story Mode is a narrative-driven game because in that respect, it was quite disappointing.

Hydlide II isn’t the greatest of games even by the standards of its own series, and those coming to it with no nostalgia, nearly four decades later, are probably not going to have a very good time with it. The relatively low amount of text means the language barrier isn’t as big of an issue here as it is in some other EGGCONSOLE releases, so you probably could play through it if you have a mind to. But I doubt many but the most stubborn and dogged of gaming historians are going to try to do that.

I still recommend the base Fitness Boxing Fist of the North Star game, but it is hard to recommend this expansion that doesn’t add enough to cost half the price of the full game. Had it been cheaper or offered more content and modes, it would’ve been easier to recommend. There also seemingly isn’t any discounted bundle for the game and DLC making it harder to recommend even to newcomers. If you do, however, play the base game regularly and enjoy it, this DLC offers more things to add to your fitness routine, but it should’ve been more.

Unfortunately, while it doesn't drop the ball in any meaningful way, Skyline Skaters is about as generic as they come.

When Maglam Lord is sticking to its visual novel elements, it’s rather enjoyable. You can choose your reactions and responses, building relationships and going on dates with the various other characters. The writing is decent, and the sense of humor is fun. Unfortunately, this is only half of the game. The other half is a somewhat dull action-RPG where you wander through uninteresting levels and engage in combat that turns out to be lacking in engagement. There’s an emphasis on grinding for materials to raise your strength, but nothing about the battles make this an enticing prospect. It’s not a very long game, but it feels absolutely interminable at times. Not without its charms, but hard to recommend on the whole.

Though the game grows more difficult over the course of its 16 levels, its formula never really grows. You may encounter a few tricky gates, or clever platformy sections, but what works in the first level will work in the 16th. Similarly, the music and aesthetic never much change or grow. What's terribly sweet for the first few levels grows cloying without variety.

The stop-and-start pacing and tremendous amounts of repetitive grinding required detract greatly from a game that could otherwise be pretty solid. There's a decent game here, and it's really only in the incidentals that it doesn't shake out to be more than that.

If you found yourself enjoying the gameplay and controls of Skeeball, NBA Hotshot will likely be a welcome addition to the arcade game collection on your iPhone.

The Tale of Clouds and Wind is a serviceable 16-bit beat-em-up, but not much more than that. Add in some emulation issues that result in control lag, and you’ve got something that can get the job done if needed but probably shouldn’t be relied on for such a task. Given the assortment of Capcom beat-em-ups available at a cheaper price on Switch, it’s hard to recommend this to any but those on the hunt for something less common to play from this era.

Affliction amounts to an impressive faux VR tech demo that, while impressive and fairly priced, probably won't hold your attention for long.

The fundamental problem with this release is that SVC Chaos isn’t a very good game. The Code Mystics have done their usual reliable job with bringing the game to Switch, and it’s certainly an interesting game to poke at if you haven’t played it before. But when the nuts and bolts of a fighting game are as busted, imbalanced, and frankly unfinished as they are here, there’s only so much fun you’re going to get out of actually playing it. If you’re okay with that, then by all means. It’s as good as it’s going to be.

The story is again the strongest point, but the cinnamon to oatmeal ratio here isn’t a great one. The battle system is certainly dressed up, but rarely goes anywhere exciting. In a quieter period I might have recommended this to RPG fans willing to forgive its healthy share of flaws, but we’ve been up to our ears in great RPGs of late and I don’t expect that flood to let up anytime soon.

I’ve been playing the game quite a bit, exploring all of the various options and features, and I get the impression I’m not anywhere near finding everything the game has to offer. Shoot-em-up fans without other platform options may still find the tech problems worth dealing with, but it’s too bad Switch owners are left with this kind of decision yet again.

It's possible to make mundane roles great fun, but Merchant to the Stars hasn't quite worked out how.

Reckless Hero is simple but it does a decent job of providing a five minute fix and it is so, so pretty.

Rider’s Spirits is one of those retro re-releases that feels like filler. It’s not very good, it’s not very bad, and there isn’t much of interest to it beyond the fact that we haven’t seen it localized before. If you’ve got a special hankering for a 16-bit racer that you haven’t played before, then you might enjoy this well enough to make it worth the pick-up. Most people will be better served running through Super Mario Kart one more time, however.

I actually really enjoyed playing through Xak here, but unless you’re able to understand Japanese I’d strongly caution against picking this release up. You can enjoy poking at it a bit using the included bookmarks, but actually playing the game requires understanding the text. Only the boldest of adventurers, equipped with Japanese dictionaries and/or translation software, need apply. I hope D4Enterprise can figure out a better solution for this kind of thing going forward, but I suspect this is just how it’s going to be.

There are 80 stages in total, and should you buy into the core conceit you’ll likely enjoy playing through them all. It’s not bad, but it takes more than a bit of graphical flourish to freshen up an idea that QUByte has revisited a bit too frequently.

Mars 2120 is definitely ambitious in many ways, but I wish that ambition extended to its design. For all the effort put into the production values, the game itself never quite shakes off the feeling of being the Dollar Store Metroid. A bit more polish for its fundamentals and maybe one or two interesting twists might have made this something special, but as it stands I think it utterly fails to make a case for itself against its many strong competitors in the Metroidvania genre.

After a few content updates, GetsuFumaDen: Undying Moon has the potential to be an essential in the genre. Right now, it still feels like an early access game and one that has annoying technical issues on Nintendo Switch. Its biggest draw is the aesthetic and combat, but it needs to be polished and tweaked in its current state to be an easy recommendation when you have much better games in the genre on Nintendo Switch priced similarly.

After the Missile Command novelty wears off, there isn’t much to this game besides the survival fest and some eerie music.

Even for fans of the property, Umamusume: Pretty Derby – Party Dash feels like it emphasizes the wrong things at great expense. I think a great job has been done here in terms of serving the look, sound, and world of Umamusume, and the wide array of unlockables might be enough to keep those dedicated to the horse-girls interested for a while. But it fades far too fast, and if you’re lacking that attachment to start with, you’re probably going get tired of this well before the final furlong.

If you enjoy this sort of experience, you will probably lose occasional hours to the game. If not, you will probably lose interest after the first three games. It's all rather binary.

There is significantly more interactivity this time around, but at its core the game is still a Sega CD style FMV game, which means interactivity is limited to some puzzles and other touch-based mini-games. Unfortunately, these puzzles and mini-games really aren't much fun.

The one glaring issue with Dawn of Magic is with its translation. From the start, you'll find grammatical issues and a lot of strange sentence choices.

If it wasn't so convoluted and weighed down by the storefront, Rush N Krush would be a must-download for arcade racing fans. Right now though you'll have to brave the cavalcade of menus and micro-currencies to make sense of anything.

There are a lot of clever ideas in this game, but the game exhausts most of its tricks well before it ends. I think it’s still worth playing, provided you enjoy RPGs to begin with. It’s just unfortunate that a game that blasts out of the gates with such vigor ends up so flat in its closing hours. Add in some technical issues specific to this version, and you have a real hit-or-miss affair.

If you enjoy this style of social RPG, there's certainly no harm in giving it a try and seeing if you take to it more than I did, but for me, the whole thing just feels incredibly redundant.

I’d imagine there are some challenges in getting a game of this age running nicely on modern hardware, but as it is right now it just isn’t fun to play the game this way. Perhaps it can be patched into shape, but for now I’d recommend checking this series out on mobile instead. The puzzles are absolutely worth playing, and it’s neat to check out all the little details in each environment. But this Switch version sometimes feels like it’s fighting you with its laggy nature more than it is with its challenges, so it’s hard for me to recommend with much vigor at the moment.

Rime Berta isn't a terrible game, but it's a pretty poor example of a strategy RPG, and really only merits attention if you've exhausted every other interesting choice.

If I don't sound particularly excited by Glorious Savior, well, it's because I'm not. It's a serviceable RPG with a good sense of humor, contentedly treading water on the line of mediocrity.

If I was more aware of the missing content this review may have been a bit easier to swallow. But expectations are everything, and if Breach & Clear expected what little it gave us to be OK for now… it expected wrongly. Sadly, though, some of us also expected the wrong thing.

While I did enjoy Say What?!, it's a game of limited appeal and limited content.

I feel like all of the pieces of an interesting, fun game are laying around here somewhere, but they just never really come together the way they should, leaving the adventure lacking as a whole.

It's a charming "feel-good" game and an interesting experience, almost like visiting a game museum. However, it's also extremely basic and repetitive game-play which may not hold your attention for long once the initial novelty wears off.

It should be clear this is a game with a concentration is on the multiplayer dynamic. Where other games might add it in, or worry about it in updates, S.U.B. is preoccupied with the idea that a submarine game can be fun for multiple people at once.

You could do a whole lot worse than Realm Grinder when it comes to picking up a time waster, but the developers could do a lot better in turn. With some tweaks, it could be one of the more compelling clickers on the market.

For fans of Tony Stark and his universe, Iron Man 3 is definitely a fun adventure. For those who care nothing whatsoever for comics or the Iron Man universe, it’s still fun as an endless runner. It doesn't feel as finished as other Gameloft games, but time may change that. But be prepared to either spend lots of your time, or your money, to get the most out of Iron Man 3.

Double Dragon 4 isn't terrible, but it's not very good, either. For better or worse, it feels like something the Double Dragon team would have cooked up in the early 1990s if they were making a NES-exclusive sequel. In doing that, it not only ignores the significant common-sense improvements the genre has made over the last twenty-five years, but also the very same advances its contemporary competition brought to the fore in the 16-bit era. I'm glad Kishimoto and company got a chance to revisit Double Dragon, but the result in many ways answers the question of how the series lost its shine to begin with.

Melon Journey has charm to burn, with interesting, odd characters to interact with and a well-realized setting to explore. The writing is sharp and the soundtrack is great, both of which help draw you into the story. The actual plot leaves a bit to be desired, and it really doesn’t do enough to bring players new to the world up to speed. Normally I would find myself recommending it anyway, but at the time of this review the game is incredibly crash-happy. There’s something worth experiencing here, but you’ll want to wait for a few updates before diving in because at the moment it’s really hard to deal with.

Trism II is a bit harder to recommend, but if you’re among the many ultra old school iOS gamers still lurking around TouchArcade, it’s worth checking out just for the nostalgia blast and the sheer curiosity of playing a sequel to an iPhone classic that has been ten years in the making.

The main plot is interesting and the characters seem to have had a lot of effort put into them, but the English text could really use a few more editing passes. Ultimately, I think it's best taken as an extension of the original game, but I think I'd rather just play that instead.

At this point you're better off just playing the incredibly similar yet superior Leap Day [Free]. It has all of the same fixins like watching videos to continue and incremental rewards, but just about everything else is more enjoyable. With some tweaking Magic Mansion could get there, especially with its adorable designs, but it's not there yet.

Although it has its flaws, it still offers a huge world to explore and plenty of solid (if not terribly innovative) gameplay.

So while I'm not a fan of this particular mixture, perhaps there's a way to make a town-building game that incorporates creative sandbox elements. But Supernauts just doesn't have the right formula.

With so many great JRPGs on the Switch, it’s hard to recommend middling fare like this. I could understand if the price was more competitive, but as is I feel like you wouldn’t have to look too far or spend much more to find something more interesting on the eShop. That said, if you’re looking to try a KEMCO game or just want an RPG that isn’t going to make you think too much, there are worse things to buy.

If you have a iPhone 3G of previous device, and haven't played Sonic 2 before, don't let this be your first experience with the game.

World’s End Club is an odd thing. It feels like it’s trying to tell a more family-friendly version of the now-common Death Game tale, but in doing so a lot of the tension and fascinating character work is tossed to the side. I like a good twist in a game, but most of the ones in this game just feel like they came out of nowhere. The platforming bits are somewhere between atrocious and irritating. It’s not without its merits, but if you aren’t completely opposed to playing the game on Apple Arcade that is probably the wisest course of action.

The enemy variety just doesn’t create a lot of interesting scenarios, and all the quirky arena layouts don’t do a lot towards that end either. The more I played, the less I wanted to. Still, there is some fun to be had here if you explore all of the modes and can forgive how similar every session feels.

There are plenty of shooters to spend your time on, and although Tofu Hunter is a welcome free distraction for an afternoon, I wouldn't recommend giving it more time than that.

As far as how it actually plays, Exitium: Saviors of Vardonia doesn't offer a whole lot of new ideas, but it does offer an interweaving story that begs for the game to be played four times and enough quests to keep you busy for a long time.

But if you enjoyed Rayman back in the day, this is a solid port of the game that you can take anywhere. And if your reflexes aren't what they once were 22 years ago, well, you'll praise the Easy mode as you rediscover just how brutal Rayman was.

Even though SlotZ Racer 2 HD can be considered more of the same, it's still an enjoyable virtual slot car racer. For those that didn't have the pleasure of playing the original SlotZ Racer, this sequel is well worth checking out. For others already familiar to the scene, SlotZ Racer 2 might not offer enough new features to warrant investment. Fortunately, considering SlotZ Racer 2 HD is available for free, you can at least check it out before making a decision.

I think Eiyuden Chronicle: Hundred Heroes does a good job of carrying out its goal of giving Suikoden fans a new game with a similar sort of appeal. There are some pacing issues here, and its commitment to the bit means those without the necessary nostalgia might feel a little annoyed at times, but overall this is an enjoyable RPG that hits some notes these ears of mine haven’t heard in a while. Unfortunately, this Switch version suffers from too many technical issues to recommend with any real vigor. Play this game, but I wouldn’t play it here unless you really have no other option.

OzDefence could have been a joyous romp through the land of Oz. But the leveling system and difficulty needs to be rebalanced and overhauled to better suit the game and its 100-plus levels.

Like Andro Dunos 2 earlier this year, Ganryu 2 is a faithful sequel to a game that few ever expected to get a sequel to. In terms of gameplay, it goes well beyond the relatively humble design of the original, resulting in a title that fans of Shinobi and Strider will almost certainly take an interest in. It’s unfortunate, then, that even after at least one patch dedicated to addressing issues, this Switch version of Ganryu 2 has a number of problems that interfere with the gameplay. I’d love to give this a strong recommendation on the basis of the solid game behind the wonky performance, but I really can’t muster more than a weak nudge.

I would have loved to see some kind of variation either from randomization of the different verses, or something that prevents you from just memorizing everything. Regardless, this is an extremely cute game that will be easily enjoyed by anyone who likes the quirky side of the App Store.

Qualia is a visual novel that can’t seem to settle on what it wants to be. A sweet little romance with a quirky premise? A piece of science fiction? An excuse for lewd scenes that have been cut from this version? At times it is all of these things, but it fails to nail down any of them to the degree that I would have preferred. It’s not entirely without its charms, but Qualia ultimately doesn’t live up to its potential in any regard.

While I’m happy that this remake turned out better than expected and there is now an easily accessible way to play Snow Bros., Snow Bros. Special feels like it’s caught between the couch cushions of a straightforward re-issue and a full-blown revival. It’s a bit pricey to be the former and a bit light on features to be the latter. Snow Bros. fans who don’t mind dropping twenty bucks to have a decent remake will be happy with what they get here, but others may find there isn’t quite enough here to make a decent snowman.

By far the thing I like least about Downhill Bowling 2 is the inability to disable the iAds.

Puzzles don’t come much simpler or more traditional than the ones found in Unlock the Cat. Slide the stones to open a route to move the cat through the opening in the fence. It’s a Klotski puzzle in a cute skin. You get forty stages to play through, spread across four seasonal themes. The button controls work the way you would expect, and there is an appeal to this type of puzzle that is undeniable. The cat does add a little personality to the game, something that is sorely needed as most people have played a million of these things by now. That’s about the only new thing about it, though.

The interface is painfully clumsy.

Moonglow Bay has a lot of good aspects to it that unfortunately are balanced against some balancing and pacing issues. All of this is overshadowed by the game’s buggy, unpolished state here on the Switch. Between framerate issues, crashes, collision mess-ups, and other bizarre bugs, it’s hard to properly get into the world the game is trying to build. I’m hoping the game can improve with some updates, because there is something here that compelled me when the problems weren’t pushing me away.

Underland is an okay puzzle platformer, but it doesn’t have a lot of new ideas and it really hurts the game over the course of its thirty stages. I ended up relying on a lot of similar strategies, and everything moved a lot slower than I would like. If you’re in the right mood, I could see it being a nice way to spend a lazy afternoon, but you can probably find many more interesting things to play on the Switch.

That Time I Got Reincarnated as a Slime Isekai Chronicles is probably best enjoyed by those who love the property, but even they’ll find it a somewhat meager meal. The two new stories are interesting, and for a while it’s fun to see these characters in action and build up the Federation. Unfortunately, the gameplay itself never really expands out the way it needs to, so unless you’re in the mood for a whole lot of repetition you might find yourself getting bored fast.

Ratalaika did a fine enough job bringing Cyber Citizen Shockman to the Switch, and it’s neat to have it in English after all this time. If you’re already sold on the game itself, worry not – it has been done proper justice. I just personally don’t find the game to be all that enjoyable, even taking its age into account. I know it has its fans, but I’m not one of them. Still, if you want to dive into an era of gaming that doesn’t pop up all that often these days, this will certainly take you there.

The game has a cheery feel and the art style is perky, with wide eyed dragon babies blinking innocently while they wait for you to save their lives.

Skinny & Franko: Fists of Violence is a competent beat-em-up with some design issues that keep it from being more than that. It’s brash and doesn’t really care who it offends, but is so odd about how it goes about those things that it almost comes off as nonsense in English. I can at least say that in terms of theme there is nothing else quite like it on the Switch. It’s not fit to even pick up Streets of Rage 4‘s dry cleaning, but those looking for a brawler with a quirky style and unusual setting might have a good enough time here.

The emulation of each game isn't completely spot-on, but they're all really playable and the assortment of control options is a nice touch.

No experiment should end after a single trial. I’ll probably look into the next couple of releases from Kairosoft before wandering off again, but I can at least say with some confidence that Zoo Park Story hasn’t made me rethink why I stopped reviewing this publisher’s games. It’s okay. If it was your first Kairosoft game, you would probably have a blast. But I feel like this concept could have made for a far better game than what we got here.

If you have a soft spot for Namco's famous mascot, or have nostalgic feelings for the original game, then give Pac-Attack a look.

I ended up enjoying Suicide Squad: Kill the Justice League a lot more than I expected, but it definitely has issues relating to variety and in some technical aspects. I also wish it ran better on Steam Deck. If you enjoyed the likes of Crackdown 3 and Sunset Overdrive, you will find things to like here, but it still is a hard sell at its current asking price. Hopefully the team continues to improve it through updates.

No one can say the developers of Glyph Quest Chronicles didn't give other methods of monetization a fair try, so it's hard to get upset at them for going in another direction this time around. Nevertheless, while the end result might be more profitable for them, the means to get there have resulted in a worse experience for the end user. I appreciate the many ways the team tried to soften the free-to-play blow, and I certainly like the many little improvements they've made to the mechanics, but it's not enough to balance out the equation. There's still a great puzzle game in here somewhere, but it's never been harder to appreciate it.

My other biggest point of contention is having to play for an extensive period of time (or spend real life money) before being able to unlock the landscape mode. It just feels like a cheap aspect to an otherwise excellently presented game.

If you've played through Cooking Mama and are looking for more to cook, Pocket Chef seems to be a competent cooking simulator that I'm sure some will enjoy.

Sticky creates a mixed impression. On one hand, the levels, creatures and power-ups's are varied and creative, the artwork is hand-drawn and the controls are interesting and work really well.

So no, everything is not awesome. Everything is the same as ever. Everything is boring and expected.

Pretty darn fun, and with 32 levels, OpenFeint integration, and a phenomenal musical score, it should keep you entertained for some time.

Look Again! is a simple game, but it's an interesting concept and a fun challenge. Plus, there is loads of content with all of the included levels, dozens of different patterns, and Game Center integration for achievements and leaderboards.

The photography element is the best part of the game, and even though you don’t get a whole lot of specific feedback on your shots, it’s entertaining to try to take shots that will get a lot of virtual social media attention. A great game? No, but not without its charms.

At first blush, Tero seems entirely unremarkable in a sea of iOS platformers, a first impression bolstered by the sketchy controls. But, under the right circumstances, Tero synthesizes the visuals of Super Mario World, the physics of Yoshi's Island, and the death-cult gameplay of games like Mega Man and Super Meat Boy into a game that strikes the nice balance between tension and release, between frustration and delight.

By the end of it all, Siegecraft feels like it could have been much more. While the easy to pick up and play gameplay is nice, I can't help but think there was more that could have gone into the campaign to create a better sense of progression.

It’s hard to strike a freemium balance with puzzle games like Super Monkey Ball Bounce.

While the actual score-attack-centric games are decent enough, I don't see anyone really playing this months, or even weeks down the line.

Trek to Yomi is something I would hesitantly recommend to fans of Kurosawa flicks or those looking for a stylish action game. It plays most of its gameplay cards too early and ends up being rather tedious for such a brief affair, but it’s worth the squeeze, if only barely, to see its various sights. That said, if you have any other options besides the Switch to play it on, I’d suggest doing so there. This is a game that is all about its visual presentation and the compromises the Switch version makes detracts from that.

If you like Touhou Project and can enjoy a relatively mindless action-RPG with rough edges all around, you’re in the best position to appreciate Touhou: New World. Keeping its scope in mind, it’s a decent way to spend a day or two of gaming. Just don’t expect it to get anywhere close to the quality of the games it’s paying homage to. I suppose that’s the nature of many of these Touhou Project spin-offs, but it’s frustrating when it gets as close to being more as this one does.

Bem Feito is certainly interesting, and trying to puzzle out what to do next can be satisfying outside of a couple of annoying bits. I’m not sure how vigorously I would recommend it, though. Its best tricks are ones we’ve seen enough in other games to curb the novelty. I think it’s worth playing once, but only if you’re in the mood for something quirky that isn’t as surprising as it seems to want to be.

I've had a lot of fun with it so far, and really like that the level packs are segregated in to difficulty, so if you found the included four levels to be too easy you can just jump directly to the medium difficulty levels without even needing to bother with the easy level pack.

Omium is as much fun as you make it, as the idea behind the game is that players take turns playing as each side to see how long they can survive.