Possessor(s) aims to combine action platforming and Metroidvania in a devastated urban world, offering great mobility and a combat system without contact damage, making battles more fair and dynamic. The original visual atmosphere, good writing by the Luca–Rhem duo, and creative level design are somewhat overshadowed by some graphical oversights and a control system that is not always precise. The lack of a grace period when taking damage can be very punishing when there are multiple enemies on screen. A solid game, but with imperfections that limit its impact in one of the most competitive markets.

Octopath Traveler 0 is not only an ambitious bridge between past and present, but Square Enix's most mature attempt to reconcile the mobile nature of the original project with the expectations of a JRPG for home consoles. Its monumental structure, the dark, melodramatic, and uncompromising narrative, and the richness of its strategic mechanics deliver an experience that, while stemming from a gacha title, manages to establish itself as an authentic and significant chapter in the series. It's a long, at times challenging journey that requires patience and dedication, but one that rewards with a sense of growth, community, and discovery that is rare even in the modern landscape of the genre. Octopath Traveler continues to represent one of the most consistent and passionate interpretations of the classic JRPG.

Disturbing and outside of any canon: horses is a journey into the loss of innocence.

Metroid Prime 4: Beyond is a game that exists in constant tension between what it is and what it could have been. It has moments where it recaptures the rarefied atmosphere of its predecessors, recovering that sense of isolation, wonder, and discovery that defined the series, but it quickly stumbles over choices that dilute its rhythm and identity. It's a chapter that's enjoyable to play and, in more than one instance, truly shines. Yet it never quite manages to shake off the feeling of having been held back, polished, and constrained by timid decisions, perhaps a legacy of an overly complicated development process. It's not the chapter that will mark a new direction, but neither is it a bitter disappointment. It's a game suspended between ambition and caution, imperfect but sincere, that deserves a chance: when Beyond finds its voice, even if only for a moment, it still reminds us why Metroid is Metroid.

Marvel Cosmic Invasion once again confirms Tribute Games' ability to engage with a genre they know inside out, without sacrificing their own identity. It's a brilliant homage to the beat 'em ups of yore, finding fertile ground for ideas, pace, and character in Marvel's cosmic landscape. Some sporadic frame rate drops in the most intense situations and the natural loss of momentum when playing solo don't detract from its solidity, nor from the care that shines through in every aesthetic and mechanical choice. We weren't able to fully evaluate the online multiplayer, but its presence completes an already generous package. Overall, it's a thoughtful and genuine production that puts the focus back on what really matters: the pure pleasure of the action.

Terrifier: The ARTcade Game is a side-scrolling beat 'em up inspired by the Double Dragon arcade cabinet, featuring four playable characters from Damien Leone's horror franchise. It offers good pixel art, a chiptune soundtrack, convincing CRT/VHS filters, and six modes, including Arcade, Story, and Boss Rush. The combat system is basic, based on two attacks and a special move, with gory finishers and collectible weapons. However, imprecise hitboxes, chaotic priorities, and broken pacing detract from the experience, making the title appealing only to the most die-hard fans.

An entertaining retro shooter featuring appealing aesthetics and refined, varied gameplay that is just the right amount of challenging. Those who grew up playing old classics such as Wild Guns, Contra, and Cabal will feel right at home, but they will have to work hard to reach the end credits.

The modern superhero genre, with its real-world heroes and corporate dynamics, is very complicated to manage, even for those who work with superheroes every day. ​​To perfectly capture its nuances, while also offering an original perspective, and to do so through a narrative adventure—another genre that's not easy to handle—is a success we truly didn't see coming. Dispatch is surprising, even just for how it manages to handle and connect such diverse dynamics within an experience that keeps you glued to the screen.

Escape from Tarkov is a solid extraction shooter born in 2017. Despite its technical limitations and uneven balance, version 1.0 confirms it as a unique, intense, and persistently engaging hardcore tactical FPS. It's not for everyone, but that's precisely what makes it special.

A.I.L.A works best when it lets the silences and disturbing scenarios speak for themselves, less so when stiff animations or technical roughness come into play. In short, an imperfect but evocative horror game with some interesting insights.

Europa Universalis V is the most mature version of the series: not only does it add features, but it integrates them into a coherent fabric that makes the historical simulation more believable. It's not perfect, but it's a blast.

Bubble Bobble Sugar Dungeons attempts to enrich the classic Bubble Bobble gameplay by introducing roguelite and metroidvania elements, and on paper the idea is actually quite promising; unfortunately, the bland level design and an overall execution that borders on amateurish make it impossible to tell whether the format could truly have worked or if it should have been abandoned from the start. There’s very little worth saving in this production, Bubble Symphony aside. Hardcore little dragon fans will find something to chew on for a good number of hours, but fun is by no means guaranteed.

A kart game that challenges Mario Kart or Smash Bros. on floating vehicles? Kirby Air Riders has speed in its DNA and rewards the most skilled and patient players with tons of unlockable items. At the same time, however, the many facets of its playful soul risk being too much and confusing the “core” experience. Between dozens of mini-games, lightning-fast races, and boss battles with weapons, the game loses some of its focus but still remains a fun experience... especially in multiplayer.

Black Ops 7 attempts to redefine the series' historical formula with a more cohesive ecosystem, based on advanced mobility, shared progression and intertwined modes: not everything is uniform, the flaws are different, but the global result is ambitious, rich, alive.

News Tower offers a refined management experience, capable of speaking both to nostalgics of the genre and to those looking for a more narrative and modern tycoon.

The Berlin Apartment is a short but sweet walk through a century of history of the German capital, where the underlying theme is life under oppression; of the Third Reich at first, and of the DDR later. Good voiceover, pleasant visual style, but the “gameplay” is a bit clunky at times.

Of Lies and Rain demonstrates how a small studio can interpret VR with personality, making you wonder what Castello Inc. could do with a different budget. It's an immersive adventure that thrives on gestures and sensations rather than statistics, and it restores to VR the physicality too often sacrificed for comfort. It's not a perfect game, especially from a technical standpoint, but it's authentic to the core and thrills: in a market where special effects are often emphasized over substance, this is more than enough to recommend it without hesitation to anyone with a headset.

Another old-school survival horror game, for better or worse. If you love fixed camera angles, pre-rendered backgrounds, limited saves, and constant tension, you can safely add half a point to the final rating. Technically, it's a step up from the previous installment, with excellent, detailed locations, atmospheric and crystal-clear sound, and responsive controls. Animations and poly-models aren't top-notch, but you can't have everything.

Atelier Ryza Secret Trilogy Deluxe Pack is a charming celebration of one of Gust’s most beloved RPG sagas. The three remastered titles look and play better than ever, packed with all DLCs, quality-of-life updates, and plenty of content. While the first game shows its age and performance could be smoother, the trilogy’s warmth, optimism, and refined alchemy systems shine through. A colorful, feel-good journey about friendship and growth. Perfect for fans and newcomers alike.

Do you like the Anno series? You'll also love Anno 117: Pax Romana. The city builder stays perfectly on the trajectory of its predecessors, with a few improvements that add gameplay options without, however, offering anything substantially different from the usual. The real star of this game is the user interface, at once simple, elegant, and super efficient: all management games should take it as their absolute model. It's a shame that the campaign story has one of the most anticlimactic endings I've ever seen.

The restoration of Syberia is, first and foremost, a duty toward a classic that plays an important role in what we might call the "renaissance" of the point-and-click genre. Kate Walker's early adventures transcend pure gameplay to become art, and it is precisely here, perhaps, that the risk of distorting a work lies. Fortunately, this is not the case: Virtuallyz Gaming has been meticulously respectful of the style, colors, and pacing established by Benoît Sokal, with the goal of offering us a version of Syberia less prone to ageing with the advancement of technology. And they have succeeded. A must-have for those who have never played it and a pleasant, necessary refresher for everyone else.

ARC Raiders perfectly combines the punishing gameplay of extraction looter shooters with the setting, graphics, and storyline of the best single-player shooters. Battling against machines is engaging, and the game encourages cooperation even without friends to form a party. The gun physics are very well done and create a pleasant sense of impact. While you can purchase assets with real money, there's no pay-to-win. Servers that guarantee near-instant access and a solid, lag-free netcode complete the package.

Earth vs Mars is a turn-based strategy game that doesn’t aim to revolutionize the genre, but rather sticks to the tried-and-true formula of Advance Wars with a small twist: hybrid units infused with animal DNA. The storyline is simple and the retro-inspired art direction is intentional, yet the missions are well-designed and offer a gentle difficulty curve. The hybridization mechanic adds a layer of tactical depth, though it remains the only truly innovative feature. A conservative product, but a solid choice for those looking to explore the genre without too much complexity.

Fans of the World of Darkness will certainly find at least the atmosphere, good characters, and an enjoyable plot, thanks in part to the fact that big-budget vampire-themed games don't come flooding in. Fans of the first game for its RPG aspect and replayability will find almost nothing here except pale homages. It's up to you to decide where you stand between these two extremes. As a side note, I feel it's important to note that compared to The Chinese Room's typical output, this game still represents significant ambitions and a first for the English studio. Perhaps the experience gained will one day bear sweeter fruit, without leaving a legacy too burdensome to manage.

Death by Scrolling is a top-down roguelite by Ron Gilbert that combines instant action with ongoing progression: each run makes your character a little stronger, pushing you toward the classic "last playthrough." The simple yet tactical gameplay offers automatic combat and limited equipment options, with procedurally generated environments and a constant wall of flames hounding you. However, it suffers from a lack of variety, a sometimes unclear level design, and an often unfair difficulty. It's fun for short sessions, but far from the brilliance of the best casual roguelites.

The musou genre set in the world of Zelda is once again a success. A top-notch cast delivers a story that feels a bit familiar but manages to captivate and excite. The gameplay remains a bit monotonous and suffers from some balance issues, but the many elements and characters introduced throughout the game manage to freshen things up and provide constant stimulation to the end credits... and beyond.

Misery isn't a title for everyone, nor for those who love single-player adventures - it needs co-op to show off its true worth - but for those who embrace its pace and constant melancholy, it can prove to be a surprisingly sincere experience.

Necesse is fun little survival with light management mechanics: by starting a settlement we can invite NPCs to join it and delegate to them trivial tasks like cutting trees or gathering produce, while we dig through underground caves and fight huge bosses.

Football Manager 26 is finally back, and the effort has certainly been tasteful and valuable. The primary goal was to revamp the game and start from scratch, but obviously the tried-and-true gameplay formula couldn't be completely overturned. The new drop-down menus are pleasant and touch-friendly. All the new features, such as the reorganization of some mechanics, including those incorporated elsewhere and others eliminated, need to be taken into account. We're on the right track as we await patches and additions with future versions of the game.

Simon the Sorcerer Origins is the latest chapter in the saga that's been missing for thirty years, more or less since the release of the second installment, and was likely meant to inspire a new generation of players to become fond of the character. Simon's comical expressions, his impatient banter, and his frequent fourth-wall breaks take us back to a time when humor reigned supreme and permeated games of the genre. It will certainly appeal to those disappointed by the penultimate installments of the series, although, it must be said, we're no longer accustomed to such a crude approach to puzzles. In some places, it's truly overdone. But the sublime technical execution and incredible irony almost scream masterpiece. Almost.

There's little you can do about it: the first two Dragon Quest games fail to offer the variety and inventiveness of the third installment, rightly considered one of the fathers of modern Japanese role-playing games. The remake makes a commendable effort to enrich the original formula, but it can't work miracles: although expanded, the storylines remain simple, and the combat system (especially in the first installment) is often overshadowed by grind sessions and rather exhausting random encounters. However, the additions are numerous and well-thought out, and will make veterans happy. The HD-2D style remains in splendid form, accompanied by a historical soundtrack that fully conveys the atmosphere of the era. Dragon Quest I & II HD-2D Remake thus proves to be a solid restoration, suspended between fidelity to the past and a desire for renewal. Limited by its source material, but precisely for this reason, fascinating: a perfect window into an era, finally re-proposed in its most accessible and carefully preserved version.

Pokémon Legends: Z-A is fun, but it's clearly light-years behind industry standards and what one would expect from the most profitable franchise in video game history. The good ideas are completely drowned out by shoddy graphics and dialogue that still believes children need to be banal and simple, ruining a plot that works at its best and finally gives dignity to the characters and the plot holes that Game Freak missed in the sixth generation.

Double Dragon Revive isn't a complete disappointment, but it doesn't completely captivate either. It's a prime example of a project that works just enough to entertain, especially when the action heats up and the combat system shows its potential, but never really pushes the envelope. Arc System Works has crafted a respectful and reasonably solid beat 'em up, but it lacks a clear vision: a comeback that doesn't know where to look, torn between reverence for the past and a fear of fully modernizing itself. The result is an honest title, even enjoyable for fans of the genre, but inevitably destined to fade away without a trace, especially when compared to far more successful experiments like Neon or Gaiden. Perhaps wait for a price drop before giving it a chance.

BALL x PIT takes the simple mechanics of a brick-breaker like Ballz and transforms them into an explosive roguelite RPG. Between twin-stick shooter action, Vampire Survivors-style power-ups, and surprisingly deep city building, each playthrough becomes a whirlwind of frenetic action and strategic planning. Unlocking new powers, fusing abilities, and upgrading your base is an irresistible gameplay loop, enhanced by beautifully crafted biomes and bullet hell battles against ruthless bosses. Kenny Sun once again proves his ability to transform simple ideas into brilliant and engaging experiences.

Beneath the wacky cover of The Crazy Hyper-Dungeon Chronicles lies an old-school pixel art RPG that surprises above all with its meticulous level design, which blends procedural generation with hand-designed elements, giving each floor of the dungeon different puzzles, action, and personality. The hybrid turn-based and QTE combat works properly, and all the typical role-playing game elements are in place, suitably simplified. In between the quests, you can also have fun finding all the pop culture references from the last few decades.

It's not the return fans of the series were hoping for, but that doesn't stop it from being a decent cooperative shooter. It does, however, need more content.

The Outer Worlds 2 is exactly what you'd expect from Obsidian, if not in its prime, then at least very close to that status. If that's not enough to get you into the game, you're probably looking elsewhere.

Escape From Duckov transforms the intensity of extraction shooters into a brilliant and surprisingly solid parody. Behind the ironic nature of armed ducks lies mature, well-balanced gameplay, capable of blending accessibility and tension, lightheartedness and constant stimulation. The loop between raids, extraction, and progression works brilliantly, aided by a pace you're solely responsible for and a refined technical package. If you can't live without competing against other players or don't like the idea of ​​grinding in the later stages, it might leave a bitter aftertaste, but it remains a fresh, intelligent, and characterful experience, recommended for everyone, especially anyone drawn to extraction games but steers clear of them due to the PvP component.

Katamari Damacy is back, and it's still the same: crazy, fun, and hypnotic. The first true new entry in the series in 14 years offers a remarkable amount of content, plenty of customization options, and gameplay accessible to everyone, though it requires a fair amount of practice to master. The camera system, always the series' blessing and curse, has been improved, but it will require a fair amount of patience, especially in the more complex levels.

After making a name for itself on PC, Reus 2 arrives on Switch and Xbox Series X|S determined to prove that the definitive strategic meditation on cosmic creation and destruction is more than ready for portability and consoles.

Persona 3 Reload is a necessary return, a bridge between past and present that confirms the strength and sensitivity of a saga capable of reinventing itself without betraying itself. Atlus demonstrates its ability to respectfully restore, giving the game a modern look and splendid art direction, even if it fails to completely smooth out the wrinkles of a dated design. The experience remains intense, emotional, and deeply human, with a refined combat system and a narrative that continues to shine. The Switch 2 version, unfortunately, shows some technical limitations that partially dampen its magic, but not enough to obscure the greatness of the work. An essential journey for fans, and an excellent entry point for those who have never experienced the Dark Hour.

Ninja Gaiden 4 is a powerful return, imperfect but full of character, capable of making us forget the years of silence with a combat system that borders on perfection in its fluidity and ferocity. The union between Team NINJA and PlatinumGames works: the action is brutal, visceral, and visually stunning, with an artistic direction that transforms Tokyo and its nightmares into a kabuki theater of soft lighting and blood. A clear limitation is the linearity of the maps and the repetition of enemies and bosses, which end up diluting the pace, making the second half of the adventure more tiring than exciting. Ninja Gaiden 4 has plenty of character and confirms itself as an aesthetically captivating game, but incapable of maintaining the tension it promises in its best moments. A convincing new beginning, even if it's not yet the masterpiece fans have been waiting too long for.

Keeper is a poetic puzzle adventure in which you play as a sentient lighthouse who, with the help of Twig, explores a mutating island. The goal is to dispel the darkness by harnessing his own light and, above all, his unwavering determination. Without words or death, without real obstacles or elaborate puzzles, the game focuses entirely on atmosphere, metamorphosis, and visual appeal. The gameplay, basic in terms of puzzles, revolves around the beam of light and Twig's contextual action, intentionally keeping it light and uncomplicated in terms of challenge, instead pushing more convincingly on emotion, the power of images, and free interpretation.

A worthy spiritual sequel to Strange Horticulture, in Strange Antiquities we run an esoteric shop as an apprentice thaumaturge. Customers arrive with vague requests, and it's up to us to identify the correct object among relics and amulets. Gameplay revolves around observation and deduction, analyzing objects, exploring maps, interpreting symbols, and consulting manuals for clues. Progression intertwines complex puzzles and narrative choices, influencing events and endings. Challenging puzzles, a relaxed pace, and a dark atmosphere define the experience.

Battlefield 6 arrives in grand style to remind us that all-out war, when it's virtual, can be magnificent. EA, Battlefield Studios, and the community were eager to move on from the disappointment of Battlefield 2042, and we can finally say it: Battlefield is back.

I can't stop playing this game! Great as a beat’em up, great as a roguelite, Absolum is just wonderful as a combination of the two genres. The cherry on top – but maybe is the foundation below – is a glorious lore and a brilliant narration that will keep you wanting more.

Bye Sweet Carole is a thriller/horror adventure that finds its strength in the visual arts: the narrative, aesthetics, animation, and music are meticulously crafted down to the smallest detail, resulting in a delightful, extremely inspired and well-paced work. This marriage is marred by a few sporadic bugs and some escape mechanics that might require more than one attempt due to the way the game maps are designed. None of this, however, manages to detract from the experience—primarily emotional—that the game offers, proving captivating in both form and content, drawing inspiration from classics like Clock Tower and Heart of Darkness.

Little Nightmare 3 is a commissioned work and could have been decidedly less inspired. The co-op mechanics work, even in single-player thanks to the companion AI, but they somehow make the scenarios easier to read and decipher. The saga's strong point, however, remains its atmosphere, and here Supermassive has hit the mark by creating a horror anthology in which Low and Alone move under the guidance of solid virtual direction. Perhaps the formula itself has reached its limit in terms of mechanics, but in terms of inspiration, Little Nightmares 3 always manages to convey something to the player.

At its core, Sworn isn't bad and has all the makings of a fun game to keep you entertained for several hours. Beyond that, however, it stops offering any real enjoyment or gameplay depth. Compared to other behemoths, it's the one that sits closest to its comfort zone, also benefiting from a co-op system for up to four players that could make the difference. Varied in the progression of the four heroes, the biggest obstacle is the pace of the game, which alternates between really slow and fast moments, where, however, the slow pace of our heroes never manages to respond to the game world with any real responsiveness. It takes a bit of practice, at least in the first few hours, which feature a rather steep difficulty curve.

Chaotic, crazy, rich, explosive. Sonic Racing CrossWorlds is the best kart game outside the Nintendo universe and, in some ways, it is even more compelling than Mario Kart World. The only thing missing is that final spark that would allow it to definitively emerge from the shadow of its rival.

Atelier Resleriana: The Red Alchemist & The White Guardian marks a return to the series’ roots, abandoning recent experiments in favor of a more traditional, alchemy-focused approach. With a solid and relaxing crafting system, a charming cast of familiar faces, and a light yet engaging story, it delivers a comforting and enjoyable experience for long-time fans. However, a very low difficulty level, outdated exploration design, and uninspired dungeon layouts keep it from standing out, making this a solid but non-essential entry in Gust’s beloved franchise.

Dreams of Another mixes action and adventure in a dreamlike world where you destroy bokeh-like globes of light to reveal environments and objects with souls. The protagonist, Man in Pajamas, guided by Wandering Soldier, alternates between exploration, simple puzzles, and shooting sections. The mechanics revolve around the concept of “No Creation Without Destruction”: you can create only after destroying. The levels, however, are small and fragmented, interrupted by frequent returns to the main menu. Enemies and bosses are harmless, and the dialogue is slow and repetitive. Artistic and original, but suffering from a static pace and lackluster gameplay.

Pac-Man World 2 Re-Pac is a fun and light-hearted action platformer full of little surprises and mini-challenges that will delight fans of Namco's popular mascot. The excessive ease and speed with which the main adventure concludes are its most notable flaws, which could deter players looking for a real challenge.

We're looking at a solid and engaging sequel that expands on the Hades universe without any major revolutions. A conservative second installment, therefore, that builds on the successful formula of its predecessor without overhauling it. Supergiant changes the protagonist, introduces new biomes, deities, and supporting mechanics, but remains faithful to the action roguelite gameplay that was already highly appreciated in 2020. Despite its lack of flaws, however, Hades II fails to shake off the feeling of being "just" a major expansion, rather than a truly new video game.

Digimon Story Time Stranger is finally a great Digimon-themed JRPG. While it looks a generation older, it makes up for it with a really well-crafted battle and evolution system and a huge catalog of Digimon.

If you're a fan of the broad "bullet heaven" genre, Deep Rock Galactic: Survivor is undoubtedly one of the best games in this category, thanks to its breadth of offerings and overall well-thought-out gameplay. It's a shame there are a few minor stumbles overall, but nothing that seriously compromises the quality of the final offering. And it's all at a truly competitive price.

Super Mario Galaxy and Galaxy 2 are coming to Switch (and Switch 2) without major extra content compared to the originals, but with graphical improvements above expectations.

Trails in the Sky: First Chapter confirms why The Legend of Heroes saga is considered a benchmark in the world of JRPGs: a long but never boring adventure, with a memorable cast and a world crafted down to the smallest detail. The combination of solid writing, deep combat systems, and customization options makes the experience compelling from start to finish. Even small imperfections—often predictable side quests or more frenetic combat—don't detract from the overall quality. It's a title that entertains, excites, and makes you feel part of a coherent and living universe, perfect for both veterans and those new to the saga. With a remake of the second chapter already in the works and scheduled for release next year, there's no better time to dive into the Kiseki universe.

Ghost of Yōtei is an ambitious project, capable of capitalising on the success of Ghost of Tsushima while building its own identity, rooted in the cultural context of the Ainu and 17th-century Hokkaidō. The protagonist, Atsu, is a highly successful character: strong, consistent and driven by clear motivation, she carries the narrative forward with intensity without ever seeming like Jin's female counterpart. The combat system evolves the formula of its predecessor, adding variety and a faster pace, while the game world is rich and dense, rewarding exploration with both concrete upgrades and narrative ideas such as the bond with the Wolf, one of the best-realised ideas. Aesthetically and sonically, the title reaches one of the peaks of the current generation: from visual filters with great personality to an inspired soundtrack, to consistently theatrical art direction, Ghost of Yōtei knows how to enchant with continuity. However, there are still limitations that betray the legacy of the past, including stealth that is still lacklustre and outdated exploration mechanics. Overall, it is a game that is entertaining and engaging, greater than the sum of its parts, but one that prefers caution over revolution.

This second DLC isn't for those dreaming of epic battles, frenetic pace, or pitched warfare across the lands of medieval Bohemia. There's a more intimate nuance to what happens in the forge; between working at the anvil and filing, there's time to delve into a part of Henry that deserves to be explored. The same way the brave young man devotes himself to his father's trade, a craft he must learn to honor his late parent's memory, but also to build a genuine fortune, as well as a refuge for his weary limbs and tormented soul.

Final Fantasy Tactics: The Ivalice Chronicles is, ultimately, a valuable and respectful return to a work that marked the history of Japanese tactical role-playing games. Despite some questionable localization decisions and the lack of an Italian translation, this re-release offers the best possible opportunity to (re)discover a timeless classic, still capable of surprising us with its depth and narrative intensity. Square Enix has chosen not to distort the soul of the title, instead offering a bridge between past and present that will appeal to both nostalgic and new players: a faithful tribute and an invitation to immerse yourself once again, or for the first time, in the dark events of Ivalice.

Featuring a relaxed and accessible gameplay, Hammer & Ravens' Ale Abbey stands out for its serene atmosphere and the care and detail in translating the artisanal brewing process. The charming fermenters, the variety of ingredients, and the ability to customize the monastery make the experience engaging and soothing, despite a certain underlying repetitiveness.

Kyle Crane returns, the nightmarish nights return, and the sensations that Dying Light, more so than Dying Light 2, Stay Human, gave us return, albeit transposed into a very different setting design. The Beast may not be perfect and is a more contained experience than its predecessors, but it will certainly delight fans of the first installment because it recalls it where it matters most. The hunt for the Baron isn't for those looking for elaborate narratives; after all, it's just a pretext to get back out there and dance from rooftop to rooftop with Techland-style agility, among the most "beautiful" infected ever, nervously checking the clock to avoid finding hordes of horrors of the night on your heels... until the Beast makes his monstrous appearance. With this intense installment, peace is officially made between those who were disappointed by the direction the franchise has taken and Techland.

We had high expectations for this new instalment in the Konami series, and for once we can say that they were not disappointed. Silent Hill f is one of the best “classic” horror titles ever made. It manages to revamp the original formula by enriching gameplay that has very few flaws and delivering a deep, multifaceted, painful, unfiltered story that is worth experiencing more than once.

EA SPORTS FC 26 marks a step forward from its predecessor. Balanced gameplay and a fluid structure that's incredibly fun, it also brings some changes to Ultimate Team and Career modes (both player and manager), always hitting the mark. We hope this holds true throughout the year, and we're keeping our fingers crossed for any patches that, in the past, have brought about some unwelcome changes.

Towa and the Guardians of the Sacred Tree is an isometric hack-and-slash roguelite that combines frenetic combat with strategic party management. The nine selectable characters have different styles that recall RPG archetypes such as tanks, rangers, or AoE mages, although the latter have a significant advantage. The weapon system relies on two interchangeable blades, subject to wear, and the Fury attack, a special attack unlocked by charging mana. Common enemies serve as a prelude to imposing bosses, while between runs, you can spend time in the village on activities that offer permanent buffs and encourage a constant growth cycle.

NHL 26 delivers a mixed experience. The game shows flashes of brilliance, thanks to a solid gameplay rhythm and a fair amount of on-ice spectacle, but it's still weighed down by a range of persistent issues. These flaws, while sometimes minor, can become increasingly frustrating over the course of a full season, especially for dedicated players. The revamped Be a Pro career mode is a welcome improvement, addressing several weaknesses from previous iterations. However, the rest of the game modes offer little evolution, largely recycling content and features from last year without introducing meaningful innovations.

While it isn’t perfect, with optimization especially leaving something to be desired, Borderlands 4 is a very clear improvement over its predecessor, with a far better paced story, a convincing set of characters, and a gameplay that benefited greatly from the newly added movement mechanics.

Katanaut is an action roguelite that focuses heavily on the katana: quick and brutal slashes deliver great impact, with the ability to reload your firearm only by striking in melee, creating an aggressive and satisfying gameplay cycle. Melee weapons are complemented by laser rifles, railguns, and grenade launchers that diversify the runs. The extensive perk and power-up system offers spectacular synergies, but some cooldowns are too short, making certain builds overly powerful. The experience is penalized by procedural generation, which offers linear corridors or empty areas, aggravated by enemy AI. Visually polished, it's fun but remains imperfect.

Hollow Knight: Silksong elevates the Metroidvania experience with a vast and intricate world, filled with unique biomes, hidden secrets, and clever backtracking that turns every step into discovery. Hornet, agile and versatile, tackles her ascent to Pharloom with dashes, diagonal pogos, and abilities that make for fluid and creative platforming. Exploration intertwines with intense combat against over 200 enemies and 40 bosses, each with deadly patterns that require study and precision due to their high difficulty. With hand-drawn environments that resemble living paintings and Christopher Larkin's soundtrack, capable of shifting from melancholic whisper to orchestral explosion, Silksong transforms every screen into a visual and aural spectacle of rare intensity.

Daemon X Machina: Titanic Scion is particularly impressive when it comes to gameplay: the combat system is varied and creative, the exoskeleton customization is extensive, and the boss fights, when they work, offer spectacular moments. Multiplayer is also solid, thanks to cross-play that expands the possibilities for cooperation. The rest, however, isn't quite as impressive: the plot is weak, the cast forgettable, the filler missions slow down the pace, and the game world, while vast, feels empty and repetitive. Last but not least, on a technical level, the Switch 2 version reviewed here shows clear limitations, with slow loading times and an unstable frame rate. This is a game that will entertain fans of mechs and gear optimization who are willing to overlook the objective problems, but it's unlikely to satisfy those looking for an engaging story or a world to enjoy exploring.

Everybody's Golf returns to its roots, leaving the pseudo open-world of previous instalment for a more traditional structure. The new dev team has worked to give fans an accessible but appropriately challenging title, full of classic and new challenges, but it should have worked harder to offer something truly new that went beyond mini golf-style modes and, above all, a title that was technically and aesthetically on par with current platforms.

Super Robot Wars Y is an ode to nostalgia and a passion for Japanese robots: every animated sequence, every opening credit, every battle is a small celebration of the cartoons that shaped our childhoods. The roster combines old and new series to please fans of all ages, while the overly simple strategic action almost becomes a pause between one breathtaking sequence and the next. Here too, the series shows the weight of tradition: few innovations, long dialogues, and a conservative approach that limits risk and surprise, keeping it prisoner to its formula. You have to know what you're getting into. Those who love Japanese robots and jump out of their seats at the sight of Tetsuya incinerating assorted monsters with gamma rays, screaming like a maniac, will find this an almost essential experience. Those who know the series inside out and are looking for freshness and boldness will inevitably be disappointed.

NBA 2K26 confirms its position as the undisputed champion of basketball games in a largely uncompetitive market, sticking with its familiar formula and improving it in a few ways. We really enjoyed the improved fluidity of the match action and the new shooting mode, as well as the structure of the career mode, although the reward system and the myriad of repetitive tasks don't always live up to expectations. As always, we're not particularly fond of in-game transactions, but they're no longer a novelty. The king is back, long live the king! But so many taxes...

Lost Soul Aside is one of those titles that, once you've played it, makes you realize the difference between knowing a video game series well and developing one. There are several elements worth saving, but they're not helped at all by the context in which they were inserted. And the idea of ​​launching everything at a premium price also lowers the appeal of the offering.

Hell is Us is a third-person action adventure that combines semi-open exploration and Souls-like combat. There are no maps or indicators: the level design guides the player through areas connected by environmental clues and dialogue. The combat system relies on stamina and light or heavy hits, and as hit points decrease, so does stamina, creating a vicious cycle that can be broken with the Healing Pulse, a technique that converts damage dealt into healing. The KAPI drone adds variety with support functions, while fights against Hollow Walkers and Haze offer a mix of interesting but not always varied patterns. The highly evocative atmosphere is marred by monsters that don't live up to the setting.

Dice Gambit is a turn-based tactical roguelike that combines combat on a hex grid with family management. Each member of the family belongs to a different class and can evolve with active and passive skills, but Stamina decreases with each mission, forcing constant turnover. Death is permanent, and the loss of a relative can jeopardize the lineage's expansion, forcing a balance between rest and deployments. Combat is good, with various combos to execute with dice, but the graphical representation of heroes and enemies in battle is less so, as they are rather anonymous.

Playing Cronos: The New Dawn is a memorable experience, not so much for its moments of pure terror, but for the way it immerses you in a devastated, abandoned, and, at the same time, dangerous world. The constant sensation is that of walking through ruins and distorted memories, knowing that every step could change something, and that every choice has a real impact on the fate of the Traveler and that of the inhabitants of a humanity struggling against its own end. There's a subtle, persistent tension that pushes you to observe, plan, and carefully evaluate every action, as if you were truly part of that broken time flow. It's a game that lingers more for its atmosphere and worldbuilding than for its technical perfection or shrewd game design choices, which are often cumbersome and unable to work perfectly together. It's tough, at times frustrating, but ultimately satisfying.

An aesthetically pleasing, fast-paced, and appropriately challenging FPS with platforming/parkour elements and a strong nod to the Metroid Prime series. The developers at Ruiner have already demonstrated their talent and demonstrate their prowess in creating atmospheric, futuristic adventures with incredibly captivating gameplay ideas.

More than a remake, Project-X Light Years is the modern sequel to a great classic that made history and, in addition to being one of the best 'reboots' ever seen for IPs of the past, it is also one of the best side-scrolling shmups released in recent months, competing with Yuzo Koshiro's Earthion for my very own award for the most interesting of the season. Proof, if there was still any need, that we Westerners are also very capable of making excellent games of the genre, even if we don't speak Japanese.

A return that doesn't revolutionise, but confirms that Kirby and the Lost Land is still one of the most successful chapters in the series. The graphical upgrade and new content don't transform the experience into something completely different, but they offer the perfect excuse to return and explore the meticulous level design and creativity of the Mouth Morphs. The level remixes, although familiar, prove surprising thanks to new paths and spectacular visual interactions, demonstrating how even a small adjustment can breathe new life into an already beloved world. Short, yes, but intense enough to remind us why the chubby pink hero always manages to make us smile and make every exploration a pleasure.

After Grendizer, Microids brings back Space Adventure Cobra, which spotlights a sort of interstellar Lupin III who loves getting into trouble. Unfortunately for him, this time he has to deal with an adventure marred by incomprehensible design choices. What's completely flawed is the control system, which makes many stages of a game that otherwise had the potential to appeal especially to "old teenagers" of the '70s and '80s, unnecessarily difficult and unfun.

The Rogue Prince of Persia presents itself as a solid and engaging roguelite action platformer. While strongly reminiscent of Dead Cells, it manages to carve out its own identity thanks to the protagonist's agility and fluid, rewarding gameplay. The variety of equipment, meta-progression, and procedural level structure offer a good amount of depth, although the moderate difficulty and limited content may disappoint more demanding players.

After 20 years, Gears of War is finally coming to PlayStation 5, with the very first installment of the series further polished, enhanced, and complete with all the content released to date. A few wrinkles are noticeable, and the gameplay's rigidity might make it a bit unpalatable for younger players accustomed to blistering speed, but the charisma is still there, and the power of the war between the COG and the Locust is still ready to make your Lancer explode in your hands.

Art of Vengeance is a title capable of redefining what a 2D action platformer can offer today. Lizardcube succeeds once again, combining technique, style, and rhythm with a mastery that captivates both longtime nostalgics and those approaching the Oboro Clan for the first time. Every fight is a lethal dance, every stage an invitation to explore and improve, and every extra feature a challenge that rewards dedication and commitment. It's an intense, elegant, and ruthless experience, where every victory is earned on the field and every mistake is paid dearly. A return in which past and present collide uncompromisingly, reminding us why Joe Musashi is, and remains, a legend. And now, friends of Lizardcube, how do you feel about bringing Golden Axe out of retirement?

Diving back into Snake Eater in a remastered, more fluid and modernized remake with a revised control system is undoubtedly an offer few would be able to resist. We would have liked to see a little more courage—after all, a betrayal for a just cause would have given the production character—but we understand that Delta is the first timid step toward a new direction for the series. We remain curious to see how Konami will expand its ambitions in terms of re-releases of past installments, perhaps in Volume 2 of the Metal Gear Solid: Master Collection or, who knows, with future remakes and, why not, new episodes. A reverential homage, perhaps too much so, but nonetheless essential for fans.

A huge and luxurious mansion, haunted and full of traps, becomes the setting of deadly challenges between complete strangers. What might seem like the beginning of a book written by Agatha Christie and Stephen King is actually a surprisingly fresh and entertaining party game with a thriller twist. Technically it's not a masterpiece, but if you have a few friends around it could become your favourite multiplayer game until Halloween and beyond.

Gatekeeper is an isometric roguelike that focuses on straightforwardness: no complex hubs, just choose a character and get started. Missions alternate between simple objectives such as escort, resistance, and activation, and spectacular, well-constructed boss fights. The power-up system is effective, with 10% bonuses that are cumulative and immediately noticeable. However, the progression system is immature: perks are unlocked with a slow “point collection” that does not enhance the character but only the assortment in the shops, and abandonment due to excessive grinding could come very soon.

Kill the Brickman is a decent roguelite with a nice idea behind it, but unfortunately it suffer a bit from repetitiveness and lack of varied enough content.

Abyssus is a good cooperative roguelite shooter, featuring a beautiful setting and decent gunplay, but it suffers from lack of variety, being too chaotic at times (especially with four players) and also, let's face it, having a subdued soundtrack. It must be said, however, that when you're shooting, you don't ask too many questions.

Now that Hellblade II has arrived on PS5, there's no excuse not to play it. Especially since once you've finished the game, you can start again by activating developer commentary, which is also added for free on Xbox and PC, along with Photo Mode and the other improvements in this Enhanced Edition.

The Necromancer's Tale is a narrative RPG set in an alternate 18th century, where black magic and political intrigue intersect. The gameplay in the early hours prioritizes storytelling over action: character creation takes place through a long interactive prologue, which affects stats, reputation, and relationships. The pace is slow, but it offers depth in dialogue and moral choices. The trust system heavily influences interaction with NPCs. Turn-based combat benefits from good artificial intelligence, and once the art of necromancy is discovered, the action becomes much more compelling. A fascinating title that requires a good deal of patience, ideal for those seeking immersion and storytelling.

Warhammer 40,000: Dawn of War – Definitive Edition is an extremely disappointing “definitive” collection: a superficial remaster that doesn’t do justice to the historic first chapter of the RTS saga. The four included titles remain solid in terms of content and replayability, but the remastering work is minimal and incomplete. Given the high price, the remastering feels sloppy and unjustified. Yet another wasted opportunity for Relic Entertainment.

BOULDER DASH 40th Anniversary revives the 1984 classic with over two hundred levels, including the original sixty from the first three chapters, introducing new gameplay elements such as enemy generators and acid pools, plus an intuitive editor. The fast pace and scoring system reward reflexes and precision, while the variety of content ensures longevity. Among its strengths are the solid gameplay and Chris Hülsbeck's soundtrack. Less convincing is the graphic style, which is uninspired and too reminiscent of hyper-casual mobile games. A successful tribute, despite the occasional lapses into laziness.

A futuristic wheelchair basketball game that nods to Rocket League. The idea isn't bad and the foundation is there, but currently Drag x Drive is more of an experimental title that needs some tuning and, above all, desperately needs new content in the months immediately following its launch.

Echoes of the End is an action game that aims high, but struggles to achieve its most ambitious goals due to stuttering gameplay, which is only partially offset by the beautiful vistas and excellent acting. Myrkur Games is a small team, and this is their first effort, so it's not a huge fault: but the result is still not entirely convincing.

Gradius Origins is a celebration, a labour of love for an era when every token was a gamble between you – a clumsy kid – and the universe itself. With never-before-seen goodies, meticulous revisions and gameplay refined with the obsession that only M2 can offer, this collection is as much a historical document as it is an invitation to rediscover a legendary series. It's a shame about the barely adequate museum section, an aspect that should be given more attention, especially now that Digital Eclipse's work has raised the bar, setting a standard that every retro collection should now strive to meet. But there's always time to improve with a second volume: after all, even Gradius IV: Fukkatsu was left out of the arcade discussion.

A faithful and visually stunning adaptation of Demon Slayer’s latest arcs, but limited content, minor gameplay tweaks, and weak online support make it feel more like an expansion than a true sequel.