It is a combination of gameplay elements borrowed from different genres and mashed together to form a feel-good experience. Moonglow Bay is not just a fishing adventure, a time management game or a skill-based cooking game. It is a glimpse into the life of a virtual community and a lesson of how each member plays an essential role to make it thrive. It is worth experiencing for any fans of casual games looking to get lost in an optimistic narrative.

All in all, Rage 2 is a good way to pass the time, especially since this summer is going to be a long one and there aren’t major releases planned. The story itself can be finished quickly if you ignore the sidequests, but if you want to do everything, you’re going to spend at least double that.

Of Ash and Steel is one of those RPGs that are the clear definition of the “eurojank” genre. It has a lot of ambition, both when it comes to the world’s size and scope, but also in regard to the story. It does lots of things right, like creating a very compelling and long experience which you will enjoy for dozens of hours. However, the game is also marred by technical issues, at least at launch. I didn’t have major stability issues, aside from a few hiccups as the game loads different areas. However, the game is filled with bugs, and some things like the battle or facial animations lower the overall appeal of the experience. It’s certainly a love letter to the old-school RPGs with a modern coat, but it’s definitely one that needs a bit more time in the oven. I hope they will solve these technical problems, because Of Ash and Steel is a promising RPG. It’s just not in the best state at launch.

The best feature of the entire experience is the skirmish mode and the way it allows players to customize the coming battle to their expectations.

VoidExpanse isn't a two-dimensional version of Elite: Dangerous or Star Citizen, not by a long shot. If you want an immersive space opera adventure that you can lose yourself in, you won't find that experience here...Instead, it offers a much simpler and lighthearted journey through space, focused on action, with some narrative fluff to act as padding, and with a couple of more fleshed-out quest lines to follow when you feel like progressing to the next stage.

Overall, SpongeBob Squarepants Battle for Bikini Bottom Rehydrated is a zesty and refreshing remake of a classic. It is no masterpiece by any standards, and some parts of it still feel superfluous, but it offers a fun single-player experience. The atmosphere of the game is great, mainly because the developers seem to have understood the universe which the game is based on, paying extra attention to fan favorites. The length of the game is more than fair and the new additions, except the co-op, enhance the overall experience. The return of most of the original voice actors is also a bonus, making SpongeBob Squarepants Battle for Bikini Bottom Rehydrated a fair remaster and a fun summer-y experience.

The premise of GUG is very interesting, at least for people that love creature collecting or turn based battles. The idea that you can write anything and create a creature is amazing, and they do have some impressive creatures. However, it all comes down to experimenting, figuring out what words give you the best results and immerse yourself in the experience more and more. GUG has its drawbacks for sure, it’s not perfect. But if you like turn based gameplay and the idea of creating creatures at your leisure, then it’s worth a shot. The lack of a proper tutorial does hurt the game, and the fact that you can spam certain keywords to basically cheat and create overpowered creatures is definitely something to keep in mind. I think despite that, GUG is worth checking out, as its core framework is great. I do hope that the devs can improve upon it if they make any sequels or similar games.

Nevertheless, the game can be enjoyable for someone who has a passing interest in the exploration of space and in management, but it requires more tutorials, better information delivery, and more depth in order to appeal to a wider audience.

What Daemon X Machina gets right is the feeling that you're in control of a huge mech and wrecks havoc on the battlefield, and that's certainly no small feat. Unfortunately, developers seem to have focused on refining the combat mechanics to perfection but forgot that the game does have other parts that need their attention too. If you can get past all the negatives, Daemon X Machina is a very refined mecha game that truly catches the spirit of the genre but falls flat when it comes to narrative and characterization.

Faraday Protocol checks the most important checkboxes of the genre: easy to learn mechanics, puzzles that become harder and harder, stylish art style and a few collectibles. Still, you cannot help but wonder why you have the feeling that the game is a bit empty. Despite the AI and your limited interaction with it, most of the time you will feel alone, in a world that is so focused on puzzles that it feels synthetic. If you like puzzle games Faraday Protocol is one you do not want to miss. If you are a newcomer to the genre better start somewhere else and circle back later to this game, when you already have some experience.

If you like horror adventure games, DARQ Complete Edition is definitely worth trying. If you played the game already, you can now replay it in its complete form with better framerates. If this is your first contact with DARQ, the Complete Edition offers the best experience possible. Still, it is hard to forgive the length, the lack of the story, and the fact that after you played or, replayed it once more, there is nothing more to do here. The atmosphere is special, the puzzles are well thought out, and the environment is very detailed, but each player has to decide for themselves how 2-3 hours of fun should translate into a price tag.

If not for the solid core gameplay, Warhammer 40,000: Darktide would be just another cash grab. There are so many things unfinished in this game that you can’t help but wonder if this is another case of “publisher forces developer to launch the game.” With Fatshark’s pedigree, this could have been an amazing game, especially if everything that was promised prior to release would actually be in the game. It feels like developers planned to add many of the missing features after release, but it might already be too late. Players pool is already dwindling, so by the time the game is fixed, there might not be too many people to play it. That’s such a shame because Warhammer 40,000: Darktide had so much potential.

Royal Frontier is a simple game that can serve as an introduction to the rogue space but does not have the unique or interesting elements of the best of its genre. Combat is interesting at first but becomes rote very quickly. Unlocking new blessings does not feel important or cool enough to keep players engaged. But this could still be a slightly fun rogue and combat experience if it weren’t for the QTEs. They cannot be avoided, add little to the gameplay, and make everything take a lot more time than it should. Rogue Frontier understands what makes its chosen genre interesting for players but fails to introduce any unique mechanics of its own.

It's true that the weird combination of first-person shooter and strategy elements do work quite well in Disintegration, they're not as fun as one would expect (if anyone can expect that). Instead of having the best of both worlds, Disintegration puts itself in the position of potentially being hated by fans of both genres. Yes, the hybrid approach does work, but it's not entertaining enough to warrant a full playthrough. Here is hoping for a better sequel though.

Neighbours Back From Hell is fun but misses quite a few opportunities. The veterans would have loved to get the three absent levels, for the newcomers it would have been a tremendous help to see the tutorials and a leader board would have added replay value and would have extended the short gameplay time. As it stands, Neighbours Back From Hell feels like a hastily put together package that with a bit more attention could have been the remaster we did not know that we needed, but we really enjoyed, instead of the remaster no one asked for and no one will remember.

Skull and Bones spent seven years in development, but still feels like an unfinished beta version that was released way before it’s time. And while many expect this kind of patchwork from Ubisoft, it is still a reprehensible industry practice that is in no way fair to the players, who despite all the warning signs have waited and hoped for the game’s release. Just as another live service game recently released based on the DC universe, Skull and Bones feels like a cash grab attempt that maybe fixable in the future with many patches and updates but even in its ideal form is far from an AAA title. At best it could be a relaxing and engaging, albeit repetitive activity, but in its current form is a beta version sold at full price.

Although it starts as a walking simulator, Maid of Sker turns quickly into a horror game that will remind you either of Silent Hills or Resident Evil or maybe of Outlast or Amnesia. No matter what your experience is with horror games, you will find their influence on Maid of Sker, which is not great, not terrible. It is a lukewarm experience, which rather frustrates than scares, and which due to its length and content can be recommended only after a serious discount.

Hidden Through Time 2: Myths & Magic may be a casual game, but it offers a hardcore experience for the fans of the hidden-objects genre. It is a puzzle game that has a catchy visual style, it is full of details and offers many hours of fun. The lack of replay value of the basic levels is balanced out by the level editor, that hopefully will be embraced by the community. All in all, Hidden Through Time 2 is a good example of how to implement a simple concept in an engaging way.

I desperately wanted The Callisto Protocol to be a success so that we can have another Dead Space-like franchise to look forward to, but as it stands, I can’t recommend this game, especially until its issues are fixed in a future patch. I do hope that if there’s a sequel, developers will come up with something fresh to make us forget about the first game.

It will take quite a bit of time to learn the controls and get used to the visual style this game has. But, once you do, you will find yourself trying to finish the game. It’s not going to be a game for everyone, especially due to its weirdness and strange story. But it’s an artistic game, and one that brings a sense of self-expression, while also embracing horror in a way that I think is quite satisfying. Yes, it needs more polish and guidance when it comes to the lore and story, however it's a solid effort, especially as a first release from the studio.

The game is deceptively fun and captivating, in spite of its seemingly basic interactions.

Mosaica: Arboreal is one of those games that you want to try out after a challenging day at work or a serious day/night of gaming. It’s meant to be relaxing, enjoyable and a way to chill out after all the stress you had until then. And for the most part, I think it succeeds. Its puzzles vary in difficulty, and there’s always something new to uncover. Plus, elements such as loot help expand the experience, while still keeping it very rewarding. It's clear that Mosaica: Arboreal won’t appeal to everyone, especially when it comes to its use of AI art. However, the puzzle-solving side of the game carries it through, and it can become very fulfilling the more you play. Don’t expect a lot of depth and keep your expectations in check when it comes to AI usage. But as a whole, the game delivers if what you want is some great puzzle-solving, if you are willing to get past a few shortcomings.

Edge of Eternity oozes the enthusiasm and passion of its developers. The exploration is mostly rewarding, the combat system is engaging, but the lack of focus when it comes to gameplay elements and the uninspiring story make it ultimately unremarkable. It is a big achievement for a small team, but it is not a game I can whole heartedly recommend. If you are a JRPG fan you already saw everything this game has to offer in other places with a superior implementation. Edge of Eternity offers plenty of content, but it feels like it was released at least a decade too late for its own good.

King’s Bounty II feels like a half-baked game that’s missing a lot of the features that made the series so popular among players. Even the content that does share similarities with the previous games seems rushed and unpolished. Although I commend the developers’ wish to bring something fresh on the table, I believe King’s Bounty II is a missed opportunity. Even though many of the issues the game had at launch may be fixed in future patches, there are many design choices that are impossible to address. Janky in all aspects, King’s Bounty II can be a worthy new entry for long-time fans or a terrible idea. If you’re considering this, just keep in mind that it’s rough around the edges.

The Feast is more of an interesting experiment than a full-fleshed video game. I don’t have a problem with the short duration of its story or the small number of endings. The atmosphere and some of the emotional moments are very well put together. But gameplay is limited and the player is too much of a blank slate to motivate players. A little more context would have helped in this area. How players react to the entire experience will depend on their love for dark stories, absurdity, and creepy moments. The Feast shows the developers at Sever have a good grasp of their ability to create narrative and atmosphere, but they need to work on their approach to gameplay.

Combat Monsters does have some good ideas and mixes genres well, but the move from mobiles to the PC should have brought some updates and changes that have not been implemented, and the experience is poorer because of that.

Saints Row raises mixed emotions: on the one hand it has its moments when it is fun and manages to engage you in its criminal empire building fantasy. But for each high you have at least one low, that turns the game into a technical mess and makes you feel like you are playing a not so pretty GTA clone. The new direction, both visually and gameplay wise show a lot of promise, but the execution is severely lacking. With the so necessary bug fixes and some quality-of-live improvements, the new Saints Row can be a nice experience that won't innovate upon the formula, but at least it will offer fun moments.

The main problem with The Occupation is that it hides all the good things (i.e. great concept, strong narrative) under a layer of wrong design decision, bugs, glitches and awkward controls. I had high hopes for this one, but in this state I would not recommend The Occupation to just anyone.