Luigi’s Mansion 2 HD is a treat for fans of the original game as well as those who were introduced to the franchise with Luigi’s Mansion 3. It’s been properly modernized with beautiful lighting and improved features, though there are some growing pains in the jump between platforms. Still, it provides the excellent blend of spooky and silly that makes the series so endearing.

Riven is another beautifully assembled upgrade of a classic for Cyan Worlds, and it seems to play more wonderfully than ever. The puzzles and exploration feel immersive, even if it gets a bit unwieldy with a lot of back and forth between the islands as you come back to solve certain puzzles later. Even then, the returning Notebook system does a great job of aiding in the easy access of clues and information if you use it effectively. With that said, this is also just a beautiful game to explore and whether you’re a returning player or discovering Riven for the first time, it's likely to be a peaceful and intriguing experience.

There hasn't been a new Super Monkey Ball game in over a decade and Sega certainly approached this new entry to the series like it had some catching up to do. There's a lot to enjoy in Super Monkey Ball Banana Rumble, from the lengthy story to the local and online multiplayer. It certainly isn't perfect, especially given that some of the series' most recognizable multiplayer modes aren't here. Seriously, no Monkey Target might cause an uproar among fans. However, even with those missing staples and some over-the-top difficulty spikes, this is no rotten banana. Super Monkey Ball Banana Rumble is a strong comeback for the series and will hopefully keep rolling for years to come.

Hauntii has some flaws, but it's short enough with enough unique ideas that I'd say it's worth experiencing. The opening alone is a brilliant example of the type of artistic expression that games are capable of producing. Even if the majority of the rest of the game doesn't quite hit its lofty heights, it's still an enjoyable way to pass a weekend.

Eldritch Realms adds an impressive number of new ways to think about Age of Wonders 4, and the hero units and realm challenges are among the strategy game’s best so far. Sure, it’s not another Empires and Ashes-level expansion, but it’s pretty darn close.

There’s magic in Rolling Hills for sure. But it’s a very fleeting magic, and a little more sauce would have made it a much more impactful source of wonder. It was definitely cute, though!

As someone who was quite high on MultiVersus after playing its Closed Alpha in 2022, I was hoping that its 1.0 release would deliver a polished platform fighter that fully realized its sky-high potential. While it still leaves several features and fixes to be desired, I can’t deny that the game is still deeply fun at its core. Now, it becomes a matter of whether or not MultiVersus will be able to achieve its full potential in an increasingly harsh landscape for live-service games.

XDefiant feels like a niche, that knows it’s a niche, and tries to sprinkle some broad appeal on top. Just enough to draw in more than the hardcores, without risking alienating them too much. At the same time, it’s a line in the sand moment for all the FPS hardcores who are sick and tired of SBMM. On top of all that, crossing over Tom Clancy series has the appeal of mixing a bowl of potato chips from different brands that are all the same flavor. And Watch Dogs? Anyway, there’s a solid foundation here with rock-solid arena shooter mechanics. If the matchmaking experiment works out and some key adjustments are made, I can see this game sticking around for a good while.

While F1 24 marks significant progress, it's not without its shortcomings. Persistent issues such as the lack of finesse in AI behavior and complexities in currency management detract slightly from the overall enjoyment. Moreover, support for enthusiast hardware remains inconsistent, and certain features like the absence of custom team entry in co-op career mode may disappoint some players. Despite these drawbacks, F1 24 remains a compelling choice for fans of the franchise, offering a thrilling and immersive racing experience worthy of consideration. F1 24 proves to be a worthwhile addition to the series, albeit with room for further refinement in future iterations.

Astor: Blade of the Monolith reflects one of the coolest aspects of video games as a medium with a deep history of iteration. You can take a familiar set of concepts, add new context, and come up with something that stands on its own rather than feeling like a ripoff. Astor does this with an impressive sense of knowledge and understanding of not only Zelda-style exploration, but character action-style combat. The latter is much more niche and specialized, therefore harder to pull off. It’s not quite a bullseye, but gets respectfully close and has me curious about further updates, as well as what this studio does next.

Killer Klowns From Outer Space: The Game is a detailed asymmetrical horror game that gives a lot of love to its cult classic source material. The weird and wacky nature of the film is a perfect fit for the genre, and the gameplay design gives purpose to just about everything you do. I had frustrations with the locomotion and match length, but it didn’t ruin what was overall an enjoyable multiplayer experience.

Digital Eclipse’s new take on Wizardry: Proving Grounds of the Mad Overlord is an impressive and ambitious attempt to bring historical flavor and contemporary approachability and appeal into one neat, modern package. I may prefer the sprites and chiptunes of the Game Boy Wizardry remakes, but the effort and passion for video game history is just as powerful here as it is in other Digital Eclipse works. I would have loved some more museum-style content these folks are known for, but the laser focus on the game here is a fascinating new approach.

Paper Mario: The Thousand-Year Door might be ever so slightly dated in its first two chapters and its insistence on loading every area with too many enemies. Its bizarre cast, excellent writing, and inventive battles mean it earns its reputation as one of the best and most inventive RPGs, though, and it’s just as fresh and imaginative now as it ever was.

Hellblade 2 left me wanting to keep taking another step forward, wanting Senua to succeed, and yet fearing what horrors awaited her next. It’s not for the faint of heart, but it might be one of the most beautifully designed games of 2024.

Lorelei and the Lasers Eyes delivers challenging puzzles alongside a mystifying narrative. It successfully trains your brain to overanalyze, experiment, and ask questions. All hallmarks of an excellent puzzle game. I was frustrated by some technical design decisions that slowed the pace and led to unintentional errors, but still had a thoroughly good time working my way through this otherworldly puzzle box.

Frustrations aside, Men of War 2 is a fresh and ambitious take on a genre that's usually comfortable staying the same. I wish I had more time to sink into its massive multiplayer matches, but even when I don't, I'm still pleased with how strong the single-player experience is. Sure, it doesn't require the same level of strategy as taking on a human opponent, but Men of War 2's inventive mechanics keep you on your toes anyway.

Despite the snags I’ve mentioned, I’m still thinking about Read Only Memories: Neurodiver well after I finished the story. It’s such a pitch-perfect execution on its premise, mixing the worlds of modern cyberpunk with ancient PC technology and western anime fandom. I had a blast spending several hours with these characters and the world they inhabit, and would gladly have spent several hours more. A little more narrative depth and some puzzle guardrails and we’d have a true all-timer on our hands. But as it is, Neurodiver still stands out as a dope slice of niche gaming in a month stupidly crowded with that kind of thing.

When you think about it, that’s kind of the inherent pro and con to puzzles, though. Paper Trail benefits a lot from its distinct mechanics, because they help it stand out among a sea of similar games with similar gameplay hooks. But distinct doesn’t always mean approachable, and Paper Trail ends up being quite complex in a lot of ways that could be awesome for one player and super obstructive to another. And that’s fine! The style, which includes the colorful visuals, silly sound direction, genuine writing, and emotive music, all elevate the experience and aid in that sense of approachability. It’s a little too much for me, but I’m mostly a Tetris guy at the end of the day.

Homeworld 3 plays incredible from top to bottom, and I think whether you’re a fan of the series that’s been waiting for this or a newcomer that just likes good strategy, everyone who takes control of the Khar Kushan is in for an absolute feast of stellar strategy gameplay.

If you want a solid and quirky adventure that will put your reflexes and puzzle-solving to the test, Animal Well is an absolutely fascinating journey.

V Rising offers something distinct, and pretty cookie cutter at the same time. It’s a survival game, but with a novel genre blend meant to attract a different kind of audience. There’s a lot of these, but V Rising brings the action-RPG and gothic styles to the table in a way that feels unique. So that’s fun, but the survival and crafting part is about as boilerplate as it gets. Therefore, if you’re the type of person that shrivels up and shrieks at survival game systems like a vampire considering the concept of brunch, V Rising won’t change your mind. But if you can hang with the concept and also enjoy some Diablo-like combat, having those two things together in one game is pretty rad.

Heading Out is an intricate, compelling story that mixes modular storytelling and roguelike structure with deeply America-flavored media of the 1970s and on, particularly the “road” genre. I’m not a car guy but I do enjoy some crusty Americana, especially the kind that challenges authority and romanticizes the sheer scale and variety of this unhinged nation. Sometimes it may get a little too cute for its own good, but for the most part Heading Out captures its intended vibe with a shocking level of skill and accuracy, an academic level of cultural understanding through a lens of media and literature. That’s pretty darn cool. Between that and the intriguing, almost insincere roguelike structure, we have a game that doesn’t really feel like anything else in its own space.

Indika isn't an easy game to score. Tedious puzzles annoy in the moment, but they're easy to overlook in the broader scheme. Indika's underdeveloped theme stands out, but Odd Meter handles everything else so adeptly that it doesn't ruin the experience, even if it is slightly soured. As trite as it sounds, this really is one game you have to play for yourself and form your own conclusions - and that's probably just how Odd Meter wants it.

The climbing in Surmount is a bit wonky and takes some getting used to, but once you get a feel for it, climbing quickly becomes addicting. Reaching camp at the end of each level was met with a sigh of relief and a feeling of satisfaction that compelled me to keep making progress. The levels are challenging enough to give you a sense of accomplishment when finished. The rigorous platforming is offset by the colorful, cartoony aesthetic and charming characters. I enjoyed getting to know the locals and unraveling the mysteries of Mount Om just as much as I enjoyed trekking to the summit. Technical issues aside, Surmount offers an engaging and accessible climbing adventure that kept me coming back for more.

Back on PSP, I loved playing the Class of Heroes games. They scratched a similar itch as series like Etrian Odyssey and Wizardry at the time. Nowadays there are many more cool and interesting DRPGs, such as NIS’ Labyrinth series and everything Experience, Inc. has done since then. But due to their cutesy charm, silly attitude and surprisingly treacherous dungeons, Class of Heroes stands out to this day. If you like to set up your own party of weirdos based on your own granular choices, then bash them against endless waves of monsters and traps for the sake of loot and progress, you can’t go wrong with Class of Heroes 1 & 2 Complete Edition.

While Endless Ocean Luminous feels limited as a single player game, it works far better as a communal activity. Whether it's with friends or random players, Luminous is at its best when there are more fish (figuratively and literally) in the sea. There are a few things that hold it back from being truly transcendent, like the limited ocean life animations and the story's overall structure, which is told through all-too-short individual chapters. With that said, Endless Ocean Luminous doesn't make a big splash, but it does feel like a relaxing swim.

Another Crab’s Treasure is a shocker of a good time. The combat is mostly fair and interesting with all of the stuff you can do involving shells, level-ups, Stowaways, and other options. The world is also fun to explore, beautiful, if a little bittersweet, and full of secrets. Mix that with a good soundtrack and a funny story full of cute little crustacean characters, and Another Crab’s Treasure might be one of the most surprisingly sturdy Souls-likes I’ve seen in years.

The thing about Sand Land is that it’s very confident in itself. It knows what it wants to be, and it achieves its goals effectively, whether those goals are what we think it should be or not. That doesn’t change how the game plays, of course. Stealth is still tedious, and combat is a bit floaty and simple. It does make the presentation stronger, though. Nothing feels half-baked or thrown in just for the sake of chasing a trend, and that confidence gives Sand Land a strong sense of identity that makes it easy to overlook some of its less engaging features…That’s Sand Land in a nutshell, though. It’s a vibes game more than anything else, charming, sometimes surprisingly incisive, and daring enough to be its own thing. That thing isn't always as engaging as it could be, but it's certainly unforgettable.